Right Back Where I Started From

I spent most of Friday roaming around SF, taking pictures and basically just soaking up the locale for my third MONK novel, tentatively entitled MR. MONK AND THE BLUE FLU. This is my second research trip to SF. Although I grew up in the Bay Area, I don’t know the city as well as I would like…at least not if I’m going to be writing about it.

In the evening, I made my way over the traffic-clogged Bay Bridge to Berkeley where I was the guest at Mystery Reader International’s "At Home" author chat…held, appropriately, at MRI leader Janet Rudolph’s hillside home. Among the attendees were author David Corbett and Left Coast Crime/Bouchercon Monterey organizers extraordinare Bill & Toby Gottfried. I told my usual lies and exaggerations and a good time was had by all (especially me).

Now I’m sitting in San Mateo, where I will be interviewed today by the founder of a MONK fanclub/website and signing THE MAN WITH THE IRON-ON BADGE at 2pm at M IS FOR MYSTERY. Then it’s a long, six-hour drive back to L.A…listening to music on my iPod and a book-on-tape (I finished listening to the lastest Spenser, SCHOOL DAYS, and wasn’t wowed. It’s one of the weakest entries in the series…but at least Susan wasn’t in it, which was a plus).

Going Home Again

Last night, I had a signing at the Barnes & Noble in my home town of Walnut Creek, California. I drove up from Los Angeles, which took longer than usual due to rain, fog, and more cops on the road than I’ve ever seen before (I guess end of the month is ticket-quota time).  But it was a pleasant drive. I lost myself in mysteries — finishing a  J.A. Jance book on tape and starting the latest Spenser.

Once I got up to Walnut Creek, I couldn’t resist visiting Emil Villa’s Hickory Pit, a place I used to love as a kid. It’s probably been a decade since I’ve eaten there. Well, memories can be tricky things. Either I’ve changed or the ribs have. They tasted like they were frozen and then marinated in solvent.  I should have known better — they weren’t good ten years ago, either. Why did I think they’d be more like I remembered now?

I did some drive-by signings at  B &N in Concord, B&N in Dublin, Borders Express in Concord and Borders in Pleasant Hill before heading to the main event in downtown Walnut Creek.

The signing didn’t pack a big crowd, but I never mind that. The bookstore ordered quite a few copies of THE MAN WITH THE IRON-ON BADGE, which were prominently displayed (and had been for the week prior to my arrival and will be after I leave), and there were two posters in the store announcing the event. They even had a healthy number of DM books on hand. There was a film crew there from Rossmoor, a retirement community that has their own television station (The DM books are big with the retirees, as you can imagine), so my signing will air on TV in the next few weeks, so I reached more people than actually attended. I was on a mike, so more people came as I started speaking, answering questions, and telling all my Hollywood anecdotes.

I finally got to meet Chadwick Saxelid, who has reviewed the DM books on Amazon and is a frequent visitor here — and who I just killed (with his permission) in the DM novel I’m writing now. And my old high school chum Jim Sampair showed up with his lovely wife and mother (I’ve always known her as "Mrs. Sampair, " so when it came time to sign her book, I realized to my embarrassment that I didn’t know her first name!). I also forgot, in middle of my talk, how many days there are in a year — I blame those solvent-soaked ribs for my mental hiccup.

Tonight I meet the members of Mystery Readers International at Janet Rudolph’s home in the Berkeley hills. I’ve heard from lots of other authors that her "At Home" events are a lot of fun, so I’m looking forward to it.

Bibliomysteries

The latest issue of Mystery Readers Journal, from the folks at Mystery Readers International, is just hitting the stands. This month’s issue is dedicated to "bibliomysteries" and includes articles by Bill Crider, Rochelle Krich, Elaine Viets, Carolyn Hart and me among many others. I wrote about the painstaking research that went into writing THE MAN WITH THE IRON-ON BADGE.

