We Are Family

Lee_and_tod_at_lafob_2008
The Goldberg siblings were out in force signing our latest books at the LosKaren_and_linda_at_lafob_2008
Angeles Times Festival of Books. Tod and I were signing at the Mystery Bookstore while my sisters Linda Woods and Karen Dinino were over at the Borders booth. As usual, women threw their underwear at Tod and me while my sisters were deluged with cakes made by their fans. The cool Goldberg kids are wearing shades. Afterwards, Tod  hid out from Dr. Laura, who has been emailing him since he besmirched her on his blog, while my sisters were busy stalking Julie Andrews, who was taking the necessary precautions. I took the high road and had a cheeseburger with my daughter.

Writer Beware

Victoria Strauss has an excellent post up today on her Writer Beware blog with great advice for aspiring writers about what to look for before signing with a small press. It’s a must-read for those considering signing with a POD press.

J.T Ellison also offers up some good advice today on How To Avoid Scams over on the Murderati blog:

The biggest problem new writers are faced with is desire. You’ve
worked so damn hard, have slaved away writing your book, and you WANT
to get it out to the reading public. We understand. We were there once
too. But DO YOUR HOMEWORK! There are several easy steps you can take to
ascertain whether the offer you’ve been approached with is legitimate.
Because that’s the problem with scams. The veneer of legitimacy can be
shiny and obscuring.

Book Festing

I just got back from day 1 of the Los Angeles Times Festival of Books. I look forward to this event all year and, despite my vows to cut back on my book buying at the Fest, I always end up making several trips back to the car to unload my goodies…which included signed books by Richard Russo, Peter Carey, Richard Price, and Tana French and lots of architectures books. I ran into many old friends at the Festival today, and last night at the Mystery Bookstore party… authors like Lee Lankford, Paul Levine, Michael Connelly, Dick Lochte, Cara Black, Mark Haskell Smith, Naomi Hirahara, Bill Fitzhugh (who was on the way to an opening of a musical based on his novel PEST CONTROL) Bob Levinson (who I will be hanging out with in Owensboro Kentucky later this month), Loraine Despres, Thomas Perry, Denise  Hamilton, and Susan Straight. I also chatted for a while with Lisa Lutz, Susan Kandel, and Rita Lakin.

Tomorrow, my brother Tod and I will be signing at 11am at the Mystery Bookstore which, as fate would have it, is the same time our sisters Karen and Linda will be signing at Borders…and then Monday I head off to New York for Edgar Week.

But  I won’t have my MONK book hanging over my head during the trip. I sent MR. MONK IS MISERABLE to my editors yesterday. On Wednesday, I’m having breakfast with MONK creator Andy Breckman to discuss my next MONK novel…I’m hoping to come up with a vague idea for it on the flight to New York.

More Praise for HOLLYWOOD & CRIME

Jon Breen at ELLERY QUEEN MYSTERY MAGAZINE has given the short story collection HOLLYWOOD & CRIME a rave review, singling out my story "Jack Webb’s Star:"

Show business has long been a favorite criminous setting, and in
recent years more mysteries than ever have explored the worlds of film,
stage, television, music, magic, stand-up comedy, and other categories
of performance. Prolific anthologist Robert J. Randisi’s Hollywood and Crime
(Pegasus, $25) gathers original stories by such formidable writers as
Michael Connelly, Bill Pronzini, Terence Faherty, Stuart M. Kaminsky,
and Dick Lochte. Among those with the strongest entertainment industry
backgrounds are “Murderlized” by Max Allan Collins and Matthew V.
Clemens, a fact-based 1930s tale in which Moe Howard of the Three
Stooges investigates the mysterious death of former stage partner Ted
Healy; Robert S. Levinson’s “And the Winner Is,” about the 1960 Academy
Awards, gangster Mickey Cohen, and the bitter rivalry of columnists
Hedda Hopper and Louella O. Parsons; and best of all, "Jack Webb’s
Star," Lee Goldberg’s hilarious contemporary tale of a struggling TV
writer, his commercial actress wife, a traffic school led by an unfunny
stand-up comic, and Joe Friday’s star on the Hollywood Boulevard Walk
of Fame.

Thank you, Jon!

No Romance for Plagiarist And Her Publisher

The Charlotte Observer reports that Penguin/Putnam has dropped romance author Cassie Edwards due to, and this is a phrase I have never heard before, "irreconcilable editorial differences." The differences have to do with Edwards’ lifting text from other people’s books and claiming it as her own, a practice brought to light in meticulous detail by the blog Smart Bitches Who Love Trashy Novels.

In a phone interview in January, the author told The Associated Press
that she indeed "takes" material from other works, but said she didn’t
know she was supposed to credit her sources. She then asked her husband
to get on the phone. Charles Edwards said the author got only "ideas"
from other books and did not "lift passages."

They Never Learn

The Martinsville Reporter-Times reports that the FBI and the U.S. Postmaster have launched a joint investigation into the business practices of Airleaf Publishing/Bookman Publishing, a notorious vanity press scam that went bankrupt last year. Let’s hope this is just the beginning of a national crackdown on the deceptive practices of the vanity press industry.

