Some Things Never Change

I’m in the midst of writing my fourth DIAGNOSIS MURDER novel, which is based, of course, on the TV series that starred Dick Van Dyke as Dr. Mark Sloan. There were a lot of creative choices made on the show, for the convenience of production, that I’ve carried over into the books (like Mark Sloan and his adult son Steve living together in the same house). I’ve wondered just how much I should begin deviating from the show to accomodate the broader opportunities of a novel.

I’m not fooling myself… most people who are buying my DM book are doing it because they loved the show and want to repeat the experience…not because they are looking for a clever whodunit. The books will always be seen as TV tie-ins, no matter how well-reviewed they might be in their own right. But how much can I tinker with the characters, format and situations without alienating that core audience? And how much should I in order to keep the series fresh and engaging for the readers?

I don’t have answer… but my gut tells me to take the NERO WOLFE approach. Over the decades that Rex Stout wrote the books, virtually nothing changed in the lives of the characters… except, every now and then, he’d shock you with an unexpected situation (Wolfe has left the country!) or revelation (Wolfe has a daughter! A trusted operative is a killer!). But things would always return to the status quo… Wolfe and Archie back in the brownstone, solving crimes.

Maybe I should have Steve move out of Mark’s house… and then move right back in.

Is This How To Sell Books?

A week or so ago, I posted a note here saying how glad I was that my broken right arm, the one with the titanium elbow, was finally out of a cast and I could more-or-less resume most of my normal activities. Naturally, somebody saw this post as the perfect opportunity to plug his upcoming book.

I am pleased to announce the signing and acceptance of a contract for the publication and upcoming release of “Dreams-The Gateway.” Follow the research professor who dares to venture into a world of dreams. New technology truly becomes a nightmare for those who transverse into “Dreams-The Gateway.” A novel by Louis Poessel.

Curious, I checked out Louis Poessel’s site to see how his book was related to broken arms, casts, titanium elbows, physical therapy or me. There I found a picture of a middle-aged man with a white beard sitting in front of an American flag like Wally George. A few clicks later, I discovered that Louis decided to pursue writing after retiring from a “lengthy career in the agricultural seed industry.”

His unique blend of science fiction combined with snippets from his personal experiences take the reader into a world of fantasy, yet possible scenario. Possessing a broad background in the agric-business industry he often uses it as the backdrop for his vivid imagination.

I also learned his first novel is:

A vivid account of a research professor that has broken the bonds of reality and entered the world of dreams. Follow the professor from his safe and protected college research laboratory to a secret government base where new technology truly becomes a nightmare…

I’m assuming the new technology isn’t titanium elbows. Still, I’m sure everyone interested in my arm will want to buy the book.

Final Finale

They should stop doing finales for TV series for one, simple reason.

They suck.

Okay, not ALL of them. Just the vast majority. And the fact is, most TV series are created, by design, to be open-ended. They aren’t meant to have finales (with the exception of shows like “Lost in Space” or “Gilligans Island” which, by the way, DIDN’T have finales). For decades, they simply didn’t do them. Did “Gunsmoke” have a finale? Did “The Dick Van Dyke Show”? “All in the Family?” “Bonanza?” “Rockford Files?” “Green Acres?” “Murder She Wrote?” “Wild Wild West?” “Man From UNCLE?” You get the point.

Sure, there have been some great finales… The Fugitive, M*A*S*H, Mary Tyler Moore, Newhart, Star Trek: The Next Generation, St. Elsewhere, Cheers, Barney Miller…to name a few (and there are only a few).

But there have been many, many more finales that were truly awful, well below the quality of the most mediocre episode of the respective shows… Hill Street Blues, Magnum, Dallas, Miami Vice, Quantum Leap, Homicide, Seinfeld, Moonlighting, Roseanne, Mad About You, Murphy Brown, Deep Space Nine…

Couldn’t we have lived without those final episodes? Wouldn’t it have been better to be left with our fond memories? There are fans of “Married With Children” who are still peeved the Bundys didn’t get a finale.
They should consider themselves lucky.

