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Current Affairs
The Comedy Pitch
Today Ken Levine, the Emmy-award winning writer/producer and all-around nice guy, gives you the inside scoop on what happens when you go in to pitch a sitcom pilot. Of course, he shares some great anecdotes, too.
Our PA on CHEERS who used to get us lunch became the VP of comedy at a
major network. We had to pitch our PA. (No sale. But we were offered
drinks.)The comedy VP (who later became the president of that
network) once asked us “What is the opening episode of the seventh
season?” Huh??? How the fuck do you answer that? We said “the clip
show, featuring all the highlights of the many Emmy winning episodes.”
(No sale)
To Be Or Not To Be A Writer’s Assistant
I got this email the other day:
I realize that I don’t have the
experience or knowledge to land a job in the industry. Therefore, it seems
reasonable to me that I should try to break in as a writer’s assistant. I know it is an unglamorous job, but I also know it will expose me to the production process by allowing me to observe the daily workings of whatever show I’m working on. So the question is, obviously, how do I do it? How do I break in, and whom do I contact?
Here’s what I told him. The best advice I can offer you isn’t that revolutionary….you need
to send your resume to the personnel offices at the various studios and
production companies, big and small. You can start by getting getting
copies of VARIETY and THE HOLLYWOOD REPORTER, the weekly issues with
the TV and Movie Production reports, jot down the names of every production company you see
and send them your resume. Familiarity
with Microsoft Word, Excel, and the various screenwriting programs
(Movie Magic and Final Draft) will be essential. You might also try Variety Careers and searching for openings for writer’s assistants.
He wrote back to me right away:
If my long-term goal is
to direct, is writer’s assistant the best path, in your opinion? Or should
I be focusing on a Production Assistant position? I ask because I want to
take the best approach, before I go around papering the town with my resume as a
Writer’s Assistant. Someone made an interesting point in a book that I
read, that it’s very easy to become pigeonholed as a "PA" or as an "Assistant"
if you don’t map out your plan for your long-term career ahead of
time.
I don’t know much about becoming a director, but being a PA would give you more "on the set" experience, even if you are just fetching bottled water for people. That said, I’d recommend taking some directing classes and learning the essentials of the craft.
Score one for Lew
My friend Lewis Perdue, who lost a lawsuit against Dan Brown for allegedly lifting significant portions of THE DAVINCI CODE from his work, reports that he’s off-the-hook for Brown’s $310,000 in legal fees:
Judge Daniels ruled that, "…Perdue’s claim was not objectively
unreasonable, and there was no evidence that Perdue pursued his
claims with an improper motive and/or in bad faith. " — page 2, line
8 of
http://www.davincilegacy.com/Infringement/AttorneysFees/Attorneys-Fees-Judges-Order.pdf.The magistrate’s report on which Daniels based his decision is far
more detailed and spends a fair amount of time to support his opinion
that I was not the money-grubbing, gold-digging opportunist that
Random House claimed in its legal papers and which Dan Brown alleged
on the Today Show.The magistrate’s report is at:
http://www/davincilegacy.com/Infringement/AttorneysFees/Magistrate-Report-and-Recommendation.pdfThese two documents also do a very thorough job of describing the
circumstances of the litigation that Random House started.My petition for a writ of certiorari still remains for consideration
before the Supreme Court.
The Conversation: The Series
Variety reports that Francis Ford Coppola is developing a TV series version of his classic movie THE CONVERSATION for ABC. The pilot will be written by Christopher McQuarrie ("The Usual Suspects") and Erik Jendresen ("Band of Brothers").
Released in 1974, between Coppola’s first two
"Godfather" pics, "The Conversation" is a sparse thriller featuring
Gene Hackman as master of electronic surveillance Harry Caul.McQuarrie
and Jendresen plan to set the TV version in the present day, with Caul
now equally adept at digital spying and traditional audio surveillance.Skein
will feature close-ended stories, with Caul reluctantly taking on cases
in order to help people deserving of assistance. But there’ll also be
an ongoing storyline since, as in the movie, Caul will be a man under
constant observation by various government agencies due to a secret
conversation he’s recorded.
This is not the first time this has been attempted. Back in 1995, Oscar-winning screenwriter Ron Bass wrote a pilot based on THE CONVERSATION for NBC that starred Kyle MacLachlan in the Hackman role.
Naked Bookselling
Who says this blog isn’t doing important work? Thanks to me, author Eric Stone has discovered the Naked Bookseller of Quartzsite, AZ.
Food for Thought
I was having dinner with my daughter at HOME TOWN BUFFET (I lead such a glamorous life!) and a guy came in wearing a black t-shirt that said in big, white letters PURE FUCKING METAL. The management wouldn’t let him in and he left without incident. It’s a family restaurant and it was filled with kids. I would have done the same thing if I was the manager. But it got me thinking, was this man’s rights violated? Would he have grounds for a successful lawsuit? What if his t-shirt had a picture of a penis or a vagina on it instead?
