Nabisco Has a Monopoly On Oreos

Amazon recently stopped selling titles from Macmillan and its subsidiaries because the publisher refuses to abide by a $9.99 cap on prices for ebooks. Today, Amazon grand poobah Jeff Bezos released a statement  on the matter saying that he'd eventually have to capitulate because:

"…Macmillan has a monopoly over their own titles, and we will want to offer them to you even at prices we believe are needlessly high for e-books."

Say What!?

That's like chastizing Ford for having a "monopoly" on Mustangs, or Nabisco for having a "monopoly" on Oreos, or Amazon for having a "monopoly" on the Kindle. It's a bizarre and idiotic attempt to make Macmillan into a villain for charging what they want to for their product…the same way that Amazon charges what they want to for their Kindle.  

If Bezos truly feels Macmillan is wrong, and it's a matter of principle that's important to him, than he can sell Macmillan books for whatever he wants and take a loss…or stop selling any Macmillan books that he thinks are over-priced. But stop trying to cast Macmillan as the bad guy here. They aren't.

Author Solutions is No Solution

Author-solutions  Kevin Weiss, the CEO of the vanity press Author Solutions, posted a video on YouTube asking the Mystery Writers of America, Science Fiction Writers of America, and the Romance Writers of America to meet with him to discuss all the ways he's "helping writers."  This from a man who charges writers thousands of dollars to print their book…and then, in the unlikely event they ever sell copies, takes a huge chunk of their royalties, too. Yeah, Kev, that's a big help. Thanks so much.

Author Solutions, incidentally, is the company that Harlequin partnered with to create their own vanity press operation, initially called "Harlequin Horizons" and quickly redubbed DellArte after the announcement created an uproar. The partnership, and Harlequin's practice of referring rejected authors to DellArte (among other things), led to Harlequin being delisted as an Approved Publisher by just about every major professional writers organization out there. Naturally, this disturbs Kev, who is hoping to peddle similar partnerships to other publishers.

Author Shiloh Walker posted a lengthy, and very detailed, critique of his message on her blog. Here's an excerpt:

You talk about open discourse, and honesty and offering choices, yet do you
openly make aware to your `customers' that while they may spend thousands, you
were quoted as saying in the New York Times that the average number of titles
sold through one of your brands was 150? […] The writer shouldn't pay thousands to 'self-publish' and then have to share the profits.

[…] The organizations you're calling out to `discuss' things are the advocates for
writers. Period. A writer that goes in with you is likely to spend thousands
sell…how many books? Unless you can guarantee me four, five figures, (1000
books, 10,000) there's nothing about your company that has me interested in
telling either of my writer organizations, "Hey, maybe these people can offer
choices to those who are seriously pursuing a writing career."

There's no reason for any professional writers organization to meet with Weiss. Their beef is with Harlequin, a real publisher, not with his vanity press. Such a meeting would only give him, by association, the credibility he so desperately seeks. And let's face it, Authors Solutions is not a publisher, it's an outrageously over-priced printer. Nor is it a maverick offering a genuine alternative for authors. In fact, Author Solutions is no solution at all. Banner_Logo  

What he fails to mention in his videos (for good reason) is that an author can print their book in trade paperback or hardcover FOR FREE through companies like Lulu and Blurb (the companies take their share when a book is bought by a reader, but the author sets the purchase price)…or get their books on Amazon, at no charge with no middleman at all, using the Kindle platform. Writers can get everything Author Solutions offers elsewhere with no out-of-pocket expense. (In fact, my Mom just did it with her memoir Active Senior Living. She's made hundreds of dollars in just a few weeks…and isn't out a dime).

Those free alternatives have made companies like Author Solutions totally irrelevant, which is why he is so desperate to create partnerships with major publishers in the hopes of taking advantage of their slush pile. 

However, if the writers organizations succeed in convincing publishers that it's wrong to try to monetize the slush pile and to take advantage of the desperation and gullibility of aspiring authors, then Author Solutions is screwed. That's why Kev is so worried about the Harlequin situation. He already lost big time when Harlequin took their name off their new vanity press venture. He was counting on trading on the Harlequin name, hoping that naive writers would assume that they were being published by the "real" Harlequin. That was certainly the whole point of the venture. But  DellArte carries no such cache…in fact, without Harlequin steering the writers it rejects to the vanity press, it has no reason to exist, nothing to set it apart from all the other over-priced "self-publishing" companies out there.

So is it any wonder Kev is making YouTube appeals? 

UPDATE: Victoria Strauss at the Writer Beware Blog also offers an excellent critique of Weiss' video. She writes, in part:

Will a sit-down, if it happens, be productive? Good question. Part of the objection to the AS/Harlequin/Nelson "partnerships" was the misleading way in which they were presented–seriously overstating the benefits of self-publishing for many if not most authors, using the carrot of possible transition to commercial publishing as a hook to draw in customers–as well as, in Nelson's case, a promise of referral fees for agents who steered authors its way, plus a truly exorbitant cost. Given that high costs and less-than-transparent presentation are at the core of AS's services, I don't think that's likely to change. Also, can there ever be a meeting of the minds between professional commercial writers' groups and a company that wants to present fee-based publishing as an "indie revolution?" Part of the problem, I think, is that Weiss is speaking a different language.

