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A Book Made For Me

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51lYvEwlv-L._SS500_ I'm a sucker for unusual reference works about the media, whether its books, movies or TV shows (and you gotta love McFarland for publishing so many of them). Bradley Mengel's "Serial Vigilantes of Paperback Fiction" was a must-have for me, even before I read the rave reviews on Bookgasm and Bill Crider's blog.

I've always loved pulp novels like "The Executioner," "The Penetrator," "The Death Merchant," and "The Destroyer." In fact, I did a scholarly, unpublished examination of the vigilante genre myself many years ago for a UCLA class…and as research for writing my first novel, .357 Vigilante, under the pseudonym "Ian Ludlow" (yes, it's covered in this book, and accurately, too. And notice how similar the cover of his book is to mine).

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For me, the best part of Mengel's book is discovering who actually wrote the novels written under "house" names…and learning the inside story on the development of so many obscure pulp series. This book is clearly a labor of love, but it leans more towards scholarly analysis than fannish drool. It's a great book for fans of pulps, rich with details and background information, and offers a historical overview of a genre, and a class of mass market paperbacks, that are all but dead today (except for Gold Eagle's "Executioner" books). Many of these books, and their authors, would have been forgotten if not for this one-of-a-kind reference work, which also offers a glimpse at the influence and workings of book packagers/"creators" in the 60s,70s & 80s.

The only drawback of this book is the steep $45 cover price. To save a few bucks, I bought the Kindle edition, which was also inexcusably pricey at $16, especially since the book doesn't really lend itself to easy reading on an e-reader. Even so, I'm glad I bought it.

Collaboration

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My buddy Max Allan Collins talks on his blog today about his collaborations with Mickey Spillane. Here's an excerpt: 

The truth is, these are genuine collaborations, all of them. I would put them at 50%/50%. I usually take Mickey’s work, expand upon it, and extend it so that it takes up at least half of the finished product. Probably about 60% of the wordsmithing in these novels is mine. But the plot idea, and various notes, and sometimes rough drafts of endings, plus the other 40% of the writing, are all Mickey’s. That’s how it’s done. I don’t believe anything like it has ever occurred in mystery fiction, a writer of Mickey’s magnitude leaving half a dozen substantial manuscripts behind, having designated a trusted collaborator (me) to complete them.

He also talks about his collaborations with his long-time researcher Matthew Clemens, who is uncredited on the covers of Max's C.S.I. tie-ins. Max is very candid about why his name is so much bigger than Clemens' on the cover of their new "standalone" thriller, even though they equally divided the work:N335740  

A good collaboration is synergistic – two plus two equals fourteen. While there are plenty of Matt’s sentences in YOU CAN’T STOP ME, it is about as fifty/fifty a project as you can imagine…and neither of us could have done it alone.

[Bill Crider's]comment that my bigger byline on THE BIG BANG may indicate a bigger contribution by me is at odds with the truth of publishing. Often times, the bigger name of a dual byline did the least amount of work. YOU CAN’T STOP ME is very much a fifty-fifty novel by Matt and me, but my name is much larger, because I am the bigger name (at the moment). But usually with such a situation, you could safely guess that the smaller name did most or even more of the writing.

The blog post is worth reading… it's a very interesting look into the work habits of a professional writer and, to some degree, the business of writing. 

You Go, Girl!

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Mom's Cover for Amazon  My Mom, Jan Curran, is thrilled about the tremendous reader response that her memoir Active Senior Living has been getting on Amazon, the Kindle Discussion forums, and on the Kindleboard. Here are just a few examples. G Murphy writes:

This is such a heartwarming story. It helps to take the scaryness out of an independant living home. So many seniors have false impressions of the senior homes and negative ideas of living in one. This just confirms to me that having social contacts and friends as you age is so important to a person's well being. The friendships shared in this home give each resident a purpose in life and make living fun. I am 67 and have visited a senior living home in our area as a volunteer. I can so relate to the story in this book as see these people living in the residence in my town. I have told my family for years that this is the kind of place I want to live when I can no longer live alone. Friends and a sense of being needed and loved are such an important part of ones wellbeing. Jan has made us feel like we know each and everyone of these people. I look forward to another book continuing the experiences she is having. I found this book on the Kindle forum page. Good luck to you Jan. I feel I know you.

Lesley Suddard wrote:

I found myself laughing and crying with Jan, reliving her experiences moving in and settling into life at an "Active Senior Living Community", her encounters with the other "inmates", and the sweetness of the interactions with the residents there as they developed bonding friendships. Not only is this an entertaining read, but it is also an enlightening one. With my parents approaching the age where either an independent senior living facility or an assisted one may soon be required, the insights into the advantages and the pitfalls of these facilities provide kind of a guidepost for what to look for when evaluating various alternatives.

