Working up a Storme: WL Ripley on Creating Series Characters

Storme Warning_FrontCoverMy friend W.L. Ripley is the author of two critically-acclaimed series of crime novels — four books featuring ex-professional football player Wyatt Storme and four books about ex-Secret Service agent Cole Springer. His latest novel is Storme Warning, a stunning new mystery/thriller that’s earned him well-deserved comparisons to Robert B. Parker…and from the likes of Ace Atkins, who is now writing Spenser. Here Rip talks about creating Storme…and series characters in general.  

Wyatt Storme evolved from a love of mystery characters like Travis McGee, Spenser, and the protagonists of Elmore Leonard’s many novels. But in shaping Storme as a series lead, I wanted a neo-classic mystery/thriller hero who would seem familiar and yet would be uniquely his own person and uniquely my own creation.

Storme is neither a detective nor a police officer, which places him in Travis McGee territory, but he will use deduction and reasoning to isolate and learn about the villain.  This is a nod to the deductive powers of Sherlock Holmes, without whom the modern mystery would not be what it has become.

Storme & Chick vs Spenser & Hawk

Wyatt Storme and his friend Chick Easton, a deadly and deeply troubled ex-CIA agent, are often compared to the Robert B. Parker’s team of Spenser and Hawk. But I believe Storme is more closely related to John D. McDonald’s Travis McGee because he is a man apart; a man taking his retirement in pieces. Yet unlike McGee, Storme is often reluctant to insinuate himself into other people’s troubles and does not seek a financial reward.  The character of Chick Easton is closer Nero Wolfe’s Archie Goodwin, only more deadly.  Easton’s character often prods Storme into action and, like Goodwin, he keeps the dialogue lively and caustic.  The Wyatt Storme novels blend three sub-categories of the mystery/thriller genre:  tough-guy, western, and reluctant detective.

If you look at Robert B. Parker’s Spenser (brilliantly continued by author, Ace Atkins), the most recognized tough guy in the modern literary world, you’ll find that he possesses some traits associated with Sam Spade and Phillip Marlowe but is distinctively his own man.  Spenser quotes poetry and literature like a University professor yet he is as comfortable throwing a left hook to dispatch anyone foolish enough to bull up on him.  He still carries the classic .38 police special but is at ease handling the modern semi-automatic weapons.  Spenser is the first Renaissance man in the tough-guy mystery genre and has opened up possibilities for all of us who write.

Elmore Leonard’s Raylan Givens Reflects his Pantheon of Characters

Elmore Leonard never saddled himself with just one hero yet many of his protagonists shared attributes that were singular to his pantheon of characters.  They usually were unflappable regardless of the situation.  They rarely spoke excitedly or in anger.  The best example of this, and Leonard’s most memorable and likewise most singular character, is Raylan Givens.

W.L. Ripley
W.L. Ripley

Givens was the son of Kentucky coal-miners and a U.S. Marshal who was an expert with a hand gun.  He taught marksmanship to other U.S. Marshal’s and was deadly cool when dispatching a bad guy quite often giving the outlaw a chance to re-consider.  “I’m a dead shot.  I hit exactly what I aim at.  If I pull I shoot to kill.”

Note the nod to the old Western heroes of cinema and the western genre.  Givens is a Marshal like Matt Dillon or Wyatt Earp.  Givens participates in shoot-outs like many Clint Eastwood characters (There are marked similarities between Givens and Clint Eastwood in the novels.  Height, body-build, cold statement that his enemy is about to die).  At once, we are familiar with Raylan Givens and at the same time he is a unique character in his own right.

Storme is, like the above, a neo-classic hero. Both of my main series characters, Wyatt Storme and Cole Springer, are denizens of the new American West.  They are throwbacks, as comfortable in the great outdoors as they are with their backs against the wall, guns blazing.  Like old Western Cowboys, they ride into town and save the day.   Storme is Wyatt Earp to Easton’s Doc Holliday, Butch Cassidy to Easton’s Sundance Kid.

