Me Me Me

Mr. Monk Gets Another Nice Review

by

Gary Mugford at Mugshots gives MR. MONK IN OUTER SPACE a thumbs-up. He says, in part:

Goldberg has lots of fun at the expense of the typical SF convention-goer, but there seems be a respect deep down. […]But it’s really almost an Ambrose book. It’s Ambrose who provides the needed insight into the TV series, since he’s an expert on the show. It’s little insights into Ambrose that makes this something different rather than the same old, same old. That’s why this book gets a thumbs up. Goldberg continues to expand the tight little world that is Adrian Monk. As we head to the eighth and final TV season, it’s going to get harder and harder to find new sides to the mystery that is Monk. But for the time being, Goldberg continues to deliver solid entertainment in new and surprising ways.

Thanks, Gary!

Going Back to the Napkin

by

Here's a blast-from-the-past that I stumbled on tonight… Tod and I interviewing each other for Beatrice.com back in 2005.

Tod: How is it that we both grew up in the same house and yet we both write such dramatically different things? People always ask me if I see similarities in our work, but I rarely do, other than that we are prodigious killers of fictional people and that we’ve both set novels in the same exact place (Loon Lake, WA). Why do you think we write such different kinds of books?

Lee: I’m still trying to figure out the Loon Lake thing. It’s like our family’s collective unconscious (our uncle also set part of his novel at Loon Lake). You don’t know this, but I also have fifty pages of a torrid, James M. Cain-esque novel set at Loon Lake that I started writing three or four years ago and never finished. Before I gave up on it, I scrawled the key plot points on a napkin in case I ever wanted to get back to it. It was as if I knew I was going to abandon it even before I did. Well, I didn’t entirely abandon it. I think about it every few months and I lifted a paragraph or two from it for The Man With the Iron-On Badge, so those fifty pages weren’t a complete waste.

But to answer your question, we write different books because we are different people. Given a choice between reading a literary novel or a thriller, I’ll choose the thriller most of the time. You’ll choose the literary fiction. That’s not to say I don’t read non-crime/non-genre novels…I do. We share some of the same favorite authors. But I love thrillers, mysteries, and westerns—basically, escapist fiction—with a passion that you clearly do not.

Maybe it has to do with TV. I was a voracious reader as a kid, but I also grew up watching a lot more TV than you did and developing a true love of the four-act structure. Maybe watching all that TV shaped what I expect from a story…a kind of narrative engine, conflict, and personal stakes that aren’t always found in literary fiction. Or I’m just superficial.

As it turns out, I pulled out that napkin the other day and am actually thinking about tackling that book now.

Lazy Days and Beloved Characters

by

0000046859_20080228140823
I finished writing my latest MONK novel the other day and I felt like lazing around. I’ve had a lot on my mind lately and after writing a book I didn’t feel much like reading one. So I vegged out on television…some new, some old.

