Scaring Myself: The Challenges of Writing a Dual Time-Line Thriller

My thriller Calico, out this week in a new paperback and deeply discounted ebook editions, is both a contemporary police procedural…and a traditional western set in 1883. What the two storylines share is a body, buried in a shallow grave in California’s desolate Mojave desert.

I’d been thinking about the story for years… but put off writing it because I had too many contractual commitments and not enough time in-between them to do it. Those are lies, of course, excuses I told myself to justify not writing the book.

The truth is, the story terrified me. Thrillers are hard enough to write without trying to balance two time-lines and, on top of that, two wildly different genres (actually, three genres, but talking about that would be a spoiler).

The challenge of telling two connected stories, one in the past and one in the present, is making sure the reader isn’t ahead of the characters in either time-line. Because if you fail, it will kill the suspense and the mystery. There will be no surprises. Yet, you also don’t want to withhold information from the reader, because that would be cheating. The trick is knowing when to cut away from on time-line to the other, so the reader is never quite sure how much they really know. Maintaining that delicate balancing act throughout the story is the sweet spot because, if you can pull it off, it creates a palpable tension that generates excitement… the thrill in thriller.

You also have to create two protagonists, one in each time-line, that the reader will find equally compelling and that will anchor the reader so they can endure the shifting POVs. In Calico, those characters are Beth McDade, a disgraced ex-LAPD cop, seeking redemption as a San Bernardino County Sheriff’s detective in the Mojave Desert in present day…and, in 1882, it’s unskilled wanderer Ben, desperately trying to survive in a silver mining camp located in a scorching, dry, desolate hell-scape. Ben’s choices in the past will have a profound impact on Beth’s life over 135 years later, when a homicide investigation will either redeem her… or destroy her.

I created a spreadsheet to track the two time lines…as well as the key plot moves/reveals which, if given away too soon or too late, could ruin the entire book. I also used the spread sheet to get a sense of the pacing, of when it would be the right time, emotionally or thematically, to shift time periods, to keep the narrative momentum moving at warp-speed.

Beyond telling a two-track story, I wanted to take the two genres (actually three) and, while delivering on the familiar tropes, also subvert all the baked-in cliches and expectations. So, I gave myself another delicate balancing act to perform: delivering a true police procedural and a western (and that other genre I’m not revealing), while also de-constructing them to create something new.

And if you’re crossing genres, and time-lines, it’s essential that you maintain the same tone and pacing across them both, so it doesn’t feel like two different books, but one relentlessly engaging thriller.

Calico was the hardest book I’ve ever written (out of nearly 40) but, in some ways, it’s been the most creatively rewarding. I’m glad I took the risk. Because I believe if I don’t occasionally scare or challenge myself, I’m going to fail anyway – because my writing will become formulaic and complacent. 

I hope you’ll read Calico… and that you’ll let me know if my high-wire act worked…or if I hit the ground with a sickening splat. 

 

Cover Reveal!

COVER REVEAL! The paperback edition of my genre-bending thriller CALICO is coming in July in the UK and in Sept in the U.S. But you can pre-order it now from your favorite bookseller

“A superb twin-track thriller. Could be Lee Goldberg’s best ever” LEE CHILD, #1 New York Times bestselling author

“A genre-bending, gripping read” HARLAN COBEN, #1 New York Times bestselling author

“I guarantee you’ve never read a crime novel like it. The X Files meets Deadwood. Totally gripping.”  IAN RANKIN, New York Times and Sunday Times bestselling author

“A mind-bending thriller unlike anything I have read before” LINWOOD BARCLAY, New York Times and Sunday Times bestselling author

“If you have time for only one mystery, one Western, and one SF this year, this will ding all three targets” Kirkus Reviews

“A riveting mystery. . . Goldberg expertly paces the narrative, ensuring continuous engagement until the thrilling conclusion” Mystery & Suspense Magazine

“A genre-busting, mystery-thriller that defies easy classification” CrimeTime FM

“A cleverly complex plot wreathed in Goldberg’s brilliant humour makes this a rocket-paced story” Historical Novels Review (Editors’ Choice)

“A remarkably unconventional crime novel that is warm, thrilling, and fun to read” Ellery Queen Mystery Magazine

“Goldberg’s plots are always first-rate, but this one is especially suspenseful and surprising”Booklist

“Goldberg has crafted is a page-turning novel that has surprises up to the final page. Calico is arguably one of his best” FirstCLUE

“Something altogether new, radical and exciting” Paperback Warrior

“A double-barreled blast, melding the tense, edge-of-your-seat contemporary police procedural with a gritty 1880s Wild West tale” The Roundup, the Magazine of the Western Writers of America

“Stunningly original – a magical mixture of a murder mystery and an old-fashioned Western” MATT WITTEN, author of Killer Story

“Lee Goldberg delivers with the unapologetically savvy Beth McDade . . .Calico couples history with good old fashioned detective work”
YASMIN ANGOE, award-winning author of the Nena Knight series

“A tour de force of a novel” JAMES ROBERT DANIELS, author of The Comanche Kid and Jane Fury, both Spur Award finalist for Best Western Novel

“One of the most compelling novels I’ve read in a long time”  JAMES REASONER, Spur-Award finalist and author of more than 350 Westerns

“A two-fisted western mystery with a compelling heroine in Beth McDade. If you like the Yellowstone series and its spinoffs, you’ll love Calico!” PETER BRANDVOLD, multiple Spur Award finalist and Western Fictioneers Lifetime Achievement Award honoree

“If you’re looking for an exciting mystery within a mystery, flawed characters who work toward redemption, and a few unexpected twists, you should read CalicoKings River Life Magazine

 

CALICO is out… and I’m EVERYWHERE!

