To celebrate the upcoming release of KILLER THRILLER on 2/12, Amazon Publishing has dramatically slashed the prices on everything I’ve ever written for them. Here’s the rundown…
THE BIG DISCOUNTS:
The ebook edition of TRUE FICTION is only $1.99 and the print editions are 50% off.
“Thriller fiction at its absolute finest—and it could happen for real. But not to me, I hope.” —Lee Child
“This may be the most fun you’ll ever have reading a thriller. It’s a breathtaking rush of suspense, intrigue, and laughter that only Lee Goldberg could pull off. I loved it.” —Janet Evanovich
The ebook edition of KING CITY is only 99 cents…and the print edition is 20% off.
“I could tell you that Lee Goldberg’s King City is one of the best reads of the year or that Lee is one of my favorite writers for so many reasons—plotting, character, or his incredible sense of humor—but that might ruin the surprise of reading King City for yourself. Suffice to say that Goldberg is one infinitely readable master of crime fiction, and King Cityis Lee at his best.” —Craig Johnson
The seven volumes of THE DEAD MAN series, each one containing three action/adventure/horror novellas, are only 99 cents each…and the print editions are 25% off. You can find the entire series here.
“Buckle up! THE DEAD MAN starts at full-speed and never lets up. This is big-ticket horror with characters you care about who are driven to the very edge. Highly recommended!” —Jonathan Maberry
The character of “Ian Ludlow” is based on your first pen name. If you were writing your own story, would it read like these novels?
Not at all. My life isn’t as exciting as his…
I lead a very normal, domestic home life. I’m your average husband and father…I walk the dog (and pick up poop), I go shopping at Costco, I grill a lot of meat, I buy clothes at the outlet mall, I embarrass my daughter, I exasperate my wife—nothing very glamorous or exciting. And I love every minute of it. The only difference between me and a million other dads out there is that I get paid to make stuff up.
What Ian and I share in common is our physical build, the way we dress, and what we do for a living. And, like him, I’m creeped out by how much of the stuff that I make up to entertain people is coming true.
I’ve got lots of exciting news to share about the new books and movies that I’ve written that are coming your way over the next few weeks…
MYSTERY 101 AIRS ON SUNDAY
Set your DVRs! I co-wrote and co-created, with my good friend Robin Bernheim, the mystery movie/TV series pilot MYSTERY 101, which airs on Hallmark Movies & Mysteries on January 27th. If you’ve enjoyed my work on DIAGNOSIS MURDER and MONK, I think you’ll like this movie, which stars Jill Wagner as an English professor who specializes in crime fiction…and applies what she’s learned from the great detectives to solve murders herself. You cam learn more about the movie, and see some sneak previews and behind-the-scenes interviews here. If the movie does well in the ratings, you can expect to see more MYSTERY 101 movies later this year.
THRILLING REVIEWS FOR KILLER THRILLER
The reviews have started coming in for my new novel KILLER THRILLER, the sequel to TRUE FICTION, which will be released on February 12th.
“The pleasure here is watching Goldberg mock the thriller form while creating a first-rate one, boiling with chases, fights, sweaty-palm tension, snappy dialogue, and glamorous, exotic locations—this time, post-Maugham Hong Kong and its stunning outdoor escalators. It’s really a sophisticated exercise in metafiction: commenting on narrative while creating it.” Booklist
It grabs you from page one with brilliant wit, sharply honed suspense, and a huge helping of pure originality.” —Jeffery Deaver, #1 New York Times bestselling author
“Goldberg’s thrillers are some of the wittiest around, and his newest doesn’t disappoint…a meta-thriller that’s genuinely heart-pounding but also clever enough to keep you smiling and reading on.” Crime Reads
“Killer Thriller by Lee Goldberg is an action-packed treasure filled with intrigue, engaging characters, and exciting, well-rendered locales. With Goldberg’s hyper-clever plotting, dialogue, and wit on every page, readers are in for a blast with this one!”—Mark Greaney, #1 New York Times bestselling author
“A solid thriller that moves fast and is tons of fun. It’s rare for a sequel to be better than the original, but Lee Goldberg’s Killer Thriller takes Ian Ludlow to new heights. Diehard fans of the genre should definitely check this one out.” The Real Book Spy
“A delight from start-to-finish, a round-the-world, thrill-a-minute, laser-guided missile of a book.” —Joseph Finder, #1 New York Times bestselling author
You can pre-order the book here. [https://www.amazon.com/gp/product/B079L6Q5KS/lg-website-20}
Goodreads is giving away 100 copies of KILLER THRILLER. You can sign up for free here
SIGN UP FOR DISCOUNTS & DEALS
The imminent release of KILLER THRILLER means there will soon be some big discounts and special offers on my “backlist” titles like TRUE FICTON and THE WALK. Don’t miss out! Be sure to click “follow” on my Amazon Author page to be alerted to all the upcoming discounts and special offers on my books.
