The Mail I Get

I get lots of wonderful fan mail from MONK readers. But I also get ones like this:

Mr, Goldberg, thanks for this opportunity to contact you.  First, you have given me great pleasure over the years.  I have bought and read every Monk book, and also own the series.  Monk is one of my favorite characters, and I enjoyed all of your books until recently.

To make this brief,  I’m sorry, but “Mr. Monk is a Mess”  is simply a really lousy book, in my opinion.  I hardly know where to begin.

She then goes on, at great length, to tell me all the reasons why the book didn’t work for her on any level, concluding with:

I do thank you for all the great books and T. V. episodes you have given us, But if I can find my receipt, this book will go back, and I am going to watch episodes of Monk to get the bad “taste” out of my mind. I don’t know if you will bother to read this (the first time I’ve ever to an author). But if you do, thank you for the opportunity to air my opinion.

I’m so glad I could give her a chance to vent. But I responded politely:

Thanks for taking the time to share your opinion with me. This is the first email I’ve received from a reader that has expressed any disappointment with the book. Although you may not think the events in the story were true to the character, Andy Breckman, who created the characters and ran the tv series, heartily approved of everything in the book. I don’t do anything in the books without getting his consent first. So we’re going to have to agree to disagree on this point :-).  

I often wonder what kind of response a reader who sends an email like that expects from an author. Usually, I don’t bother to respond at all. But I was at Costco, waiting for my wife, when I browsed my email, so I had time to kill…
UPDATE: The fan responded to my note:

Lee, thanks for your friendly response. I appreciate knowing that Andy Breckman okayed everything (though I do disagree!) Keep writing!

A Big Disappointment

The_Troubled_Man_Kurt_Wallander-68980It's not unusual for an author to grow to resent the fictional character that has come to define him. Or for an author to want to end a long-running series so he can move on to new challenges.

Writing that final book can reveal a lot about how the author feels about his character. That book can be a triumph (like Agatha Chrisitie's CURTAIN) or a crushing disappointment, like Henning Mankell's THE TROUBLED MAN, his final Wallander, which I just finshed (albeit as a book on tape).

In this plodding book, Wallander investigates the disappearance of his daughter's presumptive in-laws and worries about his own, possible descent into Alzheimers.

I won't go into too much detail about the meandering, slow–moving story, except to say Mankell was astonishingly lazy in his plotting. He seems to have made up the plot as he went along, with no clear idea of where he was going or what the solution to the mystery would be…or how all the clues he was making up on the fly would all fit together. There's a stunningly inane, unbelievable, and contrived coincidence a third of the way through the book that requires such a massive suspension of disbelief that it ruins the novel. What's even more perplexing is that, plotwise, stooping to such a ridiculous coincidence ultimately ends up being totally unnecessary. It could have been cut without changing the course of the book at all.

There are other plotting problems, ones you'd expect from a novice rather than an accomplished pro like Mankell. Whenever Wallander has a gap in his knowledge, rather than come up with a clever and interesting way for the detective to find out what he needs to know, Mankell creates instant expository characters to conveniently give Wallander the specific answers he needs and then leave the stage, never to be seen again in the novel.

As a mystery, this book is a big, and often frustrating, disappointment that comes to a very unsatisfying, clumsy conclusion that leaves many clues unexplained and most of the questions unanswered. But the novel does work as a melancholy look into the life of Kurt Wallander, a lonely and sad policeman who feels his age and fears that he is losing his grasp on his memory.

That said, Wallander's ultimate, dismal fate is dashed off in a short, terse paragraph, one that's bound to infuriate fans who have come to love the detective over the years…and that, I believe, reveals Mankell's disdain for the character that has made him an international bestselling author. 

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The Dead Man Music Video #1

Here’s the first of three original music videos based on Matt Branham’s theme song for THE DEAD MAN… the new series of original novels created by yours truly & William Rabkin…and published monthly by Amazon/47North. Once all three of the videos are up, which should be in the next few days, I’ll let you know how you can vote on which one you think should be our “official” video posted on our Amazon series page.