You Can Become a Kindle Millionaire, Part 13

Kiindle 2-28

My Kindle sales for February we up a tick from last month. THE WALK sold 573 copies in 28 days vs 536 in  31 days in January. MY GUN HAS BULLETS sold 167 copies and THREE WAYS TO DIE sold 136. Last month, BEYOND THE BEYOND, priced at $1.99, sold 71 copies so I lowered the price to 99 cents for February to see if I could jack up sales a bit…and sold 85 copies. I went from selling about 2 copies a day of BEYOND to 3, hardly worth the price cut,  so I'm going to raise the price back to $1.99. I debating whether to raise the price of THE WALK to $2.99 to take advantage of the new Kindle royalty formula…but I am afraid what I will lose in sales volume will not make up for the increase in my royalty per book. (Click on the image for a larger view of my full royalty statement) 

My overall royalties were $777 vs. $775 for January. If my sales continue at this pace, I could earn close to $10,000 this year from the Kindle. But thats nothing compared to how my friend Joe Konrath is doing. As of February 24, he'd earned $2750 last month in Kindle royalties on nine titles…if he keeps that up, he's going to earn $33,000 this year from Amazon on his out-of-print and previously unpublished manuscripts alone. Click on the image below to see his royalty statement in detail: 

Konrath

RWA Sells Out Writers

When Harlequin announced it was creating a vanity press, the Romance Writers of America took the extraordinarily courageous act of immediately delisting the publisher from their Approved Publishers list. The Mystery Writers of America, Science Fiction & Fantasy Writers of America, and the Horror Writers Association quickly followed suit.

However, the RWA has since back-pedaled from that courageous stance. They have quietly revised the criteria for their Approved Publishers list to allow Harlequin to creep back on without changing the practices that got them thrown off:

As a professional writers association, RWA stands firmly against any attempts to directly solicit RWA members to pursue vanity/subsidy publishing or other author-financed forms of publication. Publishing programs (lines, imprints or divisions) that directly solicit or refer writers to subsidy/vanity or other author-financed means of publication will not be allowed to participate in RWA’s annual conference as a featured publishing program.

“Subsidy” or “Vanity” publishing means the production of books in which the author participates in the costs of production or distribution in any manner, including assessment of fees or other costs for editing and/or distribution. This definition includes publishing programs that withhold or seek full or partial payment or reimbursement of publication or distribution costs before paying royalties, including payment of paper, printing, binding, production, sales or marketing costs; publishing programs whose authors exclusively promote and/or sell their own books; and publishers whose business model and methods of publishing are primarily directed toward sales to the author, his/her relatives and associates.

Management from the lines, imprints or divisions listed below certified to RWA that they have read and understand the above statement. They have attested that the publisher, line, imprint, or division they represent does not and will not refer RWA members to subsidy/vanity or author-financed publishing programs.

In other words, the RWA doesn't mind if publishers refer writers to their vanity press and other "for-pay" editorial services as long as none of those writers are RWA members. But everyone else is fair game…and RWA will turn a blind eye to it. That's like saying "Sexual molestation is wrong, but as long as you don't molest my kids, and only molest other kids, that's okay with us, you're welcome in our home."

Clearly, this language was crafted specifically to create a loophole for Harlequin, which decided to "monetize their slush pile" by referring all rejected writers to DellArte, their vanity press partnership with Authorhouse.

This is a cowardly, sleazy way of dodging the Harlequin issue…and tacitly endorses predatory and unethical publishing practices. The RWA should be ashamed of themselves for betraying their principles and encouraging the exploitation of aspiring writers (and, potentially, future RWA members, assuming some vanity press scam doesn't bankrupt their savings and their dreams).

Meanwhile, Harlequin is still not considered an Approved Publisher by the MWA, SFWA, and HWA.  At least they are still standing behind their principles.

Los Angeles Times Book Prize Finalists

The LA Times announced the 2009 book prize finalists today. The winner will be announced at the awards ceremony on April 23.

