#1 New York Times Bestselling Author & TV Producer
Every Friday, a bunch of mystery fans and bloggers pick their favorite forgotten or overlooked classic of the genre. THE MAN WITH THE IRON-ON BADGE was author Paul D. Brazill’s choice today and he said, in part:
The Man with the Iron-On Badge by Lee Goldberg is a classic PI novel full of great lines and twists and turns with a touch of the Rockford Files and The Big Lebowski about it.
Thanks so much, Paul!
I've been having some creative problems with the spec script I am writing, which is loosely based on an unfinished novel of mine. But then, in my moment of darkest despair, I got this life saving tweet from Brien Jones at Jones Harvest, an obscure vanity press:
Have you ever wanted to see your novel as a movie? Contact us about about our screenplay writing services!
Wow. What a great opportunity! I had to learn more. So I immediately went to their site, and saw this under their services tab:
Screenplay – One of our professional editors will write an industry standard screenplay from your provided manuscript.
They don't offer any more details, but even that little bit filled me with confidence. I could just send them my manuscript and their editors would make it into a script. What other publisher offers that great service?
I was curious what makes the "professional editors" at Jones Harvest think that, just because they can edit a book, they can also write a script. Aren't they very different skills?
So I looked up the screenwriting credits of Brien Jones, the publisher and editor of Jones Harvest, to see if he's a member of the Writers Guild of America or if he's had any produced screenwriting credits. He's not a WGA member and I couldn't find a single movie or TV credit to his name…but according to his site and photos, he has visited Los Angeles and taken a studio tour, so he probably knows his stuff.
Where do I send the check?
The paperback edition of MR. MONK IS CLEANED OUT hits bookstores, airports, drugstores, ebook retailers, and finer supermarkets nationwide today. The hardcover edition was a big hit and got some terrific reviews, including:
"Mr. Monk is Cleaned Out is one of those books that makes me smile when it arrives. I love what Lee does with these books. His ability to channel Monk is uncanny and almost makes me wonder if they based this character on him in some way when they developed the series for TV. In truth it's just that Goldberg is a Hell of a writer. California is broke, and this ends up hurting the city of San Francisco's police department and Mr. Monk is out of consulting work till there are funds again. Thinking he can manage to get by on savings Monk isn't too worked up… yet. Unfortunately all of Monks money was invested with a Bob Sebes who ran Reiner Investments. As it turns out, Sebes took all the money and has been arrested in the mother of all fraud cases. Monk is busted flat broke. When a witness ends up dead, Monk steps in to solve a case that involves the main suspect being under constant watch and not being able to leave his building. Using a story idea "ripped from the headlines" works great here and Goldberg weaves a tale that is fun, entertaining as hell and totally satisfying. I now associate Monk with Goldberg more than with the TV show." —Jon Jordan, Crimespree Magazine
"Lee Goldberg has done it again! He has captured Adrian Monk (from the TV series Monk) to perfection… Mr. Goldberg has every nuance, every gesture, every mannerism of Monk down pat. If you have seen the Monk series you will feel Goldberg's Monk is an exact match. Mr. Monk is Cleaned Out is a fun, easy read. Like Mr. Goldberg's other books it is a great escape. Sit back, relax, and enjoy! On a scale of 1 to 5, I give it a 5.0!" —Futures Mystery Magazine
"I've deeply enjoyed these novels. It is not easy to catch a character like Monk, and depict the reactions to him and his maddening ways, but Lee Goldberg manages marvelously well, book after book. There are some sterling moments here, as when Monk is a grocery checkout clerk—and solves a murder in the process of driving everyone else nuts. I hope this series will keep right on, regardless of the status of the TV show."
