Lee Goldberg

The Mail I Get

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I got this email today from Patrice Schoppe, a displeased MONK reader:

I just read Mr. Monk in Outer Space. Please leave the social commentary
about rich vs. poor to those who are good at it. Do what you do well and write
Monk books about Monk. If you want to write social commentary, do it in a non
fiction book.

I replied:

Ouch!
I'm not aware of any "social commentary" in my MONK books…but now that I have been forewarned, I will be sure to save any future thoughts along those lines for my non-fiction blockbuster on the changing face of American society: "I Saw a Rolls Royce in the Walmart Parking Lot"

He replied:

Hmm. . . . now I know where Monk's personality and ego come from.

Did Natalie Save Monk?

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…The Wall Street Journal thinks so. 

Ms. Howard’s casting was a variation on the understudy-to-the-rescue bit. Midway through the series’ third season, audience favorite Bitty Schram, who played Monk’s no-nonsense nurse/assistant Sharona, made a precipitous departure. Reportedly, there was a contract dispute. […]She got the job as Monk’s aide-de-camp and partner in crime-solving. She also got a cool welcome from a certain number of fans who were no more fond of change than the troubled Adrian Monk himself.
“People would say to me ‘I really didn’t want to like you,'” said Ms. Howard, who understands that they were protective of the show and protective of Monk. “He can be very mean to me. But if I say one little thing to him, people react. When you think about it, he’s very selfish. But he gets away with it.”
She won over the doubters — and the detective — blending firmness with palpable sympathy for Monk’s myriad quirks and phobias

Porn Needs Economic Viagra

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The economic crisis is touching everyone, some below-the-belt. The Atlantic reports:

Relatively small, fragmented, and unaccustomed to outside investment, the U.S. porn industry (which generated roughly $12 billion in 2007) is some what buffered from today's credit crunch, but it has its own problems. Video sales have been falling by 15 percent a year since 2005, and online content doesn't deliver the returns it used to, now that Web sites such as RedTube and PornHub basically give it away. Struggling companies need investors to help right their operations, and those that are thriving in a brutal market need funding for growth.

Light Goes out at Light Sword

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73537Victoria Strauss at Writers Beware is reporting the long-expected news that sham publisher Light Sword, which defrauded authors and was run by the talentless Linda Daly (pictured on the left) and the convicted felon Bonny Kirby, has filed for bankruptcy. Daly has also filed for bankruptcy, but it may be a lame move to keep her sham publishing operation going:

Daly's personal bankruptcy petition, which Writer Beware has seen, makes no mention of her interest in LSP Digital, or of the contracts in her/the company's possession. Also, while the bankruptcy petition for Light Sword Publishing (which Writer Beware has also seen) claims that Light Sword has had no income for the previous 12 months, LSP Digital was only incorporated last June. So what happened between December 2007 and June 2008, when Light Sword was still Light Sword, and was still publishing and selling the books that are now with LSP Digital?

Is Daly hoping that she can solve her personal and corporate credit problems by declaring one publisher bankrupt while continuing to operate the other? I can't help but be reminded of literary scammer Martha Ivery, who declared bankruptcy for her vanity press Press-Tige Publishing, but attempted to shield Press-Tige's assets by transferring them to a "new" publishing company called New Millennium. The bankruptcy trustee in her case wasn't fooled.

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Let's hope the same is true with the trustee in the Light Sword case. But it won't be too hard for him to see the truth. Daly is so inept that the web address for LSP Digital is Lightswordpublishing.com.

Bonny Kirby, Daly's publishing partner, is also the advertising director at Affaire De Coeur Magazine, which heaped glowing praise and cover stories on Light Sword …without any reference to her personal and financial connection to the sham publisher. These ethical lapses are exactly what you'd expect from a woman who is currently on probation for writing bad checks and third-degree felony theft.

I hope the fall of yet another POD scam will teach aspiring authors to be more careful about who they get into business with.

Ripped from the Headlines

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If I was still writing DIAGNOSIS MURDER novels, this would be the next one: 

The scars on Craig Buford’s abdomen hinted at the shooting that almost took his life 35 years ago in Denver.[…]But the shooting resurfaced last week when the Tarrant County medical examiner’s office ruled Buford’s Dec. 29 death a homicide, stating that it was caused by multiple organ failure due to complications from his wound.

When a Reward Isn’t a Reward

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I love anecdotes like the one writer/producer Earl Pomerantz shares on his blog today about the "reward" CBS gave him for the success of his sitcom MAJOR DAD:

Maybe you can help figure out what the reward was. I still don’t get it.
The deal went like this: I would write two scripts as the prototypes for two television series. CBS would guarantee that one of those scripts would be produced as a pilot.
Unless they didn’t like either of them. (Oops. There goes the guarantee.)
If they were unhappy with both shows, as a consequence of, you know, obliterating the guarantee, CBS would be required to pay a financial penalty.
To the studio I was working for.
Not to me.

They don't teach you about this sort of  stuff in film school…which is a shame, because that's the kind of knowledge you really need to know to survive in this business. I'm still trying to learn it myself…

Come for the Self-Promotion, Stay for the Pie

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William Rabkin has launched his own blog and starts it off with a humorous post ribbing author Neale Donald Walsch for stealing someone else's work. I love Walsch's excuse:

“All I can say now — because I am truly mystified and taken aback by this — is that someone must have sent it to me over the Internet ten years or so ago,” Mr. Walsch wrote. “Finding it utterly charming and its message indelible, I must have clipped and pasted it into my file of ‘stories to tell that have a message I want to share.’ I have told the story verbally so many times over the years that I had it memorized … and then, somewhere along the way, internalized it as my own experience.”

I am thinking of internalizing John Grisham's next novel as my own experience. I'd like to internalize his wealth as my own experience, too, but haven't figured out how to do that yet.

It’s Not Easy Doing a Show About a Talking Car That Fights Crime

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Gary Scott Thompson, showrunner of the rebooted KNIGHT RIDER, talked to MediaWeek about the hard road the show has traveled. The biggest problem has been NBC's tinkering with the concept and the abrupt decision, based on plummeting ratings, to cut back the number of episodes ordered and to  make the show more like the David Hasselhoff original than a Galactica-esque " reimagining."


(Thanks to TV Squad for the link)

Get PSYCHed Out

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William Rabkin's first tie-in novel PSYCH: A MIND IS A TERRIBLE THING TO READ comes out today. It's also his first novel of any kind, so I think it merits mention and a hearty CONGRATULATIONS!  The book is absolutely hilarious and sharply plotted…and I'm not just saying that because he's my oldest friend and we've written together for twenty-some years (including an episode of PSYCH). If you are looking for a few hours of belly laughs and a clever, twisty mystery, I strongly recommend the book. 

UPDATE: Bookgasm gives the book a rave review. They say, in part:

Truly capturing the show’s manic energy, the book feels like a super-sized episode with some touches that might have been toned down if this were translated to the screen.[…]Rabkin, who has written for the show, seems to have a lot of fun playing with these characters and throwing in enough pop-culture references to delight the fans — particularly any child of the ’70s and ’80s. This being the first of the tie-in novels, I can only hope they let Rabkin continue, since he truly understands not only the relationship of the characters, but his pacing and their voices come through so clear in his style.