On Other Blogs

Tied In Ties Up Another Rave

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Novelist James Reasoner has given TIED IN a rave. He says, in part:

For someone like me, who’s very interested in the history of popular fiction, the highlight of TIED IN is David Spencer’s “American TV Tie-ins from the 50s Through the Early 70s”, which is almost a book in itself. It’s a fascinating historical discussion of how the TV tie-in novel originated and evolved over the years and touches on many of the books I was buying and reading when they were new. This article really brought back a lot of good memories for me. Along similar lines, also of great interest to me were fine articles by Paul Kupperberg about comic book and comic strip tie-in novels (I read a bunch of those, too) and Robert Greenberger about the connection between pulp magazines and tie-ins.


TIED IN is available as an e-book right now, with a print edition coming out soon. Either way, I don’t think you can go wrong. It’s informative, entertaining, and a must-have if you have any interest in tie-in fiction. Highly recommended.

Thanks, Jim!

Mr. Monk and the Meme

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The Random Ramblings blog takes part in a Friday meme that quotes the first sentence of book and the fifth sentence of the 56th page. He chose my book MR. MONK IS CLEANED OUT.

The first line is:

Some guys showed up the other day at the house next door, mowed the dead lawn, and spray-painted it green.

And now, for the Friday 56, I present the 5th sentence on page 56.

I also know that anyone who has evidence that could help solve a murder has an obligation to share it with the police, regardless of whether the police have just fired you and your comely assistant.

To be honest, I like both of the sentences.  They aren’t exactly moving the story forward, but I find them amusing and give a great feel for the tone of the book.

Sounds like a fun meme. Speaking of MONK, Ed Gorman gives CLEANED OUT a rave. He says, in part:

One of the things that makes this series so distinctive is the full and realistic portraits we get of Natalie and her daughter Julie. The writing here is especially strong. Lee Goldberg is good at describing the way we live now.

The old wrestling come on “This time it’s personal” applies here because Monk plans to trap, humiliate, debase and defoliate the “dude” (who said Monk is out touch?) who took his money.

A truly artful comedy that has a lot to say about the people who robbed us blind over the past three decades.

Thanks, Ed. Here’s the first line of his book DARK TRAIL.

The cigarette had two or three good drags left and Leo Guild was happy to take them.

And here’s the fifth line of page 56.


“He said that he didn’t know you were a man of honor.”

Those two lines actually do a pretty good job of conveying the feel of his terrific western.

Sledgehammer & Whore

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Screenwriter Josh Friedman has written the best blog post I have read all year…maybe in the last two years… maybe ever. I loved it. What's it about?  The intersection of life, writing, and TV procedurals. Kind of. I'm not doing it justice at all, so what are you waiting for? Just read it. Here's a peek: 

So I'm at a meeting with a producer the other day and he's pitching me a tv idea. As way of emphasizing why I need him and his idea, he brings forth a piece of paper. On it, my credits. He doesn't actually hand it over to me but he says this:

PRODUCER: I've been looking over your credits, pretty impressive.

ME: Thanks, we try.

PRODUCER: Seems to me you're just missing one thing from these credits. And I'm gonna tell you what it is.

ME: Please do.

At which point he turns the piece of paper towards me and I see he's written in bold black marker near the top, pointing to the list: BIG FUCKING HIT TV SHOW.

ME: Well, yes, I am missing that. Very true. I think about that a lot.

PRODUCER: That's all right. Because I'm here to change all that.

At which point he launches into his pitch for what may or not be "my big fucking hit tv show."

Now, I leave it to you to debate whether pointing out my shortcomings is a good or bad sales strategy (it rarely works for my dad but often for my wife), and I'll leave it to me to decide whether or not the idea he pitched me was the answer to my problems…

And that does not even hint at the strangeness that happens after he gets a late-night call from a hooker…

Mr. Monk and Romance

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The folks over at the Love, Romances and More blog are in love with Mr. Monk. Here's part of what they had to say about MR. MONK IS CLEANED OUT.

