The Joy of Sets

I recently released a slim little book called THE JOY OF SETS: Interviews on the Sets of 1980s Genre Movies

Go back in time with me to the 1980s, when I was a young journalist and aspiring author, and visit the sets of movies like Back to the Future, A Nightmare on Elm Street, and A View To a Kill, where I interviewed Michael J. Fox, William Friedkin, Wes Craven, Chevy Chase, Robert Zemeckis, Roger Moore, and many others actors, directors, producers and screenwriters.

I put myself through college by writing freelance articles, primarily about movies, TV and publishing, for publications like Starlog, American Film, Cinefantastique, and the San Francisco Chronicle. I didn’t do it just to pay my tuition and support myself… I also saw it as a way to get a graduate school education in all aspects of the entertainment industry…learning lessons I’m still benefitting from today.

Lee interviewing John Houseman on the set of THE PAPER CHASE

I’d go to the set of a movie and interview everyone — the actors, director, writers, special effects guys, production designers, etc. I’d write an overall “set piece,” with quotes from everybody, then longer interviews with each person that I’d sell sepately (though Starlog commissioned and published most of them). 

The set pieces are a snapshot of film history, offering a revealing look at film-making in the 1980s, while also exploring the long careers of established talents like Kurt Russell and director Fred Schepsi at the top of their game…and introducing newcomers like Johnny Depp and director W.D. Richter, some of whom went on to greatness, and others who disappeared into obscurity. 

I think this Bookgasm review really captures why I decided to publish this collection:

Lee Goldberg’s collection indeed captures the feeling of reading about hotly anticipated movies in the blockbuster excess of the ’80s. One can sense the then-young film obsessive had to have felt with such access to the making of multimillion-dollar pictures. While not all of these Interviews on the Sets of 1980s Genre Movies (as the subtitle has it) entail movies worth watching, Goldberg’s reports never fail to entertain. As with his recent James Bond Films volume, one reason is revisiting a once-dominant type of film journalism; the larger is the in-hindsight delight of checking how forecasts panned out.

I hope you enjoy it!

The Mail I Get – Advice Edition

59_bigPeople are always writing me for advice about TV and publishing, not that I have any great wisdom to impart. But that doesn’t stop me from replying anyway.

Hello Mr. Goldberg:
I was referred to you by a friend of your friend XYZ…I am 64 years old and I have a screenplay that desperately needs a place to go, and your name was delivered as the unquestionable favorite.  Please let me know if you might be able to provide me any guidance or wisdom. Should you not be able or interested, (she tries to put away that big pouty lip), your suggestion of someone else would be greatly appreciated.

Unfortunately, I don’t have good news for you. In fact, I have very discouraging news for you. Everybody in L.A. has a screenplay they want to sell. You are one of thousands…and you’re competing with them all, inexperienced and experienced screenwriters alike. I’m neither an agent nor a studio exec, so there’s really nothing I can do for you. I don’t know of any agents who are taking on new clients (they are having a hard enough time selling the scripts written by the experienced clients they already have).
The best advice I can offer is for you to contact the Writers Guild of America to see if they can give you a list of signatory agents who are accepting unsolicited screenplays. The other thing you should be aware of is that ageism is rampant in Hollywood…and if you haven’t already established yourself in the business by 30, you are considered elderly and out-of-touch with popular taste 🙂 I’m 54 and feel ancient when I go into meetings…and despite my extensive credits, it’s still a hard sell for me. I’m just telling you this so you realise that you’re facing a very steep, uphill battle.

I am sure you get a lot of emails and maybe this may not reach you, but here’s hoping. I am an aspiring actress/model and went to a meeting with XYZ at Culver Studios last week. He claims to have been a director/producer for NBC/Universal but the IMDB just doesn’t seem legitimate. He also claims to be married to actress XYZ but there is hardly any information on her either.
He says he wants me to come and work for him and learn the business to become an assistant producer and star in his upcoming movies, but things just aren’t adding up. I called NBC Universal and asked them if his name was on the employee list and was not.  Due to all of the scams and human trafficking which he spoke a lot about, I want to be safe. Do you know how I can navigate safely through this industry and or have any advice for me on how I can obtain legitimate information and backgrounds on producers and directors?

Well, it sounds like you already checked this guy out and learned that something is very fishy. His picture on Imdb also seems amateurish to me… as if by standing beside the studio gate, which anybody can do, he’s trying to confer legitimacy on himself. I’d steer clear of him. Keep in mind, anybody can rent studio space. Just because their office is on a movie studio lot does not mean they are legitimate. In addition to imdb, you can check out producers with the PGA (Producers Guild of America) to see if they are members… or, if they are writer/producers, you can check with the WGA (Writers Guild of America) to see if they are members (or if their companies are guild signatories). You can find out if a director is legit by contacting the DGA (Directors Guild of America) and seeing if he or she is a member. If they are offering you acting jobs, check them out with SAG (Screen Actors Guild) to see if they are signatories or if there are any issues with their company that the union knows about. Lack of produced credits on imDb and non-membership in one of those guilds would raise a big red flag for me.