The UK Loves Its Crime Writers

Broadcast reports that ITV3, a UK TV network, has struck a deal with the Crimes Writers Association to air their awards and run documentaries on their nominees.

ITV3 has secured the Crime Thriller Awards for another three years, after signing a deal with Specsavers, Cactus TV and the Crime Writers Association.ITV3 will broadcast a six-week season of crime and drama programming each year and Cactus will produce 6x 60-minute docs profiling nominated authors ahead of the awards’ broadcast.

Can you imagine an American network striking a deal like that with the Mystery Writers of America?

I Will Not Read Your F–king Script, Part 2

Yesterday, I talked about how Josh Olson wrote a great piece explaining why he won't reading your script…and that, on the same day that I read his article, I had an experience that proved him right. Here's what happened. A stranger wrote me:

I have a great idea for a TV series…oops, you've heard that a million times. But really I do. Can I send you the Treatment I have written and get some help pitching it?

I replied:

Nope. (And you are the 27th person to ask me that today. No kidding. And the day isn't over yet).

…and I sent him a link to Olson's piece. And within minutes, he was twittering things like this:

Sick of arrogant TV writers who write crap that we have to watch on TV.

And this:

I am talking about Lee Goldberg…what a f'n snob…and he sucks.

Today, he sent me this note:

I joined Facebook in part, my arrogant friend, to sell my book and to network. That is what Facebook is for in part, as well as reconnecting with family and old friends. Therefore, I reached out to you to network. But like the arrogant prick you are, instead of simply saying no thanks, or ignoring my request, you slap me around as if I was a moron. I had a bad day yesterday, involving one of my children, and didn't need your snotty lecture. So go away. I get your drift. You got lucky and think you are somebody now. But know this, my arrogant friend, what you dish out to the world comes back to you.

And the replies from his friends to his twitters reflected a similar point-of-view:

fuck Lee Goldberg and his arrogance. He lives in a phony world of recycling idiot ideas. Perhaps I'm missing something, but has any Hollywood writer *lately* managed to write a good work of fiction? I dunno, perhaps Lee Goldberg has some sort of defense for that episode of "She Spies" that he helped write in committee.

And this from the guy who initially wrote me:

What does Lee Goldberg write – that Monk nonsense? That's why I spend the evening (when not writing or reading) flipping through the numbing crap on TV that is written by the arrogant "professionals" full of themselves that they can't mentor a struggling author along.

Of course, he thought well enough of me to hit me up to read his stuff…I became an arrogant asshole and author of mind-numbing crap after I said no.

I am stunned by the arrogance of these people, telling me that my professional success isn't the result of talent or hard work, but rather it is some kind of entitlement. And that by not reading their work, or listening to their ideas, or coaching them on pitching, I am an asshole. My time is their time to do with as they please. They also assume that I am not interested in helping anyone else achieve what I have.

These jerks know nothing about me, or the time and effort I devote to sharing my experience with others. They don't know about the many days I spend each year teaching TV writing, giving seminars, or speaking about writing at high schools, universities, conferences, and libraries locally, nationwide and around the world, mostly for free. 

In the last six weeks, for example, I spent seven days at the International Mystery Writers Festivalin Owensboro, Kentucky teaching, speaking, and moderating seminars on tv and mystery writing to the public. At no charge. I taught a three-hour course on TV writing to students at Cal State Northridge. At no charge. And I spent a day giving a seminar on TV writing to a delegation from China Central Television.

But what I didn't do is drop everything in my life to read some stranger's treatment, listen to his idea for a TV series, and coach him on how to pitch. 

So obviously I am an arrogant, talentless, asshole.

I have committed the unforgiveable sin of deciding how to use my time and how best to give back to others. And not letting some stranger decide for me. 

So, when it comes to this guy and all those outraged, wanna-be writers who they think own me and my time, I think Josh Olson really nailed it when he said:

I will not read your fucking script.

UPDATE 9-11-09: The pissed off stranger who wanted me to read his treatment has responded. What follows is his email to me, verbatim, minus the title and link to his self-published "manifesto" on new belief system that will revolutionize society.

