Harsh Reality

I’m a big fan of Discovery’s AMERICAN CASINO reality show… and one of the major “characters’ is Michael Tata, the nasty, back-stabbing, scheming 33-year-old vp of hotel operations at Green Valley Ranch Casino. Today, Variety reports that Tata was found dead in his home. Now there’s a twist the producers never imagined.

Tata was often shown feuding with hotel manager Ninya Perna as they sought to maintain the hotel’s high standards for VIP guests. Production of the series is ongoing, and the sixth of the 13-episode run will air Friday. Discovery wasn’t sure if or how it would pay tribute to Tata in an upcoming episode.

If Tata was murdered, and if this was a scripted TV show, Perna would be the obvious suspect, but my vote goes to the mousy exec Tata humiliated in a meeting by calling him “a human toilet who lets everybody shit on him.”

The staff of the Green Valley Ranch has hardly come off well in this series….the casino execs would have to be insane to participate in a second season of this show on their property, especially after this. But the big question is, if the ratings spike, will other reality shows knock-off their most-hated “characters?”

Congratulations, Naren!

Many years ago, when I was a supervising producer on Seaquest, we had a wildly enthusiastic story editor on staff who was justifiably frustrated by the scientifici silliness of our show. He was Naren Shankar, and I was thrilled to read in Variety of his recent success…

“CSI” scribe Naren Shankar has been upped to exec producer of the top-rated crime drama, inking a new seven-figure, multi-year deal in the process.
Shankar has been with “CSI” the past two seasons, most recently as co-exec producer. Deal with CBS, Alliance Atlantis and Jerry Bruckheimer Television is expected to keep the scribe with the show through May 2007.

“CSI” exec producer-showrunner Carol Mendelsohn — already at work on the fifth season of the Thursday-night blockbuster — said Shankar fits in well with “all of us on the show, who are preoccupied with death and murder. And he brought his own warped sensibility with him to the show.”Shankar also adds something else to “CSI” not usually associated with drama scribes — a Ph.D. from Cornell U. in applied physics. Scribe started out his showbiz career as a WGA intern and, later, a science consultant on “Star Trek: The Next Generation.”

So you can imagine what it was like for him writing on a show where the characters included a talking dolphin and a guy with gills. Still, he gave it his all… doing his best to make the show as good as it could be… against insurmountable obstacles (like, for instance, the concept of the show). Naren wrote arguably the best episode of the season, “Good Soldiers,” which revealed that goody-goody Capt. Bridger (Roy Scheider) was, in the past, the equivalent of a Nazi concentration camp guard who turned his back on horrific abuses.

It’s great to see nice guys… and friends of mine…doing so well!

You Gotta Love Actors…

DMX charged with attempted theft of a car
From Reuters

June 26, 2004

Rapper DMX was arrested Thursday night at New York’s JFK airport; officials said Friday that he and a friend had attempted to pass themselves off as FBI agents and steal a car.

DMX, whose real name is Earl Simmons, 33, and a man police identified as Jackie Hudgins, 41, were charged with attempted robbery, criminal mischief and criminal impersonation, airport spokesman Tony Ciavolella said.

“Mr. Simmons and the other man stopped a man in his vehicle inside a parking lot and stated that they were federal agents,” Ciavolella said. “They tried to force him out of his car with the intent of taking his car.”

After they drove through a tollgate barrier, the men were arrested by airport police, the spokesman said.

No TV Tie-In for Airport

Looks like “John Wayne Airport” won’t become “The O.C. Airport” after all…

An Orange County supervisor’s idea to rename John Wayne Airport after a prime-time soap opera called “The O.C.” lasted about as long as one of the show’s short-lived romances.

Two days after suggesting a name change to capitalize on the show’s popularity and help give the county a hip, marketable image, Orange County Supervisor Chris Norby said maybe it wasn’t such a good idea after all.

“Let’s just say it was a trial balloon. It crashed and burned,” Norby said. “With all the priorities we have, it is not going to be one of ours.”

Norby’s staff was besieged with e-mail and telephone complaints in the two days since he floated the idea at a board meeting and in interviews with reporters. He never proposed the idea formally and said he certainly wouldn’t now after seeing the reception it received.

“I think people are happy with John Wayne Airport,” Norby said. “I’m happy with it too.”

