My KILLER THRILLER Playlist
I like to listen to soundtrack music while I write. In fact, I’m just sitting down now to start working on the sequel to my upcoming novel LOST HILLS and I’ve been listening a lot to THE QUINN MARTIN COLLECTION VOL. 1 and the soundtrack to the 1975 TV series ARCHER. Both albums contain a lot of Jerry Goldsmith’s best 1970s TV work.
Here’s the music I was listening to when I wrote my new release KILLER THRILLER, the sequel to the #1 Amazon Charts and Washington Post bestseller TRUE FICTION.
Enter the Dragon and Rush Hour by Lalo Schifrin
I’m a huge fan of Lalo’s TV themes (Mission Impossible, Mannix, Petrocelli, Bronk etc) and his two forays into “kung fu” cinema are pure 1970s action-score gold. A big chunk of KILLER THRILLER is set in Hong Kong and these soundtracks put me in the perfect frame of mind to write those scenes. (Yes, I know Rush Hour was made in the late ‘90s, but Lalo’s score was basically a reboot/homage of his Enter the Dragon work)
Mission Impossible: Rogue Nation by Joe Kraemer & Mission Impossible 3 by Michael Giacchino
These are two pulse-pounding, soaring, propulsive, contemporary action scores based Lalo’s original themes …and evoke the foreign locales and over-the-top stunts of the Tom Cruise feature, putting me in the right frame of mind for writing the chases and fights in my book.
Hawaii Five-O by Morton Stevens
I love Morton Stevens, one of the best television composers ever (he also did the theme for Police Woman), and this classic soundtrack screams adventure, mystery and, of course, Hawaii to me. Although nothing in KILLER THRILLER is set in Hawaii, this soundtrack is always part of my playlist when I’m writing anything with action and colorful locations. It also creates a great tempo for writing punchy dialogue.
Goldfinger by John Barry
This is the iconic Bond theme song and is still the best of the Bond movie scores (though I am also a fan of David Arnold’s TOMORROW NEVER DIES score, which is essentially a contemporary rethink of Barry’s style and is also part of my playlist). GOLDFINGER immediately transports me to a world of intrigue and adventure…and puts me in a 007-frame of mind. Perfect for writing spy fiction.
The Bourne Film Soundtracks by John Powell and Moby
These soundtracks are the gold standard for the modern espionage tale…Powell’s score is dark and moody at times, thrilling and propulsive when the action reaches a fever pitch. Moby reworks his end titles / theme song Extreme Ways for each film in the series and hearing it always puts me in the mood to either see or write some kick-ass spy action.
The Wild Wild West TV Soundtrack by Richard Markowitz et al
I absolutely loved The Wild Wild West when I was a kid. If you don’t remember the show, it was a western take on James Bond starring Robert Conrad as superspy James West and Ross Martin as Artemus Gordon, his partner and a master of disguise. My sister and I used to pretend we were the two of them….I was always West, of course, and she was always stuck being Artemus. Even way back then, I had Wild Wild West music, recorded off the air on my cassette deck, playing when we were pretending to do cool stuff. Little did I know I was rehearsing for what I’d be doing decades later as a writer. Hearing the iconic themes and individual cues sparked my imagination as a kid and they still do today, putting me into the “let’s pretend and have fun” mode that I need to be in to write fiction. Although this is a “western” score, it’s still in the spy genre for me and is the perfect for writing about Ian and Margo.
The Thrill of Research
Research is absolutely necessary when you’re writing thrillers…and it’s a part of the process I love, perhaps because I come from a family of journalists (and I was one once). The danger, for me, is that the more I learn about a topic, the more I want to learn…and it’s easy for me to end up spending far more time than is necessary on the research (it’s also a great form of procrastination.. you can fool yourself into thinking you’re working instead of actually avoiding work). I can talk to dozens of experts, and read three or four books and countless articles, for what might end up being only a few lines of dialogue or description in the book (or, OTOH, what ends up being the core of the story). But that’s always better than writing pages of exposition, description, or dialogue to show off how much research you’ve done. I’m a big believe that one sentence offering a telling detail is far better than a paragraph of description. That said, having the “extra” knowledge on a particular topic in the back of your mind as you write ends up deepening the story and the characters in subtle ways… and often, at least for me, research inspires new characters or plot twists that I never would have come up with otherwise.
Travel is my favorite part of research (and it was a lot of fun to do for KILLER THRILLER, my latest release). Sure, you can use guidebooks, watch Bourdain or Rick Steves episodes, and do a deep dive into Google Earth to fake it, and I’ve done that a few times out of necessity, but I truly believe that nothing beats “feet on the ground” to get that tiny detail, smell, taste or sound that will bring a place, a moment, or a character to life. It’s important to truly experience the place you are writing about. That means not just hitting the tourist spots, but the places where the “locals” live and work. It also means being gregarious and talking to those people — so you can create realistic characters who truly reflect the places you’ve been. I usually already have my story in mind before I travel for research… but inevitably, my story changes dramatically after what I learn from actually experiencing a place I only imagined as I was plotting.