Lee Goldberg has become a genius in my book![…] As a reader, this novel delighted me in many ways. There was not a bad page in this book; each page is filled with humor, drama and emotion. While I cannot as a person understand Monk's obsessive compulsive disorder, I sympathized with the characters surrounding him. His problems were heartbreaking yet laugh out loud funny at the same time. Lee Goldberg has taken a serious disorder and turned it into one of the funniest drama's I have ever read – or seen.

Mr. Monk Gets The Scoop

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The folks at Gelati's Scoop like MR. MONK IS CLEANED OUT a lot. They said, among other things:

Lee Goldberg’s gift of humor is, I think, the main ingredient in making this series of novels work at such a high level. Taking such every day mundane situations or objects (like a bottle of water), and weaving them into a well-crafted novel that is moving and insightful from start to finish is no small undertaking, but he succeeds novel after novel. Mr. Monk Gets Cleaned Out is a fun summer read. It took the pain of missing the series out for me right away

Curiosities, the Curious Book News blog, also liked the book. They said, in part:

This highly entertaining tale takes place in San Francisco before the events of the show's final season It adroitly explores the obsessive-compulsive behavioral problems of the brilliant but flawed detective.[…]This is great fun if you were addicted to the popular television show – you don't even have to read others in the series to enjoy it.

Thanks to both blogs for the great reviews!

Mr. Monk Gets Some Love

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Bill Crider blogged today about MR. MONK IS CLEANED OUT, a book that I am pleased to say that he enjoyed. He wrote, in part:

I keep thinking that Goldberg is going to run out of situations or new ways for Monk to react to the world, but he seems to be endlessly inventive. I found myself laughing out loud more than once in the course of the book.
Monk's relationship with Natalie advances, too. I'm not saying anything more about that, but the relationship between them gets more complex with each book. This is fine entertainment, and I'm already looking forward to the next book.

Thanks, Bill!

The Kindle Isn’t A Short Cut for Authors

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There's a new interview with me up at the Kindle Author blog.  Here's an excerpt:

GOLDBERG_Iron_On_Badge_FINAL  DAVID WISEHART: You've had a successful TV writing career, and strong sales as a traditionally published mystery writer. Why publish on Kindle?

LEE GOLDBERG: I haven't published anything specifically for the Kindle yet—just my out-of-print work. So for me, it's a no-brainer. I'm making money on stuff I've already written and that wasn't earning for me any longer. But I have exhausted my back-list now…

Would I write something original for the Kindle? If I can't sell my next original novel to a major publisher, and it came down to a choice between going with a very small press or taking it to the Kindle myself, I would probably go with the Kindle, simply for financial reasons. I'm sure I could make a lot more money with Kindle publication over, say, the fine folks at Five Star, though it would mean losing some tangible benefits. Five Star books are respected, reviewed by major publications, stocked by libraries, and are eligible for all the big awards…while self-published books don't get much respect (often for very good reason), are not reviewed, are ineligible for major awards (something I understand and accept, having helped craft the eligibility rules for the Mystery Writers of America). All that said, I may test the Kindle waters with an original novella this fall.

DAVID WISEHART: What advice would you give to a first-time writer thinking of publishing on Kindle?

LEE GOLDBERG: Don't do it. I still think selling your book to a publisher, and getting wide distribution in brick-and-mortar stores, is the way to go…and will always be my first choice. You benefit from having an editor, a marketing team, a sales department, and nationwide visibility. I don't think self-publishing is a wise move for novice writers/aspiring novelists…for all kinds of reasons[…] Too many of them do it because they can't get their work published and, I hate to say it, in most cases there's a good reason for it—their books suck. They see self-publishing on the Kindle as a short-cut….or as a gold mine…and its neither. They look at success stories like Joe Konrath and Boyd Morrison and assume the same thing will happen to them. It probably won't.

