I love TV. Always have, always will. Which is why I am so excited to be interviewing legendary writer Lorenzo Semple Jr. today for the Academy of Television Arts and Sciences’ Archive of American television. In the past, I have done video interviews with producer Norman Felton, producer/writer Roy Huggins, and Dick Van Dyke for Archive and hope to do many more. I’ll let you know when the interview is up for you to see. In the meantime, here’s some information about the Archive…
Variety reports on a slew of remakes and sequels today. Disney has signed Johnny Depp for a fourth PIRATES OF THE CARIBBEAN movie and he will play Tonto in a new LONE RANGER flick (honest, he will!). Warner Brothers is bringing back Will Smith in a prequel to I AM LEGEND. And Sony TV and Geffen Records are developing a remake of THE PARTRIDGE FAMILY, which will be written by Jeff Rake of CASHMERE MAFIA.
Here's a sneak peek at the cover for A MIND IS A TERRIBLE THING TO READ by William Rabkin, the first in a new series of original novels based on the TV series PSYCH. The book comes out in January from Obsidian, the fine folks who published the MONK and BURN NOTICE tie-ins. (You can click on the photo for a larger image).
BARACK OBAMA knocks on the front door of a
300-year-old New Hampshire farmhouse while his Secret Service detail
waits in the driveway. The door opens and OBAMA is standing face to
face with former President JED BARTLET.
BARTLET Senator.
OBAMA Mr. President.
BARTLET You seem startled.
OBAMA I didn’t expect you to answer the door yourself.
BARTLET
I didn’t expect you to be getting beat by John McCain and a Lancôme rep
who thinks “The Flintstones” was based on a true story, so let’s call
it even.
Lee Goldberg's resumé reads like a TV what’s-what for the last twenty years. He’s
staffed shows, ran shows, written, directed and produced them in the
U.S. and Europe. And if that’s not enough, he’s also a published
novelist. Next up: splitting the atom. Listen in.
Under their intense interrogation ("Hello, Lee, how are you?"), I don't shut up for an hour-and-a-half.
My brother Tod and I signed our new books (MR. MONK GOES TO GERMANY and BURN NOTICE: THE FIX) at Barnes & Noble in Calabasas today. It will be our last event together until Men of Mystery in November. I'll let Tod tell you about the Really Stupid Conversation he had with an aspiring author…I have no doubt at all that he will be blogging about it in excruciating, and hilarious, detail. I practically bit through my tongue so I wouldn't laugh.
The store is a block from my house, so a lot of my neighbors showed up, which was nice, and so did actor Matt Kaminsky (who I have killed once on DIAGNOSIS MURDER and once on MARTIAL LAW), TV writer and blogger Lisa Klink, B&N's West Coast Regional Community Relations Director Jan Lindstrom (who treated me to a lovely lunch), KTLA's Stephanie Edwards, and my sister Linda, who took this picture (I don't know what looks worse, letting my bad arm hang at my side or hiding it behind my back, where it looks like I am scratching my ass. If I was smart, I would have just put my hand in my pocket).
We sold a bunch of books but there are still plenty of signed copies on hand if your travels take you to Calabasas, or if you are one of the TMZ or tabloid photographers who hang out in the parking lot 24/7 waiting for Jessica Simpson, Pamela Anderson, Jennifer Aniston, Adam Sandler, Angelina Jolie, or any of the other stars who shop at The Commons.
Here's "Another Way to Die," the main title theme from QUANTUM OF SOLACE, performed by Alicia Keys and Jack White. I hate it. The Los Angeles Times likes it more than Chris Cornell's "You Know My Name" from CASINO ROYALE, but that's not saying much.
Any hooks by the song are provided by riffing on the instantly
recognizable Bond theme, not by anything new offered in the song. And
Keys, usually a relatively bold, in-your-face R&B singer, seems
oddly tamed here, her voice not meshing well with White's yelled
warble. In her defense, it's hard to not sound silly when you sing,
"Suit 'em up, bang bang!" And there's some odd, out-of-place sudden
electronic textures here and there, resulting in an overly-crowded song.
This song is so hideous it almost makes Ah-Ha's "The Living Daylights" and Lulu's "Man with the Golden Gun" seem like classics by comparison. "Another Way to Die" is much more suited to a Coke Zero advertisement than James Bond main title, as you can see for yourself: