Books

Mr. Monk is Flattered

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I was pleased to discover today two great reviews for MR. MONK IN TROUBLE, which comes out tomorrow. Author, blogger, and man-about-town Bill Crider wrote, in part:

The relationship between Monk and Natalie has always been as interesting to me as the mystery plots in these novels, and it takes a new and intriguing turn in this installment […]Mr. Monk in Trouble is another fine, hilarious entry in Lee Goldberg's series, and I read it with a smile on my face, except for the times I laughed out loud. I recommend it to fans of the TV series, and to anybody else.

And James Reasoner chimed in by saying, in part:

this is probably my favorite Monk novel so far, and that's saying a lot. It comes out tomorrow, I believe, so you'll have plenty of time to pick up some as Christmas presents for your friends and family who are Monk fans. They'll love you for it.

I like to think they would have been just as kind even if I hadn't thanked them both in the acknowledgments for their help with the "western" aspects of the book.

Wyatt is back

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9781921656026  I'm a big Garry Disher fan…but as much as I like his Inspector Challis books, I absolutely love his WYATT novels, which are an Aussie take on Donald Westlake's Parker. It has been years since the last one, but now Wyatt is finally back. A new novel, simply called WYATT, will be published in Australia in February. So far, no publisher in the U.S. has picked up the book…but that' s not going to stop me. I'll buy it from a bookseller down-under. 

Mr. Monk Gets The Greenlight

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Andy Breckman ( the creator of MONK), NBC/U (the owners of MONK) and my editor all loved the outline for MR. MONK GETS EVEN… my 11th original MONK novel. So, next week, I have to start researching and writing. I have no time to waste… the book is due in May.

The idea for the book actually occurred to me while I was at the Men of Mystery conference in Irvine last Sunday…though the plot has nothing to do with mystery conference or authors. I actually already had an idea for the book…and was going to start writing it up when I got home…but then this notion popped into my head out of nowhere and I realized it was much better than what I was already working on. I quickly jotted down my idea on a scrap of paper and then had the bright idea to email the notes to myself on my Blackberry.  

I'll have to do some research for this one, but that's okay. I have nothing against learning something while I write! (I had to do lots of research about the old west for MR. MONK IN TROUBLE, collecting paper currency in DIAGNOSIS MURDER: THE DEAD LETTER, life in California in the early 1960s for DM: THE PAST TENSE, the Paris underground for MR. MONK IS MISERABLE, earthquakes and L.A. disaster scenarios for THE WALK, the illegal sales of body parts for DM: THE LAST WORD, alligators for MR. MONK AND THE TWO ASSISTANTS, etc.  I've already started ordering books on Amazon and scouring the Internet for relevant articles.

This is will be the first book set after the "end" of the TV series but it won't be published until a year from now. In the mean time, MR. MONK IN TROUBLE comes out next week and MR. MONK IS CLEANED OUT will be published in July…both of which are set before the events in the final season of the TV series. 

Mr. Monk and the Roundtable

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Tracy Farnsworth at Roundtable Reviews has given MR. MONK IN TROUBLE a rave. She writes, in part:

Lee Goldberg always captures Monk’s nuances perfectly. He injects the mysteries with just the right amount of humor and tackles subjects I only wish I’d seen on television.[..] When I’m looking for a bit of escapism and a lot of laughs, Goldberg’s Monk books get top billing.

Thanks, Tracy! MR. MONK IN TROUBLE comes out in bookstores everywhere on Dec. 1st.

My Dark Past Reviewed

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51irJXlLsFL._SS500_  The Red Adept blog reviews the Kindle edition of my 1985 novel .357 VIGILANTE #2: MAKE THEM PAY and was far kinder to the book than I had any right to expect. Here's an excerpt from the review:

The storyline flowed fast and furious. There wasn’t a lot of thought put out regarding vigilantism and whether it is good or bad. There was no preaching or lectures, either. This was just a fast-moving, roller coaster ride of a story.[…]this is not a literary novel. You don’t read it for the great metaphors, flowery prose, or vivid descriptions. You read if for the action. With that, Mr. Goldberg really hits his stride. The action scenes are wonderful, quick reads, with plenty of tight descriptions. He knows just when to draw out the scene and when to just get on with it.