(I’ll  be talking to the members of Mystery Readers International up in Berkeley on Friday, Oct 28, at 7:00 pm. Contact Janet Rudolph for more information).

Terry gives BADGE high Mark

THE MAN WITH THE IRON-ON BADGE earned a rave review from Mark Terry this week in The Oakland Press. He says, in part:

"The Man with the Iron-On Badge" has snappy dialogue, tight plotting and near-perfect pace. Mapes is laugh-out loud funny in the way of Janet Evanovich’s Stephanie Plum, and the plot is surprisingly graceful, keeping the reader guessing to the very end. Harvey’s growth as a human being is an added bonus. One can only hope this is the first of many novels about this engaging character.

Thanks, Mark!

The Cold Draft

Yesterday, I shared excerpts from  some of the rejection letters I received for THE MAN WITH THE IRON-ON BADGE during its long journey to publication. Today, novelist Laurie King reflects on the uncertainty and rejection all professional writers face, regardless of their past successes.

There ain’t no guarantees in the writing business. It’s scary even to mention
the possibility, as if failure is a demon summoned by voicing his name, but it’s
very true, it’s waiting just outside. I’ve got sixteen books out there, sold a
couple million copies, had titles on the New York Times list, and still, every
day I feel the cold draft at the bottom of the door. My accountant talks about
SEP accounts, and I think, well, that may be necessary. My husband asks if we’re
going to have the money for some project or another, and I have to tell him I
don’t know.

Rejection

Last week, I talked about the long road to publication for THE MAN WITH THE IRON-ON BADGE,which came out this month to some terrific reviews (including a starred review from Kirkus and a rave from Publishers Weekly).  Here are s0me of the rejections the book got over the years. I’ve edited out the names of the companies and editors.

"The manuscript was a lot of fun — definitely a good read and a fresh angle. We seriously considered it since it is so unique, but ultimately we have to pass since we are moving away from mysteries and thrillers…"

"I am going to have to pass on an offer at this time. We must be extremely selective with the titles we bring on."

"Thanks so much for the extended look at THE MAN WITH THE IRON-ON BADGE. You know I hold Lee in the highest regard and I thought he treated this mystery with great humor and enthusiasm. Though I think the conception is novel, in the end I just thought that the plot development moved a little too slowly for us to be really able to break this out commercially. Furthermore,  though I think Harvey Mapes is a great protagonist, I just didn’t think the ‘fish out of water’ conception would play out successfully in a very crowded and competitive market."

"This story is well-written and entertaining; however, the tone is not quite right for our list and overall it would be very difficult to publish."

"This is going to be a pass for me. Though I thought the writing was strongly readable and mildly humorous, the protagonist likeable and the overall delivery well structured, I’m afraid the overall storyline wasn’t strong or original enough for me."

"I agree it is an unusual crime story. Unfortunately, we find the market is glutted with crime fiction right now and the market is not kind these days. Simply put, I did not find this manuscript special enough to warrant an offer."

"Lee Goldberg is a great writer but I’m afraid I didn’t respond to the first person voice the way I would have liked in order to confidently take it on for my list here and be its advocate."

"Lee has a good sense of humor and a great grasp of the down-and-out detective genre. I found the story here entertaining, and though it’s not perfect, I asked the publisher to read it. He was not as enamored of it as I was and I lost the battle of wills."

"It’s a lot of fun and very professionally done, but I just don’t see it for my list. I’m sorry, because I liked Harvey. I loved the wit, I admired the use of the L.A. setting. This is one of the better PI novels I’ve ever read."

Read more

CRIMESPREE Wants More

The November issue of Crimespree Magazine will include editor Jon Jordan’s very nice review of  my new book THE MAN WITH THE IRON ON BADGE:

Harvey Mapes could be me. He’s a guy who reads a
lot of PI novels, loves the old PI television shows and he thinks he can
solve mysteries. The similarities are almost disturbing. However Harvey is
fictional, and a bit more willing to take chances.