Cathy B wrote:

I bought this book for my Kindle yesterday afternoon and stayed up reading until I'd finished it. By the time I was done I felt like I knew all the people Jan met during her stay in assisted living and was as attached to them as she obviously is (and they to her). I am hoping that one day soon she will write a follow-up book so I can find out how all of "my" new friends are doing. After reading this book, I realized that even at 80 or 90 life is what you make of it. Like any other time of life, there are joys and sorrows, smiles and tears. AND there are "kooks" in every age group, LOL. Please, Jan, don't make me wait too long for an update. And give "Ed" and the others a hug from me.

Molly Cook wrote:

You'll laugh! You'll cry! You'll recognize human nature no matter how old you are, but if you're over 65, you'll probably recognize yourself and one or more of your friends. Jan is a wonderful writer who can make you laugh and shed tears in the same paragraph. Her personal account of life at "the Inn" and her courage in the face of mounting challenges show us she is the Energizer Bunny of writers. You'll be glad you met Jan Curran!

Kari Johnson writes:

Rarely do I laugh out loud while reading a book. Maybe while at home, but certainly not while reading in public. Today, I'm sure the patrons at the restaurant I lunched at thought I was nuts. Maybe it was reading about Mr. Jones and Carol Channing. Maybe because I can remember so clearly when my grandparents lived in one of these places at all the women swarmed around my very married grandfather, begging him to play the piano and sing with them. It brought back many of my own memories of hanging out with them at their facility. I cannot wait to share this book with my parents. And siblings. And children someday.

Congratulations Mom on touching so many lives with your book!

You Can Become a Kindle Millionaire, Part 12

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January was my best month yet in sales & royalties for my out-of-print books on the Kindle (click on the photo above for a larger, and clear, image of my royalty statement). THE WALK remained my best-selling title with 536 copies sold. MY GUN HAS BULLETS was a distant second with 164 copies sold. And coming up third was THREE WAYS TO DIE, my collection of previously published short stories, with 148 copies sold.

I lowered the price of my .357 VIGILANTE books from $2.89 to $1.99 and sales went up. It seems to me that Kindle readers are more inclined to take a chance on books if they are priced under two bucks.

All told, I made $775 in Kindle royalties this month…and all found money on out-of-print books that were boxed up and forgotten in my garage (I really do owe Joe Konrath a drink for getting me into this back in May). I credit the jump in my sales to all the people who got Kindles as Christmas gifts and were eager to test drive their new toy for as little money as possible. I suspect my sales will slowly decline once the novelty of the Kindle wears off, but  THE WALK has already sold 50 copies in the first two days of February, so maybe I'm wrong (by the way, THE WALK has already sold more copies on the Kindle than it ever did in hardcover). 

I'll be curious to see how my MONK books did on the Kindle during the same period…but it will be some time before I get my royalty reports from Penguin.

BEYOND THE BEYOND continues to sell poorly, or at least below my expectations, so I lowered the price in late January to 99 cents and sales immediately went up…though not by much. I'm hoping I can use the book as a "loss leader" to draw people to my other ebooks.

All of these Kindle editions of my out-of-print books have also been available for two months now as ebooks on Barnes & Noble (via Smashwords) and I have sold less than half-a-dozen… COMBINED. Clearly, B&N and the Nook have a long way to go to catch up to the Kindle.

Nabisco Has a Monopoly On Oreos

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Amazon recently stopped selling titles from Macmillan and its subsidiaries because the publisher refuses to abide by a $9.99 cap on prices for ebooks. Today, Amazon grand poobah Jeff Bezos released a statement  on the matter saying that he'd eventually have to capitulate because:

"…Macmillan has a monopoly over their own titles, and we will want to offer them to you even at prices we believe are needlessly high for e-books."

Say What!?

That's like chastizing Ford for having a "monopoly" on Mustangs, or Nabisco for having a "monopoly" on Oreos, or Amazon for having a "monopoly" on the Kindle. It's a bizarre and idiotic attempt to make Macmillan into a villain for charging what they want to for their product…the same way that Amazon charges what they want to for their Kindle.  

If Bezos truly feels Macmillan is wrong, and it's a matter of principle that's important to him, than he can sell Macmillan books for whatever he wants and take a loss…or stop selling any Macmillan books that he thinks are over-priced. But stop trying to cast Macmillan as the bad guy here. They aren't.

Author Solutions is No Solution

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Author-solutions  Kevin Weiss, the CEO of the vanity press Author Solutions, posted a video on YouTube asking the Mystery Writers of America, Science Fiction Writers of America, and the Romance Writers of America to meet with him to discuss all the ways he's "helping writers."  This from a man who charges writers thousands of dollars to print their book…and then, in the unlikely event they ever sell copies, takes a huge chunk of their royalties, too. Yeah, Kev, that's a big help. Thanks so much.

Author Solutions, incidentally, is the company that Harlequin partnered with to create their own vanity press operation, initially called "Harlequin Horizons" and quickly redubbed DellArte after the announcement created an uproar. The partnership, and Harlequin's practice of referring rejected authors to DellArte (among other things), led to Harlequin being delisted as an Approved Publisher by just about every major professional writers organization out there. Naturally, this disturbs Kev, who is hoping to peddle similar partnerships to other publishers.

