One of the interesting things that has come out of the fanfiction debate here are the startling misconceptions some people have about how copyright applies to intellectual property. Here’s a sampling of views about copyright expressed here over the last few days by fanfiction authors and fans…
a) If the copyright to a book, movie, or TV series is owned by a corporation rather than an individual, it’s "a shared world" and therefore belongs to everybody.
No
single person DOES own those characters, or that world, and different
writers may portray characters differently. These are shared worlds
with input that ranges from producer to screen writer to director to
actors, or writer to artist to inker to series editor. We’re *not*
dealing with the vision of a single author or creator.
Here’s another expression of the same view:
It’s hard for me to have any respect for corporations that have no problem with plagiarism as long as it makes them money. Companies and publishers don’t really give a shit as long as they’re
making money, and it’s despicable that they usually get more protection
(and money) than the original creator. Personally, when it comes to the copyright mess, I don’t give a fuck
about the laws–I care more about what the original creator’s opinion.
Feel free to care about the will of the corporations and publishers,
too, but really, it’s not their property.
b) If the characters/stories/worlds were created by writers/artists as work-for-hire (either for comics, TV or movies), copyright protections do not apply.
These are DC characters we’re talking about here. The actual
creators of the characters? Have absolutely no rights to them. Want to
talk about disrespect? Let’s talk about a company that takes the
copyright from the creators and makes money off of it. The authors have
already been stripped of their rights by DC. In the end, who cares about copyright?
c) Copyright only protects the writers from others making money off their work. Otherwise, people can do whatever they like with the authors characters, stories, etc.:
The thing is you can’t possess ideas. Copyright law protects your right
to make money off your ideas for a certain length of time. It does not
protect your idea from being taken, developped further, twisted,
caricatured, or simply taken into another direction if no monetary
purpose is linked to that.
d) Since the original work (book, movie, TV episode) isn’t altered, copyright isn’t violated.
since fanfic writers never pretend to have created the characters in
question, nor do they profit from sharing their stories, what exactly
are they stealing? How can something be thought of as stolen if it
never left the owner’s possession to begin with?
e) Copyright is pointless because all creative work is derivative.
Authors steal from each other all the time. Some are embarrassed
about it. Most of us get over that and recognize that — if we are
LUCKY — we’ll have one or two really original ideas in our entire
lives, and that even THOSE will have built upon other people’s worki.
Most of what we write will be taken from something or someone else.
So, in short — don’t be ridiculous. And that goes triple for the
publishers, MPAA, and all the other people out there becoming
anal-retentive on these topics.
If you’re a writer, regardless of how you feel about fanfiction, these misconceptions about copyright are pretty scary… especially when you consider these are people who might some day vote on changes to copyright law in the future. For instance:
And all those slash stories and other "warping" of the characters is
simply AU (Alternate Universe stories). I don’t like them all, but I
defend their right to exist. I wish the trademark laws can be changed
to take the legal stigma off fan fic.
Or, as another poster put it:
Since the rules of copyright keep changing, I don’t think it is wrong
or futile to contemplate changing them further, in a direction
different than the one they have been taking recently. And using
familiar characters who are already part of the public consciousness
does not strike me as wrong per se, especially in a not-for-profit
situation.
Gee, I wonder what different direction that would be? Providing even fewer protections for artists? Why do you suppose there is so little respect for protecting an artist’s right to control how his work is published, broadcast, used or altered?
Bob Sassone at TVSquad reports that THE EQUALIZER is the latest TV series up for a big-screen redo. I always felt THE EQUALIZER, about an ex-spy-turned-vigilante, was an under-appreciated series (with a great theme by Stewart Copeland). It was shot on location in NY and, as I recall, was very well written and produced (by James McAdams and Matthew Rapf, fresh off of KOJAK). When star Edward Woodward was sidelined by a heart-attack, Robert Mitchum stepped in for a few episodes to take his place. Mitchum was so good, I was almost sorry when Woodward came back. 