The “new” were the latest episodes of BATTLESTAR GALACTICA and TERMINATOR: THE SARAH CONNOR CHRONICLES.
The BATTLESTAR episode was, astonishingly, one hour of pure exposition…mightily well-written, grandiose and flowery exposition, but exposition all the same….the dreaded “Irving the Explainer” taken to new, galactic heights by three Cylon-the-Explainers. Only a serialized series on it’s last episode or two that doesn’t give a damn anymore about drawing new viewers would dare film an episode like that and call it entertainment (though Marc Bernardin at Entertainment Weekly thought it was so “revelatory” that it “melted my Goddamn face off.”)
The TERMINATOR episode was merely dull and totally uninvolving, relying heavily on the over-used trick of having the hero (or in this case, heroine) talk to an imaginary character. Alan Ball should be shot for doing it so effectively on SIX FEET UNDER because now every TV series has to do it. Nobody seems to have noticed that it became a cliche three years ago and is now slipping into unintentional parody. At least the folks on GREY’S ANATOMY have raised the stakes by having the heroine fuck the character who isn’t there…oh, wait, I take it back, GALACTICA did that two seasons ago when it still had a sense of humor to go along with all of its dread and misery. The folks at TERMINATOR have forgotten what made the TERMINATOR movies so much fun…and have gotten mired in dreary angst…probably because angst is cheaper to shoot than Terminators destroying things. The John Connor character has become a morose, whiny, Excedrin headache come-to-life…but the two lady Terminators? They’re great.
The “old”  TV that I watched was a private eye marathon that I staged for myself with episodes of HARRY O starring David Janssen, THE OUTSIDER starring Darren McGavin and THE ROCKFORD FILES starring James Garner.HarryO
THE OUTSIDER and ROCKFORD were, essentially, the same show, about a down-and-out ex-con turned private eye in L.A. Roy Huggins created THE OUTSIDER and co-created ROCKFORD with Steve Cannell, who brought more humor to the concept.  I liked all three of them very much ..not so much for the plotting, which was often weak and predictable, but for the mood and the terrific anti-private eyes at the heart of those series (and the brilliant lead actors who played them). Nobody did world-weary heroes and lovable losers like McGavin, Janssen and Garner.  It’s hard to pick a favorite among these three great series, but if I had to, I guess it would be HARRY O.
Janssen is a pleasure to watch as beach-bum Harry Orwell, riding around San Diego on the bus, tie loose around his collar, a permanently pained expression on his tan, lined face. What a terrific character. Both Rockford and Ross were tougher than they looked, but not Harry. He wasn’t tough at all. Just bone-tired and lonely…and too caring for his own good. He couldn’t even run after a bad guy or a damsel in distress, not with that damn bullet permanently stuck in his aching back. What other private eye but Harry would turn down a willing Linda Evans by saying “I can’t make love unless I’m in love…just a little.” Ross and Rockford would have bedded her in a second…out of desperation and opportunity if nothing else. Not Harry.
Sure, the plotting in HARRY O was often lousy, but the show captured, better than any other before or since, the pure pleasure of reading a great PI novel. The show wasn’t as complex as a Ross MacDonald or even John D. MacDonald novel, but it aimed for that kind of emotional and psychological complexity…even when it pandered with a drooling psychokiller plot (starting with it’s pilot, “Smile Jenny, You’re Dead”).
Terminator
Watching HARRY O, ROCKFORD and THE OUTSIDER, I realized what those old shows had over those two, recent episodes of GALACTICA and TERMINATOR. Character. Keep in mind, GALACTICA and TERMINATOR are two of my favorite shows (well, they were). But, at the risk of sounding like an old coot blogging from his bungalow at the Motion Picture Home, I think that too often shows today confuse angst with character, dread with depth, misery with complexity. A character doesn’t have to be in endless spasms of self-loathing, denial, heart-break and agony to be someone worth watching or caring about. That’s cheap and easy “complexity” for a writer, it’s writing a character rather than creating one…and it’s a beating for the audience. Characters are more than the sum of their pain, anguish and loss…and their capacity for cruelty to themselves and others.  It’s not superficial or weak writing to explore more subtle conflicts…and to season them with humor, compassion, vulnerability, and some joy. There are people I love very much who are going through very hard times…and yet they haven’t lost their sense of humor or their ability to find joy in their lives, even in their darkest moments. If anything, it’s that capacity for humor and joy that is seeing them through it.
I love (or, I should say, loved) GALACTICA and TERMINATOR…but Captain Adama and Starbuck, Sarah Connor and John Connor….in the end, they aren’t memorable characters. They feel like writerly constructs. Pain masquerading as character. They don’t live and breath the way Lt. Columbo, Tony Soprano, Archie Bunker, Adrian Monk, Al Swearingen, Mr. Spock, Mary Richards, Matt Dillon, George Costanza, or even Dexter Morgan do, to name a few. Because despite all of the dark, angst-ridden conflicts that the writers have created for them, the characters on GALACTICA and TERMINATOR are incessantly one-note: Miserable. And too often than not, they leave the viewer feeling the same way.

Missouri Breaks

by

The 94th Annual Missouri Writer's Guild Conference April 3-5 in Cape Girardeau is shaping up to be a terrific weekend…and I'm not just saying that because I'm one of the lecturers. Speakers are still being added, but folks on tap include Simon & Schuster editor Kate Angelella and writer Harvey Stanbrough, who has been nominated for the National Book Award, the Pulitzer Prize, the Pushcart Prize, and just about everything else except the Booker, the Nobel, and The Oscar (but I'm sure they'll be calling him any minute now). Here's some more info from the conference organizers on the Sunday "Master Classes."