—Richard S. Wheeler, Spur Award winning author of MASTERSON and the "Barnaby Skye" novels
"One of the things that makes this series so distinctive is the full and realistic portraits we get of Natalie and her daughter Julie. The writing here is especially strong. Lee Goldberg is good at describing the way we live now. The old wrestling come on "This time it's personal" applies here because Monk plans to trap, humiliate, debase and defoliate the "dude" (who said Monk is out touch?) who took his money. A truly artful comedy that has a lot to say about the people who robbed us blind over the past three decades." —Ed Gorman, author of TROUBLE MAN and GUILD
"Lee Goldberg has become a genius in my book![…] As a reader, this novel delighted me in many ways. There was not a bad page in this book; each page is filled with humor, drama and emotion. While I cannot as a person understand Monk's obsessive compulsive disorder, I sympathized with the characters surrounding him. His problems were heartbreaking yet laugh out loud funny at the same time. Lee Goldberg has taken a serious disorder and turned it into one of the funniest drama's I have ever read—or seen." —Love, Romances and More Blog
"I keep thinking that Goldberg is going to run out of situations or new ways for Monk to react to the world, but he seems to be endlessly inventive. I found myself laughing out loud more than once in the course of the book. Monk's relationship with Natalie advances, too. I'm not saying anything more about that, but the relationship between them gets more complex with each book.This is fine entertainment, and I'm already looking forward to the next book." —Bill Crider's Pop Culture Magazine Blog
"Lee Goldberg's gift of humor is, I think, the main ingredient in making this series of novels work at such a high level. Taking such every day mundane situations or objects (like a bottle of water), and weaving them into a well-crafted novel that is moving and insightful from start to finish is no small undertaking, but he succeeds novel after novel. Mr. Monk Gets Cleaned Out is a fun summer read. It took the pain of missing the series out for me right away." —Gelati's Scoop Blog
"This highly entertaining tale takes place in San Francisco before the events of the show's final season. It adroitly explores the obsessive-compulsive behavioral problems of the brilliant but flawed detective.[…]This is great fun if you were addicted to the popular television show—you don't even have to read others in the series to enjoy it." —The Curious Book News Blog
"Lee Goldberg's Monk books are always worth reading. The mysteries are good, often laugh-out-loud funny, and Monk is simply a wonderful character who comes across as well on the page as he does on the screen…Mr. Monk is Cleaned Out is another solid read in the series." —Debra Hamel, The Book Blog
"For those suffering from withdrawal following the cancellation of the Monk television series, help has arrived… For a lighthearted, enjoyable who-done-it with an old friend, read Mr. Monk is Cleaned Out—you'll thank me later!" —Christina Forsythe, San Francisco Book Review
David Foster's Permission to Kill blog, one of my favorites for his reviews of Eurospy books and movies, has given the ebook edition of THE MAN WITH THE IRON-ON BADGE a rave. He says, in part:
Apart from being highly entertaining, The Man With the Iron-On Badge is author, Lee Goldberg’s love letter to detective fiction and television shows of the past. And as such, a knowledge of these shows is a boon when reading this book. Don’t get me wrong, the reference aren’t obscure and you don’t have to be a detective story boffin to appreciate the story, but the subtle in-jokes, and allusions to Shaft, Spenser, Shell Scott, Travis McGee, Mannix, Rockford and many others, simply mean that if you are familiar with those characters, then this book offers that extra bit of ‘knowing’ enjoyment.
Ultimately, The Man With the Iron-On Badge delivers exactly what the title and the opening paragraphs promise — a fast paced, first person thriller about an under achiever who has to strive to be more than he ever thought he could be. More than just a ‘man with an iron-on badge’.
Thank you so much, David!
For now, The Man with the Iron-On Badge is only available as an ebook (though you can still find used copies of the hardcover out there)…but in early 2011 there will be a trade paperback edition, too. Here are links to the digital editions:
I can't tell you how many times I have told aspiring writers not to pay a vanity press to "publish" their books, or not to pay an agent a "reading fee," or not to pay to enter a writing contest nobody has ever heard of, only to be told "Yeah, Lee, I know, but this is the only opportunity I have and you have to start somewhere." My friend writer Mark Evanier has heard it, too, and thinks it's "brain dead stupid."
Imagine if your goal was to play for the Seattle Mariners…or maybe even to get on a professional baseball team. Imagine that some odorous homeless guy came up to you on the street and said, "Gimme a thousand dollars and I'll introduce you to their talent scout" and you forked over the cash and said, "Well, gee…it was the only offer I had."
Well, paying someone to submit your writing or to publish it or — the big new scam — entering a "contest" is even stupider than that.
It's getting harder and harder for me to have any sympathy for these suckers, especially when all it takes to discover the truth about most of these scams is a simple Google search and a molecule of common sense. Nobody I know, in publishing or television, became successful by emptying their bank accounts with fee-based "literary agents," vanity presses, and fly-by-night screenwriting and publishing contests. As Mark says:
First rule of professional writing: They pay you, you don't pay them.
I know times are tough. Believe me, I know times are tough. But there's never a good moment to let yourself be exploited by people who think you're so hungry, you'll work for promises…not until MasterCard accepts promises from scumbags as payment.
Amen to that.