Admiring Kelton

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My friend Richard Wheeler pointed me to this terrific appreciation of Elmer Kelton, one of my favorite authors, in today’s Wall Street Journal.  Here’s an excerpt:

Kelton wrote dozens of conventional westerns, but he never shrank from bending the rules of the genre. As he commented in “My Kind of Heroes,” an essay collection, “I can’t write about heroes seven feet tall and invincible. I write about people five feet eight and nervous.” Even so, much of his work, including the two posthumous books, fits comfortably within the tradition of Zane Grey and Louis L’Amour.
The form’s aficionados always have appreciated Kelton’s books. In 1995, based largely on the accomplishment of “The Time It Never Rained,” the Western Writers of America voted him the greatest western writer of all time. Finishing a distant second: Willa Cather.

My Brother’s Bookgasm

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Bookgasm’s Bruce Grossman gave my brother Tod’s new book OTHER RESORT CITIES a rave review today. Here’s an excerpt:

The people who populate these stories could totally exist in our society and probably some do. They are just like you and me, but with some truly twisted backstories. Some of these stories could be expanded into even further lengths. While I’d love to read more about these people, I definitely would not want to hang out with most of them. OTHER RESORT CITIES is an eye-opening look at life in today’s society, never sugarcoating its harsh reality

Mondo Mandingo

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SKU-000141668_XL  I''ve never seen MANDINGO, and I'm certainly no fan of "slavesploitation" movies, but I thoroughly enjoyed MONDO MANDINGO: THE FALCONHURST BOOKS AND FILMS,  the latest "behind-the-scenes" of movie-making book by Paul Talbot, author of the excellent BRONSON'S LOOSE: THE MAKING OF THE DEATH WISH FILMS. 

But what makes this book so special is that it's more than just a look at the making of a particular film. Talbot explores the entire "Falconhurst" saga, starting with the story behind the writing, publication and worldwide success of Kyle Onstott's lurid and controversial 1957 novel MANDINGO and its many sequels over the next two decades…and the two movies based on the books.

But it's the books that, to be honest, interested me most because one of my favorite authors, Harry Whittington, wrote many of the later FALCONHURST novels under the pseudonym "Ashley Carter." MONDO MANDINGO is worth the purchase price just for the publishing end of the story…but you also get the exhaustively detailed examinations of the stage and screen versions of the FALCONHURST novels as well.

The book is jam-packed with interviews and intriguing details. I don't have any interest in reading the FALCONHURST books, or seeing the movies, but I have a strong interest in novel-writing, publishing, screenwriting and movie-making…and on that level, the book is fascinating and informative…and, like the FALCONHURST books, a little lurid too.

If MONDO MANDINGO has a fault, at least for people who aren't diehard FALCONHURST fans, it's all the details on how the books continue, or don't continue, the various plots strands and character relationships. It becomes a dizzying and confusing mess and, frankly, I just skipped right past all of that minutae to the business stuff and the compelling stories of the authors, their heirs, and the fighting over the underlying rights to the property.

MONDO MANDINGO is a fascinating and entertaining look behind-the-scenes of the business, politics and realities of both the publishing and movie-making businesses…but more than that, I found the relationships and machinations of the colorful, eccentric, back-stabbing, creative, and sometimes very shrewd authors, producers, screenwriters, directors, publishers, and the families every bit as complex, interesting, shocking and entertaining as anything you might find in a "Falconhurst " novel. Talbot has written another remarkable and exhaustive examination of a cult-classic and all its various iterations. I can't wait to see what he tackles next. 

