Bowen on Bowen

Royal_flush My good friend Rhys Bowen has a new book out, ROYAL FLUSH, so I've invited her to talk about it here (and give me a day off):

Thank you so much for inviting me, Lee. We share a lot of background in common.

My first professional experience was with the spoken, rather
than with the written word. Right out of college I was lucky enough to be one
of 30 graduating students chosen from 3000 applicants to join the BBC in
London. And after stints doing everything from playing requests for a
housewives’ morning show to the night shift as announcer on the World Service I
managed to get the assignment I wanted in radio drama. What a medium that was!
No scenery, no glamorous stars to distract the audience, only the spoken word
to convey tension, emotion and sense of place. It is a media of cooperation—a
joint assignment between listener and writer to create a world. As one small
listener once said, “I like radio because the scenery is so nice.”

I agree with her. There is no stage set as wonderful as the
one you create in your imagination, no actor as handsome as the one your mind
assigns to the sexy voice. And as for tension—what could be more scary than the
sound of a door creaking open and then slow footsteps getting closer and
closer…

I started off at the bottom—making the spot sound effects.
Yes, this was the good old days when a lot of the sound effects were made live
on mike. We were a little past the coconuts for horses’ hooves days, but still
we were called upon to invent the strangest sound effects. I once had to come
up with a sound for a guillotine cutting off a head. So what did I do? I ran a
knife down an iron bar and into a cabbage, then dropped the cabbage into a
basket. It sounded so real you could actually hear the bones breaking.

After I’d been in drama for a while I rose to studio manager
and I found that I was coming up with ideas of my own. I wrote a radio play,
and with the bravado of a 22 year old, I walked into the head of drama’s office
and gave it to him. He called me in two days later. He liked it and he was
going to produce it. As easy as that! More radio plays followed, then I tried my
hand at TV drama. New challenges there—how to reveal character in a few words
and actions, how to get characters in and out of a scene, how to mix dialog and
action.Rhys+at+disney+concert,+retouched.JPG

Everything I learned has served me in good stead as a writer
of mystery novels. I am highly aware of the power of words.  I still think of my novels in terms of scenes
rather than chapters. I am still very aware of pacing, when to cut away from a
scene, and I rely on dialog to reveal character, create setting and carry
forward plot. I am a huge proponent of show not tell and I have learned to
involve all five senses to make an era come alive.  I’d love to produce my new Royal Spyness book
as a radio play—it’s called Royal Flush and in it my heroine Lady Georgiana (34th
in line to the throne and penniless) is sent home in disgrace to the Scottish
Castle. I’d have gone to town with the sound effects—the wind whistling down
the corridors and flapping the tapestries and moaning in the chimney—the
footsteps echoing across the great hall, the sounds of a grouse hunt on the
moor… but the rising of a monster from the loch and the sound of someone
falling from a mountain when a rope breaks—they’d be more of a challenge! 

Road Dogs is a Dog

I love Elmore Leonard's books. I did not love ROAD DOGS. It's a vastly inferior sequel to OUT OF SIGHT, LA BRAVA and RIDING THE RAP (it features characters from all three books). Nothing happens in this book. It's as if Elmore Leonard kept writing, waiting for a plot to occur to him, and when one didn't, he simply had a character pull out a gun, shoot some people, and he gave up. Leonard should have kept this manuscript in his drawer and waited until he actually had a story to tell. The central character in this book is Jack Foley, the bank robber from the great novel OUT OF SIGHT, which was made into the great movie starring George Clooney. Elmore Leonard must have really liked the movie, too, because he's turned Foley into a caricature of Clooney. Leonard has done a good job capturing Clooney on the page, I only wish he had a plot to go along with it. There's some nice dialogue and a few funny one-liners, but it's not enough.  This is may be the weakest, and most disappointing, book Leonard has written in his entire career. But hey, one stinker out of 42 books (many of them classics) isn't so bad.

Mr. Monk and the Plugs

My friend Dave McDonnell at Starlog.com plugged my new MONK book, as well as the new tie-ins by my brother Tod and my buddy William Rabkin, noting our long and twisted associations with the late, great STARLOG magazine. 

And the fine folks at The Monk Fun Page have given DIRTY COP a rave review. They say, in part:

Though the well-paced unraveling of the plot and the steady tone make the entire layout pleasing to read, it is the way the main characters and, maybe more importantly, the secondary characters jump off the page that make this Monk book most enjoyable.
Stottlemeyer is particularly complex, the entire story is anchored around him, and never does his believability suffer because of it.