I spent Thanksgiving day sorting through boxes of my Mom's photos, figuring out which ones we wanted to keep and have digitized. It was actually a great way to spend the day. There was a lot of laughter and good memories.
My Mom was a newspaper "society editor," which is a fancy way of saying that she got paid to go to parties and write about them. It was the perfect job for her. So we came across quite a few pictures of her with celebrities over the years. Here's a very small sampling.
I got this email today from Ian Poole:
Dear Mr. Goldberg
I work for Hillary Rettig, a productivity coach, workshop leader, activist and author, and wanted to send you her article on MFA Programs. It can be found on her website at http://hillaryrettig.com/blog/.
Thank you very much for taking a look over it, and I hope that you will share it with your readers.
There is lots more information on her Website, including a free ebook on overcoming procrastination and writer's block, so please check it out.
Sincerely,
Ian Poole
Rettig has been working very hard to create as much attention for her overwrought Huffington Post article, "A Million Exploited MFA's: How James Frey Benefits from MFA Programs' Willingness to Sell Out Their Students," as she can so that you'll also check out her books, articles, lectures, coffee mugs, t-shirts, fragrances, tampons, breakfast cereals and whatever else she's selling. Her effort has reached comical proportions as this video, which I also received today, makes hilariously clear:
The latest scam from PublishAmerica is pretty ballsy — charging writers $99 to enter Amazon's FREE screenwriting contest. Yeah, you read right — PublishAmerica is trying to convince authors that it makes sense to pay them to enter someone else's free contest. The frightening thing is, there are probably some suckers who will fall for it. An incredulous, and outraged, P.N. Elrod broke the story on her blog over the weekend. Here's the PublishAmerica pitch, with her boldfacing & annotations:
Dear Author:
Amazon.com has done it again. Now they have started Amazon Studios, and they want to see if your book's manuscript is their (and Warner Bros. Pictures'!) next movie.
Basically, Amazon is now also entering the movie business, and they are crowdsourcing it, shopping among original story tellers like yourself. They have given Warner Bros. the right of first refusal.
From Tuesday's Amazon Studios announcement:
"We are excited to introduce writers, filmmakers and movie lovers to Amazon Studios […] It is the goal of Amazon Studios to produce new, full-budget theatrical films based on the best projects and it will give Warner Bros. Pictures first access to the projects Amazon Studios wishes to produce in cooperation with an outside studio."
The Amazon Studio deals include rights payments of $200,000 for winning submissions, and a $400,000 bonus "if the movie makes over $60 million at the U.S. box office". It also awards prizes of $20,000 for the two best scripts in a month even if they don't become a movie.
See for all details http://studios.amazon.com/. (No, don't, please don't.)
Here's how it works: Together with you we'll rework your manuscript a little (That's a red flag, kids!), then we submit it to Amazon Studios for their contest, following their guidelines. They award prizes monthly. (And PA collects 99.00 courtesy of your high interest rate credit card.)
Activate your entry for Amazon Studios today: go to http://www.publishamerica.net/AmazonWarnerBros1.html, click Add to cart, (NO-NO-NO–DON'T!!!) choose a shipping option to start the activation. In the Ordering Instructions box be sure to mention the title of your book. If your book has not yet been released, add "Pre-release!"
By activating your book's submission to Amazon Studios you authorize PublishAmerica to act on your behalf and you agree that this constitutes your consent in writing. (NO-NO-NO-NO-NO!!!)
After we have received your activation you will be contacted about adding your book's list of characters and a film synopsis.
See you in Hollywood! (See you in hell first, PA.)
–PublishAmerica Bookstore
When she's done skewering PublishAmerica over their scam, she also takes Amazon to task for essentially hijacking the copyright on every script that's submitted. Which just goes to prove, nothing is ever really free.
Carl Beverly and Sarah Timberman, the producers of JUSTIFIED, have sold a TV series pilot to FX based on my brother Tod Goldberg's short story Mitzvah. Crime writer Joel Goldman is often mistaken for my brother, so I suppose it's only fitting that those same producers just sold CBS a TV series pilot based on Joel's short story Knife Fight. Now if either pilot goes to series, I am expecting my brothers to play the nepotism card and insist that I be brought on staff.
I got an email this morning from Suspense Magazine. It read:
Suspense Magazine has sent you a book recommendation!
Blood on His Hands by Mark P. Sadler
Suspense Magazine says, "Great book! Now available on Amazon Kindle."
