This tops the Family Circle stuff I posted yesterday. Absolutely hilarious.
The Casino Royale You Never Saw
The Telegraph has a fascinating story today about development of Ben Hecht’s unproduced screenplays for CASINO ROYALE…which eventually morphed into the comedy debacle that starred David Niven, Peter Sellers and Woody Allen. Here’s an excerpt:
The fact that Ben Hecht contributed to the script of Casino Royale has been known for decades, and is mentioned in passing in many books. But perhaps because the film Feldman eventually released in 1967 was a near-incoherent spoof, nobody has followed up to find out precisely what his contribution entailed. My interest was piqued when I came across an article in a May 1966 issue of Time, which mentioned that the screenplay of Casino Royale had started many years earlier “as a literal adaptation of the novel”, and that Hecht had had “three bashes at it”. I decided to go looking for it.
To my amazement, I found that Hecht not only contributed to Casino Royale, but produced several complete drafts, and that much of the material survived. It was stored in folders with the rest of his papers in the Newberry Library in Chicago, where it had been sitting since 1979. And, outside of the people involved in trying to make the film, it seemed nobody had read it. Here was a lost chapter, not just in the world of the Bond films, but in cinema history: before the spoof, Ben Hecht adapted Ian Fleming’s first novel as a straight Bond adventure.
[…] these drafts are a master-class in thriller-writing, from the man who arguably perfected the form with Notorious. Hecht made vice central to the plot, with Le Chiffre actively controlling a network of brothels and beautiful women who he is using to blackmail powerful people around the world. Just as the theme of Fleming’s Goldfinger is avarice and power, the theme of Hecht’s Casino Royale is sex and sin. It’s an idea that seems obvious in hindsight, and Hecht used it both to raise the stakes of Fleming’s plot and to deepen the story’s emotional resonance.
UPDATE: You can read excerpts from one of those terrific lost scripts here.
DEAD Paper
THE DEAD MAN: FACE OF EVIL, which has been out as an ebook for a week, is now available as a trade paperback, too. We couldn't be happier with the enthusiastic response we've had from readers so far. Some of the new blog reviews include this one from Book'em Benj-O:
This adventure story has engaging characters, elements of finely tuned horror stories, and some fun thrown in for good measure. I’m looking forward to future installments to see where Cahill’s adventures take him.
And this one from Nathan Shumate:
It’s also pulp, in the best sense of the word: a supernaturally-flavored action-adventure, with this first installment setting up a mysterious conflict which will be pursued throughout the series […] overall I think both the concept and its execution is a perfect one for the new realities of Kindle-based fiction, delivering a linked series of short novellas which can be consumed like popcorn.
And this one from Journey of a Bookseller:
This is the first in a series of horror stories that will have you sitting up straight in your chair as you read along.[…]You race through the story waiting to see what evil what will pop up next and the words flow well. I don't read a lot of horror stories, but I sure enjoyed this one. And I want to see where the story goes from here. It's just beginning…
And this one from Futures Mystery Anthology Magazine:
THE DEAD MAN FACE of EVIL reminds me of Stephen King and Dean Koontz.[…]Lee Goldberg and William Rabkin have written an exciting, journey into what if….They have merged writing styles to produce a fascinating horror story that leaves you wanting more, more, more!
Those are just a few…and we are very appreciative. We can't wait to get the rest of the books in the series out there, including HELL IN HEAVEN by me & Bill Rabkin, RING OF KNIVES by James L. Daniels, and THE DEAD WOMAN by David McAfee. You can keep up on the latest DEAD MAN news on our blog.
Hocking Self-Published Books
Amanda Hocking's astonishing success with her self-published ebooks, which made big news after USA Today started tracking ebook sales on their bestseller list, is getting her noticed by the media all over the world. Now the media, suddenly aware of what's happening with ebooks, is turning their spotlight on other authors who have also scored big on the Kindle and Nook.
The London Observer recently featured the story of Stephen Leather, a mid-list UK author who is doing great with 99 cent ebooks of his unpublished work on Amazon UK, earning him the title of "UK's leading independant author."