[…]In Dirty Cop, Monk is the best he has ever been. His obsessions are ridiculous yet maintain great continuity, a formula that nearly convinces the reader that the obsessions are not so illogical after all. Monk is also outright hilarious—more so than ever. His often painfully humorous and equally serious relationship with Stottlemeyer is golden; Monk admires him greatly but still manages to be completely clueless to Stottlemeyer’s feelings, yet Stottlemeyer never loses faith in Monk. It is a pleasure to read.

Thank you for the great review, KC!

Mr. Monk and the Kindle

The Amazon Kindle blog is featuring a post from Natalie Teeger today promoting MR. MONK AND THE DIRTY COP. Here's an excerpt:

The other day, Monk didn't have a case to work on and I didn't relish the idea of spending the day sitting around his house sorting out imperfect Wheat Chex from his boxes of breakfast cereal ("It will be fun," he said. "You'll feel like a kid again."). Instead, I talked him into going to this revival theatre in Haight-Asbury that was showing classic Hitchcock movies.
Monk insisted on bringing a plastic seat cover because there was no way he was sitting on something a thousand other people had sat on before him. He also brought disinfectant and delousing spray. And gloves. And baggies to put his gloves in. And gloves to handle the baggies with the gloves in them.
It wasn't easy getting all that stuff past the ticket-taker, but I flashed a smile and a little cleavage (very little…I don't have much to spare) and we got in.
Once we were in the theatre, Monk had to sit dead center in an even-numbered seat. Luckily, the center seat wasn't an odd number or he might have asked me to move the entire row.
Just when I thought we were home free, the movie turned out to be "The 39 Steps." The title alone was enough to drive Monk out of the theatre. But we stayed. It was everyone else who fled, irritated by his incessant whining about the title of the movie and the fact he gave away the whodunit it in the first five minutes.

The blog was sent to every Kindle owner this morning. It should be interesting to see if my Kindle numbers pop on DIRTY COP and, hopefully, THE WALK as well.  

The Mail I Get – Monk Edition

I've received a lot of MONK mail this week. Here's a sampling. 

I just wanted you to know what your Monk books mean to me. I lost my mother on April 3rd and I can not tell you how heartbroken and emotionally distraught I am. […]I never thought I would be laughing so soon. Your Monk books have helped keep me sane! I started with the OUTER SPACE book and from then on I was hooked. Thank you so much!

I was very touched by that email, and by this one, too:

Although it's impossible for me to know if you'll ever actually receive this
e-mail, I simply had to say thank you for putting some real laughter back into
my life. I just checked out your Monk book form our local library (Mr. Monk Goes To The Firehouse) and read it as quickly as time allowed. It's been a long time since
I've had so many real, true belly laughs. This is a difficult economy for so many people – especially for us. […] you have infused the book with compassion as well as
kindness, especially in Natalie Teeger, as well as in the people who surround
Monk. There needs to be more kindness in this world. Thank you for being tender
in your portrayal of these characters. This is a very clever book and I will always appreciate the laughter you added to my days. Can't wait to read more and looking forward to my husband reading his book, as well.

I tell you, getting notes like that make all the difficulties that go into writing a book worthwhile. On the other hand, sometimes you get ones like this:

I just had to write you to tell you that your books are terrible, mainly because they are narrated by Natalie instead of Sharona or Monk himself and aren't funny and you had him drinking milk. What were you thinking!!!

And I get some unusual requests, like this:

Mr Monk has a lot of French fans, and I'm sure they would be happy to read your books! So I have a little question for you… I was wondering if you'll agree to let me do the French translation of your novels. Of course I'm not a professional translator, but I love writing stories since early childhood and I really love Mr Monk's universe.

And this:

Greetings, Mr Goldberg! I have a special request. My family and I are huge fans of your Monk books! I am embarking on a trip to South Korea […]and I would love nothing more than a new Monk book to read on the plane. […]I see that Mr Monk and the Dirty Cop comes out on July 7th, but my flight leaves on July 6th. […]Any chance of getting you to send me an advance copy so I can have it in time(autographed maybe?)?

And this:

Could you do something in the Monk books involving people loving feet or people with dirty feet?

And this:

Please write a book where Monk goes to Brazil. I would be glad to help you write it.

But I also learned some things, like this:

Here's a weird fact: We know that the word "Adrian Monk" has 10 letters which
is his favorite number. But if you convert the letters into the their
corresponding number in the alphabet, you get 100! Weird, huh?

Mr. Monk and the Fireworks

More MONK book reviews came in today. Author James Reasoner blogged about MR. MONK AND THE DIRTY COP, which comes out on Tuesday. He said, in part:

As always, Lee Goldberg has the voices of the characters down perfectly and spins his yarn in smooth, often funny, and occasionally poignant prose. The plot has just the right level of complexity. There are a lot of excellent tie-in novels out there (the level of writing in the genre has never been higher than it is right now), but the Monk books are some of the very best. Don’t miss MR. MONK AND THE DIRTY COP.

