Today I opened up my box of author’s copies of HIDDEN IN SMOKE….and share some news about what I’m writing now…and what’s coming up.
#1 New York Times Bestselling Author & TV Producer
Today I opened up my box of author’s copies of HIDDEN IN SMOKE….and share some news about what I’m writing now…and what’s coming up.
I’m very sad to hear about Joseph Wambaugh‘s passing.
Like my brother Tod Goldberg, who has posted a Facebook remembrance of Joe, I don’t remember how I first met him, only that he was a friend of our family for years. It was probably through my Mom, and maybe at the Santa Barbara Writer’s Conference. But I have all of his books signed, and several photos with him over the years.
The last time we actually saw each other face-to-face (but not the last time we talked) was at the 2012 Los Angeles Times Festival of Books…he’d asked me to interview him on stage to promote his latest HOLLYWOOD STATION novel. I was delighted to do it. I read up on his old interviews, watched on YouTube his old appearances on Johnny Carson and Tom Snyder, and figured I’d just ask him the questions I knew he already had great answers for…and a few fresh questions of my own.
We had lunch together beforehand, and it was all great….but just before we were supposed to go on stage, he pulled me aside and said…”I can’t do it. We have to cancel the interview.” I thought he was joking, but he wasn’t. He was having a panic attack. I told him you’ve been on Johnny Carson, Merv Griffin, this is nothing. I’m going to ask you softball questions you’ve been asked before, nothing you can’t answer. But he shook his head. I can’t do it. I’ve lost it. I’m terrible. I said you’ll be fine, if you don’t have the anecdote, I’ll give you a gentle reminder. You’ll kill, trust me.
And he did. He was wonderful, totally at ease, funny, insightful, his usual. But as we got off stage, he was shaking…and he said, “that’s it, I’m done. I won’t appear on stage ever again.”
To my knowledge, he never did.
But we stayed in touch. He blurbed a book of mine (KING CITY), he blurbed a book for Brash (Jack Bunker’s TRUE GRIFT…and there’s a great story behind that, too, but I will let Jack share it), and he congratulated me on LOST HILLS, which he thought was a great crime novel. I resisted the urge to ask him if I could use it as a blurb 🙂
He told me the secret to his cop novels was taking fellow cops to Ruth’s Chris, buying them a steak and some drinks, and letting them talk…and then just listening to what they had to say. Not so much to the specific stories, but the way they *told* their stories, what were the key details that matter to them, the observations they made, the language they used, how they held their bodies as they spoke… it never failed to inspire him.
And his work never failed to inspire me.
He will be missed.
I was saddened to hear about Gene Hackman’s passing. I had a brief encounter with him after he retired and had become an author.
He was a guest at the International Mystery Writer’s Festival at the RiverPark Center in Owensboro, KY, which was run at the time by Zev Buffman, a well-known Broadway producer.
When I arrived, I was brought on stage, given the key to the city, a gavel making me an honorary judge advocate, and then the Governor (or was it the Secretary of State?) honored me as a Kentucky Colonel, telling me I was joining a long list of people including Pope John Paul, Elvis Presley, Florence Henderson, Teddy Rosevelt, Harlan Sanders, etc. I joked that he was making a terrible mistake, he had the wrong person, etc. There was a lot of laughs and that was that.
I was staying at the Comfort Inn, off the freeway, along with some of the other authors, but also truck drivers, traveling families, etc. It’s place people usually stay on their way to somewhere else.
So, the next moring, I went down for breakfast, and it was mobbed with people…families, screaming kids, etc. I sat down with the late Bob Levinson to eat my bagel and Gene Hackman comes in. At first, nobody noticed him. The last person you expect to see at a Comfort Inn in Owensboro is somebody famous, certainly not an Oscar winning actor.
Hackman went through the motions of gathering his breakfast, and one by one, people recognized him… they were startled. They’d did spit-takes, or jumped back, or shrieked, and on each occasion, he smiled politely and took their shock in stride. It impressed me. It was also hilarious. Bob and I could have spent all day watching people react to Gene Hackman.
Later that day, Hackman was also brought up on stage, and given the key to the city and the gavel, and then the Governor made him a Kentucky Colonel, repeating the bit that Hackman was joining such luminaries as bla bla bla bla and, of course, the Governor looked at me now with a glint in his eye, Lee Goldberg.
Later, I approached Hackman and asked if I could have my picture taken with him, and he said of course…we also exchanged signed books.
