The Action Behind “McGrave”

 

0553 Lee Goldberg McGrave_2

My new novella McGrave is an experiment for me.  I set out to write something specifically for the Kindle that would take advantage of the way people read on the device…but that would also capture the pure, escapist fun of watching an action movie.  I thought these were very compatible goals. 

With a Kindle,  readers are swiping/clicking your way through a story.  And because font size is adjustable, pages aren't really relevant any more..

A lot of people are using their Kindles to read on subways, buses, and planes.  They are moving from one place to another as they are moving through a story.  So I wanted to give them a story that they could finish in a single journey…and tell that story in such a way that they'd be swiping or clicking their way through it as fast as they could.

To help me pull that off, I chose an action adventure…which by nature has to move at a breakneck pace…and I eliminated chapters altogether, breaking the story into scenes, adopting a style that's closer to a screenplay than a novel (akin to the style Don Winslow adopted in his book Savages).  I thought that would keep the story moving…and the reader moving through it.

You'll have to tell me if I succeeded.

Here's the story…

Los Angeles cop John "Tidal Wave" McGrave is an unstoppable force of nature who always gets his man…even if it means laying waste to everything around him, including his own career…which is exactly what happens in his pursuit of Sebastian Richter, the ruthless leader of an international gang of violent thieves. When Richter flees to Berlin, McGrave chases after him…even though the cop doesn't know the language, the laws, or the culture. But McGrave doesn't care…he speaks the universal language of knee in the groin and fist in the face…and he won't let anything get in his way.

What follows is, I hope, a wild, action-adventure that captures all of the fun, excitement and pure escapist pleasure of the Dirty Harry, Lethal Weapon and Die Hard movies…and if it works, I'll write some more of them.

The Big Box

Coming very soon…

UltimateLibraryBoxTwo big days.

Dozens of free, five-star books from five top-selling authors…including the ultimate Kindle box-set.

And many chances to win Kindle Fires for yourself and money for your favorite library. 

 

 

Behind the Music: Mr. Monk On Patrol

MR_MONK_ON_PATROL (2)Mr. Monk on Patrolmy 13th original Monk novelis out today in bookstores everywhere…and it's very much a story about change

 Adrian Monk, the obsessive-compulsive detective, and his assistant Natalie Teeger travel to New Jersey to help out former SFPD detective Randy Disher, who is now Chief of Police of Summit and living with Sharona Fleming, Monk's previous assistant.  But the story is about much more than that…or the reunion with beloved characters…or the complex murders that Monk eventually solves.

I have always had a lot of  fun writing the Monk books, but most of the time, I was constrained by having to stick to the continuity of the TV series (which I also occasionally wrote for). That changed with the finale of the TV show, which really shook things up and liberated me  to let the characters evolve in new and exciting ways…and to even introduce a few new, regular characters. It also freed me to pay off some of the character arcs that began early the novel series, which started back in 2006 with Mr. Monk Goes to the Firehouse (which I adapted with William Rabkin into the episode "Mr. Monk Can't See a Thing")

I believe that characters in a series become stale if they don’t grow and that readers, and the author, will become bored with them. At the same time, you want to remain true to what makes the characters, the relationships, and the "franchise" so special. 

It's a delicate balance. And here's how I've tried to maintain it.

The Monk books are narrated by Natalie. I chose that approach because I think it humanizes Monk. It gives us a necessary distance. Natalie’s eyes become the replacement for the camera lens that gave us our point of view on the TV version of Adrian Monk. Also, a little Monk goes a long way. You can overdo the joke and all the obsessive/compulsive stuff. By telling the stories from Natalie’s point of view, we aren’t with him all the time. We get some space, a breather from his phobias and ticks, and I think that’s important. 

But there's a side benefit. It’s allowed me to add an emotional resonance to the story-lines that goes beyond just Monk’s eccentricities and the solving of puzzling mysteries. The underlying theme of the books (and yes, there's always one) are often reflected in whatever is happening in Natalie’s life. Her personal story frames the way in which she perceives the mystery and reacts to Monk, so it’s all of a piece. It’s allowed me to make her a deeper, more interesting, and more realistic character. By doing that, I make Monk more dimensional as well, and I can ground the story in what I like to think of as “a necessary reality.”

Without that reality, Monk would just be a caricature and cartoon character. Natalie humanizes Monk and makes the world that the two of them live in believable to the reader. Through her, we are able to invest emotionally in the story. Without that crucial element, I believe the books would have failed.

Since we are in Natalie's head, we get to know her. And the more time you spend with someone, the deeper your relationship should become. So that's what I've tried to do with the reader's relationship with her. With that depth should come growth.
So, as your relationship with her grew and evolved, so did hers with Adrian Monk. I felt if I did it that way, the changes in their characters and the evolution in their relationship would all feel natural and inevitable. 