Dave Robicheaux and Stephanie Plum Are Among The Best

One of the best contemporary series characters is James Lee Burke’s, Dave Robicheaux, a disgraced N’Awlin’s cop whose desperate struggles with alcoholism and personal tragedy place Dave (now a Sheriff’s deputy in New Iberia Parish) in his own niche.  Burke is unsurpassed at making the setting a part of his stories and the tortured soul of Dave Robicheaux is on display at all times.  Robicheaux, like Spenser, is an intelligent man.  Yet, unlike Spenser, Robicheaux is often confused and even lacks confidence in his assessment of his moral stance.  Still, when his blood is up, Robicheaux is among the most violent of mystery heroes.

Janet Evanovich’s Stephanie Plum is smart, tough, and given to romantic adventurism that heretofore was a part of the male hero make-up.  Evanovich plows new literary ground by making Plum a bond enforcement agent (Chick Easton performs this duty at times in the Storme lexicon). Plum is of Italian/Hungarian descent and vacillates between the romantic overtures of two different men.  She is honest about her foibles, which create problems in her job, but it is this very self-deprecation that endears her to her readers and makes Stephanie Plum one of the most successful characters in the mystery genre.

There are many, many more examples.  Sue Grafton’s Kinsey Millhone (a classic detective in the Phillip Marlowe/Jim Rockford tradition), James Patterson’s Alex Cross (criminal profiler), Ace Atkins other best-selling character, Quinn Colson (Ex-special forces Ranger), and Patricia Cornwell’s Kay Scarpetta (Medical Examiner) are among the best.

All of these authors write sharply drawn, well-researched characters that give us a peek behind the curtains of very unique aspects of these justice-dealing heroes and their occupations. They have also been successful mining the classic nature of the mystery/thriller genre and giving their character remarkable traits, not quirks.  Too often beginning writers think they need to make their characters quirky. Quirky characters are the province of situation comedies, not mystery/thrillers.

Characters We Love, Books We Want to Read

One of the hardest aspects of a series character is keeping them fresh through many books.  All of the writers that I’ve talked about do so brilliantly and aspiring writers should study their work to learn how they pull it off.

Developing a lasting series character is the hardest thing you’ll ever love doing.  I enjoy looking into Wyatt Storme’s past, how he evolved into the person he has become and witnessing the sights, sounds, and his interaction with the universe he inhabits.

I write novels that I would like to read.  My hope is that they are also novels that you will want to read, too. I want the reader to keep turning pages and be continually entertained with laughter, hope, suspense, sudden danger and the consequences of life….and that you will find all of that in Storme Warning.

Jesse Stone is Saved

Blind SpotRobert B. Parker died in 2010, but his characters Spenser, Jesse Stone and Virgil Cole have lived on in new books by other authors. Ace Atkins pulled off a miracle by writing two Spenser novels that could have been mistaken for the work of Parker himself…and in his prime. Michael Brandman’s three Jesse Stone novels were awful, not just bad attempts at imitating Parker, but horribly-written books by any measure. Robert Knott’s first Virgil Cole book, Ironhorse, was a decent western, but unremarkable and certainly not up to Parker’s level (his second Cole book, Bull River, was a definite step up and, wisely, a few steps away from attempting to imitate Parker). And the less said about Helen Brann’s Silent Night, a misguided attempt to finish the book Parker was writing when he died, the better.

Now along comes Reed Farrel Coleman’s Blind Spot, a new Jesse Stone novel. I should admit a personal bias right off — Reed is a friend of mine and I am a fan of his work.  When I heard he was taking over for Brandman, I was thrilled. I had high hopes for what a writer of Reed’s skill would bring to the series and those hopes have not just been met, they have been exceeded. I am sure I am not going to be the first, or the only, person to say that he has saved Jesse Stone. His book is not only better than Brandman’s three Stone books (which isn’t setting a very high bar) but even better than the last few Stones written by Parker himself.

