Writing the Pilot: The Streaming Series

Writing the Pilot: The Streaming Series by William Rabkin

This is a terrific book, but I am biased. Bill is my oldest friend, and was my TV writing and producing partner for over twenty years.

The book’s introduction alone, both a revealing history lesson and a perceptive overview on the state of the television industry, is worth the purchase price. The explosion of streaming services has changed the business of television and, with it, the way series are conceptualized and written. It’s not enough to have a good idea, you must understand the underlying forces, both creative and financial, reshaping TV. Luckily, there’s William Rabkin to make sense of it all…and guide you through it. This is essential reading for anyone hoping to break into streaming television…or any television.

An acclaimed screenwriter, showrunner, development executive, international TV consultant, and beloved professor, absolutely nobody is better suited than Bill to guide you through the creative landscape of streaming television today, envision where it’s going tomorrow, and teach you how to shape your series ideas to succeed in this ever-changing business and dramatic medium.

With this book, Bill will be your own personal Yoda, teaching you how to master the Force of streaming television success. This book is an essential manual for creating streaming television series that can succeed, not only in the business as it exists today, but what it’s likely to become tomorrow.

Raquel Welch

I was sad to hear about Raquel Welch’s passing today. I had one encounter with her, back in the early 1980s, when I was a reporter for the UCLA Daily Bruin. She came to campus to speak, and I interviewed her beforehand, then walked with her and her husband to the event. Afterwards, I spoke with her again and walked with them back to their car. She was very friendly and it was a pleasant interview.

Much to my surprise, I got a call from her a day or so later… apparently, the National Enquirer, or some other scandal rag, was reporting that a fan came up to her at UCLA on her way back to her car and that her husband (I think his name was Andre, or something similar) physically assaulted him.

She asked if I’d be willing to make a statement that it wasn’t true. I said, of course, that I would be glad to. I don’t recall who I talked with after that… whether it was her lawyer, or somebody else, and if the story was either quashed or corrected instead after it ran… but I do remember that she sent me a nice note afterwards thanking me for my help.

It was an experience that left me feeling fond of Welch…and gave me an early lesson in the misery that fame can bring.

Malibu Burning is Now Available for Pre-Order

Malibu Burning

My new thriller Malibu Burning, is now available for pre-order and will be out in September. It’s a standalone novel, but it’s set in the same “universe” as my Eve Ronin series. In fact, it takes place at the same time as Lost Hills. Here’s the story:

Hell comes to Southern California every October. It rides in on searing Santa Ana winds that blast at near hurricane force, igniting voracious wildfires. Master thief Danny Cole longs for the flames. A tsunami of fire is exactly what he needs to pull off a daring crime and avenge a fallen friend.

As the most devastating firestorms in Los Angeles’ history scorch the hills of Malibu, relentless arson investigator Walter Sharpe and his wild card of a new partner, Andrew Walker, a former US marshal, suspect that someone set the massive blazes intentionally, a terrifying means to an unknown end.

While the flames rage out of control, Danny pursues his brilliant scheme, unaware that Sharpe and Walker are closing in. But when they all collide in a canyon of fire, everything changes, pitting them against an unexpected enemy within an inescapable inferno.

I’m fortunate that the book has earned some early praise from some fantastic authors.

Malibu Burning is a blistering thrill ride full of Southern California thieves, cops, and firefighters, all facing high stakes and imminent danger. Superbly researched and told, fast-paced, and downright fun, this is Lee Goldberg at his best!” —Mark Greaney, #1 New York Times bestselling author of the Gray Man series

“By turns tense and rambunctious, wildly entertaining, and breakneck-paced, Lee Goldberg’s splendid Malibu Burning is pure storytelling pleasure from beginning to end.” —Megan Abbott, Edgar Award–, Anthony Award–, Thriller Award–, and Los Angeles Times Book Prize–winning author of The Turnout

Malibu Burning is classic Lee Goldberg at the top of his game: a fast-paced, funny, and deeply satisfying page-turner.” —Jess Lourey, Amazon Charts bestselling author of The Quarry Girls