Dazed and Confused

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I finished writing MR. MONK IS CLEANED OUT, my 10th original MONK novel, last night and delivered it to my publisher. I always feel a little bit dazed  and lost after finishing a book. It takes a few days for me to adjust to not having the story "in my head" all the time and to no longer feeling that ever-present deadline pressure. It's also kind of odd to suddenly have a bunch of hours open up in my day (and nights) for other things. But that will change soon. I've got to start writing a new spec feature script, thinking about the plot of my next MONK novel, and preparing for pitch meetings that I have later this week and early next week… 

You Can Become a Kindle Millionaire, Part 10

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My friend Joe Konrath, who inspired me to put my out-of-print novels on the Kindle, has posted a fascinating and informative account of his Kindle ebook sales and royalties. He compares how the Kindle versions of his Hyperion-published books are doing compared with his "self-published" Kindle titles. Here's an excerpt, but I recommend you read the whole post:

My five Hyperion ebooks (the sixth one came out in July so no royalties yet) each earn an average of $803 per year on Kindle.

My four self-pubbed Kindle novels each earn an average of $3430 per year.

If I had the rights to all six of my Hyperion books, and sold them on Kindle for $1.99, I'd be making $20,580 per year off of them, total, rather than $4818 a year off of them, total.

So, in other words, because Hyperion has my ebook rights, I'm losing $15,762 per year.

Now Hyperion also has my print rights, and my Jack Daniels books are still selling in print. But they aren't selling enough to make up the $15,762. Especially since all of them aren't regularly being stocked on bookstore shelves.

According to my math, I'd be making more money if my books were out of print, and I had my rights back. 

[…]Ebook rights began as gravy. I can picture a day when the print rights are the gravy, and authors make their living with ebooks.

Yes, it's still far off. And yes, print publishing is in no danger of going away anytime soon.

But I don't think I'll ever take a print contract for less than $30,000 per book, because I'm confident I could make more money on it over the course of six years than I could with a publisher over six years.

I wouldn't take this as a rallying cry to turn away from NY publishers and rush to the Kindle. Joe is a special case. Before "self-publishing" his Kindle titles, he'd already established himself with a series of hardcovers and paperbacks from major NY publishers. He also did a 500-store, multi-state book-tour and attended countless conventions. Joe selling thousands of ebook editions of his previously unpublished work is a very, very different situation than an unpublished writer hoping to accomplish the same feat.

As for myself, my Kindle sales are still going strong, though not Konrath-strong. 

 THE WALK has sold 1760 copies in 4 months @ $1.99 each, for a royalty of $1204.


THREE WAYS TO DIE has sold 236 copies in 4 months @ $.99 each, for a royalty of $82


MY GUN HAS BULLETS has sold 254 copies in about 3 months @ $1.99 each, for a royalty of $175


BEYOND THE BEYOND has sold 69 copies in about 3 months @ $1.99 each, for a royalty of $48.30

I've also got out-of-print editions of TELEVISIONS SERIES REVIVALS, UNSOLD TV PILOTS, and my four .357 VIGILANTE novels that have been released on the Kindle at various times over the last four months. 

All told, my combined Kindle royalties from June 1 to 11:23 pm Oct 13, are: $1750. 

It's not enough to make me follow Joe's example and turn away from anything less than a $30,000 advance from a major publisher, but I'm very pleased. It's hardly a fortune, and clearly the lion's share of the royalties are from just one book, THE WALK, but it's found money. And it's gratifying to me to see THE WALK, which was out-of-print, on track to reaching more readers, and making more money for me, in a Kindle edition than it ever did in hardcover.

UPDATE 10/14/09: Joe posted this important disclaimer in the comments to his post:

I do not think that ebooks are able to replace the exposure, or money, you'd get with a print publisher.
To All New Authors: JA says try the traditional route first. Find an agent. Land a deal with a big NY house. Ebooks aren't there yet.
I'd hate to think some writer gave up on their print aspirations because of something I've said on my blog. I suggest you keep up the agent search. While I have no doubt others will be able to sell as many ebooks as I have, and probably many more, I still haven't made anywhere near the money I've made by being in print. Plus, everyone's situation is unique, and no writer should compare themselves to any other writer.
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