A Great Way to Start The Week

I’m stunned, thrilled, and flattered to report that Kirkus Reviews has given my new novel THE MAN WITH THE IRON-ON BADGE a starred review in this week’s issue. I wish all weeks started off this good.

*A star is assigned to books of unusual merit, determined
by the editors of Kirkus Reviews
.

"Veteran
TV writer Goldberg (Beyond the Beyond, 1997, etc.) tests a gatehouse security
guard to his limits when he agrees to shadow a homeowner’s
wife.

International movie distributor Cyril Parkus doesn’t think his wife
is having an affair, but he knows there’s something wrong with her. So he hires
Bel Vista Estates guard Harvey Mapes, whose professional experience is limited
to watching monitors and writing out courtesy tickets, to follow her around
Camarillo. Harvey watches Lauren Parkus drink coffee, gaze at the ocean, drive
to a pawnshop and meet a man he’s sure is blackmailing her. As a reward, he’s
summarily dismissed with a bonus over the $150 a day he requested and treated to
the horrifying spectacle of Lauren doing a swan dive off a freeway overpass.
Shocked that his investigative work had such a tragic ending, he digs deeper
into the case and soon unearths secrets as dark and twisted as anything Hammett
or Chandler ever dreamed upalthough his own role models are mostly TV shamuses like
Joe Mannix, Dan Tana and Jim Rockford. Working with his friend and sometime
lover Carol, Harvey doesn’t set the world straight, but he does get to the
bottom of the case, earn Carol’s love and grow miles beyond those paragons of
machismo.

A grim tale with a
disarmingly sweet hero who begins like sad-sack lawyer Stanley Hastings and ends
by leaving Travis McGee in the dust.
"

 

Champagne Wishes and Caviar Dreams

There are some folks who think I was too hard on Tess Gerritsen (A writer whose work I admire and enjoy, by the way)  for lamenting on her blog that her latest book only reached #17 on the New York Times bestseller list.  She also wasn’t too pleased about my post. She wrote on her blog:

It seems that writers who reach a certain level of success aren’t allowed to
have any insecurities, any doubts about our careers. We shouldn’t be allowed to
wonder if our sales are in a death spiral, whether we’ve lost "it". We should
simply smile and wave and feel like, well, the untouchable queen of England.

I think Tess missed my point. Sharing her insecurities is great (I find it very  endearing, actually) it’s what she said  and how she expressed it.  Can she really expect people to sympathize with her angst about only hitting #17 on the NY Times bestseller list? If that’s a problem, I think it’s one all writers would like to have.

My agent calls those "champagne problems." It’s like a lottery winner saying he’s depressed  he just  won $500,000  because he won $1 million before… or a TV producer with the highest-rated show in America who is miserable because his series didn’t get an Emmy nomination for Best Drama. On the other hand,  I think any writer can appreciate the  insecurities Tess feels  when she begins each book:

The truth is, I’ve never conquered my insecurity as a writer, and having hit
the list doesn’t change that. I’ve never lost touch with the feeling that
success is a never-ending struggle. Maybe it has to do with the fact that I
slogged my way up as a paperback romance writer, that I wrote nine of those
before my first hardcover, and I’ve never forgotten what rejection feels like.
Every time I sit down to start a new book, I’m always hit with that panicky
feeling of "How on earth did I do this the last time?"

That’s refreshing to hear coming from someone with the kind of success Tess has had…and it’s good for other writers to know, particularly those struggling to make it.  So please, Tess, don’t let my comments stop you from being so open, honest, and helpful on your blog. God knows I’ve certainly made the mistake of saying exactly the wrong thing on my blog… in fact, I do it almost daily. I may be doing it again right now.

Chicago Trib Review

Much to my surprise,  Dick Adler reviewed DIAGNOSIS MURDER: THE PAST TENSE in the Chicago Tribune today. Here’s what he had to say:

"Diagnosis Murder: The Past Tense" (Signet, $6.99), by
Lee Goldberg, is the latest–and arguably the best–original mystery
based on the popular Dick Van Dyke TV series, which Goldberg wrote and
produced. What makes it more than just another spinoff is the way
Goldberg takes the reader–and his hero, Dr. Mark Sloan–through 40
years of Los Angeles history, a journey that captures the unique flavor
of the city so many of us used to call home.

