Film and Television
I Am Looking Forward to “Dexter,” the reality series
Variety reports that Showtime is bringing back THE L WORD…this time as a reality series.
Pay cabler has greenlit nine episodes of "The Real L Word: Los Angeles," from "L Word" creator Ilene Chaiken and reality producers Magical Elves ("Top Chef").
Show will follow six lesbians in Los Angeles as they go about their lives — a lesbian answer to Bravo's "Real Housewives" franchise. Project is dependent on casting, the net said; if all goes as planned, "The Real L Word" would debut sometime next year.
If this works, the reality versions of DEXTER and THE TUDORS should be fun.
I Hate The WGA Elections
I hate it when we're asked to vote for new WGA officers and board members. We get inundated with mails, each side attacking the other, and then we get that bulging election packet, with its candidate statements, candidate rebuttals, rebuttals of rebuttals, rebuttals of rebuttals of rebuttals, the non-candidate statements, the rebuttals of non-candidate statements, and the endorsement ads. Accusations, counter-accusations, and counter-counter-counter accusations.
I don't bother with most of that crap. I read nothing but the candidates statements and make my decisions based on that, my personal knowledge (if any) of the individual candidates, and my own take on where the industry stands and what I believe the direction of the Guild should be. I do not vote according to slates. I vote according to a candidate's principles, experience, ideas, and vision. But most important of all, I vote.
If you are a WGA member, I urge you to vote as well.
For what it's worth, here is who I voted for:
President: Elias Davis
Vice-President: Tom Schulman
Secretary-Treasurer: Christopher Keyser
Board Members: Patric Verrone, Howard Rodman, Carleton Eastlake, Dan Wilcox, Ian Deitchman, Linda Burstyn, Chip Johannessen, and Luvh Rakhe.
Writing Staffs Shrinking
Variety reports what I've been hearing from TV writer friends for months…writing staffs are shrinking dramatically.
"I definitely feel as if there are (fewer) jobs out there," says Damon Lindelof, exec producer of ABC's LOST. "Whereas new shows from pilots that got picked up used to have 10 to 12 writers — that was the size of our staff in 2004 — we're just eight now.
[…]William Rotko, exec producer of the FBI-themed Patrick Swayze starrer THE BEAST, which finished its one-season run for A&E, says a confluence of events has altered the TV dynamic.
"I don't know if it's a combination of the recession and the prior writers' strike," he says. "They kind of landed one after another. After the writers' strike, it seemed this was going to happen anyway, but the recession sped up the process of reducing the size of the writers' room.
There are also fewer scripted shows than there were in the past. The major networks have all given up offering new, scripted fare on Saturdays, there's more reality shows than ever, and NBC has scrapped five hours of prime-time for Jay Leno's new show.
While cable has picked up some of the slack by producing original dramas, they are short orders with small staffs. It all adds up to the worst job market for TV writers than I have ever seen before. It's shocking to me how many of my friends…experienced, successful scribes, some with shelves of Emmy Awards… are out of work right now.
Who is the Clueless Moron now?
Back in 2004, under the heading "Clueless Morons," I blogged about a group calling themselves the Colonial Fan Force, who took out a full-page ad in Variety clamoring for a BATTLESTAR GALACTICA movie starring the original cast. The ad read, in part:
Millions of fans still dream of seeing the Battlestar Galactica roam the heavens once more in a big screen continuations of the epic story that began in 1978 with the original cast and characters leading a new generation of warriors
I wrote:
Yeah, right… there are millions, no TENS of millions, of fans clamoring for the return of Herb Jefferson, Laurette Sprang, Dirk Benedict, and Richard Hatch (who is not nearly as powerful an actor as the nude guy of the same name on "Survivor"… nor as successful). I suspect the real audience is about 100 fat guys in their 40s, who at this very moment are busily duping all their Heather Thomas videos onto DVD..
[…]I am always amused by the losers who spend their comic book money on pointless ads like this (or, worse, the ones who publish a synopsis of, or excerpt from, their unsold screenplays)
[…] the folks at "The Colonial Fan Force" urge the readers of Variety (most of whom are entertainment industry professionals) to write writer/producer Glen A. Larson and Tom DeSanto, a guy who once tried to launch a movie version of the TV show. This shows just how little the people who paid for this ad understand about how the business works…and even sillier when you consider the SciFi Channel is already in the midst of shooting a new "Battlestar Galactica" TV series from NBC/Universal Studios with an all-new cast led by Edward James Olmos.
And that was the nicest thing I had to say about the Colonial Fan Force.
Well, ladies and gentlemen, the joke is on me. Today Variety reported that Universal, Glen A. Larson, Bryan Singer and Tom DeSanto are mounting a feature film version of BATTLESTAR GALACTICA that will be a "complete re-imagining" that is unrelated to the recently wrapped series.
While this isn't the reunion the Colonial Fan Force was clamoring for, and it's happening after the end of the new BATTLESTAR GALACTICA series, and it isn't the result of a letter-writing campaign, it is a feature film and it's likely to be closer to the original series than the SciFi Channel series was.
So who is the clueless moron now? It looks like it is me.
Gunsmoke to ride again
CBS Films is developing a theatrical version of GUNSMOKE, and they’ve hired Gregory Poirier, screenwriter of NATIONAL TREASURE: BOOK OF SECRETS to write it:
The action-adventure will re-imagine Marshal Matt Dillon, the hero of the classic Western, for modern audiences. The story will be set in the same American West as the original but will feature a contemporary look and modern action twists.
Poirier is said to be close to completing a first draft of the script.
(Thanks to Thierry Attard for the heads-up.)
I’m Going Kindle Crazy
I've just posted another old, out-of-print book of mine on the Amazon Kindle Store…my 1991 paperback Unsold TV Pilots: The Greatest Shows You Never Saw, which was the basis for the hour-long ABC special "The Best TV Shows That Never Were" and the hour-long CBS special "The Greatest Shows You Never Saw. It is now available in a special $2.49 Kindle edition. Here's the book jacket copy:
“The Best Bathroom Reading EVER," – San Francisco Chronicle
"A must-browse for media freaks.” —USA Today
“Irresistible and enthralling.” —Hartford Courant
“Full of fool’s gold and genuine TV treasures.” —The New York Post
This lively and entertaining book looks at the three hundred best and worst TV series ideas—known in the industry as "pilots"—that never made it to primetime. From the adventures of a Samurai D.A. to the antics of an invisible alien baby, Lee Goldberg details the greatest shows you never saw.
The paperback was originally published by Carol & Company and was an abridgment of my fat hardcover "Unsold Television Pilots 1955-1989," which contained over 2000 pilots. Maybe some day I'll get around to making that big book into a Kindle edition, too.
The Show Must Go On
Don’t be fooled by the title of Douglas Snauffer’s new book, The Show Must Go On: How The Deaths of Lead Actors Have Affected Television Series…this is not a lurid or gossipy book but rather a serious, well-researched, detailed reference work about the business of television.
On the surface, the book is about what happens to a TV show when one of its stars dies, covering the impact of the calamity from every angle. But that death is just one part of the story. Douglas Snauffer, author of the exceptional Crime Television, gives us the full picture of the show, before and after the tragedy that may (or may not) have ultimately defined that series in TV history. Each chapter offers an in-depth look at the creation, development, production, and history of an individual series. It’s that detailed examination of each series — backed by interviews with all the key players in front of, and behind — the camera that gives this book it’s real value.
This book is a must-read for anyone who wants to know how TV series are created, written and produced…and why some succeed while others fail.