Leather, who celebrated his seventh consecutive week at the top of the Amazon chart with his novella The Basement, about a serial killer in New York, also occupies fourth place with Hard Landing, another thriller, and 11th place with Once Bitten, a vampire novel.
He is one of many authors increasingly turning to ebooks as an alternative way to the top. Capitalising on the popularity of e-readerssuch as the Kindle, a new generation of writers is bypassing agents and publishers and using the flexible pricing model of ebooks to offer their work directly to the public at rock-bottom prices. Some, like Leather, are achieving huge sales, which, not surprisingly, is striking fear into publishers.
Leather enjoys a successful parallel career writing "big international thrillers" for Hodder & Stoughton. But last August, when Amazon.co.uk opened its Kindle store, he saw an opportunity: "I was lucky, in that I had three novellas Hodder had turned down because they were in a different genre from my other books and too short to work as conventional paperbacks. But I realised they might work for the Kindle."
I see more and more established, professional authors following the same path as Leather…and they'd be fools not to be. The publishing world has changed dramatically in the last few months, upending all the old paradigms. Whoever thought a year ago that it would be possible for a mid-list author to make more money, and reach more readers, by self-publishing than going with a major, established publisher? I certainly didn't.
And there's Amanda Hocking who, with no previous publishing experience or any kind of promotional platform, has become an overnight sensation, all on her own. Did I see that coming? Hell no. What she has accomplished is nothing short of amazing.
Leather's achievements are dwarfed when set against the scale of independent publishing in the US, where ebooks are estimated to be 20% of the total market. The most spectacular example of an author striking gold through ebooks is 26-year-old former care assistant Amanda Hocking, a Minneapolis-based writer of paranormal romances. She had completed eight novels but had failed to acquire an agent when, last April, she decided to publish them herself via the Kindle store.
"I sold 50 books the first month. It picked up over the summer, then really took off in November," she said. Hocking is now the world's bestselling ebook author, selling more than 450,000 titles last month alone.
It's an exciting time to be an author.
(Thanks to David Cunningham for the heads-up)
Men of Action
The folks over at the Permission to Kill (one of our favorite blogs, by the way), get exactly what we are trying to do with THE DEAD MAN series. They say, in part:
The old ‘Men of Action’ books are all but extinct now – of course you can find them in second hand shops, but possibly younger generations have replaced them with video games, which provide them with more immediately thrills. I for one, kind of miss them. But it seems that I am not alone. Thankfully, a group of talented authors are coming together in a project aimed at reviving the spirit of the ‘Men of Action’ books in a new e-book series. The series is called The Dead Man, and the first book is Face of Evil written by Lee Goldberg and William Rabkin. But this new series isn’t just retreading old ground, or presenting more of the same. The story tellers have added a paranormal, horror element into the mix. SoFace of Evil presents a story in a style that you may be familiar with, but mixed with some other elements to bring the reader something new.
The enjoyment, most evident in the in-jokes, is palpable when reading the story. […]Face of Evil is only a novella, around 80 pages, which creates its own little duel edged sword. In many ways, I was happy that it was short, as the twists had me eager to know whats happens next. Therefore, I could finish the book in one sitting, rather than pressing on into the wee small hours and turning up to work bleary eyed the next morning. On the flip slide, I was enjoying it so much, I didn’t want it to end so abruptly. I guess I have to wait for the next installment in The Dead Man series
They were so enthusiastic about the book, they even did their own retro take on the cover, making it look like a well-worn "men's action adventure" paperback from the 1980s (pictured above). We hope we live up to their high expectations for the series.
The Dead Man Blogs
We've just launched a new DEAD MAN blog, which will feature contributions from all nine of the terrific writers who are working on this original book series. We'll be talking about the creative process behind the series, revealing details about current and upcoming titles, and sharing some of the reviews we've been getting.
The blog is a little thin now, since we are just getting started, but it should get a lot more interesting and full of content once we've got a few more books out.
But here's a taste of what's to come…the kick-ass cover designed by the amazing Carl Graves for THE DEAD MAN #2: HELL IN HEAVEN, which will be published in a few weeks.
The Living DEAD
The early response to THE DEAD MAN has been enthusiastic and extremely positive. Here's a sampling from the blogosphere.
