Tie-ing up the NY Times Bestseller List

In his Los Angeles Times essay on Sunday, My brother Tod touched on the enormous popularity of tie-in novels. I've just learned from International Association of Media Tie-in Writers' member Sean Williams that his STAR WARS: THE FORCE UNLEASHED has hit #1 on the New York Times hardcover bestseller list.  I suspect his tie-in won't be the only one on that list on 9/7. This week, Eric Van Lustbader's tie-in ROBERT LUDLUM'S THE BOURNE SANCTION is #2 and IAMTW member Karen Traviss' STAR WARS: THE CLONE WARS is #19.

They Love to Blow Up Cars

The new season of ALARM FOR COBRA 11 is beginning next month in Germany and my friends at Action Concept pack more action into one hour than most U.S. series do in an entire season… and for half the budget. Here are two ads for the season opener:

All that action was just in the first ten minutes.

Is it time to start carving a tombstone for Network Television?

Wired magazine thinks so. Last season, the three major networks (ABC, CBS and NBC) combined attracted their smallest audience since the advent of television. But the cable networks, which target a niche audience rather than aiming for the broadest possible reach, now claim more than half of total viewers.

It may be time to perform an autopsy on network TV, which some have
pronounced officially dead at age 60, the victim of a lifetime of big
spending, hard living, and bad planning. Here's the coroner's report:
The evening newscasts have been mowed down by cable's heat, spin, and
round-the-clock immediacy. In prime time, nobody watches reruns
anymore—and reruns, along with syndication, used to be the only way
comedy and drama series, the heart of a network's prime-time business,
made money. (The way they make money now is…well, the networks will
get back to you as soon as they figure that out.)

Speaking of old-school, half-hour sitcoms: Once, 50 of them were on
the air at a time. Today, they're all but gone. Suddenly, people just
stopped liking them. Prime-time news magazines? Barely holding on.
"Protected" time slots? Viewers accustomed to Web surfing and channel
flipping at hyperspeed aren't going to watch a new show just because
they're too lazy to change the channel after The Biggest Loser.
The audience for daytime soaps, a profitable staple since TV's infancy,
has shrunk so dramatically that the form may vanish within a few years.
This is all very bad news for a medium that hasn't come up with a fresh
format since 2000, when CBS launched Survivor, the gold rush in reality-TV competitions. (P.S.: Survivor isn’t what it used to be either.)

It's unlikely that a broadcast network is ever again going to create a megahit like The Cosby Show,
which at its mid-’80s peak drew as many as 50 million viewers an
episode. For several years now, TV's top event has been Fox's American Idol. Last season, it drew 28.8 million viewers a week.

 

Expanding Literacy through Narcissism

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The front page of this Sunday's Los Angeles Times Calendar section features a big essay by my brother Tod discussing his experience writing BURN NOTICE: THE FIX and his research into the business of tie-in writing. I was approached to write the novels, but I declined and recommended Tod, who I knew was perfect for the job:

My brother was right: I was the perfect person. The only problem was my
advanced sense of artistic self. I had long, twisting conversations
with my agent, my wife and the kid who makes my sandwiches at Quiznos
about the literary equity I'd accrued, about how writing a tie-in might
somehow sully my career and other topics concerning my navel. My agent
told me to take a deep breath, get lucid and call her back after I did
some research…

So he did. Read his very funny article and find out what he learned.

UPDATE 8-25-2008: Tod's article got a surprisingly unsnarky mention on GAWKER, some love on TV Squad and some attention from Publisher's Weekly's Book Maven.

UPDATE 8-26-2008: TV Squad also gave Tod's book a rave review.