To write my books, I’ve traveled to France, China, Australia, Belgium, Canada, Germany, and all over the United States, among other places. But travel research can mean just stepping outside your door and seeing your own city in a new way.
I’ve lived in Los Angeles for over 30 years. In my novel THE WALK, a guy is stuck in downtown in LA when the big one hits and has to walk across a landscape of destruction back to his gated community in the San Fernando Valley. I know the L.A. well, but I still read a bunch of books and articles on the city, the architecture, and the neighborhoods that make it up, on earthquakes and what experts expect the damage from The Big One is likely to be. I had the story plotted out but then decided, if I was going to do this right, I really needed to take the walk myself. And when I did (not all at once, like my character), I saw things that made me rethink my plot and I picked up the key details of place and character that made the book come alive. When it was over, I had a better understanding, and a new affection, for the city I live in and thought I already knew.
I attended a homicide investigators training conference almost two years ago — I was one of only three civilians invited — as research for a book I was thinking about writing (and had already loosely plotted). While I was there, however, I learned about a case that I couldn’t get out of my head. I was smart enough to throw out my story and to focus instead on using this real case as the inspiration for my novel. I introduced myself to all of the detectives, forensic specialists, etc. who were there to present the case, told them I intended to write about it, and asked if they would let me talk with them in more depth in the weeks following the conference. They all agreed. The novel that came out of that wonderful research experience, LOST HILLS, is being released this fall and I’ve already signed to write the sequel. The book would never have happened if I hadn’t done the research my story…and been open to the inspiration that can come when you begin exploring the “reality” that is the foundation for our fiction.
Killer Thriller Is Out
Today is launch day for KILLER THRILLER, the sequel to my novel TRUE FICTION. Amazon released this book trailer for the novel:
And here is a video I shot a few weeks ago…giving you a behind-the-scenes peek at where the story takes place. There will be more of these coming…
Lots of Lee Coming Your Way
I’ve got lots of exciting news to share about the new books and movies that I’ve written that are coming your way over the next few weeks…
MYSTERY 101 AIRS ON SUNDAY
Set your DVRs! I co-wrote and co-created, with my good friend Robin Bernheim, the mystery movie/TV series pilot MYSTERY 101, which airs on Hallmark Movies & Mysteries on January 27th. If you’ve enjoyed my work on DIAGNOSIS MURDER and MONK, I think you’ll like this movie, which stars Jill Wagner as an English professor who specializes in crime fiction…and applies what she’s learned from the great detectives to solve murders herself. You cam learn more about the movie, and see some sneak previews and behind-the-scenes interviews here. If the movie does well in the ratings, you can expect to see more MYSTERY 101 movies later this year.
THRILLING REVIEWS FOR KILLER THRILLER
The reviews have started coming in for my new novel KILLER THRILLER, the sequel to TRUE FICTION, which will be released on February 12th.
“The pleasure here is watching Goldberg mock the thriller form while creating a first-rate one, boiling with chases, fights, sweaty-palm tension, snappy dialogue, and glamorous, exotic locations—this time, post-Maugham Hong Kong and its stunning outdoor escalators. It’s really a sophisticated exercise in metafiction: commenting on narrative while creating it.” Booklist
It grabs you from page one with brilliant wit, sharply honed suspense, and a huge helping of pure originality.” —Jeffery Deaver, #1 New York Times bestselling author
“Goldberg’s thrillers are some of the wittiest around, and his newest doesn’t disappoint…a meta-thriller that’s genuinely heart-pounding but also clever enough to keep you smiling and reading on.” Crime Reads
“Killer Thriller by Lee Goldberg is an action-packed treasure filled with intrigue, engaging characters, and exciting, well-rendered locales. With Goldberg’s hyper-clever plotting, dialogue, and wit on every page, readers are in for a blast with this one!”—Mark Greaney, #1 New York Times bestselling author
“A solid thriller that moves fast and is tons of fun. It’s rare for a sequel to be better than the original, but Lee Goldberg’s Killer Thriller takes Ian Ludlow to new heights. Diehard fans of the genre should definitely check this one out.” The Real Book Spy
“A delight from start-to-finish, a round-the-world, thrill-a-minute, laser-guided missile of a book.” —Joseph Finder, #1 New York Times bestselling author
You can pre-order the book here. [https://www.amazon.com/gp/product/B079L6Q5KS/lg-website-20}
Goodreads is giving away 100 copies of KILLER THRILLER. You can sign up for free here
SIGN UP FOR DISCOUNTS & DEALS
The imminent release of KILLER THRILLER means there will soon be some big discounts and special offers on my “backlist” titles like TRUE FICTON and THE WALK. Don’t miss out! Be sure to click “follow” on my Amazon Author page to be alerted to all the upcoming discounts and special offers on my books.
SEE ME ON THE ROAD
I’ll be hitting the road to spread the good word about KILLER THRILLER, starting on February 12th. You can find my tour/event schedule here.