The Post-Modern Pulps blog says:
Mix one part lurid crime thriller, one part Stephen King-esque weird supernatural horror, add in a dash of colorful sex and a few sprinkles of gratuitous violence, then shake well over ice and pour into a tall frosty mug of icy death. You've just mixed up Lee Goldberg and William Rabkin's new short novel series, THE DEAD MAN.
THE DEAD MAN: FACE OF EVIL is a tight, well written, supernatural thriller. Right from the first page I was hooked, drawn into an intriguing story that kept me turning the pages until I was finished.[…]FACE OF EVIL satisfies all on it's own, while being a terrific opener that promises a epic tale to come. I'm excited for the next book
Right What You Know blog says:
This was another book that I read during my lunch break. Please don't tell my boss, as I read more of this on the first day than my lunch break technically allowed. Needless to say this book is far too engrossing for its own good. I highly recommend reading it when you have more than a half hour lunch break. Face of Evil can be regarded as a stand-alone novella, but it does set things up nicely for more to come. This is primarily a thriller with aspects of horror, with a generous smattering of the paranormal. I'm not really a horror fan, I don't really need those details, but here it isn't overriding and the paranormal/horror aspects add nicely to the tension. […]I can't wait for the rest of this series.
And Jaime Anastasiow blogs:
This was a hold your breath, fly by the seat of your pants, page-turner. And every time I turned the page there was a new surprise. Very much in the style of Stephen King: the natural and supernatural exist in the same realm.
Thanks to all of those bloggers, and to the many others I didn't mention here, for your great reviews!
Festival Reports
The Derby City Film Festival in Louisville was a lot of fun. We didn't win any awards, but Sebrina Siegel, one of our stars, was a finalist for Best Actress, and I was thrilled just to see her recognized for her great work.
REMAINDERED cast members Todd Reynolds and Lisa Stewart showed up (that's me with them in the photo), as did our assistant director Rachel Nunn and our graphic artist Brian Bolin (Sebrina was sent on a business trip at the last minute). It was great that they had the opportunity to finally see the film with an audience of about 100 people…and I was really glad we had the chance to get together again.
The audience seemed to really enjoy the screening of our movie. But I didn't. All I saw were the projection and sound problems. Up until that moment, I thought most of the short films that we were up against had terrible sound and strange color composition…but then I discovered it wasn't the films that were at fault, it was the lousy projection and sound system in the theatre.
That said, I saw some really terrific short films…my favorites included the Polish short documentary CHARCOAL BURNERS, Nate Morguelan's nasty little thriller K, Max Rosen's very "Monk"-ish MARBLE RYE, Matthew Maney's incredibly slick METH (which deservedly swept all the short film awards), Pardis Parker's hilarious TWO MEN, TWO COWS, TWO GUNS, and KNIFE, a remarkably accomplished five-minute film written and directed by 14-year-old Matthew Rivera. There were a lot of directors, DPs, and editors at the festival who could learn a lot from Matthew…and you can count me among them.
I only saw one of the feature length movies, and even though the lighting was horrendous (the DP had no clue what he was doing), the camera work was inept, the editing was clumsy, and the sound was awful (I'll give them the benefit of the doubt on that one), the movie worked despite it all thanks to a clever script and surprisingly good actors…proving that production value, cool camera work and slick editing mean nothing if your script sucks and your actors can't act. But if you have a strong script, and good actors, all the rest doesn't really matter, you'll get caught up in characters anyway.
REMAINDERED was also in competition at the Beaufort International Film Festival in South Carolina this weekend…and although we didn't in any awards there, either, I heard from our contingent there that the film was a big crowd pleaser.
"Had a wildly successful screening of REMAINDERED at the Beaufort Int. Film Fest. Very well received, lots of laughs," tweeted PJ Starks, our DP. "Congrats to Lee, the cast & crew for making such a fun & funny short. REMAINDERED was neck & neck w/ some amazing nominees at the awards ceremony. We may not have walked away with an award, but instead with overwhelming praise and support for the film. Listening to all the kind words validates our hard work. If we can entertain at least one person we've done our job. We definitely left BIFF with a job well done."
Next up for us: The Beverly Hills Shorts Film Festival.