I only meant to skim Austin Trunick’s THE CANNON FILM GUIDE VOL 1 1980-1984 to the chapters on the films I’ve seen or am curious about. But the book is so much fun, so compulsively readable, so full of great anecdotes and insider-details, that I ended up reading the entire 530 page book… and I don’t even like 99% of the crap the studio released. But it was impossible for me to put it down.
The book, the first of three volumes, devotes a chapter to each Cannon title released during the first four years of the schlock-studio’s short life, though Trunick will leap forward in time to include all of a movie’s sequels in the chapter that discuses the first film (for example, all the Missing in Action and Death Wish movies are covered in this volume, even though they spanned the studio’s run). Movies covered in this volume include The Happy Hooker Goes to Hollywood, Bolero!, Hercules, Enter the Ninja, The Last American Virgin, Breakin’, Sahara, and Exterminator 2 among many others. In addition to the author’s extensive reporting and lively commentary, most chapters also include a Q&A interview or two with key cast members or production personnel. Trunick has done an enormous amount of research which, combined with his easy-going narrative style, boyish enthusiasm, and sense of humor, make the book a pleasure to read… though it gets frustrating watching studio heads Menachem Golan and Yoram Globus, men with terrible instincts and even worse taste, keep repeating the same mistakes over and over again.
On the movie The Secret of Yolanda Trunick says:
A nomad cowboy wanders onto a ranch, bangs every breathing woman within a 40-mile radius, and then is run out of town for taking advantage of a handicapped stable girl. That’s “The Secret of Yolanda” in a nutshell. And that guy is supposed to be the hero of the movie!
On Seed of Innocence aka Teen Mothers, Trunick has this observation:
The script was co-written by Stu Krieger, who’d become better known for writing the screenplay for the classic Don Bluth animated filmed “The Land Before Time,” a movie with significantly fewer prostitutes and unplanned pregnancies.
Trunick discusses the ending of Nana: The True Key to Pleasure, which inexplicably concludes with the heroine flying away in a hot air balloon.
“As the balloon floats away, a man is revealed to be hiding in the bottom of the basket. He ducks under her dress and a sly smile forms on Nana’s lips as we have to assume the stowaway gentleman performs cunnilingus on her. Meanwhile, Emile Zola’s original novel ended with [Nana] dying horribly of smallpox, describing her as, I quote, ‘a heap of pus and blood, a shovelful of putrid flesh.’ Talk about a softening ending for movie audiences…
It’s a terrific book, but not without some flaws. There are numerous proofreading mistakes (mostly missing words) and some formatting errors, and a few factual errors (for example, he refers to Chuck Norris’ Walker Texas Ranger as a “long-running syndicated series,” apparently unaware that the show ran for eight straight seasons & 200 episodes on CBS before going into reruns), but those are very minor quibbles. I can’t wait for the next two volumes!
2 thoughts on “Cannon Fodder”
I worked at Cannon during the heydays, so I’ll have to look this book up!
Seems like a bit of a coincidence, but two days ago I’d never heard Menachem Golan and Yoram Globus. One day ago I watched a movie I’d somehow ‘taped’ on my DVR – ’52 Pick-Up’ – I don’t remember setting it up to be recorded (perhaps it was because I saw that Ann-Margret was in it and couldn’t resist! ) – and I couldn’t help but notice those names as the film’s producers. That film was flawed in some respects – but entertaining (and highly risque, I must add). Today, because I clicked on Lee’s blog, I see the names for a 2nd time ever – in the context of producers who would put their stock in a movie laced with nudity and violence like 52-Pick-Up proved to be.