But its hard to feel any sympathy for the Airleaf victims. Any reasonably intelligent person could have seen that Airleaf (and its previous incarnation Bookman Publishing) was a sham.  Even if the aspiring authors were too blind with desperation and naivete to see the scam for themselves, a simple Google search would have turned up plenty of resources (including my blog and others) that talked about the company’s many deceptive practices and false promises.

They made a dumb, costly, and humiliating mistake.

So you’d think that now the Airleaf victims would know better than to ever get involved with a POD vanity press again.

Well, you’d be wrong.

Incredibly, many of them are once again writing checks to vanity presses, including Bonnie Kaye, who founded the Airleaf victims blog and whose relentless efforts are largely responsible for Airleaf’s fall and the subsequent federal investigation.

She’s now a customer of CCB Publishing, a print-on-demand vanity press that she calls her "new publisher."  CCB’s former Airleaf clients include John Krismer, who has written a book that reveals this:

Few realize a New World Order plans to replace our constitution with a
Single World Government, nor that our Federal Reserve Bank is privately
owned and is not subject to oversight by Congress or the President.

[…]George H. W. Bush, the undisputed “Overlord” of the Shrub Dynasty, in
his State of the Union Message in 1991 said: “What is at stake is more
than one small country, it is a big idea – a new world order.” Did We
the People ever agree to this treasonous act of turning over our
nation’s sovereignty to a Single World Government?

Uh-huh. This is the kind of unpublishable swill that the vanity press industry thrives on. Is it any wonder he has written a check to another POD printer?

I applaud Kaye for going after Airleaf and bringing the company down…but she’s still foolishly writing checks to a POD vanity press and deluding herself into thinking that she’s "published." By doing so, and praising the company to other Airleaf customers, she’s perpetuating the myths that the vanity press industry thrives on. How sad.

But that’s not the worst of it.

Some other former Airleaf clients have become customers of Jones Harvest, a vanity press that is run by former Airleaf employees!  Those  particular Airleaf customers aren’t victims at all. They are brain-dead morons.

Reviving the Blacklist

Today WGA members received an email from Patric Verrone, our Guild president, regarding the small number of writers who decided to go "financial core" during the strike. I have a great deal of respect for Patric, and I wholeheartedly supported the strike, but I found the wording, intent, and underlying message of the email offensive, particularly this:

[…]there were a puny few who chose to do otherwise, who consciously and selfishly decided to place their own narrow interests
over the greater good. Extreme exceptions to the rule, perhaps, but this handful of members who went financial core, resigning from the union yet continuing to receive the benefits of a union contract, must be
held at arm’s length by the rest of us and judged accountable for what they are – strikebreakers whose actions placed everything for which we fought so hard at risk.

He went on to include a link to a list of those writers, who number less than two dozen.

Patric’s letter, and his rallying cry to scorn those writers, harkens back to one of the darkest chapters in entertainment history for writers — the blacklist.  In my view, Patric is asking us to engage in that same, despicable behavior… to exclude these writers from work opportunities because of their political views. While I strongly disagree with what those writers did, I resent the Guild asking me to blacklist them because of it.

The writers who went financial core objected to the strike but at least they followed the rules to express their dissatisfaction. I can respect their courage and integrity if not their views. They didn’t hide in the shadows, saying one thing ("I support the strike!") and doing another (writing scab scripts for a daily soap). They stood up and were willing to be held accountable for their actions.

I would, at least to some degree, understand Patric’s suggestion if he was talking about the people who actually scabbed…who toiled in secret, writing scripts for shows while the rest of us were walking the picket lines and losing our incomes.  Go after the scabs, expose them, fine them, throw them out of the Guild. I am all for that.

But tarring-and-feathering the writers who went financial core, and suggesting that we not hire them, is wrong.  The boards of the WGA West and East should be ashamed of endorsing this wrong-headed action and supporting this offensive letter.

UPDATE: The complete text of Patric Verrone’s letter, and a spirited debate about it, can be found at Nikki Finke’s Deadline Hollywood Daily.

UPDATE: WGA members Craig Mazin and John August share their opinions about the letter.

UPDATE 4/22/08: Nikki Finke reports that the AMPTP has filed an unfair labor practices charge with the NLRB over the WGA’s letter. The AMPTP statement reads, in part:

By publicly naming names and encouraging people who have the power to
hire writers to keep them "at arm’s length," and saying they must be
"judged accountable" it is clear the WGA leadership is seeking to deny
employment to these writers in the future. That is a direct violation
of federal labor law, and as the employers of those writers we have a
responsibility to defend them and the rule of law in this case.

I don’t condone the AMPTP’s motives for filing the charges, but their statement is absolutely right and I hope the NLRB slaps the WGA with stiff sanctions for this. For the first time since I joined the WGA, I am ashamed of my Guild and its leadership. The WGA Board needs to apologize for what they have done.

UPDATE 4/26/08:  I have now heard from three board members, two of whom said that they were blindsided by the letter. They told me that the Board had voted to release the names of the fi-core writers, but they had no idea that the membership would be told not to associate with them. I am hoping that there will be a clarification and/or apology to the membership following the next board meeting.