Writer Jack Bernstein does a great job describing what it’s like breaking a story with the writing staff of MONK.
I arrived in Newark on a Sunday evening at 6 p.m., having weathered the
embarrassment of going through security with my inflatable writing
partner. I had been given the choice of staying in a hotel in Manhattan
or Summit, N.J. It was a no-brainer. Soon after checking in to my
deluxe micro-suite at the Summit Super 12, I got a phone call from Monk
Executive Producer Andy Breckman. Andy told me that
they were going to start at 11 a.m. Monday morning and was that a
problem? I told him if he wanted to start that early, I guess I could
…The creative process is difficult to describe, mostly because I don’t
really understand it. I think I’d have better luck understanding a
lecture on biomolecular kinetics from a beaver, but honestly, where
would you find a beaver that understands biomolecular kinetics? I mean,
really understands? So basically, the creative process consists of all
of us shouting out ideas for the story until Andy scratches his head
and says, "That might work" and writes it down. Your initial reaction,
of course, is to think, "Really? You actually think that would work?"
Which translates to, "Yeah, I think it would work, too."
Jack is a very funny writer. He and I worked together many years ago on a short-lived series called DEADLY GAMES. That was an odd show. The scripts were hilarious but the episodes were never as good as what was on the page thanks to bad casting (the star, whose name I have forgotten, was wooden), bad directing and a pitifully low production values.