I guess this rules out Kennedy Airport capitalizing on the Steven Spielberg/Tom Hanks movie by dubbing a terminal “The Terminal Terminal.”

TV Guide International Airport

Orange County Supervisors are thinking about renaming John Wayne Airport. They want to call it “The O.C. Airport” as a tie-in to the one-year-old, hit Fox show.

It’s got cache,” Orange County Supervisor Chris Norby said. “It’s concise.”

From a practical standpoint, Norby and other county boosters say “The O.C.” has name recognition and is more identifiable than Orange County Airport, John Wayne Airport or SNA, the federal designation for what was once Santa Ana Airport.

Roger Faubel, a board member of Arts Orange County, a group that promotes arts in the county, says he supports Norby’s plan and is already working on a logo with the new airport name.

“We’re going to explore that branding and see if it resonates,” Faubel said. “It’s an idea. If it gets legs, great.”

I am not making this up…it was reported in this morning’s Los Angeles Times.

So what’s next, renaming Newark Airport “Sopranos International Airport?” McCarren Airport in Las Vegas “C.S.I.X?” I got an idea — half the bodies in the three “Law and Order” shows are found in Central Park, why not rename it “Law & Order Park?” Maybe Dick Wolf will make his fifth series about Park Police, and the branding will come full circle!

Television audiences are notoriously fickle… and tastes change fast. “The O.C.” may not be on the air two years from now. What will Orange County do then… name the airport after whatever series happens to be a hit that season?

Martini Shot

I enjoyed writer/producer Rob Long’s “Martini Shot,” a new weekly radio commentary on the Industry that airs on KCRW. One of his comments really struck home…

people in this business love their souped-up vocabulary: we “green-light” things, and dump things in “turnaround” and “negative pick-up” and “pitch” and make “pre-emptive strikes.” And we love our creative talk too. We like lots of “character journeys” and “story integrity” and “deeply humanistic values.” Our slang is so vivid and energetic that’s it’s hard to remember that these phrases are used mostly when people are alone in their cars. Although it comes up a lot in meetings, too. I remember a network executive telling me once that while she liked our script, she wanted to see if we could “platform our heroes sooner in the piece, so the audience could begin to celebrate with them earlier in their journey.” Okay. Sure. Not a problem. Just platform the…thing….with the….journey and the…stuff.

Recently, we got a note asking us to have a detective “unpack the clues more extensively.” Within days, we found ourselves also being alerted that “there were more emotions to unpack in this scene, now it is Bob’s to command rather than his to assist and we think that could be amped.”

The “Journalistic Integrity” of VARIETY, Part III

It just keeps getting better…

A week after Peter Bart wrote about how he would have protected Michael Ovitz from ruining himself if the ex-agent had given his interview to VARIETY instead of VANITY FAIR….the VARIETY editor writes today that:

After 15 years of editing Daily Variety, I will regrettably admit the following: I do not believe every word that’s published in my own newspaper.

Join the club, Pete.

He blames the problem, like Brian Lowry did few days ago, on people lying to his reporters. He forgets to mention his own questionable journalistic ethics, which he presumably imposes on his staff. Here’s a gem from the controversial Los Angeles Magazine story on him a while back..

BART HATES TO TAKE NOTES. “I don’t like to,” he says. “I just find when you take out a notebook, it just changes the atmosphere.” Nevertheless, in his column he frequently quotes conversations he has had with Hollywood figures. The quotes, which he also inserts in reporters’ stories, are nearly always unattributed. He often dictates them off the top of his head, which may explain why some of Variety’s anonymous sources sound a lot like Inventive Peter.

He may hate it when people lie to his reporters, but apparently he doesn’t mind lying to reporters himself, like this whopper he told the LA Magazine writer….

Consider what happened when we discussed the infamous Patriot Games incident of 1992, when Variety film critic Joe McBride wrote a blistering review of Paramount Pictures’ Tom Clancy adaptation. The studio, apoplectic over the review’s potential dampening of interest among overseas exhibitors, pulled its advertising from Variety. Bart got mad, but not at the studio. He decreed that McBride would no longer review Paramount films.
The New York Times wrote a story about the McBride dustup that said Variety staffers were aghast that their boss would curry favor with Paramount. The article quoted from a private apology that Bart had sent to Martin S. Davis, the studio’s then chairman and CEO. “Marty Davis and I have known each other for 25 years,” Bart told the Times. “I simply dropped him a friendly note.”