Spend the night at Drury Lodge for $85 and attend a Sunday Masters Class for $65
from 9 to noon! If you have a busy weekend, you can just come to Cape for Sunday morning and attend a master's class. These are smaller sized classes where you have intense
instruction from a writing professional. Many of these are taught in workshop
format where you will be doing some writing and learning both!
Here's the four fantastic classes we are offering:

Class Number One: Lee Goldberg's "Breaking Into TV Writing — The Crash Course."

TV writer/producer Lee Goldberg ("SeaQuest," "Monk," "Diagnosis Murder," ) will
teach you how to watch TV the way professional television writers do — how to
recognize the "franchise" of a show, the four-act structure, and the unique
conflicts that drive the weekly storytelling. These are essential skills that
are not only important in understanding TV, but also in writing the all
important spec script that will be your calling card (but many of the lessons he
teaches can also be applied to novel-writing). This three-hour seminar combines
a free-wheeling lecture and discussion with clips from television shows that
highlight the key points. You'll never watch TV the same way again after this
seminar.

Class Number Two: Harvey Stanbrough's "Writing Realistic Dialogue Workshop" 

Harvey's classes are often STANDING ROOM ONLY. He's that good! This is a
discussion of the necessity and excessive use of tag lines and brief descriptive
narrative passages; the physical and abstract nuances of Implication; the use of
sentences vs. sentence fragments; the use of dialect, including truncated and/or
phonetic spellings; mechanics; and conveying emotion through dialogue.

Class Number Three: Barri Bumgarner's "Let's Write! Workshop"

Barri Bumgarner is a teacher like no other. She is enthusiastic, fun, and
encouraging. Anytime you have a chance to take a class with Barri–seize the
opportunity. This class is a session designed to inspire and get ideas
formulated, design characters, plots, and even do a bit of writing!

Class Number Four: Annette Fix's "Memoir Workshop"

Annette Fix has written a fantastic memoir, The Break-Up Diet, and this is not
easy to do. She brings her story to life through humor and also includes
universal themes. If you are writing a memoir or ever thought about writing one,
you don't want to miss this workshop.
Don't delay! Sign up today! www.mwgconference.org (We've heard rumors there's a
storytelling festival in Cape that weekend, too. So there's lots of things to
do!)

A Great Frak’in Interview

by

Glenlarson
Today I interviewed legendary writer/producer Glen A. Larson on camera for the Archive of American Television. He's created such shows as KNIGHT RIDER, FALL GUY, BATTLESTAR GALACTICA, MAGNUM PI and QUINCY…and added the word "Frak" to our vocabulary. It went great and he told some terrific stories (and offered some fascinating insights into the TV business in the 1970s and 80s). One of the many surprising bits of trivia is that Sheryl Crow sang the theme to his series P.S. I LUV YOU with Greg Evigan. I'll be sure to let you know when the 4 hour video interview is on-line.  

 

25 Writers Who Have Influenced Me

by

Author Raymond Benson started this meme on Facebook and it's quickly catching on. My list, of novelists and screenwriters, in no particular order is:

Gleason
1. Gregory MacDonald 

2. Ian Fleming 

3. Robert B. Parker 

4. John Irving 

5. Larry McMurtry 

6. Frederick Manfred 

7. Stephen J. Cannell 

8. Roy Huggins 

9. Ross MacDonald 

10. Richard Maibaum 

11. Harry Whittington 

12. John D. MacDonald 

13. Elmore Leonard 

14. Richard S. Prather 

15. Ed McBain 

16. E.F Wallengren 

17. Michael Gleason 

18. Ross H. Spencer 

19. Stephen King 

20. A.B. Guthrie 

21. Blake Edwards 

22. William Goldman 6a00d8341c669c53ef00e54f35dc608833

23. Norman Lear 

24. Neil Simon 

25. Carl Hiaasen

Of course, immediately after compiling the list, I started thinking of people I left out… like Charles Willeford, Donald Hamilton, "Franklin W. Dixon," "Carolyn Keene," the guy who wrote "Encyclopedia Brown," the guy(s) who wrote "The Three Investigators," Steven Bochco, Leslie Charteris, Levinson & Link, Robert Ludlum, James Crumley, Trevanian, and Rod Serling…but I only had 25. (Pictured: Michael Gleason and Robert B. Parker & I).

25 Random Things About Me

by

I've lost count of how many people have tagged me for this "25 Random Facts About Me" meme. So here goes:

Chevy_chevette_red_1979
1. When I was a pre-schooler in Oakland CA, I ran away from home, showed up at the door of the Mormon temple, and asked if Shirley could come out to play.