“An inventive, twisty, and funny caper from one of crime writing’s true pros. Elmore Leonard and Donald Westlake would’ve loved this wild heist.” —Ace AtkinsNew York Times bestselling author of Robert B. Parker’s Bye Bye Baby and The Heathens

“This is a book I couldn’t put down. Lee Goldberg is a master when it comes to building tension and writing heart-pounding action scenes. Malibu Burning is a roundhouse kick of a thriller, a true nail-biting race against time.” —Simon Gervais, former RCMP counterterrorism officer and author of The Last Protector and Robert Ludlum’s The Blackbriar Genesis

If Malibu Burning does well, it could be the start of a new series. This novel will be followed in November by Calico, another standalone thriller, and then the fifth Eve Ronin novel in January 2024.
 

The Joy of Sets

I recently released a slim little book called THE JOY OF SETS: Interviews on the Sets of 1980s Genre Movies

Go back in time with me to the 1980s, when I was a young journalist and aspiring author, and visit the sets of movies like Back to the Future, A Nightmare on Elm Street, and A View To a Kill, where I interviewed Michael J. Fox, William Friedkin, Wes Craven, Chevy Chase, Robert Zemeckis, Roger Moore, and many others actors, directors, producers and screenwriters.

I put myself through college by writing freelance articles, primarily about movies, TV and publishing, for publications like Starlog, American Film, Cinefantastique, and the San Francisco Chronicle. I didn’t do it just to pay my tuition and support myself… I also saw it as a way to get a graduate school education in all aspects of the entertainment industry…learning lessons I’m still benefitting from today.

Lee interviewing John Houseman on the set of THE PAPER CHASE

I’d go to the set of a movie and interview everyone — the actors, director, writers, special effects guys, production designers, etc. I’d write an overall “set piece,” with quotes from everybody, then longer interviews with each person that I’d sell sepately (though Starlog commissioned and published most of them). 

The set pieces are a snapshot of film history, offering a revealing look at film-making in the 1980s, while also exploring the long careers of established talents like Kurt Russell and director Fred Schepsi at the top of their game…and introducing newcomers like Johnny Depp and director W.D. Richter, some of whom went on to greatness, and others who disappeared into obscurity. 

I think this Bookgasm review really captures why I decided to publish this collection:

Lee Goldberg’s collection indeed captures the feeling of reading about hotly anticipated movies in the blockbuster excess of the ’80s. One can sense the then-young film obsessive had to have felt with such access to the making of multimillion-dollar pictures. While not all of these Interviews on the Sets of 1980s Genre Movies (as the subtitle has it) entail movies worth watching, Goldberg’s reports never fail to entertain. As with his recent James Bond Films volume, one reason is revisiting a once-dominant type of film journalism; the larger is the in-hindsight delight of checking how forecasts panned out.

I hope you enjoy it!

MOVIELAND is here!

My new novel MOVIELAND is entirely a work of fiction, but it was inspired by a series of actual shootings in and around Malibu Creek State Park that culminated in the murder of a man camping in a tent with his two young children. I’ll tell you more about that in a moment. But first, here’s the plot:

Movieland by Lee GoldbergFor decades Malibu Creek State Park was the spectacular natural setting where Hollywood fantasies were made. But when a female camper is gunned down, it becomes a real-life killing ground. Los Angeles County Sheriff’s Department homicide detectives Eve Ronin and Duncan Pavone are assigned the case…which Duncan fears is the latest in a series of sniper attacks that began long before Eve came to Lost Hills.
 
Seven victims over fourteen months…and top officials still refuse to see a connection. Eve and Duncan are stonewalled, threatened, and ordered to keep quiet. But Eve won’t back down. She’s no stranger to intimidation or corruption—she’s had a target on her back from day one at Lost Hills station.
Despite finding no evidentiary links between the shootings, Eve and Duncan follow their instincts into the shadows of Malibu Creek, where it’s not enough to expose the secrets and break the conspiracy of silence. They also have to make it out alive.