It’s not often that paperback TV Tie-ins get reviewed in major newspapers… or anywhere...so naturally, I’m thrilled.  I’ve heard a rumor that another Chicago newspaper is also reviewing the book soon…

Zoe Sharp Conquers America

AuthorMy friend Zoe Sharp and her "Charlie Fox" books are already a success in the UK and now she’s about to hit our shores with the  fourth novel in the series. Judging by the starred, rave review in Publisher’s Weekly, she could be poised for even greater success here:

Sharp’s aim is dead on in her stunning U.S. debut, the fourth
book to star ultra-cool biker chick Charlie Fox. The no-nonsense, 26-year-old
Charlie, a former British Army soldier (and survivor of a gruesome gang rape)
has joined the protection agency of her ex-lover, Sean Meyer. On her first
assignment, Charlie finds herself on a too thrilling roller-coaster ride in
Florida, guarding geeky 15-year-old Trey Pelzner, son of Keith, a computer whiz
working for a small software company specializing in accounting and data
manipulation. After an attempt is made on Trey’s life, Charlie calls for backup
that turns out to be anything but and soon discovers that Keith–the developer
of a faulty stock indicator program–has vanished, as has Sean. Action-packed,
tightly plotted and with an irresistible first-person narration, this crisp,
original thriller should win Sharp (Hard Knocks , etc.) plenty of American fans.
Agent, Anubis Literary Agency (U.K.) . (Sept.)

I’ll be signing with Zoe on Sept. 14 at noon at the Mystery Bookstore in Westwood, CA and at 7 p.m. at Mysteries to Die For in Thousand Oaks. I suggest you order one of her signed books in advance because the first editions are likely to sell out fast.

DM Fans Are The Best

My Mom is going through chemotherapy for a third time and wrote about the experience on her blog. She was delighted and touched to get this email this morning from a DIAGNOSIS MURDER fan. So was I.

Dear Mrs. Curran,

You don’t know me, but I  know you through your son Lee.  I am a big Diagnosis Murder fan and a devoted reader of Lee’s books. Sometimes I click on your blog and read how you are. Today I read that you are facing a chemotherapy again.  I am sending  you my best wishes and hope that the new therapy doesn’t make you sick! Keep strong!

Sincerely Yours,
Ute

Ute was also one of the many Diagnosis Murder fans who inundated me with get-well cards, letters, emails and stuffed animals with bandaged arms when I had my bad accident a year ago.  I dedicated my DM:  THE WAKING NIGHTMARE to them but, in truth, all the DM books I write ar for them.  They’re the best!

The Struggling Writer

Author Tess Gerritsen is saddened because her book only reached #17 on the NY Times Bestseller List.

I’m sorry to report that I didn’t drink champagne on Wednesday
night. Alas, the first partial week’s paperback sales of BODY DOUBLE
only got it to #17 on the NYT list. Sigh. Then I looked at the other
authors whose books debuted the same week: Nora Roberts. Dean Koontz.
Clive Cussler. Catherine Coulter. Janet Evanovich. And I realized —
whoa, there’s some pretty tough competition there! I’m going to hang on
tight this coming week and see what happens next Wednesday. And hope
that there are enough readers out there who care enough about Jane and
Maura to want to find out what happens next in their lives.

Publishing lesson: Success is never a sure thing in this business.
Ever. This is what keeps me humble and always feeling like a struggling
writer.

Gee, life is tough.  I guess when you reach a certain level of success, you lose all perspective. Having a book reach #17 on the NY Times bestseller list may put Tess  in the doldrums…but for the vast  majority of published authors, cracking the list at all would be cause for celebration. Surely, she knows that, right?

On the other hand, here’s a peek at the real world that most authors have to live in. Author Beth Ciotta has had three mass market paperbacks published but isn’t making a living at it.

Last week, I visited my family in Indiana. When I mentioned this box
office gig and the one I’m waiting to hear about, my mom said, "What do
you mean you had to get a job? Don’t you make money from your books?"

Last
night my husband and I met up with a group of musician
friends. Everyone asked if I was still gigging a lot, to which I had to
answer ‘no’ and then I mentioned the ‘jobs’. Again I got a strange look
coupled with comments like, "But I thought you had another book coming
out."  The thought behind it… can’t you live off of that?

Well…
no. Not yet. Just now I need to supplement my writing income to make
ends meet. It’s a reality many writers face. Another reality is
juggling the alternate job, writing, and promoting multiple
books–building a ‘name’. It ain’t easy.  Every now and then I allow
myself to dream and think, someday I’ll be writing full time and all
this angst will be history.

   

I bet if Beth reached #17  on the NY Times Bestseller list, she’d not only be drinking champagne, she’d be bathing herself in it.