SEE ME ON THE ROAD
I’ll be hitting the road to spread the good word about KILLER THRILLER, starting on February 12th. You can find my tour/event schedule here.
Two recent TV references books are worth your consideration this holiday season.
SINGLE SEASON SITCOMS OF THE 1990s: A Complete Guide by Bob Leszczak This is a great book — and more than another “just the facts ma’am” reference book — — but the title isn’t entirely accurate. The author takes an extremely broad view of what consitutes a sitcom. He includes some single-season, hour long shows like AGAINST THE LAW, ADVENTURES OF BRISCO COUNTY, CUPID, FREAKS AND GEEKS, GOING TO EXTREMES, HARTS OF THE WEST, SPY GAME and TEQUILA AND BONETTI that most people would never consider situation comedies. And, in a book on Single Season sitcoms, he has a large section on shows that came back for an abbreviated, and/or very different second season like ALMOST PERFECT, BOB, and THE JEFF FOXWORTHY SHOW (this section is fascinating, because he explores the reasoning behind the often radical format changes that granted some of these doomed shows a second year of life).
But do I care about those strange anomalies in a book about Single Season Sitcoms? No, I don’t, because this book is pure gold for a guy like me. He could have included a section on two season shows with female leads, a section on American shows featuring British actors, or a section just on TV private eyes, and I would have simply said — MORE! MORE!
The book is jam-packed with tons of useful information. Each listing not only describes the premise of each show in detail, but often includes interviews with key production staff, like the producers, directors, writers and cast members (though sometimes the quotes from them are formatted with special indentation, and other times not, which doesn’t make a lot of sense). The majority of listiings mention the names of the showrunners or creators, but I wish every single listing did.
One of my favorite listings tells the story behind the trainwreck IT HAD TO BE YOU, the ill-fated 1993 sitcom starring Faye Dunaway and Robert Urich…that initially starred Twiggy and another actor…and by the time it was over, four weeks later, only starred Urich. Another memorable listing tells the complicated history of 1995 sitcom MINOR ADJUSTMENTS, which went through many major adjustments over its short life, which spanned 20 episodes and two networks.
I loved this book. No TV reference library is complete without it and the previous two volumes, SINGLE SEASON SITCOMS OF THE 1980s and SINGLE SEASON SITCOMS 1948-1979 (both of which I reviewed here). I can’t wait for the next edition!
TELEVISION FINALES: From Howdy Doody to Girls, Edited by Douglas L. Howard and David Bianculli. A book about televsion finales is long-overdue and I was eager to read this one. This 500-page opus is more of a series of critical analyses than a reference work, with experts like TV critic David Bianculli, TV reference book author Douglas Snauffer, and TV historian Robert J. Thompson offering their insights in essays that cover 71 finales, including such classic and controversial endings as Newhart, Seinfeld, Lost, The Sopranos, St. Elsewhere, M*A*S*H and Nichols. They also cover obscure, short-lived shows like Jericho and British series like Life on Mars and Spaced. The reasoning behind which finales were chosen to include in the book isn’t clear, so we don’t know why the enders for shows like Magnum PI, Jag, Miami Vice, The Paper Chase, CSI, Who’s the Boss and The Odd Couple were overlooked, while space was given to lesser-known series like Rectify and Carnivale.