I’ve been thinking about this book for a long time. I live in Calabasas, and I was keenly aware of the shootings taking place in and around Malibu Creek State Park. In fact, I attended the August 19, 2018 community meeting at King Gillette Ranch where local politicians, state park officials, and detectives from the Los Angeles County Sheriff’s Department briefed residents about the shootings. The authorities stated that the killing and the various shootings reported in the area over the years were totally unrelated, which nobody in the audience seemed to believe, including me. I took copious notes. When the meeting was over, I knew that I had another case for Eve Ronin.

I continued to follow the real-life investigation, which was rife with controversy and, in a bizarre and troubling twist, led to lawsuits being filed against the LASD by some of the detectives involved in the case and who spoke at the meeting. I won’t go into the details here. You can Google them for yourself, but it makes for some very interesting reading.

My fictional resolution to the mystery is very different from how the real case turned out, though there are still many unanswered questions about the investigation, which have sparked numerous conspiracy theories and this book, too.

In October 2018, a homeless man living in the park was arrested for the deadly shootings, which the LASD conceded were all related, a belated admission that surprised no one. The alleged shooter was only recently declared mentally competent to stand trial and is awaiting his day in court. This all happened against the backdrop of a huge, and ever-widening, corruption scandal involving Los Angeles city and county politicians that is still playing out today with new, shocking revelations and ongoing trials. I was also inspired by those scandals in MOVIELAND as well.

I hope you enjoy the book!

I Want to Hire The Ghostwriter Who Wrote My Books

The con artists at Creative Book Writers, a ghostwriting scam that offers to make your idea into a bestseller, were using my book TRUE FICTION as an example of their work. I’ve often wished my books would write themselves, but that isn’t the case. I threatened to sue them, and they pulled my book. But it’s like whack-a-mole. They still have my book up as an example of their work on many of their clone sites (a scam that Victoria Strauss investigated in detail and discusses in this excellent post at Writer Beware).
 
 
So I decided to have some fun. I visited The Book Writing Company, which claims a woman named “Patricia Johns” (pictured as a black man!) wrote Lisa Jewell and Sue Monk Kidd’s books. They pulled me into a chat.
 
Stuart Cook joined the chat Chat started

STUART: Hello, how are you doing today? Are you looking to get some Writing Assistance? Book Writing? Editor? May I know what is your book about? Autobiography? Fiction or Non Fiction.

ME: Fiction, but I am confused. I have been looking at various ghost writing services today, because I want to have a book written by the writer who wrote Lisa Jewell’s THEN SHE WAS GONE, but on your site, you say your author Patricia G. Johns ghost wrote it (though there is a picture of a black guy, also confuses me), but the Pearson Ghostwriting Service says their authors David Johnson & Julie D. Scott wrote it. So who really did? Because that is who I want to hire and I am so confused.

STUART: Hey, I did get the info. What you have just told me is the part of every fir. gf
 
ME: I don’t understand what you just wrote.
 
STUART: let me explain you. Whatever you have seen on the other sites could be the way of marketing but we never quote any fake examples to generate the sale. Also if we have written anything for the famous person so we will share the details else we won’t believe in fake marketing. Also you can share the details of the book with me. We have a team of experts with more than 150 people. they are Ph.D. qualified writers and retired professors. Once you will become our customer, I will assign a team of 4 experts on your project and you will be in communication with one of them throughout the process.
 
ME: I am still confused. So those ghost writers on the other sites are fake ones… but Patricia G. Johns, who is pictured as a black man on your site, is the real one? The woman or guy who really wrote Lisa Jewel’s book?
 
STUART: Yes she was the part of the team, usually what happens profiles like Patricia or any other senior author worked before as a part time writer with us to give management sessions , to train the young writers as a good gesture we use their pictures and details. Yes?
 
ME: So these ones are fake…?
<I sent him screen grabs of the ghost writers on the other sites that claim to have written the same books>
But this one is real?
<I sent him a screen grab of “Patricia Johns” from their site>
 
STUART: No, I am not saying that as I have told you usually what happens senior profiles join different companies temporarily to train and provide different sessions to their staff and writers.
 
ME: But Patricia and and whoever the black guy is are the ones who wrote Lisa Jewells book? I’m sorry, but I am having a hard time understanding this.
 
STUART: May i know your name and number in case we get disconnected?
 