Reed has saved Jesse Stone by embracing the character, not by imitating Parker’s writing style. He’s done it by making Stone his own. He has fleshed out Stone’s world, and his inner life, in so many ways. His first smart move was making the crime story personal, one that goes to the root of Stone’s character, and that allows Reed to reboot the series, to reintroduce the character, his past, and his relationships and tweak them a bit along the way. He leaves the Stone series in much better the shape than Parker left it (and let’s just pretend the Brandman novels were a bad dream, okay?)

The story begins at a reunion of players from Stone’s short-lived time in professional baseball. The reunion occurs at the same time as a murder in Paradise, the small town where Jesse is Chief of Police. I won’t go into a summary of the plot, except to say it gives Reed ample opportunity to explore Jesse’s character in interesting ways.

There are many references in the story to past Stone tales, a gift for long-time fans, but Reed is not pandering to them. He’s anchoring his new Stone in the old, paying his respects but saying “we’re moving on.” Those references to past events and characters are the only nods he makes to Parker. You won’t find any imitations of Parker’s distinctive writing style and banter, something only Ace has dared, and brilliantly succeeded, in copying. Reed wisely writes in his own voice, one tweaked a bit to suit Jesse Stone but close enough to Parker’s sensibilities that it feels comfortable, familiar, and just right.

My favorite part of Blind Spot is how Reed makes everyone human, especially the bad guys, which is not something Parker ever did. The bad guys were often punching bags for either his supremely confident heroes’ fists or their wit, but they were not living, breathing people.

For Jesse Stone fans, Blind Spot is cause for celebration and, based on the final pages, perhaps some apprehension, too…at least until Reed’s next Stone novel.

 

Robert B. Parker’s Latest Spenser Crime Novel – Courtesy of Ace Atkins

Lee Goldberg and Robert Parker at the Edgars

Lee Goldberg and Robert Parker at the Edgars

Here’s a guest post from my friend Kate Goldstone, a big fan in the UK of crime shows, crime novels and everything noir, who has just discovered Robert B. Parker’s Spenser novels (that’s me with Parker in the photo above at the Edgars). I envy her reading all of those great books for the first time…

Are you constantly on the look-out for the very best thriller books, from the pens of the finest thriller writers? If so, have you heard of Robert B. Parker, the ‘Dean of American Crime Fiction’? As a Brit, I hadn’t until recently, much to Lee Goldberg’s shock and disbelief.

Parker is best known for his remarkably popular Spenser private eye novels, which became the basis for two TV series (Spenser: For Hire and A Man Called Hawk) and even a bunch of well-loved made-for-TV movies. In fact, Lee broke into the TV business by writing four episodes of Spenser: For Hire, so he owes much of his career to Parker and the fictional private eye.

Parker died aged 77 in 2010. The author’s estate decided to continue his Spenser and his Jesse Stone novels with new writers. The Jesse Stone novels were initially written by the Parker’s friend Michael Brandman, who produced the TV movies based on the books, and they are now being written by Reed Farrell Coleman. The Spenser novels are being written by Ace Atkins to wide acclaim.

Robert B. Parker’s Lullaby was published in 2012, the first posthumous Spenser novel crafted by Atkins. Then came Wonderland in 2013 and the latest, released to considerable fanfare on 6th May, Cheap Shot.

If Parker’s work is new to you, an unexplored star in your crime fiction books firmament, you might like to find out a bit more about him and his work. If you’re into the best thriller authors, he’s an all-American classic. They aren’t just good thriller books. They’re great thriller books.

Avery Brooks as Hawk and Robert Urich as Spenser in Spenser For Hire
Avery Brooks as Hawk and Robert Urich as Spenser in Spenser For Hire

About Robert B. Parker – His Crime books and TV mystery series

Robert Brown Parker was known and respected for his epic, encyclopaedic knowledge of the city of Boston, Massachusetts. His crime novels are adored by readers, the great man’s fellow authors and critics alike, including stateside crime fiction luminaries like Robert Crais and Harlan Coben. In fact, they’re so good they’ve been cited as ‘reviving and changing’ the detective genre altogether. Big stuff… but then again Parker was a big writer in every sense of the word.