Blah, blah, blah. Whippy shit. Whining ahole. If you spent all the time trashing me trying to help me instead, we might both have a better feeling about you. Doth protest too much, my friend. You have a guilty conscience as you should. Hard work, my ass, you got lucky, friend, pure and simple. Given the chance, I would write you off the page.

And look who's talking about people skills. All you had to do numbnut, was ignore me, or give me a website where to send my treatment, an address, something. Instead, you bastard, you give me a snide, insensitive stupid article. And a bunch of messages that are just pure mean-spirited. I might be dying of cancer or have a kid dying of cancer, but you don't care.

Who says I want to succeed in Hollywood anyway – if it's populated by untalented, arrogant mean-spirited likes of you, I don't need it. It will be TV's loss not to have my treatment.

Read my book, XYZ

Know what it says, you strunes – death is the only reality. I will certainly see you at some point there, in some afterlife. And maybe I'll buy you a beer, and then again, maybe I won't.

.357 VIGILANTE: #4 KILLSTORM

Cover Title Text Vigilante 4a  KILLSTORM, the long lost fourth novel in the .357 VIGILANTE series…never before published, now available for the first time anywhere in this special Kindle Edition.

Brett Macklin faces his greatest adversary yet — a ruthless, professional hit woman, seductress and master of disguise who launches a campaign of terror and bloodshed against him, pushing the vigilante to the emotional and physical breaking point, unleashing a bloody killstorm on the L.A. streets.

"As stunning as the report of a .357 Magnum, a dynamic premiere effort […] The Best New Paperback Series of the year!" West Coast Review of Books


THE STORY BEHIND THE BOOK

The adventures of Brett Macklin, the .357 VIGILANTE, were published by Pinnacle Books in 1985 as part of their popular line of "men's action adventure novels," which included such classics as THE DESTOYER, THE EXECUTIONER, THE PENETRATOR, and THE DEATH MERCHANT, to name just a few.

The first three books in the .357 VIGILANTE series were enormously successful. The movie rights were sold to New World Pictures. The fourth book, KILLSTORM, was only a few months away from publication in 1986 and a fifth novel was in the works…when Pinnacle abruptly went out of business.

For years, the .357 VIGILANTE books were locked up in a protracted bankruptcy proceeding before the rights to all the books, including the unpublished manuscript, finally reverted back to me.

Now, for the first time anywhere, KILLSTORM is finally "in print," twenty five years after it was written….


THE OTHER BOOKS IN THE SERIES

.357 VIGILANTE

.357 VIGILANTE #2 MAKE THEM PAY

.357 VIGILANTE #3 WHITE WASH

and

.357 VIGILANTE: DIE, MR. JURY…all four books in one volume.

.357 VIGILANTE: DIE, MR. JURY

Face and logo9 All of my out-of-print .357 VIGILANTE novels, including the never-before-published fourth novel KILLSTORM, have been compiled into one Kindle edition — .357 VIGILANTE: DIE, MR. JURY. 

This is the complete saga of Brett Macklin, a one-man army fighting a war on terror on the streets of Los Angeles in the mid-1980s…

.357 VIGILANTE #1

.357 VIGILANTE #2: MAKE THEM PAY

.357 VIGILANTE #3: WHITE WASH

.357 VIGILANTE #4: KILLSTORM

"As stunning as the report of a .357 Magnum, a dynamic premiere effort […] The Best New Paperback Series of the year!" West Coast Review of Books, 1985

You can also find the compilation on Smashwords and Scribd in multiple e-formats.

The Mail I Get

Those incompetent hucksters at Bookwhirl are back. This week they cold-called a major, A-list novelist I know, offering him their inept "services." The guy who called my friend, who is a household name, sounded like someone from Dell Customer Support in India and had no idea who he was speaking to.