Nine years later, however, when I first ask Bart about the note, he insists it never existed. “I never wrote any,” he says, adding that he disliked Davis intensely, so “the idea that I would contact these people was bizarre.” How to explain the Times story, written by veteran reporter Bernard Weinraub? “It was a reminder to me about the nastiness of journalists toward each other,” Bart says, shaking his head.

A few weeks later I obtained a copy of the letter. Bart’s lie didn’t make sense. Had he forgotten that it was typed by his own secretary on Variety stationery?

Perhaps its embarrassing revelations like this that has inspired his policy of letting some interviewees change their quotes before publication (as he offered to do for Ovitz, as he admits in last weeks column)…

People who have worked with Bart say he would call his favorite sources–Guber, Ovitz, Weinstein, Evans, producer Arnon Milchan–and vet stories that mentioned them, letting them make adjustments. When confronted by the reporters whose bylines topped the altered stories, Bart would say he got better information after deadline. “This is my paper,” one remembers him saying. “I’ll do as I please.”

No wonder Peter Bart doesn’t believe what he reads in his own “newspaper.”

The “Journalistic Integrity” of VARIETY, Part II

On Tuesday, Variety editor/publisher Peter Bart wrote that Michael Ovitz made a fool of himself in his controversial interview with Vanity Fair… if Ovitz had talked to Variety instead, Bart would have made sure that Ovitz came off well. Bart’s column article explicitly stated what everyone already knows about Variety: that it won’t publish anything that might upset anyone with power in the Industry.

The very next day, in the same space that Bart revealed that the magazine had no journalistic integrity whatsoever, Brian Lowry had the gall to whine about how wrong it is for publicists and execs to lie to Variety reporters.

Leading the pack were the folks at Comcast and E!, who not only insisted for weeks that network prexyprexy Mindy Herman wasn’t going anywhere but were positively indignant that anyone would suggest otherwise — right until they announced her departure.

In similar fashion, Viacom president Mel Karmazin stated as recently as five weeks ago that he had no plans to leave the company — after endless gossip about his fractious relationship with chairman Sumner Redstone — before the rumor finally became reality Tuesday.

This casual relationship with truth — down to the Clinton-esque parsing of words like “is” — might sound like no big deal, especially when it comes to fending off pesky reporters. Yet I’d argue there is a potential price to be paid.

Why should anyone at Variety care? (For one thing, they never reported… as the LA Times did… about Mindy Herman’s questionable behavior at E!) Had Ovitz talked to Variety, would we have read a true account of what he said? No, because unlike Vanity Fair, Peter Bart would have sanitized what he said…for Ovitz’s own good. Did Bart care about the truth? Of course not. He cared about preserving his relationship with a powerful industry player. Why? Because the over-riding journalistic mission of Variety is to make sure the studios keep buying self-congratulatory ads in their publication.

That’s why you’ll never read anything even remotely approaching actual, roll-up-your-sleeves-and-dig-deep reporting in the pages of Variety.

More significantly, this comes when trust in the media and particularly the press has been rightfully shaken. Part of that stems from transgressions by reporters — the New York Times’ Jayson Blair, the New Republic’s Stephen Glass, USA Today’s Jack Kelly

Where’s Brian’s out-rage about Peter Bart’s admission that he would have protected Ovitz? About Bart offering Ovitz the opportunity to vet his quotes before publication?

Bart’s column certainly shook my trust in Variety, not that I had much to begin with.

Early in my reporting career, I remember asking a source about a rather unpleasant rumor that was making the rounds. “See, I’m never sure when I should lie to you,” he said, to which I responded: “That’s easy: Never — at least, if you want me to believe you ever again.”

All this brings to mind a favorite scene in “Excalibur,” where Merlin tells nasty King Uther why the world has caved in around him. “You betrayed the Duke, stole his wife and took his castle,” the wizard hisses. “Now no one trusts you.”

The same could be said about Variety.

Brian Lowry should read Peter Bart’s column … and then he might realize why its laughable for anybody at Variety to whine about not being told the truth.