Robert B. Parker, RIP

LeeParker  I've had a long, on-and-off love affair with Robert B. Parker's books, and although I have criticized his last few novels, I will deeply miss him, and not just as a reader of his work. He had an enormous impact on my career. In fact, I broke into the TV biz with three freelance episodes of SPENSER FOR HIRE.  

I was lucky enough to meet him on several occasions. The last time was way back in 2002 at the Edgars, when he was named Grandmaster and I was nominated for a NERO WOLFE episode. We had a very nice conversation about writing for TV and the PI genre.  

I understand that there are three or four more Parker novels in the pipeline, including a Jesse Stone, a Spenser, and a western. I'm sure I will read them the week they come out…just as I have with every book he's written since I was a kid.

Mr. Monk and the Thrill of it All

Monk and the Dirty Cop

Chris Well at The Thrill of It All has given MR. MONK AND THE DIRTY COP some love. He says, in part:

Mr. Monk and the Dirty Cop is a real-deal whodunit that will have you turning the pages as Monk puts each clue in its proper place. But at its heart, this isn't just a another book where Monk works through his OCD long enough to solve a murder mystery — it's also a book that challenges some of our preconceptions about the relationships Monk has with Capt. Stottlemeyer and with Natalie. By the end of the journey, we've learned something about these people — and they've learned something about themselves.
Whether you're a fan of the TV show or not, Mr. Monk and the Dirty Cop is a gem for any fan of mystery fiction.

Thanks Chris!

Mr. Monk and the Troublesome Review

Alan Cranis at Bookgasm has flattered me with a rave review for MR. MONK IN TROUBLE. He says, in part:

Once again, Goldberg expertly sails along the fine line of character quirks that make Monk so infuriating, and yet so endearing. His obsessions with order and cleanliness are on full display here. As usual, they are enough to make you want to give up on him completely and leave him to his scrubbing and reorganizing (as the long-suffering Natalie has often done). But, again as usual, Goldberg balances these irritations with enough reassuring humor and sheer crime-solving fun that you find yourself cheering for Monk by the conclusion.

But, wait — there’s more! The author includes several excerpts from Guthrie’s recollections of Artemis Monk and the crimes he solved in the old days of Trouble. These serve as full-fledged short stories within the novel — a sort of “Monk in the Old West” bonus, every bit as entertaining and fun as the present-day story itself.

Thanks, Alan!

Mr. Monk and the In-Jokes

I've had lots of emails from readers who've spotted some of my western related "in-jokes" in MR. MONK IN TROUBLE. So far, only one reader has caught most of them, and that was Mike Galbreath. He caught all of these (if you want to find them yourself, DON'T READ ANY FURTHER):

Abigail Guthrie — an homage to A.B Guthrie Jr., author the "The Way West."

Artemis Monk — an homage, of course, to Artemis Gordon, from "The Wild, Wild West"

Harley Kelton — an homage to the late Elmer Kelton, one of my favorite authors.

Billy Crider – an homage to my friend, author Bill Crider

Edward Randisi – an homage to western author Bob Randisi

Bob Gorman – an homage to my friend, and enthusiastic supporter, author Ed Gorman

Doris Thurlo – an homage to my friends, Aimee and David Thurlo, authors of the Ella Clah novels.

George Gilman – an homage western author George G. Gilman, creator of "EDGE"

Jake Slocum —  An homage to the hero of 300 western novels

Ralph DeRosso – an homage to western pulp writer H.A. DeRosso

Leonard McElroy — Another homage to Elmer Kelton. Lee McElroy was Kelton's pseudonym and Kelton grew up on the McElroy ranch

Clifford Adams — an homage to western writer Clifton Adams

The McMurtry mine — a homage to Larry McMurtry

Sheriff Wheeler — a little hat-tip to western author Richard S. Wheeler, who was a big help on the book.

Parley Weaver — an homage to the two actors who played Chester on GUNSMOKE, Parley Baer (radio) and Dennis Weaver (t.v.)

Bart Spicer — an homage to the author of of "Blues for the Prince," and a couple of fine westerns.

Bogg's Saloon — a hat-tip to western author Johnny Boggs

Lydia Wilder — an homage to author Laura Ingalls Wilder

Elmore Portis — an homage to authors Elmore Leonard (3:10 TO YUMA) and Charles Portis (TRUE GRIT)

Pete Cooley — a hat-tip to western actor Spade Cooley

Jonas Dehner — a hat-tip to actor John Dehner played Palladin on the radio and guest starred in just about every TV western that was ever made.

Mike Galbreath was very, very good, but he missed a few references. Here's what he didn't spot:

Manny Fiekema —  was an homage to western writer Fieke Fiekema, who changed his name to Frederick Manfred. He was the author of LORD GRIZZLY and RIDERS OF JUDGEMENT. 