Priorities

Let’s see… the Bush administration finally admits that there are secret CIA prisons abroad, the Bush Administration wants "evidence" extracted using torture to be admissable in court, and the Bush administration not only lied to us about Iraq having weapons of mass destruction, but it turns Iraq never supported Bin Laden, either. So what are the Democrats in an uproar about? Some cheesy TV movie that implies that 9/11 happened because President Clinton was too busy getting blowjobs from Monica Lewinsky. Unbelieveable. Where are their priorities?
Speaking of THE PATH TO 9/11, my friend Bryce Zabel sent me the photo on the left…note the similarities between the ad campaign for the TV movie and his cult-hit TV series (Click on the image for a larger view)
Harlan Ellison Cops a Feel
Ron Hogan over at Galleycat reports that author Harlan Ellison groped a woman’s breast as she was presenting an award to him…and that later Harlan argued on his website that she was asking for it. At least Harlan wasn’t in his bathrobe and pjs at the time (he once came to a WGA meeting like that). Ron writes:
You know, for the most part, we like to maintain some sense of
journalistic objectivity on this blog, but I feel reasonably
comfortable going into outright opinionating: Ellison’s gone way over
the deep end on this one. For years, people have been encouraging him
in his self-righteous, self-indulgent schtick, excusing away
his most outrageous behavior as manifestations of some sort of
uncensored passion for justice and creative expression, and years of
believing his own hype reflected back to him by both his peers and his
fans have finally worked their toll. With his boorish behavior and
subsequent outbursts, Ellison has become nothing more than a sad,
pathetic spectacle..
I’ve had a few run-ins with Harlan myself over the years. The one I remember most fondly had to do with an interview I did with him for Starlog Magazine. We were both speakers that year at the Santa Barbara Writers Conference, so we did the interview there. Knowing that Harlan bites everyone in the ass, I decided to protect myself a little bit by doing a straight Q&A…unedited. I met him in his bungalow at the conference, gave him the tape recorder and let him go. I then transcribed the tapes and added a brief introduction. Easiest article I ever wrote. The article was published in two parts in Starlog. Naturally, Harlan said some things that offended people and, instead of taking the heat for his own opinions, he accused me of altering his words. So I sent him the tape and asked him to point to even one instance in which his words were altered or taken out of context. I’m still waiting.
That incident clearly pissed him off, because a few months later, he tried to get back at me. At the time, there was a radio talkshow here about science fiction (I think it was called HOUR 25). They were discussing the new TV series version of THE TWILIGHT ZONE, which Harlan briefly wrote for. One of the guests who was criticizing the show was a woman who may, or may not, have been an old girlfriend of Harlan’s. I don’t know. But some listener called in saying that the only reason she was trashing the show was because Harlan kicked her out of his bed. The caller identified himself as "Lee." The host hung up on the guy. Well, as it turns out Harlan was, unbeknownst to the listeners, in the studio, too. Harlan grabbed the microphone, said the caller was Lee Goldberg, and went on to trash me as a sleazy, lying, scumbag masquerading as a journalist.
Of course, the caller wasn’t me. I was out-of-town at the time, on assignment for Newsweek, and came home to find my answering machine smoking with phone calls from people furious at me for calling the radio show. I contacted the radio station, got a copy of the tape, and listened to it. I was more amused than anything else, but I wanted Harlan to be held accountable for his actions for a change. So I sent the station a letter on Newsweek stationary pointing out the irresponsibility of naming me as the caller and trashing me on the air. I demanded an on-air apology from Harlan within one week…or else. The station acknowledged they were at fault and agreed to immediately comply.
So, a week later, Harlan called into the show and apologized….and then said something like "the caller wasn’t Lee Goldberg, but you can’t blame me for thinking it was him, because he IS a dishonest scumbag whose articles aren’t worth wrapping a dead fish in," and on and on he went, basically repeating everything he’d said about me before. I wasn’t angry…in fact, I found it very funny and pure Harlan Ellison.
I later served with Harlan for a few years on the Editorial Board of the WGA Journal, where we frequently disagreed with one another. He’s a great writer, who deserves respect for his work, but I’ve always found his act tiresome and silly. Which reminds me…
When I was a student at UCLA, I remember taking the bus to campus and seeing him sitting in the window of a science fiction bookstore and writing like some sort of animal on display in a zoo. A writer at work in his natural habitat. I guess you could call it performance art…maybe that’s what his grope was, too.
“This Year, Like Last Year, The Best is Right Here, on CBS!”
Mark Evanier takes a moment to appreciate those great, summer-time, fall promos the networks used to do.
I’m sorry they so rarely make these spots these days. You always got a
catchy jingle — to the point where many of them would reverberate in
your skull, long after the shows they were trying to sell had been
cancelled.
He’s got the video…but I’ve got some audio, which I recorded off the air with a tape recorder when I was a kid. Here’s the scratchy audio for the ABC schedule, EXECUTIVE SUITE, SWITCH, THE TONY RANDALL SHOW, SHAFT, HOLMES AND YOYO, THE NEW PERRY MASON, BARBARY COAST, SPENCER’S PILOTS, CHASE, SWISS FAMILY ROBINSON, STARSKY AND HUTCH, and the CBS Saturday Comedy Block.
(All of the above audio clips, and many more, I donated to TVParty some years back)