ME: Your site and explanations are too confusing and don’t make any sense.
 
STUART: If you are willing to understand it will help

Amazing, Isn’t it? So I decided to visit another one of their clone sites, AD Ghostwriting, and had some fun chatting with “Susan Hughes,” a senior creative editor. I think you might enjoy it…and their strange logic. Their “fruit” analogy about books is especially bizarre…

Susan Hughes: Hello there ! How are you today? Are you interested in having your idea converted into a book? Would you like to discuss your requirement with Sr. Creative editor?
Visitor 7998474: I have been researching ghostwriting sites and you all seem to be identical. Vox Ghostwriting. AD Ghostwriting. Pacific Ghostwriting. Central Ghostwriting. Ghost Writing Proficiency. The same graphics, the same books you wrote. It’s all very confusing. How am I supposed to compare prices and services if you are all the same? Even your name pops up as customer service on all of them.
 
Susan Hughes: Sure let me answer that. All the fruit sellers sells their fruits on similar closets and baskets the only difference is the fruit which are from different farms. Similarly, we all look same probably to many extent but the editors varies. We are working with Ph.D. qualified editors and experts from various genres and yes one of the experts will be reserved to get this book done with a cohesive and coherent script And also will make it intriguing with top-notch writing.
 
Visitor 7998474: They also work with Phd qualified editors and somehow wrote the same books you did. It makes no sense to me.
 
Susan Hughes: They cant take the same book it isn’t possible but having PhD editors by every company is possible
 
Visitor 7998474: I know, but the sites are identical. They all claim to have written the same six books that you do.
 
Susan Hughes: If anyone has copied some book, We can file an infringement but the fact remain the same we never disclose with whom we are writing for As it always remain discreet
 
Visitor 7998474: Also, you Susan Hughes, seem to work for all of them. Are you all the same company?
 
Susan Hughes: Those books that you are seeing on my website, We have taken approval from the authors. It is not possible, like I have already answered you. If someone is using my name then they are crooks because same name can only be a coincidence.Since how long you have been thinking to do a book?
 
Visitor 7998474: I am looking at the other sites right now. They are the exact same as yours in every way. Even the statured client lists is the same! And when I visit, a chat opens up and Susan Hughes offers to help me. this is beginning to smell fishy to me.
 
Susan Hughes: I dont trust that it cant be susan hughes. can you give me the website name.
 
Visitor 7998474: Vox Ghostwriting. AD Ghostwriting. Pacific Ghostwriting. Central Ghostwriting. Ghost Writing Proficiency. Paramount Ghostwriting. The Writing Crib. I think you are all the same person trying to trick me. That doesn’t seem very honest to me. Maybe I should just write the book myself.
 
Susan Hughes: That’s not true it can never be the same. I have already given you one of the example of being identical. However we all offers 100% money back rights in case of any dissatisfaction.
 
Visitor 7998474: The fruit example makes no sense. I am not blind or stupid. I can see they are the same sites with different names. If you can’t be honest with me, I can’t do business with you.
 
Susan Hughes: You can only be stupid if you don’t take that example seriously. Now dont say that I cant call someone stupid.
 
Visitor 7998474: Paying you to write my book requires trust. How can I trust you if you start off by insulting my intelligence? A book is not an apple. You can’t all have written the same six books.
 
Susan Hughes: Lets get down the business take that example seriously and let’s work together. A book is an apple. it just taste differents there are plenty of books just as apples. the categories are countable too just like an apple, it can either be life story, fiction or non fiction
 
Visitor 7998474: Either you wrote BURN BRIGHT by Patricia Briggs or you didn’t. Either you wrote ALEX CROSS by James Patterson or you didn’t. They aren’t categories. They are individual book titles.
 
Susan Hughes: They are termed as life story books
 
Visitor 7998474: What??
 
Susan Hughes: I meant obviously not these 3 books but what clients bring us is either from the above 3 category
 
Visitor 7998474: If you don’t know those books are novels, not memoirs, then you definitely aren’t the right writers for me.
 
