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I certainly never thought I'd see this…THE WALK is now the #1 bestselling horror novel — paper or ebook — on Amazon. I am outselling Stephen King. Unbelievable. Undeserved. But wow, what a thrill.
Mr. Monk on Patrol, my 13th original Monk novel, is out today in bookstores everywhere…and it's very much a story about change.
Adrian Monk, the obsessive-compulsive detective, and his assistant Natalie Teeger travel to New Jersey to help out former SFPD detective Randy Disher, who is now Chief of Police of Summit and living with Sharona Fleming, Monk's previous assistant. But the story is about much more than that…or the reunion with beloved characters…or the complex murders that Monk eventually solves.
I have always had a lot of fun writing the Monk books, but most of the time, I was constrained by having to stick to the continuity of the TV series (which I also occasionally wrote for). That changed with the finale of the TV show, which really shook things up and liberated me to let the characters evolve in new and exciting ways…and to even introduce a few new, regular characters. It also freed me to pay off some of the character arcs that began early the novel series, which started back in 2006 with Mr. Monk Goes to the Firehouse (which I adapted with William Rabkin into the episode "Mr. Monk Can't See a Thing").
I believe that characters in a series become stale if they don’t grow and that readers, and the author, will become bored with them. At the same time, you want to remain true to what makes the characters, the relationships, and the "franchise" so special.
It's a delicate balance. And here's how I've tried to maintain it.
The Monk books are narrated by Natalie. I chose that approach because I think it humanizes Monk. It gives us a necessary distance. Natalie’s eyes become the replacement for the camera lens that gave us our point of view on the TV version of Adrian Monk. Also, a little Monk goes a long way. You can overdo the joke and all the obsessive/compulsive stuff. By telling the stories from Natalie’s point of view, we aren’t with him all the time. We get some space, a breather from his phobias and ticks, and I think that’s important.
But there's a side benefit. It’s allowed me to add an emotional resonance to the story-lines that goes beyond just Monk’s eccentricities and the solving of puzzling mysteries. The underlying theme of the books (and yes, there's always one) are often reflected in whatever is happening in Natalie’s life. Her personal story frames the way in which she perceives the mystery and reacts to Monk, so it’s all of a piece. It’s allowed me to make her a deeper, more interesting, and more realistic character. By doing that, I make Monk more dimensional as well, and I can ground the story in what I like to think of as “a necessary reality.”
Without that reality, Monk would just be a caricature and cartoon character. Natalie humanizes Monk and makes the world that the two of them live in believable to the reader. Through her, we are able to invest emotionally in the story. Without that crucial element, I believe the books would have failed.
Pity poor Brien Jones, the veteran vanity press sleazo behind Jones Harvest…who preyed on old people, taking their money on the false promise of "publishing" their books, getting them into bookstores and into the hands of Hollywood producers. Scores of people, most of them elderly, lost thousands of dollars to this unrepetent scammer…and now he wants you to feel sorry for him…and write another check. In a letter to his suckers, republished on the Jones Harvest Fraud Victims blog, he writes, in part:
I tried to sell [BOOK TITLE] and the rest every way possible—more ways than you ever heard about. As with 99% of our titles I failed. It’s hard. And if you ever try selling somebody else’s book (or even your own) to bookstores you’ll find it’s also unpleasant.
By 2010 I spent half my day listening to bookstores hang up on me and the other half listening to authors that paid $950 to publish (usually less than we spent on the print run) complain about lack of sales. I have to admit I don’t feel very bad about giving up on some of those clients.
I do feel bad about you. You were one of the few that even acknowledged our website was free of vanity publishing information or that we had a bookstore. Most of our clients never noticed. I kept on trying anyway.
Astonishing, isn't it? One moment he's talking about taking $950 from authors to "publish" their books and ignore their calls…and the next he's taking pride in the fact that he never disclosed on his site that he was running a thinly-disguised, nickel-and-dime vanity press that primarily preyed on the elderly. And by his own admission, he failed to sell books 99% of the time… a fact I'm sure he never mentioned when he was sweet-talking some grandma out of a thousand bucks.
