On Other Blogs

Mr. Monk Gets Another Nice Review

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Gary Mugford at Mugshots gives MR. MONK IN OUTER SPACE a thumbs-up. He says, in part:

Goldberg has lots of fun at the expense of the typical SF convention-goer, but there seems be a respect deep down. […]But it’s really almost an Ambrose book. It’s Ambrose who provides the needed insight into the TV series, since he’s an expert on the show. It’s little insights into Ambrose that makes this something different rather than the same old, same old. That’s why this book gets a thumbs up. Goldberg continues to expand the tight little world that is Adrian Monk. As we head to the eighth and final TV season, it’s going to get harder and harder to find new sides to the mystery that is Monk. But for the time being, Goldberg continues to deliver solid entertainment in new and surprising ways.

Thanks, Gary!

Hosing Yourself

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Author John Gilstrap doesn’t understand the desire to self-publish at all.

I don’t understand why people would pay the thousands of dollars necessary to make self-publishing happen. If the goal is to get one’s book into the hands of friends and family, a Kinko’s would serve as well as a self-publishing house. If the desired audience is bigger than that, the writer is hosed. Selling a hundred copies to people who all know where you live is not really publishing, is it? Isn’t the point to sell not tens of copies, but tens of thousands of copies? It’s impossible to get that kind of distribution without a legitimate publisher.

He’s right, of course. But some argue that pros like John are looking at this from the wrong angle. Some authors aren’t interested in making any money on their art, they are in it for the creative expression. Well, if that’s the case, why not just post the book for free download on a blog?
doesn’t understand why anyone would self-publish.

Tie-ins: The Final Frontier

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Author Vonda McIntyre blogs about breaking-in as a tie-in writer with her STAR TREK novels and the snobbery she encountered.

Back in the 1980s, I wrote a bunch of Star Trek novels. I thoroughly enjoyed writing them. Pretty much the only drawback was that some of my colleagues took exception to my polluting my precious bodily fluids with evil tie-in novels. You’d’ve thought they believed they had to save my soul, blathering about the improvement in my moral character that would result if instead I took an honest job as a waitress.

But mostly she shares a lot of amusing and interesting anecdotes about her tie-in days in the post and subsequent comments. Her post sparked a debate over at Metafilter and at John Scalzi's blog. He writes, in part:

With very few exceptions, media tie-in SF outsells original SF, often by a significant amount. Now, we can argue about why this is and whether this is a good thing for the genre or not, but at the end of the day, it’s a fact and it’s something authors give serious consideration to, in terms of its value to their overall career. […]I don’t write tie-in SF for my own reasons, but it’s not to say I wouldn’t if the right project came along. I have quite a number of friends who do or have written tie-ins, and you know what, when all is said and done they’re generally getting paid well to do work they love in universes they’re fans of, for audiences who well appreciate their efforts. Maybe some people want to crap all over that and call them hacks. I heartily raise a middle finger at them.

Obviously, I agree. I read some of the comments on Scalzi's blog and at Metafilter and the argument some folks are making against tie-ins is that they are so successful that they are squeezing better, original books off the shelves. It's a disingenuous and dumb argument. The fact is if the non-tie-in is selling well, it won't be pushed off the shelf by the latest STAR TREK novel. The reason the tie-ins are on the shelf in the first place is because people are buying them. If there wasn't a voracious market for them, they wouldn't exist.

You’ll Thank Me Later

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David Breckman, a writer-producer-director on MONK, has started blogging. 

My new blog. Question: Can I possibly keep this going? Answer: If the entries are brief enough, I think I have a shot. Toward that end I am determined to keep each post down to 350 words or less.

One thing you can count on is an inside look at the making of MONK, like this post about a recent visit to the New Jersy writers room by Tony Shalhoub, USA chief Jeff Wachtel, and co-exec producer Randy Zisk:

We were mainly in the writers' room, all of us sitting around the big table as Andy Breckman (my brother and, as MONK's creator and showrunner, also my boss) walked the three of them through most of the upcoming episodes of our eighth and final season. Andy gave them a detailed description of the first nine shows, thumbnail summaries of five or six more — the ones we haven't "broken" yet — and not so much as a peep about the finale. […] Andy held forth. We writers chimed in occasionally. And Randy, Tony and Jeff all scribbled continuousy in their legal pads, asking good questions and (bless their hearts) laughing in all the right places. […] Andy joked that because this was to be MONK's final season it was also surely Jeff Wachtel's last visit to New Jersey ever. Jeff laughed as hard as the rest of us but did not contradict him.

You should visit his blog regularly. You'll thank me later.