2009 LA Times Book Prize Finalists

Biography 
"
The Woman Behind the New Deal: The Life of Frances Perkins, FDR's Secretary of Labor and His Moral Conscience" by Kirstin Downey
"
Dorothea Lange: A Life Beyond Limits" by Linda Gordon
"
Koestler: The Literary and Political Odyssey of a Twentieth-Century Skeptic" by Michael Scammell
"Louis D. Brandeis: A Life" by Melvin Urofsky
"The Uncrowned King: The Sensational Rise of William Randolph Hearst" by Kenneth Whyte

Current Interest 
"
Columbine" by Dave Cullen
"Zeitoun" by Dave Eggers
"Strength in What Remains" by Tracy Kidder
"Half the Sky: Turning Oppression into Opportunity for Women Worldwide" by Nicholas D. Kristof and Sharon WuDunn
"The Healing of America: The Global Quest for Better, Cheaper, and Fairer Healthcare" by T.R. Reid

Fiction 
"
Heroic Measures" by Jill Ciment
"
The Man in the Wooden Hat" by Jane Gardam
"
Blame" by Michelle Huneven
"A Short History of Women" by Kate Walbert
"A Happy Marriage" by Rafael Yglesias

Art Seidenbaum Award for First Fiction 
"An Elegy for Easterly" by Petina Gappah
"
Tinkers" by Paul Harding
"American Rust" by Philipp Meyer 
"
In Other Rooms, Other Wonders" by Daniyal Mueenuddin
"
Everything Ravaged, Everything Burned" by Wells Tower

Graphic Novel 
"Luba" by 
Gilbert Hernandez  
"GoGo Monster" by Taiyo Matsumoto
"
Asterios Polyp" by David Mazzuchelli
"Scott Pilgrim Vol. 5: Scott Pilgrim vs. the Universe" by Bryan Lee O'Malley
"
Footnotes in Gaza" by Joe Sacco

History 
"
Age of Wonder: How the Romantic Generation Discovered the Beauty and Terror of Science" by Richard Holmes
"Passing Strange: A Gilded Age Tale of Love and Deception Across the Color Line" by Martha
A. Sandweiss
"
Golden Dreams: California in an Age of Abundance 1950-1963" by Kevin Starr
"Lynching and Spectacle: Witnessing Racial Violence in America, 1890-1940" by Amy Louise Wood
"Empire of Liberty: A History of the Early Republic 1789-1815" by Gordon S. Wood

Mystery/Thriller 
"
Bury Me Deep" by Megan Abbott
"The Hidden Man" by David Ellis 
"
Black Water Rising" by Attica Locke
"A Darker Domain" by Val McDermid
"
The Ghosts of Belfast" by Stuart Neville

Poetry 
"Apocalyptic Swing" by Gabrielle Calvocoressi
"Dearest Creature" by 
Amy Gerstler
"What the Right Hand Knows" by Tom Healy
"Practical Water" by Brenda Hillman
"]Open Interval[" by Lyrae Van Clief-Stefanon

Science and Technology 
"The Day We Found the Universe" by Marcia Bartusiak
"
The Strangest Man: The Hidden Life of Paul Dirac, Mystic of the Atom" by Graham Farmelo
"
Cold: Adventures in the World's Frozen Places" by Bill Streever
"Catching Fire: How Cooking Made Us Human" by Richard Wrangham
"Naming Nature: The Clash Between Instinct and Science" by Carol Kaesuk Yoon

Young Adult Literature 
"The Rise and Fall of Senator Joe McCarthy" by James Cross Giblin
"The Lost Conspiracy" by Frances Hardinge
"Charles and Emma: The Darwin's Leap of Faith" by 
Deborah Heiligman
"Marching for Freedom: Walk Together Children and Don't You Grow Weary" by Elizabeth Partridge
"Tales from Outer Suburbia" by Shaun Tan

The Mail I Get

This is my favorite fan letter of the week:

I read a book of Criminal Minds by another author and really enjoyed it. The story was true to the characters and I learned even more about them. Everything was written very true to the TV series. Mr. Monk is Miserable, however, is way off base from the TV series. One, pill or not, Monk hates to fly and I don’t believe he would agree to fly so often because of a little pill. Is it too hard to come up with stories in the country of America that can be driven to? […] couldn’t even finish the book because it was so devastatingly off course and I would never recommend the books to anybody else. I think you need to do better research to stay true to the TV series. Read Criminal Minds and you’ll get an idea of what YOU SHOULD BE DOING!

Changing the Act

My friend author Gar Anthony Haywood has taken a long hiatus from attending conferences. But he's coming back for Left Coast Crime next month. But he's not going to be the same guy he was in the past.

I’ve revamped the act I used to do in public settings such as this and will be testing out the new and improved one at LCC. Gar Anthony Haywood, the conference panelist who never met a punch line he didn’t like, is no more.

It won’t be an easy transition for me. Going for the laugh has always been my M.O. when faced with panel audiences. One, because humor comes more naturally to me than eloquence and, two, because I used to regard writers who can’t bring themselves to crack a smile when answering a moderator’s question as stuffed shirts with an overinflated sense of their own importance. I thought it was better to be remembered as a joker than quickly forgotten as a smart and articulate egomaniac.

