Ken Levine writes today about the worst script he and his partner ever wrote.
In 1993 my writing partner, David Isaacs and I did a short run series
for CBS called BIG WAVE DAVE’S starring Adam Arkin and David Morse. It
ran that summer, got 19 shares, kept 100% of MURPHY BROWN’S audience
and was cancelled. At the time CBS had starring vehicles in the wings
for Peter Scolari, Bronson Pinchot, and the always hilarious Faye
Dunaway so they didn’t need us.We were given a production order
of six with three back-up scripts. We assigned the first two back-ups
to our staff and planned on writing the third ourselves. When the show
was cancelled we put in to CBS to get paid for the additional scripts.
They said fine, but we had to turn in the completed scripts. Gulp!
Bill Rabkin and I had almost the exact same experience on SEAQUEST. We’d already turned in the outline for for episode 14 when we got cancelled. But in order to get paid for the teleplay, we had to write it. We did it in one day, while we were packing up our office. I still live in fear that some sf fan will stumble on a bootleg draft at a scifi convention, post it on the net, and people will think we actually write that bad. I’m in Germany now, or I’d post an excerpt. I’ll try to remember to do it when I return.
I would like to ask you a question about your involvment with SeaQuest.
Basically how the story evolved from the early episodes of exploration to the later episodes set in the future.
Worse than that Flipper assignment you got? 😉
Is that the one where the crew discovers that the entire series took place within a grade-school kid’s acquarium?
Good thing they didn’t want to make Monk a blind lesbian alien vampire