Robert B. Parker’s awards included two Edgar Awards from the Mystery Writers of America and, in 2002, Grand Master Award for his Lifetme Achievement in the crime writing field. There are currently forty Spenser novels in print, and you’ll find a list of them all here, on Wikipedia.

About Ace Atkins – Continuing Parker’s legendary work

Ace Atkins is a popular New York Times bestselling author and Edgar Award nominee with fifteen runaway hit novels under his belt. As a journalist he was originally a newsroom crime reporter for the Tampa Tribune. His first novel was published when he was twenty seven and he threw in the journalistic towel completely at aged thirty to write crime fiction full time.

Ace won a Pulitzer Prize nomination for a TV series based on his investigation into a forgotten 1950s murder, which ultimately formed the core of his excellent novel White Shadow. He’s best known for his masterful grasp of plotting, totally believable characters and highly entertaining, seamless and convincing mix of fact and fiction. And, by all accounts, he’s also blessed with an uncanny gift for mimicking the late Robert B. Parker ‘s style, to the delight of Parker’s many millions of fans.

Praise for Ace Atkins’ Cheap Shot

With a bit of luck the first three uncannily Parker-esque Spenser crime fiction novels will turn into a long run. Some things are just too good to come to an end. In the meantime, if you haven’t grabbed a copy of Cheap Shot yet, here’s what a few reviewers say about it on Amazon:

“Spenser is as tough and funny as ever, and Atkins has become a worthy successor.” – Booklist

 

“Assured… Atkins’s gift for mimicking the late Robert B. Parker could lead to a long run, to the delight of Spenser devotees.” – Publishers Weekly

 

“A well-conceived adventure that balances Spenser and friends’ experience with Akira’s innocence while drawing on Atkins’ own Auburn football days.” – Crimespree Magazine

 

Cheap Shot is the best yet, with a whip-crack plot, plenty of intriguing and despicable characters, and the lovable, relentless Spenser at its center. Atkins also has a deft way with Parker’s style… Atkins is bringing his own energy and strengths to Parker’s series. Cheap Shot is Spenser, by the book.” – Tampa Bay Times

Silent Night

14736354_201309051155SILENT NIGHT was the Spenser novella that Robert B. Parker was working on when he died at his desk. His literary agent, Helen Brann, has finished it. Spenser fans would have been better off if she hadn’t. This is a terrible novella and hands-down the worst tale in the Spenser series, which was already taking a nose-dive in quality in the last few years before Parker’s death. What SILENT NIGHT does do effectively is really make you appreciate the remarkable job Ace Atkins has done with his two Spenser books.

The plotting, if you can call it that, of SILENT NIGHT is limp and feels improvised. Spenser is an utterly passive, listless character in this tale who does nothing but sit in his office and wait for people to come by and tell him what he needs to know. He does no detecting. And what little action he does take makes no investigative or rational sense. Come to think of it, nobody in this book….particularly the state and local police…behave in anything remotely resembling a realistic or rational manner. Usually, when Parker’s plotting was weak, he’d distract you from it with punchy dialogue and sharply drawn characters. Not this time. The dialogue is expositional and leaden and the characters, especially Spenser, Hawk, and Susan, are reduced to one-dimensional caricatures. SILENT NIGHT is a disappointment on every level. Save yourself the disappointment and skip this book.

Spenser is Back

Ace Atkin's new Spenser novel.
Ace Atkin’s new Spenser novel.

With WONDERLAND, Ace Atkins flawlessly captures Parker’s narrative voice and has written the best Spenser novel in his years. It reads like Parker in his prime, and even without Hawk appearing in the book. There isn’t a single false note in the plotting, character, pacing or prose. It’s an astonishing feat, it’s like he’s channeling Parker from the great beyond. It’s actually better, and truer to Parker and his characters, than the last few Spenser novels that Parker himself wrote. It’s a shame Atkins can’t take on Jesse Stone and Virgil Cole, too.