I asked him what he was doing in Owensboro, and he said that Zev had given him one of his first jobs on Broadway, so if Zev calls, he shows up. I mentioned how impressed I was by his reaction at breakfast to being recognized and he said was used to it, but it had also surprised him, because off-camera, he looks like such an “everyman,” that he can often get away unnoticed.
I think that may have been one of his great gifts as an actor. He didn’t look like a movie star. He looked like a regular guy … but I think, when he wanted to, he could also *be* one.
I got a wonderful surprise this week from my publisher acknowledging a milestone I reached back in April…and I have you to thank for it!
VIDEO: My acclaimed thriller CALICO is now out in paperback… and the price of the ebook has been slashed to $6.99! Get your copy now.
I’m sad to hear about the passing of Roger Corman. William Rabkin & I worked for him in the late 1980s/early 1990s on an unmade TV series version of LITTLE SHOP OF HORRORS for the USA Network (that’s a long story in itself). He was cheap, but he paid us on time, treated us well and was a wonderful, creative collaborator. But for me the best part of the experience were the anecdotes from his career that he shared with us along the way.
For instance, while giving us a tour of his Venice studio and pointing out sets that had been used dozens of times, he told us that he’d made so many movies that he had a recurring nightmare that he’d made one that he’d forgotten to release
“Did I release BODY CHEMISTRY 3 or was it SORORITY HOUSE MASSACRE 3? I wake up in a cold sweat & have to double check.”
During story meetings with us, sometimes he’d take out an electric razor and just run it over his face while he pondered a story point.
He also didn’t suffer fools. At one point in our 7000th notes meeting with an idiot network executive, Roger got so frustrated that he told her that the time it had taken us to get the bible approved, stories approved, and then two episodes written, he’d made and released eight movies.
The final straw on the LITTLE SHOP project was when the idiot exec asked us to underline the jokes and to put asterisks next to the ones that were social commentary. Roger was furious. He said something like, “if you need the jokes pointed out to you, you shouldn’t be in the movie business,” got up and walked out…and we walked out with him. In the elevator, he told us he was done, he’d never develop a TV series with a network again. He couldn’t understand how we could stomach working with such stupid, indecisive people. But he was kind enough to say how much he enjoyed working with us and that he was proud of the scripts we’d written.
Some years later, he did do a TV series… but he made it himself and then sold the final product to a cable channel as an acquisition.
I can finally reveal the news! ID8 Multimedia, led by industry veterans Derek Dudley and Shelby Stone, have acquired the screen rights to my thriller to “Malibu Burning.” Here’s the full story from the press release:
The high-concept, 2023 bestseller follows two Los Angeles County arson investigators who suspect that a massive wildfire raging through the Santa Monica mountains is part of an elaborate heist by a professional thief and his skilled crew. Dudley and Stone, producers on the TV series “The Chi” and “Horror Noir,” are set to executive produce the adaptation alongside Goldberg and talent manager Craig Dorfman.
“‘Malibu Burning’ embodies the pulse-pounding energy of classic cat-and-mouse thrillers like Heat, pitting a seasoned arson investigator and an ex-U.S. Marshal against a brilliant, charismatic thief trying to pull off an impossible score.” Stone said. “Derek and I are thrilled to bring this electrifying story to the screen.”
Dudley echoed Stone’s enthusiasm. “I am blessed to collaborate with Lee, Craig, and Shelby to bring ‘Malibu Burning’ to life. Lee is a prolific storyteller who creates novels filled with rich and intriguing characters. He has stuck gold again with this fast-paced, action-packed Robin hood heist in a raging inferno.”
Talent Manager Craig Dorfman brought the project to ID8. “I’ve been a fan of Lee’s since I read his 2018 bestseller ‘True Fiction‘ and my obsession continues to this day. I’m excited to work with this team on ‘Malibu Burning,’ which is full of fascinating characters, relentless action, and crackling dialogue.”
“I’m so lucky to be in business with such a creative, enthusiastic, collaborative, and successful team,” said Goldberg, who is repped for film & TV by Mitchel Stein of The Stein Agency and in publishing by Amy Tannenbaum of the Jane Rotrosen Agency. His novel “Ashes Never Lie,” a sequel to “Malibu Burning,” will be published in September. A third book is slated for Spring 2025.
With over 40 novels to his credit, among them the bestselling “True Fiction,” “Lost Hills,” “Calico” and a five-book collaboration with Janet Evanovich, Goldberg’s diverse portfolio also includes extensive television writing and producing credits, including “Diagnosis Murder,” “SeaQuest,” and “Monk,” and co-creating the Hallmark movie series “Mystery 101.”