Susan Hughes: I have corrected my statement above already. We can argue as longer as you want me to but you know that nobody can take your money and run away you always can dispute if any situation arises
 
Visitor 7998474: I want my book to be written by the writer of Patricia Brigg’s BURN BRIGHT. You all claim to be that writer. That is not possible.
 
Susan Hughes: being a US citizen you should trust your own bank and work
 
Visitor 7998474: What does my bank have to do with it? Why do you want to know about my bank?
 
Susan Hughes: your bank always secure you against any frauds.
so why would not you trust them. you can pay us and see the book that is getting delivered as we will be delivering it chapterwise
 
Visitor 7998474: I am not asking my bank to write my book. I want the writer of BURN BRIGHT to write my book. You all claim to have written her book. Which one of you did??
 
Susan Hughes: So at any point if you are not contended it will be refunded. Assigning the editor is our choice so you cant make a choice: Getting a professional book is our commitment.
 
Visitor 7998474: I don’t want an editor. I want a writer. I want the writer who wrote BURN BRIGHT. You say you wrote her book. Why can’t I have that writer?
 
Susan Hughes: I already answer that.There are 85 writers who work under the belt of this company. We can get you the best writer but you cant pick the writer because you are not meeting writer you ain’t seeing their profile either. So there is no point of making a selection. Not all companies will tell you that ever.
But I am honest and I am transparent and giving you all the reason to trust my team. My writing as well as editing team will be board from day one until the book has been launched. Is there any way I can have your name
 
Visitor 7998474: Well, that doesn’t sound like a wise way to spend my money at all. I think I will talk to the other Susan Hughes and see if she makes more sense.
*** Visitor 7998474 left the chat ***
I stumbled across another ghostwriting scam site, Ghost Writing Express, who claim to have written my friend Tim Tigner’s books …oh, and Anthony Doerr’s, too. So I got into a chat with them..
THEM: Hello, are you looking for a ghost writing service?
ME: I loved Tim Tigner’s books. Can I get the same writer to write my book?
THEM: Sure. Let me help you out with that.
ME: Would it be Tim Tigner?
THEM: You mean you want Tim Tigner to write a book for you?
ME: No, whoever wrote his books if it wasn’t Tim Tigner. I want the same guy.
THEM:
ME:
THEM: He wrote his books himself, but yes, we can match the quality for sure.
ME: I’m confused. You said I could get the same writer. I want my book to be just like his.
THEM: Let me guide you through that.
ME:
THEM:
ME:
THEM: The original draft was done by Tim and given to us for a thorough edit, proofreading, and cover design.
ME: Great. I’ll ask Tim for a recommendation and get right back to you.
THEM:
ME:
THEM: Sure thing.
ME: Please hold.
THEM:
ME:
THEM: You know him?
ME: Yes, I’m texting him now. Please hold.
…and I was disconnected.

If you’re looking for a way to procrastinate, I encourage you to chat with these imbeciles, test our one of your characters on them by conversing in their voice. It’s fun. My brother Tod can’t stop doing it.

Get to Yes, But Don’t Pay For It

Jane Friedman, the former publisher of Writers Digest, walked a tight rope in her “Getting to Yes” article in Publishers Weekly‘s Booklife self-publishing advertising insert, which is stuffed with positive reviews that self-published authors have paid for.
 
Her article says that authors marketing their work should start their campaign by making lists of “owned media, one of paid media, and one of earned media” to approach.

Owned media are existing resources and assets you control that can help spread the word about your book. This can include your website or blog, email newsletter, social media presence, or anything that reaches readers directly, whether digital or analog. Paid media are those you pay for attention or exposure. This includes advertising and paid reviews. Earned media refers to media coverage or attention that you secure for free.

 
I thought “earned media” was interesting and revealing phrasing.
 
She implicitly likened “paid reviews” in her article to a form of advertising. But what they actually are is a complete waste of money that nobody takes seriously…the opposite of “earned media,” or a review you’ve earned by virtue of your book appealing to critics on its own merits, not your ability to pay. An “earned” review is taken seriously, a “paid” review is not. That was the revealing part of the phrase. She was essentially acknowledging that real reviews are earned. Paid reviews are advertising.
 
But advertising what…and to whom?
 
The only thing a “paid review” advertises is your desperation, naivete, and ego.
 
