The Joy of Sets

I recently released a slim little book called THE JOY OF SETS: Interviews on the Sets of 1980s Genre Movies

Go back in time with me to the 1980s, when I was a young journalist and aspiring author, and visit the sets of movies like Back to the Future, A Nightmare on Elm Street, and A View To a Kill, where I interviewed Michael J. Fox, William Friedkin, Wes Craven, Chevy Chase, Robert Zemeckis, Roger Moore, and many others actors, directors, producers and screenwriters.

I put myself through college by writing freelance articles, primarily about movies, TV and publishing, for publications like Starlog, American Film, Cinefantastique, and the San Francisco Chronicle. I didn’t do it just to pay my tuition and support myself… I also saw it as a way to get a graduate school education in all aspects of the entertainment industry…learning lessons I’m still benefitting from today.

Lee interviewing John Houseman on the set of THE PAPER CHASE

I’d go to the set of a movie and interview everyone — the actors, director, writers, special effects guys, production designers, etc. I’d write an overall “set piece,” with quotes from everybody, then longer interviews with each person that I’d sell sepately (though Starlog commissioned and published most of them). 

The set pieces are a snapshot of film history, offering a revealing look at film-making in the 1980s, while also exploring the long careers of established talents like Kurt Russell and director Fred Schepsi at the top of their game…and introducing newcomers like Johnny Depp and director W.D. Richter, some of whom went on to greatness, and others who disappeared into obscurity. 

I think this Bookgasm review really captures why I decided to publish this collection:

Lee Goldberg’s collection indeed captures the feeling of reading about hotly anticipated movies in the blockbuster excess of the ’80s. One can sense the then-young film obsessive had to have felt with such access to the making of multimillion-dollar pictures. While not all of these Interviews on the Sets of 1980s Genre Movies (as the subtitle has it) entail movies worth watching, Goldberg’s reports never fail to entertain. As with his recent James Bond Films volume, one reason is revisiting a once-dominant type of film journalism; the larger is the in-hindsight delight of checking how forecasts panned out.

I hope you enjoy it!

The Time I Met Sean Connery

I’m a huge James Bond fan. I have all the Bond posters. I’ve interviewed just about everyone who wrote a Bond film between 1962 and 1987, the producers, a few of the directors, and every actor who’d played Bond up to that point…except Sean Connery. But I did encounter him once, in the early 1980s.

I went to the Plitt, a movie theatre that once existed in Century City, to see an early show of ONCE UPON A TIME IN AMERICA. I was getting popcorn when I realized the man standing next to me was Sean Connery. I was speechless. The first thing that struck me was, holy shit, that’s Sean Connery. The second thing that struck me was that he looked so, well, ordinary. He was wearing one of those sweat suits with the stripe down the sleeves and pant legs. My grandfather had one like it. And because he appeared so ordinary, I decided not to bother him by saying anything, to treat him as I would anybody else. I gave him a polite smile, he smiled at me in return, and I took my popcorn & Coke and went into the theater.


And, as it turned out, he and his wife sat right behind me. For a while, I was frozen. OH MY GOD. SEAN CONNERY IS SITTING RIGHT BEHIND ME. I couldn’t believe it. I didn’t know what to do with my head or my body.


The movie started… and his wife wouldn’t stop talking. It really began to get on my nerves. I stopped thinking about SEAN CONNERY. I started thinking about that woman who was ruining the movie for me. I was about to turn around and ask her, Mrs. Sean Freaking Connery, to please lower her voice when Sean Connery turned to her and said:


“Would you please shut up? I can listen to you any time. I came here to listen to Jimmy Woods.”

It was an epiiphany for me. Sean Connery looked like an ordinary guy because he was… he just happened to be one who made his living as an actor rather than, say, a contractor or mechanic. And from that moment on, I was never intimidated or uncomfortable around a celebrity again, which has been a big benefit in my career.

He will always be, at least for me, the one and only true James Bond.