2. I'm a Lee Hazlewood fan.

3. I had a girlfriend who was an editorial assistant at Playgirl. I honed my skills writing sex scenes by writing fake "Letters to the Editor" for $25 each. 

4. My favorite BBQ place is It's In the Sauce in Ventura, Ca. 

5. When I'm sick, I like to lie in bed and watch old episodes of "Gunsmoke."

6. I wrote my first novel when I was ten. It was about a superspy from the future who was born in an underwater sperm bank. I don't know why it was underwater, or how you made deposits, but I thought it was pretty cool.

7. I love Nacho Cheese Doritos.

8. My favorite James Bond movie is "Goldfinger." 

9. I've broken all but one limb…so far.

10. When I was five or six, I used to tell people my name was "Lee Beaudine." I don't know why. Lee_hazlewood

11. When I was a kid, I once threatened to send my little sister Karen to prison for picking apart my Nerf ball. She was so terrified that she gave me all the money in her piggy bank to buy her freedom. I still feel guilty about that. 

12. My middle name is Brian. 

13. The ugliest city I have ever been to is El Paso, TX. 

14. Until I was about 25, I spent two weeks every summer at Loon Lake, Washington. 

15. I love the theme to "It Takes a Thief" but I can't hum it. 

16. I had a crush on Linda Carter when I was a kid. She was my Wonder Woman. 

17. I think Harry Whittington is one of the great, unappreciated authors of noir. 

18. When I was a kid, I used to collect Wacky Packs. I thought the cards were hilarious. 

19. One of my all-time favorite books is "Lonesome Dove" by Larry McMurtry. 

20. I've seen Roger Moore naked. 

21. I like to read Motor Trend and the National Inquirer on airplanes. This embarrasses my wife. 

22. I can't spell marriage, similar, or envelope. 

23. I wrote two episodes of "The New Adventures of Flipper." 

24. I once flagged down a cop on Jefferson Blvd. to alert him that a homeless man was "playing a twisted game of Russian roulette" by running into traffic. The cop actually asked me to repeat that without imitating the ABC announcer's voice. 

25. I owned a Chevy Chevette.

Mr. Monk est flatté

by

French journalist & critic Thierry Attard raves about MR. MONK IS MISERABLE in a lengthy and detailed review. He says, in part:

Mr. Monk is Miserable, his latest Monk tie-in novel, is a perfect sample of the art of this master storyteller. Should you be a fan of the Monk tv series or not, as the show itself regularly flirts with the self-conscious formulaic Tony Shalhoub one-man show. But the talent of Lee Goldberg is to build totally original novels with familiar figures. His reinventions of Adrian Monk's frustrations and anxieties are so wonderfully and joyfully crafted that many of his readers already wish an adaptation of his new Monk Book for the television series. 

[…]Mr. Monk is Miserable is a wonderful and fun book with an intrigue devised like a clockwork mechanism. Lee Goldberg's vision of Paris and of the French is sharply realistic.

[…]It's a mystery story with a difference, and all the wit (there are shades of Mark Twain in Paris with Monk's exploration of the City of Light), the humor and the writing skills of a master novelist.

Merci Beaucoup, Thierry!

Mr. Monk and the Psych Signing

by

P1240021
Today I did a booksigning at the Mystery Bookstore in Westwood with Bill Rabkin, author of the PSYCH novels. Our other scheduled guest, Steve Cannell, had to cancel at the last minute due to a family emergency. The fine folks at Hansen's Cakes provided an amazing MR. MONK IS MISERABLE cake that tasted every bit as good as it looked (though I hated to cut into it).

A nice crowd showed up that included our mentor Michael Gleason and his wife Jan, Amazon reviewer Mark Baker, my cousin Danny Barer, the three Richardson women, some old family friends and many avid readers. TV writer and novelist George Mastras, whose signing preceded ours, stuck around to share some of his Hollywood experiences (he writes for the TV series BREAKING BAD and sister writes for MAD MEN) and to have a slice of the incredible MONK cake.

Bill and I shared some anecotes from our experiences in television, told some stories about The Hoff, and talked about writing our books. Bill had a funny encounter with a fan…but I will let him talk about that on his blog (if he chooses to). P1240022

I signed lots of books, ate too much cake, and probably told more stories than I should have. I'd like thank Linda and Bobby, and new owners Pam Woods and Kirk Pasich, for making us all feel at home.