Now, I’m not so sure. At least, if being the most memorably hilarious writer at a conference has any long-term benefits, I would seem to have failed to reap them.

It isn’t just humor’s questionable value as a marketing strategy that’s driving my P.R. metamorphosis, however. I’m also looking to more accurately represent the literary heft I’d like to think my more recent writing carries.

I'm not sure he's right. I've seen way too many writers who think because they write dark, brooding, moody stuff that they have to be dark, brooding and moody themselves. I am a firm believer in just being yourself, and if you happen to be funny, that's fine. Nobody likes schtick, though, whether you are telling jokes or being the darkest guy in the room. My brother Tod writes dark stuff, and he's always funny on panels, and that didn't stop him from getting nominated for the LA Times Book Prize. Craig Johnson's stuff is procedural cop stuff that borders on the literary…and he's always hilarious on panels. Hasn't stopped Craig from being taken seriously, or for his books to win widespread acclaim. I guess what I'm saying Gar, if you're reading this, is just be Gar and stop over-thinking it.

A Book Made For Me

51lYvEwlv-L._SS500_ I'm a sucker for unusual reference works about the media, whether its books, movies or TV shows (and you gotta love McFarland for publishing so many of them). Bradley Mengel's "Serial Vigilantes of Paperback Fiction" was a must-have for me, even before I read the rave reviews on Bookgasm and Bill Crider's blog.

I've always loved pulp novels like "The Executioner," "The Penetrator," "The Death Merchant," and "The Destroyer." In fact, I did a scholarly, unpublished examination of the vigilante genre myself many years ago for a UCLA class…and as research for writing my first novel, .357 Vigilante, under the pseudonym "Ian Ludlow" (yes, it's covered in this book, and accurately, too. And notice how similar the cover of his book is to mine).

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For me, the best part of Mengel's book is discovering who actually wrote the novels written under "house" names…and learning the inside story on the development of so many obscure pulp series. This book is clearly a labor of love, but it leans more towards scholarly analysis than fannish drool. It's a great book for fans of pulps, rich with details and background information, and offers a historical overview of a genre, and a class of mass market paperbacks, that are all but dead today (except for Gold Eagle's "Executioner" books). Many of these books, and their authors, would have been forgotten if not for this one-of-a-kind reference work, which also offers a glimpse at the influence and workings of book packagers/"creators" in the 60s,70s & 80s.

The only drawback of this book is the steep $45 cover price. To save a few bucks, I bought the Kindle edition, which was also inexcusably pricey at $16, especially since the book doesn't really lend itself to easy reading on an e-reader. Even so, I'm glad I bought it.

Collaboration

My buddy Max Allan Collins talks on his blog today about his collaborations with Mickey Spillane. Here's an excerpt: 

The truth is, these are genuine collaborations, all of them. I would put them at 50%/50%. I usually take Mickey’s work, expand upon it, and extend it so that it takes up at least half of the finished product. Probably about 60% of the wordsmithing in these novels is mine. But the plot idea, and various notes, and sometimes rough drafts of endings, plus the other 40% of the writing, are all Mickey’s. That’s how it’s done. I don’t believe anything like it has ever occurred in mystery fiction, a writer of Mickey’s magnitude leaving half a dozen substantial manuscripts behind, having designated a trusted collaborator (me) to complete them.

He also talks about his collaborations with his long-time researcher Matthew Clemens, who is uncredited on the covers of Max's C.S.I. tie-ins. Max is very candid about why his name is so much bigger than Clemens' on the cover of their new "standalone" thriller, even though they equally divided the work:N335740  

A good collaboration is synergistic – two plus two equals fourteen. While there are plenty of Matt’s sentences in YOU CAN’T STOP ME, it is about as fifty/fifty a project as you can imagine…and neither of us could have done it alone.

[Bill Crider's]comment that my bigger byline on THE BIG BANG may indicate a bigger contribution by me is at odds with the truth of publishing. Often times, the bigger name of a dual byline did the least amount of work. YOU CAN’T STOP ME is very much a fifty-fifty novel by Matt and me, but my name is much larger, because I am the bigger name (at the moment). But usually with such a situation, you could safely guess that the smaller name did most or even more of the writing.

The blog post is worth reading… it's a very interesting look into the work habits of a professional writer and, to some degree, the business of writing. 

You Go, Girl!