The essays are interesting and, in most cases, thoughtful and well-considered, with the finales put into both historical/cultural context as well as within the context of the narrative of the often long-running shows themselves. But basically most of the entries are scholarly opinion pieces, the authors explaining why they think a particular finale was memorable or forgettable, good or bad (for example, Martha P. Nochimson hated the finale of Battlestar Galactica, faulting series creator/writer Ronald Moore for driving “the show where it could not and should not go” and frakking-up the finale) I didn’t always agree with the authors’ conclusions (personally, I thought the Galactica finale was great and emotionally satisfying), but that didn’t lessen my enjoyment of the book. I wish, though, that the book focused far less on the opinions and analyses of the authors and more on the actual development and production of the finales, with interviews with the writers, directors, and cast members.
I’ve just learned the sad news that author Tom Kakonis has passed away. I first met Tom at the 1994 Bouchercon in Seattle. I was a big fan of his work and was delighted when he invited me to sit and chat with him…and I was thrilled when he later blurbed my book MY GUN HAS BULLETS. It meant a lot to me that a writer I admired as much as Tom would endorse my work.
Two decades later, when author Joel Goldman and I launched Brash Books, I called Tom about publishing his out-of-print backlist. Not only did he say yes, but he surprised me by offering us an unpublished manuscript that had been sitting in his drawer for years. His dark-comic thriller TREASURE COAST was the first original novel that we released, so as long as Brash Books is in business, he will be an integral part of who we are as publishers, what we stand for, and what we aspire to achieve.
Tom was a great writer who didn’t get the recognition or wide readership that he deserved. I wish I’d been able to change that. Do yourself a favor and read MICHIGAN ROLL, his first and most acclaimed novel… I guarantee you’ll be hooked by this man’s talent and humor. He was a hell of a storyteller.
I’m excited to announce that I’ve acquired the rights to all of Ralph Dennis’s work — his published and unpublished novels. Brash Books will be re-releasing his 12 Hardman novels, starting with the first four in December, and the rest through 2019. The Hardman books include a terrific introduction by Joe R. Lansdale. The first two titles in the series, Atlantla Deathwatch and The Charleston Knife is Back in Townare already available for preorder in paperback and ebook on Amazon, iBook, Barnes & Noble and Kobo.
We’ll also be re-releasing in 2019 a substantially revised version Ralph’s WWII thriller MacTaggart’s War, which we’ve retitled The War Heist. It was his last published title and didn’t do as well as he, or the publisher hoped. I believe i know why… I’ve gone back to his original manuscript, rearranged chapters, deleted chapters, and made other revisions to heighten suspense, sharpen characters, etc… cutting the book by about 35,000 words along the way (it still clocks in at 100K words).
And we’re also going to be releasing many of Ralph’s unpublished novels…which, if they need revision, I will be doing myself. One of the manuscripts is going to be slightly reworked as a sequel to his previous published novel Atlanta (which we are likely to retitle before re-publishing)
This has been a passion project for me ever since Bill Crider and Paul Bishop introduced me to the Hardman novels five years ago. I immediately decided I had to get them back into print, so I sought out the advice of my good friend Joel Goldman…and as a result of those discussions, a partnership and a publishing company were born. Now, after the publishing nearly 100 titles together, we are finally putting out the novels that we’d hoped would be our first releases.
Ralph Dennis isn’t a household name… but I believe that he should be. He is widely considered among crime writers as a master of the genre, denied the recognition he deserved because his series of twelve Hardman books, which are beloved and highly sought-after collectables now, were poorly packaged in the 1970s by Popular Library as cheap men’s action-adventure paperbacks with numbered titles.
Even so, some top critics saw past the cheesy covers and noticed that he was producing work as good as John D. MacDonald, Raymond Chandler, Chester Himes, Dashiell Hammett, and Ross MacDonald.
The New York Times praised the Hardman novels for “expert writing, plotting, and an unusual degree of sensitivity. Dennis has mastered the genre and supplied top entertainment.” The Philadelphia Daily News proclaimed Hardman “the best series around…”
Unfortunately, Popular Library didn’t take the hint and continued to present the series like hack work, dooming the novels to a short shelf-life and obscurity…except among generations of crime writers, like novelist Joe R. Lansdale (the Hap & Leonard series) and screenwriter Shane Black (the Lethal Weapon movies), who’ve kept Dennis’ legacy alive through word-of-mouth and by acknowledging his influence on their stellar work.