So I did. The link sent me to Goodreads, and a four star, rave review for BLOOD ON HIS HANDS from Shannon Raab at Suspense Magazine. It read, in part:
A hunt for payback—predator vs. prey—is the underlying electrical current coursing through this colorful debut thriller by Mark Sadler. […]Not for the faint of heart, “Blood on his Hands” can make your stomach roll as well as a roller coaster while Sadler zigzags you on a frenzied chase across the country.
That may be the strangest, most non-sensical blurb I've ever read, but that aside, what's really interesting about the review is that it's from the co-publisher of Suspense magazine, which also counts Sadler among their reviewers.
In other words, Suspense Magazine is praising and recommending a book by one of their own reviewers. So I asked Sadler about it:
Suspense Magazine is reviewing and recommending (via emails to its Goodreads followers) a book written by one of its own reviewers. Isn't that a huge conflict-of-interest?
Sadler took offense, firing back:
They reviewed my book and then asked me to be a reviewer as they liked my style – you should check out the dates before you start throwing around accusations. Mark
So I replied that I wasn't making an accusation, but rather asking a question, one that I thought was valid. I went on to say:
Given that you are now reviewing for Suspense, it probably wasn't a wise idea for Suspense to send out an email recommending your book, regardless of whether it was reviewed prior to you becoming a reviewer for them.
I got an astonishing reply from Sadler that raised the ethical discussion to a whole new level. He wrote:
Again check your facts.. they liked the book so much they published it as an e-book and generally recommend all the books their reviewers write..we would not be great reviewers if our publication didn't like us.. and we are all doing it for free so I dont get your point..
I had to do a double-take when I saw that. Suspense Magazine is reviewing (and recommending) a book that they published that was written by one of their reviewers? And Sadler objected to my question about a possible conflict-of-interest?
So I checked out Suspense's website and discovered that they are offering a new twist on self-publishing.
Suspense Magazine is excited to announce the opening of Suspense Publishing, a place where authors can get their book published for far less than traditional self-publishing houses. Suspense Publishing will bring the power of Suspense Magazine to its authors. We will help them market their book successfully, not by just giving you—the author—the tools to market your book, but we actually work for you to market your book.
[…]It is true that we will not publish your book in paper format, we are an EBook publisher. We are also a major magazine with a huge marketing presence.[…]Our publishing company takes the power of Suspense Magazine, an internationally read magazine, and puts your book in front of hundreds of thousands of people that read the genre that you are writing!
In other words, Suspense Magazine will use their publication to promote the work of their authors…including having their reviewers, who are apparently Suspense authors themselves, review Suspense books without acknowledging that they are also Suspense publications. Not surprisingly, the two most recent titles published by Suspense Publishing — Terri Armstrong's MORNING MENACE and Starr Reina's IN THE NAME OF REVENGE – won praise from Suspense Magazine. For MORNING MENACE, Suspense raved:
The intensity and inclusion of a character tangled in her own neurosis keeps the pages turning and the unexpected ending will surprise even the most adept amateur crime- solvers.
And for IN THE NAME OF REVENGE, Suspense proclaimed:
A new star has arrived in the writing world bringing readers a gripping tale peppered with unexpected bits of humor as the cast of characters and twisted turns unfold.
They claim aspiring authors who engage their services can "use the power and strength of Suspense Magazine to reach millions of readers." Really? Do they honestly believe Suspense reaches millions of readers? That would mean they are reaching more than Forbes (921,000 readers), Newsweek's (1.6 million) or Vanity Fair (1.7 million). I'd never heard of the magazine until I went to Bouchercon and met the publishers, John and Shannon Raab.
The Raabs seemed like nice, well-intentioned folks, who genuinely love the mystery, horror and suspense genres. But their magazine won't have much credibility in the marketplace, or in the publishing industry, if they don't follow the most basic ethical standards…and if they use their magazine as a promotional tool for the authors who pay them to package their ebooks.
It's basic ethical conduct in journalism to try to avoid conflicts-of-interest and to disclose them when they are unavoidable. In this case, the conflicts are totally avoidable. Suspense Magazine needs to disclose when the books that they are reviewing are published by them and/or written by one of their reviewers. The magazine's readers need to know when the critics who are reviewing Suspense's books are also other Suspense authors. It means they have a bias. It's journalism 101, folks. Doing otherwise undermines the validity and objectivity, and certainly the professionalism, of the entire magazine.
My sense was that the Raabs want their magazine to be taken seriously in the field…and it won't be with such loose ethical standards.