The book sets up nicely
with Harvey working in his guard shack for a gated community in California.
One of the residents makes a nice monetary offer to him in exchange for
services, in short the old rich guy wants his wife followed. Harvey having
read many books and seen many TV shows feels he’s up to the job. What ensues
is a wonderful story of the pitfalls of overestimating yourself, and what
happens when you surpass your own expectations.

Goldberg has a knack
for combining just the right amount of humor and realism with his obvious
love for the PI genre and his own smart ass sensibilities. THE MAN WITH THE
IRON ON BADGE
is a terrific read and I for one would love to see this become
a series. Goldberg is the real deal and should be on everyone’s must read
list.

Thanks so much, Jon. I’d like to write more about Harvey, too.

An Idiosyncratic View of My Book

Many thanks to Sarah Weinman at Confessions of an Idiosyncratic Mind for making my new book  THE MAN WITH THE IRON-ON BADGE a "pick of the week".

This book is getting a ton of
review attention and it’s easy to see why: on the surface, it’s a classic
wish-fulfillment tale, but the substance that lies beneath is what elevates
Goldberg’s novel into a thoughtful, sometimes sweet and always engaging look at
what it takes to grow from a boy to a man. In a way, I see why it took so long
to reach readers: many other writers would need another 100 pages to tell the
same story, but credit to the author for putting it across without a wasted
word.

The Long Journey to Publication

I got this comment here yesterday regarding my new book THE MAN WITH THE IRON-ON BADGE:

I noticed in the comments on Paul’s site that it two years of wading
through rejections and the like, to the point you wondered that it may
just sit in your drawyer for all of time – I would be most interested
to hear more about this journey from you, what your thoughts were on
why it didn’t find a home in the beginning, what obstacles you faced
with it, etc. I think many have the idea that established, published
writers don’t have to deal with that once they’ve broken in and gotten
published.

Succeeding with a book or two doesn’t  mean everything you write from now on will get published.  The publishing business today is brutal. There are many well-known authors who wrote a book outside their established series or genre and, as a result, either had to fight to get it published, had to switch publishers for the title, or couldn’t get it published at all. And there are many acclaimed, mid-list authors who have had their long-running, successful series dropped and are fighting to get back in print again (often having to resort to using a pseudonym to avoid being damned by sales figures of their last few books).

THE MAN WITH THE IRON-ON BADGE is about a guy who learns everything he knows about being a PI from reading books and watching TV shows. It’s about the clash between fictional expectations/stereotypes and reality. The book is something of a spoof…and yet, at the same time, a straight-ahead crime novel full of explicit sex and violence. That shifting tone made the book a hard sell…because it didn’t fit into a particular marketing niche. Is it a satire? Is it a PI novel? Is it a thriller?

Most of  the editors who rejected the book praised the writing but didn’t see where it would fit in their publishing line.  There were two editors at major houses who loved it and wanted to acquire it…but  couldn’t convince their superiors. Another wrote a LONG rejection letter, saying how much she loved it, that it was the best PI novel she’d read, and how it pained her not to be able to publish it. (In the mean time, I wrote a screenplay version of the book, which landed me the gig writing the DAME EDNA movie. It never got made, but it was a very big payday for me and my first solo screenwriting job outside of episodes of TV shows I’ve produced).

It was frustrating not being able to sell the book because I felt it was the best novel I’ve ever written. I loved writing it and I very much wanted to write more about Harvey Mapes, the main character. At the same time, I couldn’t whine too much, because I have been doing well with the DIAGNOSIS MURDER books. Of course I approached my DM editors about BADGE…but as much as they like me, and my work, they weren’t willing to take the gamble (I’m hoping they will consider the paperback rights now that the book has been so well reviewed).