Thanks, James. Cynthia Lea Clark at Futures Magazine gave two earlier MONK books some love. She liked MR. MONK GOES TO GERMANY a lot. She said, in part:

Lee Goldberg continues his extension of the MONK television series with MR. MONK GOES TO GERMANY. [He] paints a perfect written picture of MONK. It is as if you are there with Monk, Natalie, and in this case Dr. Kroger.  I am a true fan, and Mr. Goldberg does not let me down! He is MONK perfect! […] If you like MONK, you’ll love MR. MONK GOES TO GERMANY. It is well written, easy to read, and a great escape. Lee Goldberg has written another wonderful novel. Excellent!

And she liked MR. MONK IS MISERABLE just as much. Her comments included:

Monk, garbage, and murder what a combination! It works! […] Goldberg has the nuances, the mannerisms, and the style down pat. His writing is so real and so vivid that Monk is right there with you, cleaning up after you and making sure you are holding Lee’s book at the correct angle! On a scale of 1 to 5. I give it a 5.

Thanks, Cynthia! 

You Can Become a Kindle Millionaire, Part 5

Okay, the first month of my Kindle experiment, inspired by the successes of Joe Konrath and John August on the platform, has ended. Here are the results.

From June 1-30, the Kindle edition of my 2004 novel THE WALK sold 444 copies @ $1.89 each, for $302.67 in royalties. As of today, I have sold 37 more copies for a royalty of $24.78 (I also raised the price a dime to $1.99 for the heck of it).

The book was also available on Smashwords, where I sold one copy, and Scribed, where I sold two copies, for combined royalties of about $4. Hoo-hah.

I have since pulled the book from both Smashwords and Scribd so that it's exclusively available on the Kindle. I've done that as part of a promotional effort by Amazon that will roughly coincide with the release Tuesday of the Kindle edition of my new MONK novel, MR. MONK AND THE DIRTY COP (I'll talk more about that in a later post).

I also released a collection of previously published shorts stories that I packaged for the Kindle under the title THREE WAYS TO DIE. I sold 54 copies @ 99 cents, earning a royalty of $18.90. I sold one copy of the collection on Scribd and none on Smashwords. It remains available on all three services. 

The only promotion I have done for these books are posts on this blog, my Facebook page, Twitter, and a few Amazon Kindle forums. 

I haven't spent a dime on this…but I have spent time.

What have I learned? 

Well, there's money to be made from your out-of-print work. Not a lot, but it's found money. THE WALK wasn't earning anything for me anymore and now it is. Pretty soon, it will have earned enough to buy myself a Kindle.

I wouldn't write an original novel for the Kindle. It just doesn't make any financial sense. But if you have an out-of-print novel, and you happen to have the copy-edited manuscript sitting on your hard-drive, it makes more sense to re-publish it for the Kindle than have it brought back in print for free as a POD title through the Authors Guild. You won't get rich doing this…but it also won't cost you anything. In essense, you have absolutely nothing to lose. And if the Kindle edition sells in huge numbers, it might help get your book  back-in-print (though I haven't heard about this ever happening for anyone). On the other hand, it could also limit your agent's efforts to sell other print editions of the book…which is why I haven't posted THE MAN WITH THE IRON-ON BADGE on Kindle, even though it is now out-of-print in hardcover.

I think there's no real money in "self-publishing" original novels to the Kindle if you aren't already an established name (which both Joe Konrath and John August are). You won't sell much, if anything, because you don't have a strong platform from which to promote your work. I'm not famous, but at least I have a little more recognition than your typical, unpublished author…and my Kindle sales so far aren't phenomenal or particularly lucrative. You could argue that THREE WAYS TO DIE is essentally a self-published, original novella…and it has tanked. I've sold 55 copies @ 99 cents each in total across all three web platforms this month for a royalty of less than $20. (Joe has an excellent post about the pros and cons of self-publishing here)

The one big advantage the Kindle platform has for self-publishing is that it's free and puts your book on the best bookselling website on the planet.  And It cuts the predatory, vanity presses with their outrageous fees out of the picture entirely. Good riddance! 

The "publishing" aspect of making your book available for the Kindle is not as easy as it seems at first. My manuscripts looked fine in the "preview" on the publishing page but turned out to be filled with formatting errors when actually seen on the Kindle. It took me a lot of time, and the generous assistance of some Kindle owners, to clean the manuscripts up. 

Smashwords and Scribd are also very easy to publish to…perhaps easier than Amazon…but if my experience (and Joe Konrath's) are any indication, your sales will be pitiful to non-existent. They just aren't in the game yet. Then again, they are free…so it costs you nothing to make your books available there as well. Just don't expect to make any money off of it.