I can’t wait to hear what you think of the books as they roll out… and I hope you will spread the word. We want Ralph Dennis to get the recognition and readership he’s long deserved.
For years, I’ve been getting emails, tweets, and posts meant for Lee Goldberg, the WABC weatherman, and for Lee Goldberg, also a novelist, both of whom happen to live in New York, where Thrillerfest was held this past weekend and I was booked to be a panelist. So while I was at the conference, I decided to sneak away to finally meet my doppelgangers.
Weatherman Lee graciously invited me to the WABC studios on the upper east side. When my wife Valerie and I arrived at the front desk, I introduced myself to the security guard — “Hello, I’m Lee Goldberg, this is my wife Valerie, and we’re here to see Lee Goldberg.” The guard took our IDs, picked up the phone, and called the newsroom to let Weatherman Lee know that “his parents are here to see him.”
Valerie and I looked at each other in horror. Do we look that old?
Weatherman Lee bounded out to meet us, full of good cheer, and brought us back to the Eyewitness News set, where we took some photos and had a nice chat about the surprising parallels in our lives (for example my father Alan was the anchorman on Eyewitness News on KPIX in San Francisco). Weatherman Lee introduced us to the afternoon anchor David Navarro… and then he asked me if I’d like to join him on-camera to be a guest on his live “on the street” weather report. Of course I said yes. You can see the Facebook Live version here. It was a lot of fun.
The next morning I met up with Novelist Lee, author of The Mentor, for breakfast. It turns out we also had some interesting parallels in our lives. For example. were both published by the Thomas Dunne imprint at St. Martin’s Press (they originally published my novels My Gun Has Bullets and Beyond the Beyond). We had a great time sharing stories about our experiences in publishing and in Hollywood.
Now I’ve got to meet Lee Goldberg, the TV sportscaster in Maine, and Lee Goldberg, the technology writer…and maybe we Lee Goldbergs can figure out why there are so many Lee Goldbergs in publishing and television.
Okay, this is weird. I meant to simply upload this photo to my website… and that headline was supposed to be the caption… but somehow it accidentally became a blog post instead. Well, now that it’s here, I guess I better hurry up and say something about it.
I just returned late last night from Billings Montana, where I attended the Spur Awards, which are the Oscars of western writing. I’ve always been a huge western fan and I’ve been looking for an excuse to attend the Western Writers of America conference for years. I finally got one: DOUBLE WIDE by Leo Banks won two Spurs — for Best First Novel and Best Contemporary Western — and it was published by Brash Books, the company I co-founded with Joel Goldman four years ago. So I jumped on a plane to be there for Leo and to bask in all the praise he’d be getting.
I was delighted to discover that my old friend producer Rob Word was there, too. Rob and I teamed up some years back to turn Bill Crider’s OUTRAGE AT BLANCO into a TV mini-series. The project fell through, but we had great fun casting and scouting locations in California and Calgary (we haven’t given up hope on filming it someday). He’s a true western lover and historian and is the host of A Word on Westerns. We headed out to Little Big Horn for the day, which we really enjoyed, and hung out at the conference with western literary legends like Craig Johnson, Loren D. Estleman, Preston Lewis, and Johnny Boggs, among others. Rob even convinced me to buy a cowboy hat for the Spur Awards banquet. And it’s a good thing I did, because it turned out that Brash got matching Spur Awards to go along with the two that Leo won.
I’ve been out-and-about a lot the last few weeks and I’m just getting a chance now to catch you up on all the latest news.
Two weeks ago, I was traveling in Memphis to research a new book, and visited Owensboro Kentucky, for a TRUE FICTION booksigning and a screening of the two short films, BUMSICLE and REMAINDERED, that I shot there. At the same time, I delivered the script for a new Hallmark Mystery Movie that I co-wrote with the amazing Robin Bernheim, whose many credits include REMINGTON STEELE, QUANTUM LEAP, and WHEN CALLS THE HEART.