Even though I have repeatedly trashed Bookwhirl here on my blog, today I got a solicitation from them. It was from "Marketing Consultant" Melissa Adams, who apparently hasn't mastered English yet:

I came across your book, “Mr. Monk is Miserable” and I find it very interesting. Our company, Bookwhirl.com is really interested to help you in promoting your book/s online because we find out that your book/s deserves to be recognized

And that's the most coherent paragraph in her pitch. Imagine how dumb and gullible someone would have to be to hire these dimwits. I wrote her back and suggested that she take a few English courses before trying to portray herself as an expert in promotion.

Mr. Monk and the Character Name

Critic Bill Peschel found it unsettling that I named a character after him in MR. MONK AND THE DIRTY COP, but he says he didn't let that influence his opinion of of the book. He gave it a rave review anyway. He says, in part:

To thank me for helping with a previous “Monk” book, Lee Goldberg asked if I would mind being killed for your entertainment in “Mr. Monk and the Dirty Cop.” I said yes, pleased at the prospect of contributing to a novel without actually going to the trouble of writing it.
[…]As I kept encountering my name, I felt more and more uncomfortable. Seeing one’s name in print associated with this character causes a disassociation with my self-image of the employed writer, father, and husband. Sometimes, it felt like I could feel a gear slipping in my head, so it was something of a relief when I’m finally killed. Fortunately, there’s plenty to appreciate about the book.

[…]The Monk books not only capture the pleasures of the TV show, but add to it by deepening our understanding of the characters. It’s a testament to Goldberg’s energy and inventiveness that he’s been able to do it successfully for eight books.

Thanks, Bill. It was a pleasure murdering you.

Josh Olsen will not read your f–king script

I know a lot of screenwriters who can sympathize with Josh Olsen, who wrote a column in the Village Voice about all the reasons why he “will not read your fucking script.” He writes, in part:

Which brings us to an ugly truth about many aspiring screenwriters: They think that screenwriting doesn’t actually require the ability to write, just the ability to come up with a cool story that would make a cool movie. Screenwriting is widely regarded as the easiest way to break into the movie business, because it doesn’t require any kind of training, skill or equipment. Everybody can write, right? And because they believe that, they don’t regard working screenwriters with any kind of real respect. They will hand you a piece of inept writing without a second thought, because you do not have to be a writer to be a screenwriter.

[…]What they want is a few tough notes to give the illusion of honesty, and then some pats on the head. What they want–always–is encouragement, even when they shouldn’t get any. Do you have any idea how hard it is to tell someone that they’ve spent a year wasting their time? Do you know how much blood and sweat goes into that criticism? Because you want to tell the truth, but you want to make absolutely certain that it comes across honestly and without cruelty. I did more rewrites on that fucking e-mail than I did on my last three studio projects.

I found this article especially timely since today I received over two dozen requests from complete strangers to read their scripts or listen to their great ideas for TV series. Here’s one I got just a few minutes ago from a stranger on Facebook:

I have a great idea for a TV series…oops, you’ve heard that a million times. But really I do. Can I send you the Treatment I have written and get some help pitching it?

The answer was no. I will not read scripts from strangers unless, of course, I am running a show and I’ve asked agents to send me samples to read for assignments, staff jobs, etc. But I will read scripts from my good friends…and I will occasionally ask them to return the favor. And I certainly will never, ever listen to a TV series idea from someone I don’t know…most of whom, of course, aren’t screenwriters, just someone who is convinced they are more clever than the thousands of professional writers, producers and directors who are pitching series to the networks every day.

UPDATE:  Within minutes after I told the stranger that I wouldn’t read his treatment or give him pitching advice, he wrote this in his Facebook update:

Sick of arrogant TV writers who write crap that we have to watch on TV.

and

I am talking about Lee Goldberg…what a f’n snob…and he sucks.

I wasn’t a fucking snob, and I didn’t suck, until I told him I wouldn’t read his treatment and help him pitch it. This reaction from him proves a point Josh Olsen made in his column:

I will not read your fucking script.
At this point, you should walk away, firm in your conviction that I’m a dick. But if you’re interested in growing as a human being and recognizing that it is, in fact, you who are the dick in this situation, please read on.