Gator Dunsen — an homage to a character John Wayne once played (named Dunsen, not Gator) 

And, finally, the entire set-up in Trouble with Sheriff Kelton is a spoof of Robert B. Parker's Jesse Stone, an alcoholic cop who becomes a police chief in Paradise, a fictional town outside of Boston (Bill Crider is the only one so far to catch that one).

UPDATE: I forgot about:

Lute Asper – an homage to Quint Asper, the character played Burt Reynolds on GUNSMOKE

Alvie Bartell – an homage to Harry Bartell, a character actor who often appeared on the GUNSMOKE radio show. 

Mr. Monk and the Bon Mots

MM_in_Trouble.revised

I'm pleased to say that two more positive reviews for my MONK books have come in. One is from book critic Debra Hamel, the creator of the incredible Twitterlit feed (which tweets memorable first lines from books), who really liked MR. MONK IS MISERABLE. She says, in part:

As usual with this series, Mr. Monk is Miserable offers readers a winning combination, a good mystery wrapped in humorous dialogue and occasional bits of pathos. I am impressed by how consistently enjoyable the Monk books are.

My friend Ed Gorman got a few chuckles out of MR. MONK IN TROUBLE. He says, in part:

Lee Goldberg's story is rich with lore about the old Gold Rush in general and mining towns in particular. It is equally rich in Monk lore. I can't think of any other mystery character who makes me laugh out loud as often as Monk does. And in the current novel Monk is loopier than ever. Thank God.

Thanks Debra & Ed!

You Can Become a Kindle Millionaire, Part 11

S640x480  Author April Henry has started making her out-of-print books available on the Kindle and has some great short-cuts for authors who haven't made the leap yet. Here's an excerpt from her blog:

What you need 

-An Amazon account, which you already have if you have bought something from Amazon.

-The words. With luck, you still have the Word file that you submitted to your publisher. And again, with luck, they had you make changes on the file and re-send, rather than someone at the publisher someplace making changes. I’ve been proofing my old Word files before I post them on the Kindle. Nothing like not looking at something for five plus years to see typos.
And if you don’t have the words? You can scan in the book or manuscript […]For one book, I used blueleaf-book-scanning.com and because I didn’t ask for anything fancy and didn’t ask for my book back, it only cost $12.15, plus $4.75 to mail them the book. Then they emailed me a word file.

A cover image. My husband made me some new ones, using photos from istock.com. The photos were inexpensive, and my husband worked for free.

Her covers look really good, her books are priced right, and she got an established reputation as a mystery/thriller writer. I think her Kindle editions will do real well.

Last month was my most successful yet on the Kindle...THE WALK led the pack of my out-of-print titles, selling 515 copies. As of today, I've sold 116 copies of THE WALK, and the other titles are selling briskly too, so it looks like January could be pretty good month. It's not a pot of gold, but it's found money. Since May, I've earned a little over $3000 in royalties from the Kindle on out-of-print titles that were earning me nothing, so I can't complain.

The Mail I Get

My agent got an email from a MONK fan who thinks it's time for me to make a big change in my books. She writes, in part:

I wish Mr. Goldberg in his upcoming Monk books would actually start to lay off some of the OCD aspects of Monk. I think it interferes with the detective aspects of the story which are always brilliant.

Uh-huh. Interesting comment. What would Monk be without his OCD? Certainly not a character people would want to read about. I don't think she realizes that what makes Monk so special is his OCD…how he copes with it and how it gets in the way of his detective work, his personal life, etc. Not only that, it's his OCD that allows him to see the details, the things that are "out of place," that others miss. Sorry, Ann, I'm afraid the OCD is here to stay.

Lonesome Sales

I read Larry McMurtry's slim and meandering memoir LITERARY LIFE, which had some interesting anecdotes here and there, but overall I thought it was a big disappointment. I was hoping to learn a lot more about his approach to writing and the evolution his novels, many of which are among my all-time favorites. But there was one fact that he shared that I found quite surprising:

Lonesome Dove was my tenth novel, my eleventh book. I had been publishing books from the early Sixties to the mid-Eighties before producing a book that came close to selling five thousand copies, a feat nearly achieved by All My Friends Are Going To Be Strangers, which came out just in time to profit from the flare of interest produced by the popularity of The Last Picture Show. [Lee here:  McMurtry is referring to the movie adaptation, not the novel]

My lack of rising sales might have been easier for Simon and Schuster to tolerate if I had, along the way, been producing exceptional reviews, but, in the main, I attracted no reviews. […] The lack of interest in my books continues to this day.

It's unbelievable to me that McMurtry's early books — classics and personal favorites like The Last Picture ShowLeaving Cheyenne, Movin' On, and Horseman Pass By (which became the movie HUD) — didn't sell anywhere near as well as, say, a men's action-adventure paperback like .357 Vigilante. That's just wrong. 

When McMurtry says his books still don't inspire much interest, he seems to be referring to reviews from major publications and not sales (my guess is that his books sell well, if not spectacularly). You'd think an author who has won the Pulitizer Prize for his fiction, and an Oscar for his screenwriting, would certainly merit as much critical attention as typical Michael Connelly book receives. But apparently McMurtry doesn't…and I sure don't know why. Do you?