Paying for a review is actually a huge mistake…for one thing, it negates the likelihood of you getting an “earned” review from PW or Kirkus (which also runs a “paid review” insert in their magazine for self-published authors). You’re better off, and will save money, by asking your Mom to post a positive review on Amazon for you…and you’ll accomplish just as much with just about the same level of humiliation.
 
But naturally, she didn’t dare say that, or dwell on the “paid review” aspect of a “marketing plan” in her article. In fact, she actually doesn’t mention paid reviews again…not daring to bite that hand that feeds her.

Self-publishing authors—or any authors who are pitching themselves—should seek alternative options to gain momentum. These include local and regional media, influencers in the relevant target market, and any person who is likely to answer your emails or pick up the phone when you call.

Note that she didn’t say, “buy a positive review like the ones in the following pages of this Booklife insert.” To be honest, I am surprised she didn’t.

UPDATE 2-12-22: Jane let me know on Twitter that she has, in fact, warned writers against paying for reviews, in an article she published back in 2016. At the time, she wrote:

Some of you reading this post may be looking for a quick and easy answer to the question of whether you should invest in a paid book review. Here’s what I think in a nutshell, although a lot of people will be unhappy with me saying so:

The majority of authors will not sufficiently benefit from paid book reviews, and should invest their time and money elsewhere.

She also noted that the PW piece that ran this week is actually a reprint of an article she wrote for them two years ago.

 
 

Movieland is coming!

The product description is up on Amazon for MOVIELAND, the 4th “Eve Ronin” crime novel, coming in June & now available for pre-order (hint-hint). Here it is…

Malibu Creek State Park is a beautiful locale for campers, tourists, hikers, and Hollywood. For Detective Eve Ronin, it’s a backdrop for murder in a riveting thriller by #1 New York Times bestselling author Lee Goldberg.

For decades Malibu Creek State Park was the spectacular natural setting where Hollywood fantasies were made. But when a female camper is gunned down, it becomes a real-life killing ground. Los Angeles County Sheriff’s Department homicide detectives Eve Ronin and Duncan Pavone are assigned the case…which Duncan fears is the latest in a series of sniper attacks that began long before Eve came to Lost Hills.

Seven victims over fourteen months…and top officials still refuse to see a connection. Eve and Duncan are stonewalled, threatened, and ordered to keep quiet. But Eve won’t back down. She’s no stranger to intimidation or corruption—she’s had a target on her back from day one at Lost Hills station.

Despite finding no evidentiary links between the shootings, Eve and Duncan follow their instincts into the shadows of Malibu Creek, where it’s not enough to expose the secrets and break the conspiracy of silence. They also have to make it out alive. 

GATED PREY is here!

Gated Prey by Lee Goldberg

I’m so excited! It’s pub-day for my new novel Gated Prey, the third book in the “Eve Ronin” series, which is  now available in ebook, paperback and hardcover editions.  Here’s the story:

Los Angeles County Sheriff’s detective Eve Ronin and her soon-to-retire partner, Duncan Pavone, are running a 24-7 sting in a guard-gated enclave of palatial homes in Calabasas. Their luxury McMansion is a honey trap, set to lure in the violent home invaders terrorizing the community. The trap works, leaving three intruders dead, a body count that nearly includes Eve and Duncan.

Eve’s bosses are eager to declare the case closed, but there are too many unanswered questions for her to let go. Was the trap actually for her, bloody payback for Eve’s very public takedown of a clique of corrupt deputies? Or is there an even deadlier secret lurking behind those opulent gates? Eve’s refusal to back down and her relentless quest for the truth make her both the hunter…and the prey

The reviews so far have been terrific. Here’s just a sampling:

“Goldberg is every bit the equal of Michael Connelly… Superb reading entertainment.” Providence Journal

“Against all odds, Goldberg not only ties up most of the loose ends, leaving just a few deliberately dangling, but links some of Eve’s investigations in ways as disturbing as they are surprising. The seamy side of California dreaming.” Kirkus Reviews