Natalie is a smart woman and I didn’t think she could stick with Monk, and keep investigating murders, if she didn’t find it fascinating herself. And I doubted she could do it for so long without picking up some skills along the way. It’s an arc I've been developing with her since Mr. Monk and The Dirty Copthe eighth book in the series, and that pays off in a big way now in Mr. Monk On Patrol.  
The relationship between Monk and Natalie changes dramatically in this book…and yet I believe it's a natural extension of events in both the TV series and the last few books. This change has major consequences that impact all of the other characters in their world and that carries over directly into the next book in the series, Mr. Monk is a Mess, coming in July 2012, and that leads into the finale of the book series. 
Well, at least my involvement in it. I decided while writing Mr. Monk on Patrol that I was going to leave the series at the end of my current contract. My good friend Andy Breckman, the creator of Monk, and my publishers have kindly allowed me to write a finale, one that leaves the door open should they decide to continue the book series someday with another writer. 

I hope you enjoy Mr. Monk on Patrol. I certainly had a great time writing it!   

 

Take off, eh?

I am on my way to Canada today for a week of scouting and wall-to-wall meetings in Alberta and Toronto. It's all for a western film that I wrote (based on two terrific novels) and will produce …I wish I could say more, but I can't yet. I'll try to check in now and then, and maybe post a picture or two, but if not, it's because I'm too busy or have lost appendages to frostbite.  

Amazon Launches 47North Imprint with THE DEAD MAN

The Dead Man Face of EvilToday, Amazon announced the launch of their new sf/fantasy/horror imprint 47North…and one of the premiere titles is THE DEAD MAN series. Our kick-off is coming in just a couple of weeks…in a very big way…and we can't wait!

UPDATE: Publisher's Weekly also wrote about it. Here's part of what they said..

Amazon has added another genre to its publishing stable, with the launch of 47North, a science fiction/fantasy/horror imprint that will publish original and previously published works from new and established authors as well as out-of-print books. “We are especially happy to have a diverse list at launch, and look forward to publishing across a wide range of subgenres,” said Victoria Griffith, publisher of Amazon Publishing’s west coast group.
 
47North has signed 15 titles at launch with its first title coming from Lee Goldberg and William Rabkin, the authors of Successful Television Writing and who have written and/or produced scores of highly successful network television series, including Diagnosis Murder, Spenser: For Hire, and Baywatch. Their digital-first novel, Face of Evil, will be published this month; four more installments will also be published in October, with a new adventure following each month thereafter. A print compilation of the first three novels will publish in January 2012.
 

The Rave Verdict for The Jury

0298 Goldberg ecover The Jury Series Bruce Grossman at Bookgasm has given THE JURY SERIES a rave review. Here's an excerpt:

This four-book collection, THE JURY SERIES, is straight-up men’s adventure material. Don’t expect complex plots; these were all about body counts and vengeance, and there is plenty of both to go around.  Originally credited to Ian Ludlow, they were actually Goldberg in disguise — a mild-mannered college student testing out his writing muscle.[…] Goldberg holds nothing back in this one, that’s for sure. Bodies pile up real quickly, proving Macklin is not one to screw with. This collection recharged my love for the genre.

Thanks so much, Bruce!

 

Mr. Monk and the Mug Shot

MR MONK on the couch Gary Mugford over at Mug Shots gave MR. MONK ON THE COUCH a terrific review. He said, in part:

Goldberg is relishing the freedom, the end of the TV series has afforded him. That's obvious. It's odd to refer to this book being Natalie-centric, when in fact, she narrates every book and it's her voice in your head all the time. But in the previous 11 books in the series, that voice was talking about Monk most of the time.

[…]As they say in the late-night infomercials, but wait, there's more. While Natalie's doing her P.I. with training wheels thing, there are other murders for Adrian Monk to solve. And solve them he does. Only to have a suit from upstairs at the Police Department invalidate his solutions because he doesn't have proof he's right. Knowing who and how a bunch of murders happened turns out frustratingly inconclusive, a "Here's what happened" moment without the payoff/conviction.

Until Natalie and Detective Amy Devlin rescue the case by thinking, and working, outside the box. We see Natalie working 'undercover' for the first time. And I bet you it won't be the last time.

The question posed in the book is, what would happen to Natalie if something happened to Monk? She might go back to her rich family. But not now. We know the answer.

He's right, I have been having a lot of fun with the last few MONK books. Since the TV series ended, I've been taking a few more chances with the characters and it's keep the series fresh…though I think if you've read all the books, you'll see the changes as natural steps in their evolution (particularly with Natalie, playing out an arc that began with MR. MONK AND THE DIRTY COP)

MR. MONK ON PATROL, coming in January, definitely builds on the themes and events in MR. MONK ON THE COUCH. And the one I am writing now, MR. MONK IS A MESS, is a direct sequel to PATROL (in much the same way that MR. MONK IS MISERABLE was a direct sequel to MR. MONK GOES TO GERMANY).

I have only a vague idea where the next book may go…but it has been nice to be able to let the characters evolve in ways that I couldn't while I had to stick to the continuity of the TV show.