S is for Sad

Fellow Kentucky Colonels Lee Goldberg & Sue Grafton

I’m so sad to hear about Sue Grafton‘s death. Not only was she incredibly talented, she was also a very nice woman.

I met her for the first time in the mid-1980s at the Santa Barbara Writers Conference…shortly after her first or second book came out. I had a long, thoroughly delightful lunch with her, my Mom, and Paul Lazarus…and then I think we did a panel together. She wasn’t a celebrity then, but she made a strong impression on me and Mom. We liked her instantly. After that, I ran into Sue often on the “book circuit” and she was always so gracious and nice to everyone…and never failed to ask how my Mom was doing.
 
A few years ago, she was a special guest at the Riverpark Center in Owensboro, KY…we did a panel together during the day and I was honored to interview her at a gala dinner. She was commissioned as a Kentucky Colonel during one of the events. As the Kentucky secretary of state or whomever it was told the audience all the reasons she deserved the honor, she leaned over & whispered in my ear: “This is the third or fourth time they’ve made me a Kentucky Colonel. You’d think they’d keep track of this stuff”. But she went up on stage, thanked the politician for his kind words, and said what an honor it was for her to receive it as a native Kentuckian.
In between, those events, I got together with her and her husband at Denny’s for some nice breakfasts together, where we talked shop.Those were the special times for me.
 
The last time I saw her was at Bouchercon in Albany, where we chatted for a while at the bar and I got to introduce her to some writer-friends of mine, who she immediately treated like old friends of hers, too. That’s the kind of lady she was.

 

Sue, me and Zev Buffman at the Angie Awards in Owensboro, KY
Kentucky Colonels Sue Grafton and Lee Goldberg at Bouchercon
I wish I could remember what I did to earn this delightful inscription! 🙂

Book Reviews: Thirtysomething and Petrocelli

After delivering my new novel to my editor, I treated myself to two non-fiction books about TV shows — THIRTYSOMETHING and PETROCELLI.

THIRTYSOMETHING AT THIRTY: AN ORAL HISTORY by Scott Ryan. This a fantastic book, full of insights into every aspect of the show, and told in a unique and truly compelling fashion: almost entirely in stand-alone, capsule quotes from actors, writers, directors and producers who made the series. The author acts more like a film editor, arranging the quotes in the best order to tell the story but also to maintain narrative tension. It’s brilliantly done…and is not only informative, but very entertaining, like listening in to a fascinating, Hollywood dinner party. The book tracks the show season by season, episode by episode, and goes into remarkable, behind-the-scenes detail. There’s a feast here for writers, directors, actors, producers and fans of the show to devour. Particularly fascinating and revealing for me was the story, told almost in a Rashomon fashion, behind the fifth season that the network and studio wanted…but that the showrunners didn’t…and all the emotions, creative conflicts, and politics that led to the series’ premature demise. The book even includes the script pages for the unshot, final scene of the final episode. The author clearly put enormous work into the book, engaging in hundreds of hours worth of interviews.  You don’t need to be a fan of Thirtysomething to learn something from this book…especially if you’re a student of TV history, or contemplating a career in TV, or are even an established writer/producer about to embark on running your own show. This is one of the best books I’ve ever read about a TV show and should be required reading in classes about writing and producing series television. The only drawback is that there’s no index…which isn’t a problem is you’ve got the ebook edition, but if you have a print copy, it’s definitely missed.

PETROCELLI: AN EPISODE GUIDE AND MUCH MORE by Sandra Grabman. The book is thin, a mere 129 pages, because it’s really not much more than a general episode guide, despite the subtitle “and so much more.” I really wish there was “so much more,” because I’m a huge fan of the series and was thrilled when it finally came out on DVD. There’s not much information here besides random quotes from articles about the show and broad synopses of the episodes. There’s very little about the development of the original theatrical movie, The Lawyer, or what prompted the studio, network or producers to adapt the only modestly successful film into a series four years after its release. Why did it take so long to happen? Did the idea to do a series originate with the studio? What network did they take it to first? Why did they shoot a pilot rather than use the movie as the pilot (given that they had the same star)? It’s also never explained why the writer & director of the movie seemingly weren’t involved in the pilot or series, nor why key cast members from film weren’t retained for the pilot (besides Barry Newman). There’s no discussion of how the pilot, entitled Night Games, was developed creatively, or how the showrunner was selected, or what elements they decided to keep and/or discard from the movie and why. Only perfunctory is attention is given to the writing and production of the TV series, which was shot on location in Tucson. Perhaps the lack of details is because many of the key production personnel have passed away…but that obstacle hasn’t stopped other authors from doing far more thorough and satisfying books about much older shows that this one. It would have been nice if the author sought out more of the writers, directors and actors for in-depth interviews and did a much more thorough job of exploring the nut-and-bolts of the series. There’s no mention, for instance, of Lalo Schifrin’s theme or his scoring of the series. Also, very little attention is given to the reasoning behind the show’s near cancellation after the first season, or the creative changes made in the second season, or what elements, besides ratings, factored into the show’s ultimate cancellation. Again, it would have been helpful if the author had talked to studio or network executives, assuming any of them are still with us, rather than just speculating. Overall, the book comes off as a very half-baked work…worthwhile only for the most ardent Petrocelli fan who merely wants a printed episode guide to refer to. This book was truly a missed opportunity.

Heartbroken for Bill Crider

I was heartbroken to read this weekend that my friend Bill Crider has entered hospice care. He’s been fighting cancer for a few years now and I want to believe he’ll keep fighting it… and beat it. I treasure our friendship, which has meant so much to me in so many ways. He’s perhaps the nicest guys in publishing…and certainly one of the most well-read…a gentle, caring soul who can’t teaching others through his love of the genre. He’s certainly taught me a lot.
 
Bill introduced me to so many great books and authors who have not only entertained me, but made me a better writer. Authors like Harry Whittington, Ralph Dennis, and Dan J. Marlowe, to name a very few.
 
He edited two of my books, THE WALK and WATCH ME DIE, for Five Star Mysteries…and his advice made them better. I was thrilled when, thirteen years later, he agreed to write THE DEAD MAN: CARNIVAL OF DEATH for the series that William Rabkin and I created & edited for Amazon/47North. It was so great to be able to work creatively with him again and to share a byline.
 
And I am honored that Bill has entrusted me with his terrific western novels OUTRAGE AT BLANCO and TEXAS VIGILANTE…first to adapt to the screen (we’re still trying to get them made!) and later to republish them through Brash Books (where he was instrumental in advising me & Joel Goldman on titles we should acquire).
 
I’ve enjoyed the many hours we’ve spent over the years talking about mysteries and books…and am so glad I got to visit him at his home in Alvin, Texas a year ago and see his incredible book collection for myself 
 
I spent some time with him and his daughter Angela Crider Neary just a few weeks ago in Toronto…and he seemed so happy and energetic, that I believed he’d beaten the cancer for good. I still hope it’s a battle he can win.