I have sampled hundreds of self-published books on the Kindle… and 99.9% of them aren't just awful, they border on illiterate, as if they were written by people who never graduated high school. It's astonishing just how terrible the stuff is. Putting unprofessional, hideous crap on the Kindle *will* hurt your career. You only have one chance to make a first impression with readers, agents and publishers. That said, at least self-publishing on the Kindle doesn't cost you anything (if you don't count cover design, which you could do on your own, or hiring a professional editor) and cuts the vanity press scammers entirely out of the equation.

Bad TV Plotting

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William Rabkin tipped me off to a blogger's hilarious example of  bad television plotting. Here's an excerpt:

I think the worst offender here is the History Channel and all their programs on the so-called "World War II"[…] they spend the whole season building up how the Japanese home islands are a fortress, and the Japanese will never surrender, and there's no way to take the Japanese home islands because they're invincible…and then they realize they totally can't have the Americans take the Japanese home islands so they have no way to wrap up the season.

So they invent a completely implausible superweapon that they've never mentioned until now. Apparently the Americans got some scientists together to invent it, only we never heard anything about it because it was "classified". In two years, the scientists manage to invent a weapon a thousand times more powerful than anything anyone's ever seen before – drawing from, of course, ancient mystical texts. Then they use the superweapon, blow up several Japanese cities easily, and the Japanese surrender. Convenient, isn't it?

…and then, in the entire rest of the show, over five or six different big wars, they never use the superweapon again. Seriously.

Great stuff!

She Should Have Gone into the Furniture Business

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My grandfather owned a furniture store and wanted me to go into the business. I wanted to be a writer. His feeling was furniture was a solid career..that everybody needs to sit somewhere, they don't need to read a book. I argued that what they are doing while they are sitting in that comfy chairs is reading a book or watching TV. But he was right about one thing, it isn't easy making a living as a writer. As author Susanne Dunlap laments on her blog, it's still tough even if you've managed to get published by two major houses.  

my books are timed to come out roughly annually. Based on the advances I have been given for them, each book provides about a quarter of what I require to live on. Even if I gave up my Brooklyn residence and returned to Northampton, I would change that equation to about a third of what I require—which includes debt amassed while going to graduate school and simultaneously raising a family, helping my daughters through the rigors of adult life etc. etc.

So what is an author to do? She thought about putting some of her unpublished work, like the sequel to one of her published books, on the Kindle, but her agent scared her off of doing that.

I cruised around on my hard drive and flirted wistfully with the idea of e-publishing a few unwanted manuscripts, complete books that are very near to my heart but for one reason or another were not taken up by either my adult publisher, Simon & Schuster, or my YA publisher, Bloomsbury. Something held me back, though. And when I exchanged emails with my agent my doubts were confirmed. His advice was to trust that Bloomsbury is working to develop my career by bringing books out in a way that they will not compete with each other, and that self-publishing anything would undermine their sales and probably make me persona non grata.

Personally, I think her agent is full crap…and is wrong to counsel her, particularly in these tough economic times, not to take advantage of an opportunity to make more money off of her writing…especially if it costs her nothing.  He's being an ass.

Yes, it would hurt her career if she put a bad book on the Kindle. But if her books are at the same level as her published work, and will satisfy her readers (particularly if she's written an unpublished sequel to a previous book), the only downside is for him…and the commissions he won't be getting on her work. It will not make her "persona non grata" with publishers. That's just absurd. If her publishers wanted the books so bad, they could have published them. They can't hold it against her that she's found other markets for the work. Would she be "persona non grata" if she sold the books they passed on to another publisher?

I also think that his argument, that she should rely on a publisher to shape and craft her career, is ridiculous. It's her career…she's the one who should be deciding the course to take. They are only thinking of their own needs…not hers. He should know that.

My agent has no problem with me putting my out-of-print work on the Kindle. Sure, she wishes she had a percentage of those sales (and some agents are talking about adding such a clause into their agency contracts) but she sees it as a new revenue stream for books that were otherwise played out. 

I don't know how she'd feel if I decided to put my next book on the Kindle if she's unable to sell it. My guess is that if she believed in the book, and thought it was good, she wouldn't mind on a creative level…but might resent not sharing in the rewards of something she worked hard to sell but wasn't able to.