Mr. Monk and the Mug Shot

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Gary Mugford gave MR. MONK AND THE TWO ASSISTANTS a great review on his blog Mugshots. He says, in part:

Goldberg takes advantage of being a novelist to bring back Sharona in Mr. Monk and the Two Assistants. And that sets up a battle between assistant Past and assistant Present to see who will be assistant Future. In doing so, he captures Natalie’s insecurities perfectly. Afterall, he’s been inside her head for quite a while now. He also recaps most of those earlier book adventures in some small detail during this book, making it a good jumping on point for the series. Not suprisingly, this is apparently the best-selling of the series of novels to date.

It looks like the book is about to be eclipsed in sales by MR. MONK IS MISERABLE, but TWO ASSISTANTS is definitely a big favorite among the fans.  I’m toying with a notion for bringing Sharona back, perhaps in book #11. But we’ll see….

Thanks for the review, Gary!

Christian Bale Goes Batty

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TMZ has a audio tape of Christian Bale's insane tirade after the Director of Photography of Terminator Salvation accidentally walked into the star's eye line during a shot. The recording was apparently sent to the film's insurance company in case Bale bailed on the movie mid-production. I don't get why the director didn't step in and try to save his DP — and the crew — from Bale's tirade. Was McG just sitting there and watching? This was a much as insult to the director's control as it was a humiliation for the poor DP.

The sad truth is that Bale is so successful that he can get away with this repugnant, unprofessional behavior like this — nobody wants to offend a guy who makes the studios this much money, no matter how offensive he might be. I've worked with a couple of actors like that — but they weren't big enough stars to get away with it and didn't. It's not pleasant. 

Rewording Press Releases Just Isn’t Enough Anymore…

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Are the Hollywood trade papers on borrowed time? Reuters reports on the precarious state of Variety and the Hollywood Reporter, both of which stopped practicing anything close to genuine journalism years ago:

For more than 75 years, Daily Variety and The Hollywood Reporter have battled to be the movie industry's top newspaper, but recent layoffs due to the recession and competition from Internet blogs has Hollywood wondering if it will soon become a one paper town.
Publishers of the showbusiness newspapers say advertising has plunged, even during the current Oscar season when movie studios pay well to hype their films with cover page ads.
Moreover, the papers face increased competition from bloggers providing a daily diet of Hollywood news and gossip, such as Nikki Finke's DeadlineHollywoodDaily.com, Tina Brown's TheDailyBeast.com and David Poland's MovieCityNews.com.

There's no point to subscribing to Variety any more. Nikke Finke's blog reports more genuine news in one day than Variety does in a year…and without their blatantly biased "reporting." 

You Don’t Pay Agents

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Author Alison Kent tipped me to this terrific blog post from Jennifer Jackson, her agent:

Just in case there is someone out there reading this who doesn't already know: Reputable agents work on commission. Commissions are based on selling your work. They make money if you make money. It's a motivational system.

This is something every aspiring author needs to know. Any agent who asks for a reading fee, a submission fee, or any other kind of fee is a fraud.

Mr. Monk est flatté

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French journalist & critic Thierry Attard raves about MR. MONK IS MISERABLE in a lengthy and detailed review. He says, in part:

Mr. Monk is Miserable, his latest Monk tie-in novel, is a perfect sample of the art of this master storyteller. Should you be a fan of the Monk tv series or not, as the show itself regularly flirts with the self-conscious formulaic Tony Shalhoub one-man show. But the talent of Lee Goldberg is to build totally original novels with familiar figures. His reinventions of Adrian Monk's frustrations and anxieties are so wonderfully and joyfully crafted that many of his readers already wish an adaptation of his new Monk Book for the television series. 

[…]Mr. Monk is Miserable is a wonderful and fun book with an intrigue devised like a clockwork mechanism. Lee Goldberg's vision of Paris and of the French is sharply realistic.

[…]It's a mystery story with a difference, and all the wit (there are shades of Mark Twain in Paris with Monk's exploration of the City of Light), the humor and the writing skills of a master novelist.

Merci Beaucoup, Thierry!

Two Web Pilots. Do They Represent The Future…or The Past?

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Here's The Remnants from writer/director John August…this one cost $25,000 to produce.

And here's Fusion, from writer/producer Richard Manning….this one cost less than $10,000 to produce.

Both are slickly produced and well-written. But are they the future of television? It seems to me like the majority of scripted, drama web pilots have a sci-fi slant. Is that a requirement of web shows simply because they are viewed on a computer screen? 

Every "webisode" and web drama I've seen all look like re-purposed TV shows rather than story-telling & film-making that takes advantage of the unique qualities and resources of the medium they are using. Why are we sticking so rigidly to the TV formats and techniques in this new medium?

What do you think? Would you click on new episodes of these shows every week? Would you pay to subscribe to them?

UPDATE: You can also catch the FUSION pilot here.