Speaking of Hallmark Mysteries, my friend Phoef Sutton just scored raves, and big ratings, for his latest Hallmark movie, DARROW & DARROW: IN THE KEY OF MURDER. You can read an interview with him about it at Kings River Life magazines.
I was only hone for a few days before I had to jet off to New York, where I was shot some new TRUE FICTION promos for Amazon Publishing. While I was there, I got a chance to see Amazon Publishing honcho Jeff Belle (who has been a big supporter of me and my books for years), and Amazon-bestselling authors Robert Dugoni and Mark Sullivan, who has co-authored five books with James Patterson.
I learned this morning that Scott Brick, narrator of the five Fox & O’Hare books I co-wrote with Janet Evanovich, and HOUSE OF SECRETS (coauthored by my brother Tod Goldberg and Brad Meltzer), has been as the new voice of Lee Child‘s Jack Reacher! (The legendary Dick Hill is retiring). I’m very happy for Scott and hope he’ll still squeeze in time to narrate more of my books 🙂
And, in case you missed it last week, author/editor Steph Cha had the brilliant idea of assigning my brother Tod to interview me for Los Angeles Review of Books (LARB)….the result is probably the most personal, and indepth interview I’ve ever done. I hope you like it.
TOD: I often get asked what it’s like to have a family of writers and artists, and it’s hard to explain, exactly, because it’s the only way we’ve lived. Our sisters are both writers and artists, our mother, after her socialite period, became a newspaper columnist covering socialites, our father — not that I ever lived with him as a sentient human — as you noted, was a TV news journalist, and then there’re all the uncles and cousins and whatnot, too. But you were the first one, really, to make it on a national stage, which I know gave me the confidence to aim big, and which I suspect made it easier for our sisters, too. Did seeing mom’s and dad’s success and, in many ways, eventual failure — both of them had these sort of big-league dreams but ended up never quite getting there, which ended up driving them both a bit mad — provide some motivation for you?
LEE: There’s no question that dad being on television and mom being a writer shaped me in profound ways. There is a lot of both of them in me … though more of mom than dad. They were both comfortable in front of an audience, whether it was on camera or standing on front of people. Mom had a big, outgoing personality and great sense of humor. She was a deft schmoozer and a big ego. She was a profound exaggerator in her storytelling, for both comic and dramatic effect. She went after what she wanted, personally and professionally. She was a fighter. I have a lot of those same attributes, though I hope with less of the destructive flip side. For example, I know when I am exaggerating a story and, I like to believe, so does my audience. We’re in on the joke together. It’s like when an audience buys into the franchise of a TV series … no matter how ludicrous it might be (she’s a nun — and she can fly! A detective with OCD! A drug-addicted doctor who hates his patients!) … because they want to enjoy the ride. Unlike mom, I don’t believe my exaggerations are the truth and then exaggerate them the next time I tell the story, and then exaggerate that, until I am heading into something approaching clinical delusion. I know where the truth ends and the embellishment, for comedic or dramatic effect, begins. I’m deeply afraid the day will come, though, when I lose that self-awareness.
I haven’t talked much about dad because he wasn’t really in my life after I was 10 years old (though he was in my life more than you or our sisters). Dad grew up wanting to be a TV anchorman … despite coming from a small logging town and having zero contacts … and yet he achieved that dream. He eventually became an anchorman on KPIX, the CBS affiliate in San Francisco … a major station in a major market … and it should have been a stepping-stone to the national stage. Getting there had to take talent, drive, and confidence … but somewhere along the line he lost his mojo … or, more likely, his backbone. I was too young at the time to know why or how it happened, or if mom was somehow to blame. But he became a weak, wishy-washy, superficial man. He let people, he let life, walk all over him. He stood up for nothing and nobody and lost everything. He showed me it was possible to achieve your dream, but through his failure, he also showed me you had to be strong to keep it. That’s not all I learned from him. Seeing him on TV every night also made television — the industry and the medium — something approachable to me. He made the TV part of my family. He made it small and human. My father was a TV screen, and I knew that I was stronger than he was. So yeah, I could break into TV. No problem. And I did.