Latest from Hard Case Crime

File000I love Hard Case  Crime. They harken back to the glory days of Gold Medal Paperbacks… not only are their books are great but so are their covers.  Their upcoming titles include WITNESS TO MYSELF by Seymour Shubin, 
BUST by Ken Bruen and Jason Starr, and THE LAST QUARRY by Max Allan Collins. They’ve also got reprints of Ed McBain ‘s  THE GUTTER AND THE GRAVE, Richard Stark’s  LEMONS NEVER LIE and Madison
Smartt Bell’s  STRAIGHT CUT in the pipeline (and, oh yes, an original noir novel by some writer named Stephen King).  I’ve been lobbying Charles to consider reprinting one of Richard Prather’s "Shell Scott" Gold Medal novels and some of Harry Whittington’s more obscure stuff. We’ll see what happens…

Score one for Brown

Lewis Perdue reports that he  has lost the first round in his lawsuit against Dan Brown.

Judge George Daniels sided with the world’s largest publishing conglomerate and
issued a decision that would keep the Da Vinci Cover-Up complete.

I’ve
already talked with my lawyers.

We’re appealing because there is ample
evidence and law to indicate that Dan Brown copied my work and that a jury trial
is the ONLY procedure that will bring any measure of justice.

Romance Melt-down

The fun doesn’t stop over at the Romance Writers of America, where the leadership seems to delight in making a joke of their organization with one embarrassing, bone-head  screw-up after another. This time, though, their utter cluelessness has managed to alienate one of their Gods… Nora Roberts, who was supposed to host the RWA awards. But shortly before the ceremony, Nora read her script and refused to participate.  Here’s the scoop form Nora Roberts herself:

As Ms. Quinn refused to read my statement, as agreed, before the
awards ceremony in Reno, then again reneged on her agreement to read
it after the awards, I will write it here.

"Nora Roberts declines to host tonight’s awards ceremony as she feels
the content is inappropriate and believes the focus should be on the
nominees and the organization."

Oddly, I wasn’t given a script by Ms. Quinn. One was provided by a
member of the production team when I requested it on Friday afternoon
in Reno. The only significant change I was able to implement, though
I argued and debated with Ms. Quinn, Laura Hayden and Diana Pershing,
was the deletion of the video containing the fall of the Twin Towers
and the Oklahoma City bombing. How painful those images would have
been to the many editors in attendance who lived though 9/11.

Instead of a celebration, a night of fun and anticipation for the
nominees, and an entertaining and sparkling event, the audience was
treated to a three-plus hour world history lesson, heavy on disaster,
death, politics, war and tragedy–in one memorable moment, Don’t
Worry, Be Happy
was played over those images.

I can’t comprehend how such tragic events and images had a place at a
ceremony meant to showcase the nominees and the organization. Nor can
I understand how it was thought proper to juxtapose those with
presenters being driven on stage in a limo, walking to the podium to
Joan Riveresque commentary in a format that gave more play to the
presenters than those who were lucky enough to take home a Golden
Heart or a Rita.

The emcee’s place in all this seemed to be to recite
endless dry facts and figures of RWA dues, conference fees and sites
over the last quarter of a century, instead of relating the heart of
our organization.
It was tempting to resign my membership. But it wasn’t RWA that
pushed this agenda. It was a handful of individuals. RWA has, as
always, my respect, affection and gratitude. The current president
has none of those.

Nora Roberts

UPDATE: Author Brenda Coulter doesn’t get what the hoo-ha is all about.

I didn’t see it as as a debacle but merely a series of
unfortunate calls by the organizers and a program that was best
forgiven and forgotten.

Silly me. I should have known the blogosphere would be abuzz with this subject because that’s what RWA members do when they’re not writing books — complain about the current RWA leadership and what those volunteers are doing to ruin the lives of romance writers and screw up the entire romance industry…

…As for the big stink about Nora Roberts refusing at the last minute to
emcee the program because she objected to its content, I understand why
she bowed out, but she should have stuck with her original statement.
That last bit about supporting RWA but not the current president didn’t
come off as particularly classy.

UPDATE 8-6-05:The Intrepid Alison Kent has posted on her blog, in its entirety, RWA president Tara Taylor Quinn’s long-winded and utterly unconvincing defense of the awards debacle and Nora Robert’s far more credible reply.  Even if you take Quinn at her word, her  fumbling, clueless, and irresponsible approach towards her presidential duties is  rather astonishing.
Alison also reports that several members of the  RWA board have issued a statement apologizing  for the misguided and widely criticized awards ceremony. You can read it on the jump:

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