Jones then has the audicity to recommend to everyone that he bilked that they go to Accurance and write another check for $850 to actually get their books "published" this time (What do you bet he gets a commission on each of those "sales"?)
Bill Earle, a huckster for Accurance, then sent a letter to the Jones Harvest suckers, breaking the news that, despite all the money they gave to Brien Jones, their books were worthless and unsaleable. In other words, they threw their money away. Here's an excerpt:
Right now, we are concentrating everything on the Jones authors who were published with Jones. Those ISBNs are dead now so those books are no longer for sale. Even if sales were poor in the past for whatever reason, you don't have a chance at even one now.
Our Jones Publishing Package, is fast, high quality, as affordable as is possible, and most importantly – complete. Right now, the book you had published with Jones is no longer valid. The ISBN from Jones for your book is a dead account. We are honored to be able to offer you the fastest way back to the market for just $849.
It's so nice that Bill is "honored" to offer the Jones Harvest suckers a chance to throw their money away again.
I have no sympathy at all for anyone who, after already being screwed over by Brien Jones, would now take his advice and write another fat check to yet another vanity press.
The "deal" that Accurance offers is a rip-off…just like everything Brien Jones has ever been associated with. A non-Jones author could get exactly the same services from Accurance for $500 (I wonder where that extra $250 is going?). But wait, it gets even worse. As Bonnie Kaye, founderof the Jones Harvest Fraud Victims Blog notes:
And guess what—if you take this route, you don’t even have a publisher. Accurance isn’t a publisher—it’s a set-up company that brokers you out to companies like Lulu, where you are your own publisher.
In other words, you could just go to Lulu yourself and cut Accurance out entirely. And you know what it would cost you to get your book published?
Zero.
Now that's a deal.
The fact is, in today's new world, you'd have to be a brain-dead to pay anyone $900 to publish your book, whether it's Accurance, Tate, DogEar, Author House or anybody else.
Why?
Because you can publish for FREE digitally (on Amazon, B&N) and in print (with CreateSpace, Lulu, etc). Amazon, Lulu and CreateSpace take their money as a very small cut of your royalties. They make money when YOU make money. You don't have to pay a dime up front, to say nothing of $850.
You can even avoid the minimal cost of having your work formatted for ebooks by using Smashwords, which will also distribute your book to scores of online retailers. You can even make a cover yourself using your own artwork and a basic photo editing program.
It's time for aspiring authors to wake up and stop being carrion for vultures like Brien Jones.
UPDATE: 1-3-2012: Adding insult to injury, the notorious sleazo Brien Jones is now sending letters to the authors that he swindled, offering them the "opportunity," if they hurry and act right now, to buy all of the existing, unsold copies of their books back from him for $5.99 each…oh, and be sure to make the checks out to him personally, not his pseudo publishing company (hmm, do you think he could be trying to evade creditors like, for instance, the same authors he's trying to screw now?).
I got this urgent email today. The subject heading was "Very Important Message.':
Lee, I know you don't know me as well as I don't know you either and you can e-mail me here at this address : XYZ . I just want to ask you how soon can you e-mail me because I have something I really need to ask you and it's very important. It's your show of Diagnosis Murder : The Sins of the Father. What I'm asking you for is the whole summary plot of the second part of the show. Lee, I'm sorry I put this message in here first before I introduced myself, I'm sorry Lee I apologise. Hello, My name is Christopher XYZ and I'd really like to hear from you as soon as possible. I would like to hear back from you about this matter. Lee, Have a yourself a great and wonderful evening. And may God bless you and your whole family with his love and grants you with all of his peace ! Have all of yourselves a Blessed and joyful Christmas ! I look forward to hearing from really soon.
I'd left Diagnosis Murder before the "Sins of the Father" episode came along. But I immediately grasped the urgency of the situation and knew that I should probably drop everything I was doing, screen the episode, and write a detailed, minute-by-minute summary for Christopher as soon as humanly possible. Lives could be at stake.