So is this the future of publishing? 

I don't think so…the money just isn't there yet for authors or publishers. That's not to say it won't be in the future if the price-point for the Kindle, and products like it, drops considerably and millions of people buy them. 

Is it the future of self-publishing? 

Perhaps. It certainly has the benefit of being free to the author…at least for now. But actually selling copies will be a huge challenge. And in a broader sense, if there's a deluge of horrendous, self-published crap on the Kindle, it could actually turn readers away from risking money, even a few cents, on authors they aren't already familiar with. 

Right now the Kindle is a novelty, and users are eager for content…they're grabbing whatever they can, especially if it's under a buck or free… but if they get burned too many times by garbage, they'll be a lot more discerning about what they download, even for nothing.

That said, there are some unknown, self-published authors who are making decent money selling books on the Kindle…and I've interviewed a few of them for an article in an upcoming issue of the Novelists Inc newsletter (www.ninc.com). I believe, and so do many of them, that they are the exceptions rather than the rule. I'll share some of their experiences here at a later date.

I'll also report back on how THE WALK continues to fare as a Kindle edition.

Spenser For Hire…Again

Robert B. Parker reports on his blog that he's in talks to remake bring back Spenser to TV…again, only this time it will be a remake of the SPENSER FOR HIRE series. Somehow I missed this news, which isn't new. On April 23rd, he wrote:

we are in negotiation for a remake of the SPENSER: FOR HIRE series to be produced by SONY/DREAMWORKS, and shown on TNT. There is often a slip twixt cup and lip in Los Angeles, but so far things are promising.

And in an update on May 29th, he said the project was still alive:

Negotiations continue on the Spenser For Hire front. The mills of Hollywood grind exceeding fine. But I have no reason to think it won't happen in awhile.

Not only that, but Parker reports he's adding a new character to the Spenser mix.

I am currently writing a book with the working title SIXKILL in which a new character joins Spenser's world. Probably be out next year.

I am excited about the remake news. SPENSER FOR HIRE will always be special to me…my first produced TV episode was for that series.

You Can Become a Kindle Millionaire, Part 4

N151109 Here's  a quick update on my e-publishing experiments. Following in the e-footsteps of Joe Konrath and John August, I made  THE WALK, my out-of-print 2004 novel, and THREE WAYS TO DIE, a collection of previously published short stories, available as Kindle editions. I subsequently made them available as downloadable PDFs on Scribd as well.

So far, I haven't had nearly the volume of sales that Joe and John have experienced. From June 1 to today, I have sold 371 copies of  THE WALK at $1.40 each (the actual price is $1.89, but Amazon has discounted it), earning myself $236.91. My sales of THREE WAYS TO DIE are flat at 54 copies at 99 cents each, earning me a whopping $18.90. I have sold two copies of THE WALK and one of THREE WAYS TO DIE on Scribd, at the same prices as the Kindle editions, earning me a staggering $2.44 in royalties.

At the request of several of my blog readers, I have gone one step further and have made THE WALK and THREE WAYS TO DIE available on Smashwords, where you can download them in the format of your choice. The price in all formats for THE WALK is $1.89, the same price I set for the Kindle edition on Amazon. 

So, here's where you can buy THE WALK and THREE WAYS TO DIE  in the e-versions of your choice… 

THE WALK on the Kindle 

THE WALK as a PDF at Scribd Three_Ways_to_Die Cover

THE WALK in multiple formats, including Kindle, PDF, and Mobipocket, at Smashwords. (If you use this code KN24A at checkout, you will get 25% off, the same as the Amazon discount)

===========

THREE WAYS TO DIE on the Kindle 

THREE WAYS TO DIE as a PDF at Scribd.

THREE WAYS TO DIE in multiple formats at Smashwords. (I am experimenting with this title by using their "set your own price" feature where you, the reader, decide how much to pay).

I shall report back at the end of the month on how the books are doing on the various sites and in all the various formats. 

Scribe Award Ceremony Announced

Third annual presentation of the International Association of Media-Tie-in Writers (IAMTW) "Scribe" Awards, honoring excellence in tie-in writing in such notable franchises as CSI, Criminal Minds, The X-Files, Star Trek, Stargate, Star Wars and Dr. Who, will be held on FRIDAY JULY 24 3-4:30 pm at Comic-Con in San Diego in Room 4. The ceremony will be followed by a panel discussion with the nominees, including James Rollins (Indiana Jones), Matt Forbeck (Mutant Chronicles), Bob Greenberger (Hellboy), Keith R. A. DeCandido (Farscape), Stacia Deutsch (Dark Knight), Nathan Long (Warhammer), and Tod Goldberg (Burn Notice). With moderators Lee Goldberg (Monk) and Max Allan Collins (GI JOE).