Shelby Stone is a prolific, Emmy Award-winning producer with numerous projects in development, including “Hate to See You Go” starring Morgan Freeman and a new feature documentary from Oscar-winner Questlove (“Summer of Soul”) on Sly Stone. She is also an experienced executive, having run production companies for several high-profile stars, including Jamie Foxx, Queen Latifah and Common.
Derek Dudley is an industry veteran with a successful entertainment career spanning over three decades, shaping and managing the careers of music heavyweights such as acclaimed producer and record label mogul Jermaine Dupri and Academy Award winning artist, actor, author and social activist Common.
Craig Dorfman, whose client roster includes Lorraine Toussaint, Adrienne C. Moore, Joshua Malina, Patricia Richardson and Jabari Banks, is known for his keen eye for emerging talent and his adept management of established artists.
The next step is for the producers to attach a screenwriter, director and star to the project, which I hear they are hard at work doing right now. I’ve been sitting on the news for a while now, so it’s exciting to finally be able to share it with you. I hope to have more exciting news to share with you about one of my other novels as soon as the “powers that be” give me the ok.
COVER REVEAL! The paperback edition of my genre-bending thriller CALICO is coming in July in the UK and in Sept in the U.S. But you can pre-order it now from your favorite booksellers
“A superb twin-track thriller. Could be Lee Goldberg’s best ever” LEE CHILD, #1 New York Times bestselling author
“A genre-bending, gripping read” HARLAN COBEN, #1 New York Times bestselling author
“I guarantee you’ve never read a crime novel like it. The X Files meets Deadwood. Totally gripping.” IAN RANKIN, New York Times and Sunday Times bestselling author
“A mind-bending thriller unlike anything I have read before” LINWOOD BARCLAY, New York Times and Sunday Times bestselling author
“If you have time for only one mystery, one Western, and one SF this year, this will ding all three targets” Kirkus Reviews
“A riveting mystery. . . Goldberg expertly paces the narrative, ensuring continuous engagement until the thrilling conclusion” Mystery & Suspense Magazine
“A genre-busting, mystery-thriller that defies easy classification” CrimeTime FM
“A cleverly complex plot wreathed in Goldberg’s brilliant humour makes this a rocket-paced story” Historical Novels Review (Editors’ Choice)
“A remarkably unconventional crime novel that is warm, thrilling, and fun to read” Ellery Queen Mystery Magazine
“Goldberg’s plots are always first-rate, but this one is especially suspenseful and surprising”Booklist
“Goldberg has crafted is a page-turning novel that has surprises up to the final page. Calico is arguably one of his best” FirstCLUE
“Something altogether new, radical and exciting” Paperback Warrior
“A double-barreled blast, melding the tense, edge-of-your-seat contemporary police procedural with a gritty 1880s Wild West tale” The Roundup, the Magazine of the Western Writers of America
“Stunningly original – a magical mixture of a murder mystery and an old-fashioned Western” MATT WITTEN, author of Killer Story
“Lee Goldberg delivers with the unapologetically savvy Beth McDade . . .Calico couples history with good old fashioned detective work”
YASMIN ANGOE, award-winning author of the Nena Knight series
“A tour de force of a novel” JAMES ROBERT DANIELS, author of The Comanche Kid and Jane Fury, both Spur Award finalist for Best Western Novel
“One of the most compelling novels I’ve read in a long time” JAMES REASONER, Spur-Award finalist and author of more than 350 Westerns
“A two-fisted western mystery with a compelling heroine in Beth McDade. If you like the Yellowstone series and its spinoffs, you’ll love Calico!” PETER BRANDVOLD, multiple Spur Award finalist and Western Fictioneers Lifetime Achievement Award honoree
“If you’re looking for an exciting mystery within a mystery, flawed characters who work toward redemption, and a few unexpected twists, you should read Calico” Kings River Life Magazine
My new thriller CALICO, a genre mash-up that (to my relief) is getting fantastic reviews, is out today. But that’s not all. I’m all ove the Internet, writing essays about the book and doing interviews to explain myself…and my decision to write this seemingly sharp departure from my usual work.
Today, in CrimeReads, I out myself as a closeted wesstern writer.
I decided to do it by writing a gritty western set in 1883 in the Mojave desert mining town of Calico, which is now a cheesy roadside attraction off the I-15 between Los Angeles and Las Vegas. It’s actually a notion I’ve had in the back of my mind for years…maybe even decades.