Usually, the finale is the weakest, most melodramatic episode in the series’ entire run. Like the dull finales of “Friends” and “Frasier” (which was, at least, occasionally funny in its final hour).

It’s reached the point that the producers of any series that lasts longer than 13 episodes feel entitled to a finale for “the sake of the fans,” to give the show “closure.” I’m still aching for the “Birds of Prey” finale, aren’t you?

Wouldn’t we rather believe the characters live on forever? Do we really need to “wrap things up?” Why can’t we go on thinking the characters are continuing on their endless, episodic loop… having one adventure or comedic situation after another? We can… and should. For the most part, finales are only a ratings stunts.

The only thing less necessary that the series finale is the reunion. Can you say “Mary & Rhoda?” Or “The Dick Van Dyke Show Reunion?” But that’s another rant for another day.

Law & Order: National Broadcasting Company

NBC has struck a rich deal (ching-ching!) with Dick Wolf will keep his three LAW AND ORDER shows on the air for at least two more seasons… and bring a fourth LAW AND ORDER show to the network by midseason. Dick Wolf owns so much NBC real estate, pretty soon the network itself will become part of his franchise (ching-ching!). From www.variety.com:

It didn’t take new conglom NBC Universal long to lock up its most valuable employee: Dick Wolf has sealed a deal that keeps the “Law & Order” bossman firmly entrenched there through June 2008.
As part of the deal, NBC has also picked up Wolf’s “Law & Order,” “Law & Order: Special Victims Unit” and “Law & Order: Criminal Intent” through the 2005-06 season. And the fourth installment of the “Law & Order” franchise, “Trial by Jury,” is now officially on the boards and will likely premiere sometime next midseason.

All told, the Wolf pact — which the Peacock had been anxious to finalize prior to next week’s upfront presentations — could be worth well north of $1 billion (Daily Variety, May 4). That includes Wolf’s fees, as well as the license deals for all four shows.

CBS seems headed in the same direction. CSI: CBS has ordered CSI: NEW YORK for next season. The pilot airs next month as an episode of CSI: MIAMI.

Can CSI: YES DEAR be far behind?

Van Helsing and the Death of American Filmmaking

Okay, maybe that headline is extreme, but I left VAN HELSING pondering the current state of American movie-making. Most of the movie… and most of the characters…are CGI. Essentially, they are cartoons… lousy, unconvincing cartoons at that. And the big, climactic confrontation in the movie doesn’t happen between two actors, but between two lousy, unconvincing CGI characters (not to mention the mostly CGI and digital matte locations and backgrounds). In essense, the movie was a bloated cartoon with a few living actors inserted. The live-action characters weren’t much more convincing than their CGI counterparts. I never got invested in the characters, the story, or the big action set pieces. None of it seemed real… because it wasn’t. There was nothing engaging about the movie at all. When did studios start believing audiences were more interested in CGI than characters, story, and genuine emotion? Is this what movie-makers think audiences want? Are they right?

Where’s the Outrage?

On her blog, Sara Weinman unearthed an incredible column by Otto Penzler, founder of the Mysterious Press and proprietor of the Mysterious Bookshop. I don’t know how I missed this article when it first ran in April. I don’t know why every author of cozies and hardboiled mysteries alike isn’t incensed by his article.

The column is incredible because Penzler is something of a leader in the mystery field, both as a prominent NY bookseller, as well as a respected editor and publisher of mysteries. He’s treated as mystery royalty.
He shouldn’t be anymore, because as he reveals in his column, he’s one thing above all else:

A prick.

In his column, he trashes… and I mean trashes, “cozy” mysteries.

The books stacked in front of me are the finalists for the Agatha award, given at the annual Malice Domestic conference. This event honors books written in the mode of Agatha Christie, loosely defined as those that contain no explicit sex, excessive gore, or gratuitous violence. Unstated, but clearly of equal importance, is that they must contain not a scintilla of style, originality, or depth. They must have the texture and nuance of an infomercial, lacking only its philosophical power.