“Hollywood decadence and duplicity are at the heart of bestseller Goldberg’s entertaining third outing for Los Angeles County sheriff’s deputy Eve Ronin. Lively descriptive prose enhances the tight plot of this episodic crime novel. Columbo fans will have fun.” Publishers Weekly

“Affectionate and witty interplay.” Ellery Queen Mystery Magazine

“Strong writing with just enough humor…Goldberg keeps the energy high throughout. One can hope that Goldberg will keep things moving for the foreseeable future, as there’s something special about what he’s started. This is a great series.”Mystery & Suspense Magazine

“The third Eve Ronin is another suspenseful, fast-paced yarn with engaging characters” Washington Post

“Third in Lee Goldberg’s Eve Ronin series, ‘Gated Prey’ begins, moves and ends at the speed of a bullet. Goldberg has a knack for adding subtle character nuances into his series, and here we find Eve and partner Duncan Pavone more complex than ever.” The Mountain Times 

If you’d like a signed copy, and can’t make it to one of my events next week, no problem! These bookstores will be glad to send you signed books:  Poisoned Pen, Mystery Ink, Bank of Books, Mysterious Galaxy, and Book Carnival.

And if you’d like to enjoy the “book event” experience, you can catch me in these recent video interviews with The Crew Reviews, Rogue Writers (with Lee Child, Andrew Grant & Lisa Unger), and at the City of Agoura Hills One City, One Book event.

Book Review: DOCTOR-DETECTIVES IN THE MYSTERY NOVEL

DOCTOR-DETECTIVES IN THE MYSTERY NOVEL by Howard Brody (Cambridge Scholars Publishing, 2021) Let me get my bias out of the way. I was the executive producer & head writer of the TV series DIAGNOSIS MURDER, and have written for many other TV mystery series, so I have a natural interest in the subject matter of doctor-detectives. However, I also wrote eight original DIAGNOSIS MURDER novels, which are discussed in a chapter of this book. That has no impact on my review, but you will have to take me at my word on that.

My biggest criticism of the book is the outrageous, indefensible, $68 price for a 375 page hardcover, which makes it highly unlikely that this fantastic reference work will reach the wide audience of mystery readers and writers it deserves, and that is a shame.

My second major criticism is also a veiled compliment. Brody does indepth analyses of many medical mystery authors and their works (like Kathy Reichs, Patricia Cornwell, Colin Cotterill, and Aaron Elkins among many many others)…and, in doing so, spoils many terrific mysteries by revealing the solutions (which is inevitable, given that he is analyzing how medicine is used to solve the crimes, reveal character, and further the plot). If you are interested in a particular author, or their work, do NOT read any of the examinations of the books or the pleasure of reading them will be ruined. However, if you *have* read the books, then his indepth reviews are a splendid and revealing addition to your experience.

Whether you are interested in medical detectives or not, this book is an invaluable resource for mystery writers, particularly the first four chapters, a study of the basics of mystery plotting. Brody also discusses the various types of mysteries and methods of investigation, the various tropes and cliches, the art of misdirection, and the key differences between a mystery ending “that makes perfect sense” and one that you “couldn’t guess the solution.” In many ways, these chapters serve as a primer on what to do, or not do, in crafting your own mystery.

He notes from the get-go the close ties between detective work and everyday medicine, arguing that being a doctor, and diagnosing a patient’s ailment, requires all the same skills  and methods as people solving crimes. He makes a case that R. Austin Freeman (1907-1942) was the first, and best, of the medical mystery authors. Freeman is unknown to me and, I suspect, most mystery readers, most likely because he was a raging anti-Semite and eugenics proponent, and those attitudes permeate his work. 

To be honest, I was less interested in his in-depth — and that is a huge understatement — explorations of every single work by Freeman and other very obscure, early authors than his broader comments about the craft of mystery writing, plot structure, and investigative techniques. If this book were more affordable — and that is also a huge understatement — I would enthusiastically recommend it as a necessary, fascinating, scholarly volume for every serious mystery writer and reader.  I wish I had this book before I started writing DIAGNOSIS MURDER…. 🙂

PS – That has to be one of the ugliest, and laziest, book covers in the history of publishing. It really feels like the publisher didn’t give a damn whether the book sold or not. Baffling.