Mom's Cover for Amazon  My Mom, Jan Curran, is thrilled about the tremendous reader response that her memoir Active Senior Living has been getting on Amazon, the Kindle Discussion forums, and on the Kindleboard. Here are just a few examples. G Murphy writes:

This is such a heartwarming story. It helps to take the scaryness out of an independant living home. So many seniors have false impressions of the senior homes and negative ideas of living in one. This just confirms to me that having social contacts and friends as you age is so important to a person's well being. The friendships shared in this home give each resident a purpose in life and make living fun. I am 67 and have visited a senior living home in our area as a volunteer. I can so relate to the story in this book as see these people living in the residence in my town. I have told my family for years that this is the kind of place I want to live when I can no longer live alone. Friends and a sense of being needed and loved are such an important part of ones wellbeing. Jan has made us feel like we know each and everyone of these people. I look forward to another book continuing the experiences she is having. I found this book on the Kindle forum page. Good luck to you Jan. I feel I know you.

Lesley Suddard wrote:

I found myself laughing and crying with Jan, reliving her experiences moving in and settling into life at an "Active Senior Living Community", her encounters with the other "inmates", and the sweetness of the interactions with the residents there as they developed bonding friendships. Not only is this an entertaining read, but it is also an enlightening one. With my parents approaching the age where either an independent senior living facility or an assisted one may soon be required, the insights into the advantages and the pitfalls of these facilities provide kind of a guidepost for what to look for when evaluating various alternatives.

Cathy B wrote:

I bought this book for my Kindle yesterday afternoon and stayed up reading until I'd finished it. By the time I was done I felt like I knew all the people Jan met during her stay in assisted living and was as attached to them as she obviously is (and they to her). I am hoping that one day soon she will write a follow-up book so I can find out how all of "my" new friends are doing. After reading this book, I realized that even at 80 or 90 life is what you make of it. Like any other time of life, there are joys and sorrows, smiles and tears. AND there are "kooks" in every age group, LOL. Please, Jan, don't make me wait too long for an update. And give "Ed" and the others a hug from me.

Molly Cook wrote:

You'll laugh! You'll cry! You'll recognize human nature no matter how old you are, but if you're over 65, you'll probably recognize yourself and one or more of your friends. Jan is a wonderful writer who can make you laugh and shed tears in the same paragraph. Her personal account of life at "the Inn" and her courage in the face of mounting challenges show us she is the Energizer Bunny of writers. You'll be glad you met Jan Curran!

Kari Johnson writes:

Rarely do I laugh out loud while reading a book. Maybe while at home, but certainly not while reading in public. Today, I'm sure the patrons at the restaurant I lunched at thought I was nuts. Maybe it was reading about Mr. Jones and Carol Channing. Maybe because I can remember so clearly when my grandparents lived in one of these places at all the women swarmed around my very married grandfather, begging him to play the piano and sing with them. It brought back many of my own memories of hanging out with them at their facility. I cannot wait to share this book with my parents. And siblings. And children someday.

Congratulations Mom on touching so many lives with your book!

You Can Become a Kindle Millionaire, Part 12

Royalties0131
January was my best month yet in sales & royalties for my out-of-print books on the Kindle (click on the photo above for a larger, and clear, image of my royalty statement). THE WALK remained my best-selling title with 536 copies sold. MY GUN HAS BULLETS was a distant second with 164 copies sold. And coming up third was THREE WAYS TO DIE, my collection of previously published short stories, with 148 copies sold.

I lowered the price of my .357 VIGILANTE books from $2.89 to $1.99 and sales went up. It seems to me that Kindle readers are more inclined to take a chance on books if they are priced under two bucks.

All told, I made $775 in Kindle royalties this month…and all found money on out-of-print books that were boxed up and forgotten in my garage (I really do owe Joe Konrath a drink for getting me into this back in May). I credit the jump in my sales to all the people who got Kindles as Christmas gifts and were eager to test drive their new toy for as little money as possible. I suspect my sales will slowly decline once the novelty of the Kindle wears off, but  THE WALK has already sold 50 copies in the first two days of February, so maybe I'm wrong (by the way, THE WALK has already sold more copies on the Kindle than it ever did in hardcover). 

I'll be curious to see how my MONK books did on the Kindle during the same period…but it will be some time before I get my royalty reports from Penguin.

BEYOND THE BEYOND continues to sell poorly, or at least below my expectations, so I lowered the price in late January to 99 cents and sales immediately went up…though not by much. I'm hoping I can use the book as a "loss leader" to draw people to my other ebooks.

All of these Kindle editions of my out-of-print books have also been available for two months now as ebooks on Barnes & Noble (via Smashwords) and I have sold less than half-a-dozen… COMBINED. Clearly, B&N and the Nook have a long way to go to catch up to the Kindle.