But there have been a thousand westerns. What could I bring to the genre that nobody else had? How could I make it my own?
The answer was obvious: I’d use the novel to reconcile my creative, split personality. And I’d do that by combining a seemingly traditional western with a present-day crime novel… a seemingly straight-forward police procedural set in the Mojave in 2019.
Notice the repetition of the word seemingly in the previous paragraph.
That’s because, to truly make it mine, I’d have to acknowledge the tropes of both genres…and then ruthlessly subvert them. That’s my brand, or so I am told, exemplified by my “Ian Ludlow” trilogy of spy novels (True Fiction, Killer Thriller, and Fake Truth)
What would connect the two storylines?
The answer was easy.
They would share the same corpse.
And I visited my friends at Rogue Women Writers to talk about how I wrote the book:
When you read a contemporary police procedural or a period western, you go into them with certain expectations about the stories, the characters, and the themes you’re going to find. Those expectations are what defines those very different genres. While some of those tropes are necessary, many of them are tired, ridiculous cliches. I set out with my thriller Calico to honor the tropes of those two genres while twisting them in new ways and bringing them together in a single, propulsive thriller.
And over at The Dossier, I was grilled about how I work.
DOSSIER: When and where do you write, and what kind of environment do you prefer? (Music/silence/ocean-front veranda where sea nymphs emerge from the water to serve you chilled Bollinger and Oreos?)
GOLDBERG: Sadly, no sea nymphs. Just my dog laying on my office couch, loudly licking his ass or barking in a dream.
I do my best writing between 8 p.m and 2 a.m. in my home office. I like to listen to instrumental TV and movie soundtracks while I work (and to drown out the canine farting). If I am writing action, I might listen to Goldfinger (or other Bond scores), The Bourne Identity, or Mission Impossible (mostly Lalo Schifrin’s original TV soundtracks, and a couple of the features). If I am writing “procedural” scenes, I might listen to Jon Burlingame’s excellent collection of Quinn Martin TV series soundtracks (Streets of San Francisco, Cannon, Barnaby Jones, etc), or Jerry Goldsmith’s Police Story, or Morton Steven’s Hawaii Five-O, for example. I have a collection of hundreds of soundtracks to choose from.
I wish I could munch on Oreos and potato chips while I write, but these days it’s Keto Bars and roasted almonds… washed down with Diet Coke.
I hope you enjoy all of that…but, most of all, I hope you will grab a copy of CALICO. It’s a book I’ve wanted to write for decades and I’m so excited to finally have it out there in the world.
Like SPECTRE agents, I’m everywhere… at least during the month following the release of a new book. Over the last two weeks, I’ve done a ton of interviews for podcasts, radio shows, video programs, and newspapers, discussing MALIBU BURNING, my sordid career, and the craft of writing. If you missed any of them, you can watch, listen, or read some of them below…
I did a lively interview with David Temple of The Thriller Zone, which you can see here.
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My brother Tod and I were interviewed together by Erik Pedersen…and it’s by far the best one that’s ever been done with the two of us. You can read it in the Orange County Register. You can also find it in the Los Angeles Daily News, The Boston Herald, Long Beach Press Enterprise, The Pasadena Star Newsand many other newspaper sites nationwid
You can watch me and Tod being interviewed by Sandra Tsing Loh on Bookish. It is hosted on the Southern California News Group’s YouTube channel.
I was cross-examined at length by Toni Marcolini on her show It May Interest You To Know. You can see it here.
I spoke about collaboration and other aspects of writing with Daniel Paisner on the As Told To podcast. You can listen to it here or here.
I got In Between the Pages with James Lott Jr., which you can see here.
I talked about how I create my stories with Steven James at The Story Blender. You can listen to it here.
R.G. Belsky held my feet to the fire for an interview you can read in The Big Thrill.
I had a lot of fun talking with author Sara DiVello for her Mystery Mavens show, which you can watch here.
You can also watch me being interrogated by Cyrus Webb on his Amazon Live show, here.
Finally, I was grilled by Al Warren and author Joe Goldberg (no relation) on the House of Mystery Radio Show, which you can listen to here or here.
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Speaking of interviews, a few years ago, I interviewed author Craig Johnson, and the cast & producers of LONGMIRE, the TV series based on his books, for a live, ticketed LiveTalksLA event. That event was filmed, and it’s finally shown up on YouTube. You can see it here.
I hope you enjoy the interviews… and that it inspires you to read MALIBU BURNING!