Calico by Lee Goldberg

My new thriller CALICO, a genre mash-up that (to my relief) is getting fantastic reviews, is out today. But that’s not all. I’m all ove the Internet, writing essays about the book and doing interviews to explain myself…and my decision to write this seemingly sharp departure from my usual work.

Today, in CrimeReads, I out myself as a closeted wesstern writer.

I decided to do it by writing a gritty western set in 1883 in the Mojave desert mining town of Calico, which is now a cheesy roadside attraction off the I-15 between Los Angeles and Las Vegas. It’s actually a notion I’ve had in the back of my mind for years…maybe even decades.

But there have been a thousand westerns. What could I bring to the genre that nobody else had? How could I make it my own? 

The answer was obvious: I’d use the novel to reconcile my creative, split personality. And I’d do that by combining a seemingly traditional western with a present-day crime novel… a seemingly straight-forward police procedural set in the Mojave in 2019. 

Notice the repetition of the word seemingly in the previous paragraph. 

That’s because, to truly make it mine, I’d have to acknowledge the tropes of both genres…and then ruthlessly subvert them.  That’s my brand, or so I am told, exemplified by my “Ian Ludlow” trilogy of spy novels (True Fiction, Killer Thriller, and Fake Truth)

What would connect the two storylines? 

The answer was easy. 

They would share the same corpse. 

 

And I visited my friends at Rogue Women Writers to talk about how I wrote the book:

When you read a contemporary police procedural or a period western, you go into them with certain expectations about the stories, the characters, and the themes you’re going to find. Those expectations are what defines those very different genres. While some of those tropes are necessary, many of them are tired, ridiculous cliches. I set out with my thriller Calico to honor the tropes of those two genres while twisting them in new ways and bringing them together in a single, propulsive thriller.

And over at The Dossier, I was grilled about how I work.

DOSSIER: When and where do you write, and what kind of environment do you prefer? (Music/silence/ocean-front veranda where sea nymphs emerge from the water to serve you chilled Bollinger and Oreos?)

GOLDBERG: Sadly, no sea nymphs. Just my dog laying on my office couch, loudly licking his ass or barking in a dream.

I do my best writing between 8 p.m and 2 a.m. in my home office. I like to listen to instrumental TV and movie soundtracks while I work (and to drown out the canine farting). If I am writing action, I might listen to Goldfinger (or other Bond scores), The Bourne Identity, or Mission Impossible (mostly Lalo Schifrin’s original TV soundtracks, and a couple of the features). If I am writing “procedural” scenes, I might listen to Jon Burlingame’s excellent collection of Quinn Martin TV series soundtracks (Streets of San Francisco, Cannon, Barnaby Jones, etc), or Jerry Goldsmith’s Police Story, or Morton Steven’s Hawaii Five-O, for example. I have a collection of hundreds of soundtracks to choose from.

I wish I could munch on Oreos and potato chips while I write, but these days it’s Keto Bars and roasted almonds… washed down with Diet Coke.

I hope you enjoy all of that…but, most of all, I hope you will grab a copy of CALICO. It’s a book I’ve wanted to write for decades and I’m so excited to finally have it out there in the world.

Malibu Burning is Now Available for Pre-Order

Malibu Burning

My new thriller Malibu Burning, is now available for pre-order and will be out in September. It’s a standalone novel, but it’s set in the same “universe” as my Eve Ronin series. In fact, it takes place at the same time as Lost Hills. Here’s the story:

Hell comes to Southern California every October. It rides in on searing Santa Ana winds that blast at near hurricane force, igniting voracious wildfires. Master thief Danny Cole longs for the flames. A tsunami of fire is exactly what he needs to pull off a daring crime and avenge a fallen friend.

As the most devastating firestorms in Los Angeles’ history scorch the hills of Malibu, relentless arson investigator Walter Sharpe and his wild card of a new partner, Andrew Walker, a former US marshal, suspect that someone set the massive blazes intentionally, a terrifying means to an unknown end.

While the flames rage out of control, Danny pursues his brilliant scheme, unaware that Sharpe and Walker are closing in. But when they all collide in a canyon of fire, everything changes, pitting them against an unexpected enemy within an inescapable inferno.

I’m fortunate that the book has earned some early praise from some fantastic authors.

Malibu Burning is a blistering thrill ride full of Southern California thieves, cops, and firefighters, all facing high stakes and imminent danger. Superbly researched and told, fast-paced, and downright fun, this is Lee Goldberg at his best!” —Mark Greaney, #1 New York Times bestselling author of the Gray Man series

“By turns tense and rambunctious, wildly entertaining, and breakneck-paced, Lee Goldberg’s splendid Malibu Burning is pure storytelling pleasure from beginning to end.” —Megan Abbott, Edgar Award–, Anthony Award–, Thriller Award–, and Los Angeles Times Book Prize–winning author of The Turnout

Malibu Burning is classic Lee Goldberg at the top of his game: a fast-paced, funny, and deeply satisfying page-turner.” —Jess Lourey, Amazon Charts bestselling author of The Quarry Girls

“An inventive, twisty, and funny caper from one of crime writing’s true pros. Elmore Leonard and Donald Westlake would’ve loved this wild heist.” —Ace AtkinsNew York Times bestselling author of Robert B. Parker’s Bye Bye Baby and The Heathens

“This is a book I couldn’t put down. Lee Goldberg is a master when it comes to building tension and writing heart-pounding action scenes. Malibu Burning is a roundhouse kick of a thriller, a true nail-biting race against time.” —Simon Gervais, former RCMP counterterrorism officer and author of The Last Protector and Robert Ludlum’s The Blackbriar Genesis

If Malibu Burning does well, it could be the start of a new series. This novel will be followed in November by Calico, another standalone thriller, and then the fifth Eve Ronin novel in January 2024.