My fiancée, as kind and generous as she is beautiful, defended them briefly by comparing them to television sitcoms, to be read as pure escapism. “They’re throw-away books,” she says. I agree. We just disagree about timing, as I think they should be thrown away before they are read.

There’s nothing wrong with disliking cozies… but then he personally, and quite viciously, attacks the authors nominated for the Agatha Award, some of whom are the sweetest, kindest people you’d ever want to meet (and several of whom… okay, most of whom, are friends of mine). They have also helped line his pockets for decades… making the pilgrimage to his store and signing hundreds and hundreds of books for him to sell. I won’t repeat the individual attacks, but he summarizes his feelings this way:

You know the scariest thing about this little shelf of books? They are the cream of the Malice Domestic crop. That’s crop — with an “o.”

The criticism, as pointed as it is, isn’t the problem. The authors and their work are fair game. But coming from Penzler, an editor, publisher and bookseller in the mystery field, it’s an act of raging hostility, utter stupidity, and naked hypocrisy(not to mention revealing that Penzler has the social skills of a rabid weasel). For a man who has profited off authors for years… whether they write hardboiled mysteries or cozies… to write an article like this is an act of pure malice. I hope the “mystery community” as a whole boycotts this jerk and his store… and makes him as welcome as Legionnaires Disease at the mystery conventions he likes to grace with his presense.

The New Face of James Bond

I’ve been reading the James Bond newsgroup, where there’s lots of talk about who will take over the license to kill when Pierce Brosnan turns his in. Hugh Jackman seems to be the big favorite…along with Orlando Bloom, Christian Bale, and Russell Crowe… though I am holding out hope for Clive Owen. He was great in THE CROUPIER and those DRIVER mini-movies from BMW. Perhaps he’ll get noticed in Disney’s KING ARTHUR tentpole this summer.

Born Free

Tomorrow morning, I get the cast off my right arm…two weeks after the cast on my left came off. I’m looking forward to typing with both hands again…though I’m not so sure yet what else I will be able to do with my titanium-rebuilt right arm…and may not find out for some time. But I’m going to be a writing demon over the next few weeks no matter what…rushing to meet the July 1 deadline on DM #4 and the script deadlines on MISSING. And, of course, taking time off to rant and whine here!

Pot Pie Heaven

If you love chicken pot pie, as I do, I heartily recommend Claimjumpers, a chain of steak places. they make an incredible chicken pot pie and goes for a mere $10. It must be comfort food for me…because lately I have been dreaming of pot pies…

UPDATE: Several folks emailed me… saying I had to try Marie Callender’s pot pie. So I went there for lunch. It’s no contest, friends… Claimjumpers is much better. For one thing, it’s a PIE. Crust all around, not just on the top. Flaky and delicious. Oh God, I want one NOW.

UPDATE – I just discovered that Claimjumpers is selling their pot-pies in the frozen food section of my local Ralphs. While the frozen pies aren’t as good what you find in the restaurant (duhhhhhh), they are still too damn good… I’ve had three already this week.

Another View on the Book Fest

My brother Tod offers his take on the LA Times Bookfest in this weeks Las Vegas Mercury. He also talks about the experience of being quasi-interviewed by Byron Allen.

I’m sitting in a chair talking to Byron Allen and I think, man, if this were 1979, this would be one of the biggest thrills of my life. I’d be peppering Byron with questions about Sarah Purcell and the rest of the “Real People” cast and digging for info about his stunning turn on “Battle of the Network Stars” alongside Greg Evigan and Fred Willard. Instead, it is 2004 and I’ve spent the past two days walking among the broiling multitudes at the L.A. Times Festival of Books, the largest literary gathering in the universe (400 authors and upwards of 140,000 people attend over two days) and though Byron Allen is preparing to interview me for a new show called “The Writer’s Hotlist,” the biggest thing burrowing in my mind is that I think, though I’m not positive, that I can smell my own groin.