The Sweeney Gets Nicked

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 The big-screen remake of the cult UK TV series THE SWEENEY (one of my favorites) has been shut down just a few weeks before it was scheduled to go into production.  Variety reports that backer Fox Searchlight got cold-feet , worried that the $16 million movie from writer-director Nick Love wouldn't make money outside of England without a big-name star attached (bigger than Ray Winstone and Michael Fassbinder, who were taking over the roles originated by John Thaw and Dennis Waterman). But the producers insist the movie  isn't dead:

Rather than continue with pre-production in the hopes of nabbing a big
name at the last minute, Fox and DNA mutually agreed to step back and
wait. They are still hoping to go into production next year. Cult
writer-director Nick Love remains attached to direct.
[…]"We're confident we'll get the film made next year," DNA production chief Allon Reich told DailyVariety.

Frank Sinatra Dies Hard, Baby

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One of Frank Sinatra's best dramatic performances was as NYPD Detective JoeDie_hard_dvd_bruce_willis__large_
Leland in the gritty cop thriller THE DETECTIVE, which was based on the Roderick Thorpe novel of the same name (the movie also starred Lee Remick, Jaqueline Bisset and Robert Duvall). Thorpe wrote a sequel called NOTHING LASTS FOREVER, again featuring Det. Leland…only this time, most of the story unfolds in a Los Angeles skyscraper taken over by terrorists. Sound familiar? It should. The book was adapted into the movie DIE HARD. So, in other words, Bruce Willis took over the role originally played by Frank Sinatra (can you imagine him swinging from the Fox Tower screaming "Yippee Ka-yaa Motherf****r"?). This is old news, but news to me nonetheless… I only just stumbled on it today, going through some old books of mine. It was like discovering that Sean Connery wasn't the first actor to play James Bond on screen (Barry Nelson was) or that Peter Falk wasn't the first Columbo on TV (Bert Freed was)…

Who Is The Short Bald Stranger There, Maverick is the Name…?

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John McCain's claim of being "the original Maverick" prompted Chicago Sun-Times columnist Mark Brown to recall fond memories of the TV series MAVERICK…and to seek out the sage advice of my Uncle Burl Barer, the author of THE MAKING OF MAVERICK :

I mentioned to Barer how McCain was using "The Original Maverick" as
a campaign slogan, causing my initial confusion with Garner having
played, Bret, the first Maverick, which I cleared up when I remembered
his brother Bart, the other Maverick.

"Yes, you mean Jack Kelly," Barer said.

Jack Kelly?

"Jack Kelly played Bart Maverick," Barer said.

It wasn't John McCain?

"No."

Then which of the Maverick brothers did McCain play?

[…] he
patiently explained that at various times Maverick starred Garner as
Bret, Kelly as Bart, Roger Moore as Beau and Robert Colbert as Brent —
the poker-playing Maverick brothers. But never McCain.

"It wasn't, 'Who was the short bald stranger there?' " Barer said,
playing off the opening stanza from the theme song about a tall, dark
stranger.

MAVERICK was a great show back in the 1950s and holds the unusual distinction of being the only vintage TV series revived three times on three networks in three years…ABC's THE NEW MAVERICK, CBS' YOUNG MAVERICK, and NBC's BRET MAVERICK…all in the early 1980s.

It Was Hard Enough Writing The Book, Do I Have to Sign It, Too?

Margaret Atwood took the high-tech approach to avoiding the book tour — she created a machine that would allow her to sign books in distant locations from the comfort of her living room. Now a publisher is taking a decidedly low-tech approach — they are hiring people to sign books for the authors. The Guardian reports:

They have posted an advert on the listing site, Craig's List,
inviting a team of part-time workers to fake the signatures and get
paid in cash for the privilege.

The advert says it is looking for
14 people who can do a blitz of false autograph signing on behalf of
two unnamed co-authors of a newly released, and equally anonymous,
book. "You will need to be able to copy the look and style of both
author's signatures," it says.

[…]The advert says the fake signing, to be held in Los Angeles, will run
over two days at eight hours a day. Each signing will take 15 seconds
or less, and at that rate the team of 14 could sign up to 53,760 copies.