Film and Television

Hot Dogging

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Greetings from Munich. I arrived here on Tuesday night from London, where it was rainy and gray, to weather that felt more like Southern California than Germany. I guzzled Diet Coke on the flight so that I wouldn't fall asleep when I met my friends Daniela & David Tully for drinks at 9 p.m.  Daniela is a top executive at ProSeiben, a major German network, and her American husband David is a screenwriter. It was great to see them again and to get caught up on the state of the German TV market (which is lousy, just like everywhere else).

The next morning I awoke to a beautiful day…clear blue skies, warm weather. It was the nicest weather I've ever had in Munich and I took full advantage of it, walking all over the city and discovering it anew.  The best part was sitting in the Viktualienmarkt, eating a delicious hotdog and butter streusel, sipping Diet Coke, and enjoying the scenery.

I got back to the hotel in mid-afternoon for meetings with my friends at Action Concept, the studio I am working with over here. I ended the day with a nice long dinner at an outside table at an old Bavarian restaurant with Heiko Schmidt, the terrific line producer I worked with on FAST TRACK. I was in bed by midnight…but I awoke at 3:30 in the morning and couldn't get back to sleep. So I got up around 4, called home, answered some emails, and studied my notes for my meetings.

Now it's 7 a.m. I have been up for three-and-a-half hours already, and my meetings start with breakfast at 9. The most important meeting is at 3, when I will have to pitch three projects to a potential international coproduction partner. I hope I don't fall asleep in middle of it.

Tomorrow morning I head back to L.A….and hope to do some serious plotting for my next  MONK book on the plane. On Monday I start jury duty.

I’m Leaving on a Jet Plane…

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I am off to Europe  in a few minutes for two and a half days in London and two and a half days in Munich. In London, I'll spend Easter Monday with actor Shaun Prendergast and his family (Shaun was one of the stars of my film FAST TRACK). On Tuesday,  I'll be meeting my UK agent for the first time face-to-face for breakfast and then he's got meetings set up for me with some studios. Then I am jetting off to Munich, where I will be joining my good friends at Action Concept to pitch some projects to broadcasters. It's going to be a whirlwind week but I am really looking forward to it.  It's been a year since I've been to Europe but it feels like much longer, especially after spending so many months working there in 2006 & 2007. 

Revised Thinking

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I watched the BATTLESTAR GALACTICA finale again tonight. Don't ask me why. Procrastination, maybe? Anway, I liked it much more the second time around. It's a better finale than I initially thought it was.

Huh?

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Fox is yanking DOLLHOUSE after episode 12 and will not air the 13th episode. Now, on the surface, that would scream "The Show is Cancelled." But the folks at DOLLHOUSE are spinning this news in a very odd way. See if you can follow this explanation from producer Tim Minnear:

Okay. So maybe I can help clarify this somewhat. Because we scrapped the original pilot — and in fact cannibalized some of its parts for other eps — we really ended up with 12 episodes. But the studio makes DVD and other deals based on the original 13 number. So we created a standalone kind of coda episode. Which is the mythical new episode 13. The network had already paid for 13 episodes, and this included the one they agreed to let us scrap for parts. It does not include the one we made to bring the number back up to 13 for the studio side and its obligations. We always knew it would be for the DVD for sure, but we also think Fox should air it because it's awesome.

If I understand this correctly, and I'm not entirely sure that I do, he's saying that the Fox Network ordered 13 episodes, which included the pilot, which was scrapped and cannibalized in subsequent epoisodes. But the Fox Studios made commitments to networks overseas and to a DVD distributor for thirteen episodes. So, since they were one episode short after dumping the pilot, the studio alone bore the cost of shooting an extra episode that the network doesn't feel like airing.

Finaldh_13grouppool_1179_ly3bKeep in mind that the studio and the network are owned by the same people…Fox. They are simply moving cash from one pocket to another.

So here's the bottom line: Fox Studios paid to produce an episode that The Fox Network doesn't want to air (in other words, they don't want to pay a $3 million license fee for a show that's delivering terrible ratings). What does that tell you about the network's confidence in the show?
A lot.

Worst Finale Ever?

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No, I'm not talking about ER…I am talking about the bland American remake of the UK series LIFE ON MARS. The show was about a cop who is hit by a car…and wakes up in the 1970s. He's not sure whether he has gone back in time, whether he's imagining the whole thing,. or whether he is dead and experiencing the afterlife…or something else altogether. Throughout the series (which only ran 16 episodes in the UK) he is trying to get back to his own time by solving crimes which he believes will eventually lead him to the solution to his own predicament… and the way out.

SPOILER ALERT!

In the British version, the hero discovers that he was in a coma and that his experience in the 1970s was all a dream. He returns to his "real" life in 2007 but just doesn't fit in any more. He has become so emotionally and psychologically attached to the people in his his fantasy life that he ends up committed suicide to return to that make-believe world. It was a dark way to end the show but, at the same time, it actually worked.

In the far inferior American version, the hero discovers that he isn't from 2009 either…he's an astronaut in the future who has spent the last two years in suspended animation on a mission to Mars… and that his experience in 2009 and 1973 was all a dream induced by some haywire computer program. All the "characters" in his dream turn out, Oz-like, to have been his fellow astronauts in different guises. It was inane… and done so cheaply that it looks like an SNL skit. It was probably one of the worst, if not THE worst, series finale I've ever seen.