Yes. That’s right. I called you a dick. Because you created this situation. You put me in this spot where my only option is to acquiesce to your demands or be the bad guy. That, my friend, is the very definition of a dick move.

[…]You are not owed a read from a professional, even if you think you have an in, and even if you think it’s not a huge imposition. It’s not your choice to make. This needs to be clear–when you ask a professional for their take on your material, you’re not just asking them to take an hour or two out of their life, you’re asking them to give you–gratis–the acquired knowledge, insight, and skill of years of work. It is no different than asking your friend the house painter to paint your living room during his off hours.

How Did I Miss This?

Glorianna Arias, aka Lady Sybilla, the delusional fanficcer who plans to self-publish her own TWILIGHT novel entitled RUSSET NOON, has launched a blog where she's sharing chapters from her upcoming, craptastic opus…

"The reason we continue to move forward with the publication of Russet Noon as a paperback novel is because we are confident that there are no grounds for a lawsuit. We do not intend to make a profit from this venture, and any books we publish will be given out for free. The only difference between Russet Noon and other Twilight fanfics is that Russet Noon will be a free paperback novel."

What she meant is that she no longer intends to make a profit from the book…but she once did. Arias was taking orders for the book on her website and on ebay until word got out about it. 

But this story keeps getting better…and weirder. Arias has announced that she's going to self-publish a "tell-all" book entitled LADY SYBILLA'S MANIFESTO: THE TRUTH BEHIND THE 'RUSSET NOON' CONTROVERSY. 

You will be able to find the book online and in the gift shops of  mental hospitals nationwide in January. 

I can't wait.

Idris Elba Stars in new BBC Series

Broadcast reports that Idris Elba, who played “Stringer Bell” on THE WIRE, will star in the new BBC detective series LUTHOR, written and created by SPOOKS writer Neil Cross, who describes the title character as a “near-genius murder detective whose brilliant mind can’t always save him from the dangerous violence of his passions”.

Whereas traditional whodunits search for the murderer, each hour-long episode of the new drama will identify the culprit from the start, focusing attention on the dynamic – and similarities – between the detective and the murderer.

The series will air in Autumn 2010. No word yet on whether it will be carried stateside on BBC America or not. Cross also writes for the ITV series THE FIXER, one of my favorites (about a hitman working for a secret police unit), so I have high hopes for this show.

.357 Flashback

Cover Title Text  Vigilante 4a I’ve created Kindle editions of my out-of-print, 1985 paperbacks .357 VIGILANTE #3 WHITE WASH and .357 VIGILANTE #4 KILLSTORM …but it will be another six or seven days before they’re “live” on Amazon.  

So in the meantime, I have posted the entire VIGILANTE series, in multiple e-book formats, on Smashwords and in PDF format on Scribd. Here are the links:

.357 Vigilante #1 by Ian Ludlow
Smashwords / Scribd

.357 Vigilante #2 Make Them Pay Smashwords / Scribd

.357 Vigilante #3 White Wash  Smashwords / Scribd

.357 Vigilante #4 Killstorm  Smashwords / Scribd

This is the first time KILLSTORM has been available anywhere on earth. Pinnacle Books, the original publisher of the .357 VIGILANTE series, went out-of-business on the eve of the book’s scheduled publication in 1986. Although the cover painting was completed, and the book was typeset, it never went to press. I couldn’t find a copy of the galley, so I scanned my original manuscript, written back in 1984 while I was still a UCLA student. It’s a relic from the past, full of dated references to the politics, culture, and technology of the time…not to mention all the cliches of the men’s action/adventure fiction that Pinnacle was churning out. But don’t let that stop you from buying it!

UPDATE 9-7-2009: It might be a little while longer before those two titles are available for the Kindle…Amazon has asked me to prove that I am, indeed, “Ian Ludlow,” and that I have the e-rights to the books. So I have to dig up my reversion of rights letter, which I got way back in 1995. I hope I can find it! I guess Amazon has really been stung by people uploading books that they don’t actually own…