Finally, after two years of  shopping the book, we took it to Thomson/Gale/Five Star,  which has  a reputation for putting out fine mysteries…and for being a place  where  published authors can find a home for their "dropped" series and unpublished works.   It’s an imprint run by writers (like founder Ed Gorman) and editors (like legendary book packager Martin Greenberg)  who truly love books and appreciate authors. They produce handsome hard-covers that are respected and reviewed by the major industry publications. I had a great experience with them on THE WALK (another book that was a hard sell)  and I knew they would treat THE MAN WITH THE IRON-ON BADGE well.

The downsides with Five Star are that they pay a  low advance, they primarily serve the library market and have very limited distribution to bookstores (though they are stocked in most independant mystery bookstores). The only way to get your title in a Barnes & Noble or Borders is to have an event in one of their stores.  Still, it’s possible to win wide acclaim and impressive sales with a Five Star title, as my friend Robert Levinson proved last year with ASK A DEAD MAN, an LA Times Bestseller that won a starred Publishers Weekly review.

The hope with a Five Star title is that it will be well-reviewed, sell big within Five Star’s limited market, perhaps get an Edgar nod (or the equivalent from RWA, WWA, etc), and get enough notice that a larger house will pick-up the mass market paperback or foreign rights.

Success can open a lot of doors, and make the experience smoother, but unless you’re at the Stephen King/Janet Evanovich/Michael Connelly level, it by no means guarantees a free ride.

Today is Pub Day

1594143722_1Prepare yourself for same blatant self-promotion…but I think I’m allowed.

Today is the official publication date of THE MAN WITH THE IRON-ON BADGE, which should start appearing in finer mystery bookstores nationwide, like Mystery Book Store, Mysteries to Die For, and Murder By The Book. You can also order if from Amazon. Here are some excerpts from the pre-publication reviews:

"As dark and twisted as anything as anything Hammett or Chandler ever dreamed
up…leaving Travis McGee in the dust" Kirkus Reviews Starred Review

"Approaching the level of Lawrence Block is no mean feat, but Goldberg (the
Diagnosis Murder series) succeeds with this engaging PI novel…" Publishers Weekly

"A
convincing, even moving tale about the real nature of the SoCal streets and
the real nature of heroism," Ed Gorman

"Likeable loser Harvey Mapes is my new favorite private eye, the guy with the dead-end job who longs to be Mannix or Travis McGee.  I hope the folks in charge of the Shamus nominations are paying attention." Victor Gischler

"Violent, often crude, sometimes hilarious and ultimately touching, this book is
a great homage to the Gold Medal paperbacks of the 1950s and 1960s." Clair Lamb, Mystery Bookstore newsletter

A witty, wicked and dare I say wise little book. Lee Goldberg shows off more than just his funny bone here. He reveals a keen eye for the wrenching heartbreaks and triumphs that forge heroes" David Corbett

"Lee Goldberg’s ‘The Man in the Iron-On Badge’ is a very funny book about the ironclad LA class system, life in a security guard’s shack, and the crucial differences between violence as
experienced on a TV show and in real life. " Scott
Phillips

"A quick fun read with a satisfying and unexpected ending. Harvey Mapes is a hero I  hope we see in a sequel." Phillip
Margolin

"A clever, witty and intelligent parody of, and homage to, the PI genre." Robert
Randisi

"Lee Goldberg is a sly and funny writer, with a warm heart and an ease with words. 
He never disappoints." SJ Rozan

"This book starts out as a fine example of the humorous “lovable schmoe”
school of detective fiction, and Goldberg does a good job with that part of it, but then it takes a sudden turn into darker and more dangerous territory and becomes even better…"James Reasoner

"The book is about Harvey’s discovery that real-life crime isn’t like
the fictional variety at all. At first, the differences are played for
laughs, but when Harvey’s case takes a tragic turn, Lee never loses his
footing. Harvey actually matures on the page, a transformation made
evident in the character’s distinctive voice." Vince Keenan

"Goldberg is funny in this rip on pop culture, PI cliches, and
California culture…a laugh-out-loud example of what the best PI
novels should be."  James Winter, Reflections in a Private Eye