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TV writer Paul Guyot continues his unflinchingly honest and informative chronicle on the development and production of  the pilot he wrote for TNT. The network subsequently brought in a big-name showrunner and Paul found himself relegated to the sidelines (despite assurances to the contrary). Sadly, this happens all the time in our business and Paul, being a pro, knows that. Even so, it still hurts when it happens.   

What has been the hardest thing for me to deal with is that the network has
completely supported the showrunner and his "tweaking" of my script. My story.
My setting. My characters. After telling me (in the beginning), that they wanted
something unique and edgy (sic), what they now have that they so dearly
love, is the very thing they told me specifically they didn’t want… a typical
TV show. And not a conference call goes by that someone doesn’t rave about how
much better the script is now.

Hey look, it may be better. The
guy has Emmys and I don’t. I just wish the network had given me a shot to do
this other version, and then brought in their high-priced Showrunner.

It’s like this – the network wanted me to hit a home run. So in my first
at-bat, I hit a double to left. But instead of getting another swing, they bring
in another guy and he hits a double to right, and they all cheer and say,
"That’s just what we wanted! A double to right!"

But again, nature of
the beast, folks. Don’t feel sorry for me – I already took care of that. No need
to post comments about how much they suck or whatever. This is TV. Ask Lee.
Happens all the time. As I said earlier – you have two choices in these matters
– quit or ride it out. I chose to ride it out. Though it’s being done
differently than how I’d do it, and I’m being basically ignored throughout the
entire process, I’m holding on. I want to feed my kids. I don’t have the luxury
of conviction. And someone much smarter than me once warned about the paralysis
of conviction. Especially when it wasn’t your story to begin with.

Bring Back Those Precocious Kids

Remember when all the kid characters on TV were smart-ass and wise-beyond-their years? It got to be really irritating…but it was a hell of a lot easier to take than the kids on TV today. They are all  insufferable morons. Take, for example, the two imbeciles on SURFACE who are raising an alien monster in their bathtub…and let it endanger the lives of family and friends. We are supposed to find them wacky and endearing. I just want to kick in the T.V.  Or how about that  whiny teenage girl on COMMANDER-IN-CHIEF who resents her Mom for being President of the United States? She’s upset she has to attend events like, oh, her mother’s swearing in as President or a reception for the Russian President instead of hanging out with her friends ("Other kids don’t have to go to their parents’ business dinners!"). This is supposed to make us relate to the First Family as being people like us. Yeah, right. Me, and the rest of America,  fast-forward through those scenes to the next shot of Donald Sutherlands sneering and twirling his mustache (yes, I know he doesn’t have a mustache…but it’s there, it’s just invisible).

Bring back those precocious kids of yesteryear. Please. I’m begging you.

Coming to a Computer Near You

Back in 2001, Andre Morgan announced production of a 22-episode, hour-long  TV series shot in Shanghai called FLATLAND, starring Dennis Hopper (what, you thought E-RING was his first TV series? Don’t believe everything you read). Morgan didn’t have a buyer or distributor for the project at the time but claimed to be in discussions with several networks. Now, four years later,  the show may finally be premiering…on a cell phone or computer near you. Variety reports the show is being shopped at Cannes, where it’s being sold in groups of
50 two-minute episodes by Intl. Program Consultants for broadcast on mobile phones and over the Internet.

"Exotic locations, elaborate CGI and high-definition technologies will
generate literally hundreds of … serial episodes," said exec producers Ruddy
and Morgan.

IPC topper
Russell Kagan added: "RMO, a leading independent company in TV and film
ventures, now will be one of the first leaders in mobile and broadband
video."

The Brits Spin-Off

A few years ago, there was a series in England called TAGGART about a detective named Taggart (and I remember not being able to understand a word he said). When the actor playing Taggart died, they continued the series without him…and didn’t bother changing the name of the show. They are getting a little more savvy about spin-offs now. The great INSPECTOR MORSE series starring John Thaw as the title character, and Kevin Whately as  his partner Lewis, ended with the death of Morse (followed, sadly, a year or so later by the real-life death of Thaw). Now they are continuing the series with Lewis but have wisely decided to abandon their original title, AFTER MORSE, in favor of, simply, LEWIS. I wonder if they toyed with calling it TAGGART first, just for the hell of it.

Speaking of British spin-offs, forty years (or is it fifty?) after the premiere of DR. WHO, one of the UK’s longest running (and most re-cast) series, comes news of a spin-off called TORCHWOOD, featuring some character named Captain Jack. I don’t watch the show, so I have no idea what the hell they are talking about. But I wonder why they waited to long to capitalize on the show’s success.

The DR. WHO news reminds me of GUNSMOKE…they waited 19 years after the show’s premiere, and well past it’s ratings heyday,  to finally attempt a spin-off, a lame comedy called DIRTY SALLY. It lasted less than a season, cancelled shortly before GUNSMOKE itself the following year.

The Way We Were

I remember when the DVD boxed set of UFO came out. I couldn’t wait to watch it. Not only that, I couldn’t wait to show my friends. Unfortunately, I did both at the same time…bringing the DVD into the office to show them during lunch. What a mistake. The series I thought was so unbelievably cool when I was a kid turned out to be an inane bore. UFO looked slick and Barry Gray’s score was still incredible, but everything else sucked — the  acting was leaden, the writing was terrible, and the direction was limp.  The Onion reports on someone who had the same sad experience when the DVD of  LAND OF THE LOST didn’t live up to his childhood memories.

I was pleased to discover, however, that KOLCHAK THE NIGHT STALKER was every bit as good as I remembered it to be… though obviously cheap looking by today’s production standards, which is true when watching any old classics (from STAR TREK to THE ROCKFORD FILES, GUNSMOKE to MAN FROM UNCLE).  Mark Evanier, though, can’t get past the  el-cheapo production values when he watches HAWAII FIVE-O.

It’s great that so many old classics are coming out on DVD…but how many will live up to our fond memories and changed expectations?

E-RING Lasts Forever

Why one critic isn’t watching E-RING any more.

Last Wednesday I performed an experiment. I watched the latest episode of E-Ring
while applying a branding iron directly to my face, just to see which
of these two forms of torture I could stand the longest. I have deduced
that, while eventually the branding iron heat burns through your nerve
endings, the pain of E-Ring lasts forever.

Harley on DVD

Hartsofthewest_completeHARTS OF THE WEST lasted a mere 15 episodes on CBS back in 1993 and it’s coming to DVD… for a second time.  Back in 2002, two episodes were released on DVD. Now, to sate the appetite of the legions of HARTS OF THE WEST fans (who I think are called Westies and are holding their annual convention in Deerpark, Washington this year), all 15 episodes are finally being released in a boxed set.

This is good news for my friend Harley Jane Kozak, who was one of the stars and who remains a red hot sex object to diehard Westies and mystery book lovers everywhere.

Yes, it Daniel Craig

It’s official now —Variety reports that  Daniel Craig is the new James Bond. And although director Martin Campbell ("GoldenEye") promises a tougher, grittier Bond, they couldn’t resist introducing Craig to the press by having him arrive by speedboat wearing a Brioni suit. Seems more Brosnan than Connery, doesn’t it?

"Casino Royale" examines Bond’s formative years with Campbell set to chart
the character’s "tough arc" and establish to auds how 007 developed his penchant
for Aston Martins, Martinis and beautiful women.  Other script details include news that there will be no Moneypenny or Q
characters in this film.