Author Shiloh Walker posted a lengthy, and very detailed, critique of his message on her blog. Here's an excerpt:

You talk about open discourse, and honesty and offering choices, yet do you
openly make aware to your `customers' that while they may spend thousands, you
were quoted as saying in the New York Times that the average number of titles
sold through one of your brands was 150? […] The writer shouldn't pay thousands to 'self-publish' and then have to share the profits.

[…] The organizations you're calling out to `discuss' things are the advocates for
writers. Period. A writer that goes in with you is likely to spend thousands
sell…how many books? Unless you can guarantee me four, five figures, (1000
books, 10,000) there's nothing about your company that has me interested in
telling either of my writer organizations, "Hey, maybe these people can offer
choices to those who are seriously pursuing a writing career."

There's no reason for any professional writers organization to meet with Weiss. Their beef is with Harlequin, a real publisher, not with his vanity press. Such a meeting would only give him, by association, the credibility he so desperately seeks. And let's face it, Authors Solutions is not a publisher, it's an outrageously over-priced printer. Nor is it a maverick offering a genuine alternative for authors. In fact, Author Solutions is no solution at all. Banner_Logo  

What he fails to mention in his videos (for good reason) is that an author can print their book in trade paperback or hardcover FOR FREE through companies like Lulu and Blurb (the companies take their share when a book is bought by a reader, but the author sets the purchase price)…or get their books on Amazon, at no charge with no middleman at all, using the Kindle platform. Writers can get everything Author Solutions offers elsewhere with no out-of-pocket expense. (In fact, my Mom just did it with her memoir Active Senior Living. She's made hundreds of dollars in just a few weeks…and isn't out a dime).

Those free alternatives have made companies like Author Solutions totally irrelevant, which is why he is so desperate to create partnerships with major publishers in the hopes of taking advantage of their slush pile. 

However, if the writers organizations succeed in convincing publishers that it's wrong to try to monetize the slush pile and to take advantage of the desperation and gullibility of aspiring authors, then Author Solutions is screwed. That's why Kev is so worried about the Harlequin situation. He already lost big time when Harlequin took their name off their new vanity press venture. He was counting on trading on the Harlequin name, hoping that naive writers would assume that they were being published by the "real" Harlequin. That was certainly the whole point of the venture. But  DellArte carries no such cache…in fact, without Harlequin steering the writers it rejects to the vanity press, it has no reason to exist, nothing to set it apart from all the other over-priced "self-publishing" companies out there.

So is it any wonder Kev is making YouTube appeals? 

UPDATE: Victoria Strauss at the Writer Beware Blog also offers an excellent critique of Weiss' video. She writes, in part:

Will a sit-down, if it happens, be productive? Good question. Part of the objection to the AS/Harlequin/Nelson "partnerships" was the misleading way in which they were presented–seriously overstating the benefits of self-publishing for many if not most authors, using the carrot of possible transition to commercial publishing as a hook to draw in customers–as well as, in Nelson's case, a promise of referral fees for agents who steered authors its way, plus a truly exorbitant cost. Given that high costs and less-than-transparent presentation are at the core of AS's services, I don't think that's likely to change. Also, can there ever be a meeting of the minds between professional commercial writers' groups and a company that wants to present fee-based publishing as an "indie revolution?" Part of the problem, I think, is that Weiss is speaking a different language.

This and That

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Sorry I have been missing in action here on the blog lately. Since I got back from NY last week, I have been tied up with various personal matters and rewrites on a spec feature script which, I am pleased to say, now has an A-list movie star officially attached. The star and I are on exactly the same creative wavelength on this project and his notes have really improved the script. 

There were also some projects & gigs that fell through over the last few weeks, which was really disappointing since I put a lot of time and work into them, but it looks like the connections I made in the course of developing/pursuing them may pay off with other assignments in the coming weeks. We'll see. If I got paid for pitches and meetings, I'd a multi-millionaire several times over.

I've been reading lots and lots of plays lately in my new role as co-chair of the International Mystery Writers Festival in Owensboro, KY  and we're closing in on the handful that we'll be producing this summer. More on that later.

I'm also hard at work on my next MONK novel and preparing some pitches for upcoming meetings. I've been offered another series of tie-in novels, based on a hit TV show, and I am considering it, depending on my availability, the details of the deal, and how the deadlines will fit in with my MONK schedule. Speaking of MONK, it looks very likely that I'll be doing a few more books beyond the one remaining on my current contract.  More on that later, too. 

Unfortunately, I've just learned that I'm going to need surgery again on my right arm, which may slow me down some. I had a bad accident a few years back and broke both of my arms, the right one very severely. I've had multiple surgeries on my right arm that left me with about 50% of normal range of motion  and some numbness. Well, the numbness has increased, so they have to go back in and do some work to prevent further damage. I am not looking forward to that…but  I knew it was going to happen eventually, I just didn't think it would be so soon.

Well, that's it for today. Time to dive back into MONK…