Instead, being lazy and irresponsible, I googled the episode, found a summary, and sent the guy the link, all in about two minutes. I spent another minute on this grave matter and found the entire episode on YouTube and sent him the link to that as well.
But this left me with a Very Important Message of my own for Christopher…
Have you ever heard of Google?
I am on my way to Canada today for a week of scouting and wall-to-wall meetings in Alberta and Toronto. It's all for a western film that I wrote (based on two terrific novels) and will produce …I wish I could say more, but I can't yet. I'll try to check in now and then, and maybe post a picture or two, but if not, it's because I'm too busy or have lost appendages to frostbite.
Most of the time, I use this regular feature of my blog to make fun of people who send me really stupid emails or solicitations. Or I use it to answer a good question someone has about publishing or screenwriting. This time it's different. Apparently, I've inspired a very talented writer to hatch an insane scheme. Here's an email I got from author Matt Forbeck:
Just wanted to let you know how you helped inspire me to set off on an insane plan for next year called 12 for '12, in which I plan to write (and then self-publish) a novel a month for the entirety of 2012. I've been sitting on the fence about this for a while, but watching your progress toward self-publishing has been nudging me off.
It finally took the emergence of Kickstarter to shove me over. I set up a drive to help fund the first trilogy of books by taking pre-orders for them. It's going well so far, and I'm looking forward to one hell of a ride for the rest of the year.
Anyhow, thanks again for advocating for authors looking out for themselves and trying new things.
Clearly, Matt is crazy. But maybe it's a healthy insanity, if there is such a thing. I can't imagine writing 12 novels in 12 months by myself ( the Dead Man monthly series that I'm doing with Amazon's 47North imprint is being written with a dozen other writers).
Matt has already raised over $6000 on Kickstarter, which is more than most publishers are offering as advances these days, so he maybe he is really on to something. And considering how prolific and versatile he is, if any writer can pull this off, it's him.
With the launch of Book Country, Penguin is the latest major publisher to open a "self-publishing" division aimed at taking advantage of the desperation and naivete of aspiring authors and charging them outrageous amounts of money for useless publishing "services."
Joe Konrath, David Gaughran, and many others have done a terrific job of outing Book Country for the enormous rip-off that it is. Here's how Joe sums up their "service:"
For $549 they will format your ebook and print book, and then upload it to retailers.
Or for $299 they will let you do your own formatting, and then upload the book to retailers.
Huh?
Formatting ebooks and paper books is tricky, but Rob Siders at52novels.com is less costly than Book Country, and Rob does an incredible job.
After formatting, you should upload your books to Createspace,Kindle, Nook, and Smashwords on your own (takes about an hour) for FREE and you're done. You're published. That's all there is to it.
Why would you pay Penguin to upload your titles? That's the easiest part of the self-publishing process.
But wait, there's more. Penguin also keeps 30% of your royalties.
So not only do you pay them, you also keep paying them.
It's a con job aimed at people too naive to know how badly they are getting screwed…usng the same playbook as scammers like Authorhouse (the vanity press that Harlequin and Thomas & Nelson partnered with for their "self-publishing services")
The one smart thing Penguin has done is make it very clear that this "service" has nothing to do with their esteemed publishing division, thus avoiding the big landmine that Harlequin stepped on when they initially announced their own division aimed at gouging aspiring authors.
If you click on the Penguin logo at the bottom of the Book Country site, you get a disclaimer, which reads in part:
Book Country, LLC is a subsidiary of Penguin Group, a Pearson company. Though owned by Penguin Group (USA), Book Country is a separate entity, both legally and practically with full-time Book Country staff members.
In other words, they've erected a Chinese wall between their reputable, classy publishing imprint and this sleazy, vanity press-style cash-grab from aspiring writers.
They are being careful not to potentially tarnish their brand, provoke the ire of their established authors (who don't want their work associated with a vanity press), or face possible delisting by the major, professional organizations for writers.
But that doesn't make Book Country any less of a rip-off. Shame on Penguin.