Lies That Reveal Your Publisher Is a Fraud

You'd thnk the ebook revolution would have killed off the vanity press hucksters…but it hasn't yet. But until that day comes,  Writer Beware has created for writers a handy list of lies that scammers tell to trick the unwary, the desperate and the gullible into thinking that you're deading with a real publisher.

If  the publisher you are considering getting into business with is telling one of these whoppers, you know you're in trouble. Here are a couple of examples:

We aren't a vanity publisher because we also offer non-fee contracts. Okay. But you only have their word for that, right? And even if it's true, YOU are getting a fee-based contract. Think about that double standard–what does it say about the way the publisher views you and your work?

We aren't a vanity publisher because your fee covers only part of the cost–we provide the rest. Again, you only have their word for that. It's highly likely that this claim is being made not because it's true, but to make you feel better about surrendering large sums of money. In most cases, where publishing fees are due, they cover not just the full cost of production and publication, but the publisher's overhead and profit as well.

We aren't a vanity publisher because we refund your money if you sell a certain number of books. Once again, this is a sales ploy, designed to make you feel better about paying a fee. It's likely that the sales threshold is set so high that authors will rarely, if ever, achieve it–especially given the very limited distribution and marketing that most fee-based publishers provide (since the bulk of most fee-based publishers' income comes from authors' fees, they have little incentive to cut into their profit with effective marketing and distribution–although some will provide more if you pay extra).

Another thing to wonder about: if by some amazing chance you do manage to reach the sales threshold, will your publisher make good on its refund pledge? Some fee-based publishers will. Others are just plain lying.

A Day of Romance

Mystery_mixer I spent the day at the Romantic Times conference in Los Angeles, starting with the Mystery Chix and Private Dix breakfast. Before the breakfast, a bunch of us authors got together for an hour or so and had a private, round-table chat about the fast-moving changes in the business and the rise of ebooks. That conversation — with Rhys Bowen, Doug Lyle, Brett Battles, Sue Ann Jaffarian, Lori Armstrong, Robert Gregory Browne, Dianne Emlley, and Doug Lyle —  was worth the trip by itself.

To kick-off the breakfast, attended by a couple hundred romance & mystery readers, I interviewed Bill Link, co-creator of COLUMBO, and then joined my fellow authors in a raffle of our books.

My next gig was a panel on the business of Hollywood with author Stephanie Bond and development exec whose name escapes me (is this a sign of creeping senility?). He was a very nice guy, but he said something I strongly disagreed with. A woman asked the panel what the best way was to present her novel to a  development exec for consideration as a movie or TV series.

"Make a book trailer," he said, adding that was the only way to really grab the attention of his bosses and convey the feeling of the book. 1000000177

He was a very nice guy… but God, what incredibly bad advice. What the development guy was basically saying was that his boss had the attention span of a 2 year-old, or was illiterate, or was just plain lazy. If the execs at his company can't be bothered to read a punchy paragraph or two, fuck them. You don't want to be in business with people who don't know how to read.

On a more practical note, the only book trailer most authors are capable of producing is going to be a bunch of stock photos, some stock music, and some simple text, all badly edited together into a dull mish-mash. How is that going to put the best spin on your book?  Besides, you're authors, not film-makers. Your job is to write a great book and maybe a good summary your agent can use to sell it to Hollywood. If the boss can't envision the movie from the book or summary without an amatuer trailer, the dimwit has no imagination…another reason not to be in business with them.

But it was a lively, fun panel and, outside of that one comment, which I kept making fun of, the development guy gave a lot of really good advice.

I grabbed a quick lunch with my buddy Ken Levine, who was meeting two of his fans, authors Beth Ciotta and Mary Stella, then went off to lead a two-hour seminar on TV writing, which was a lot of fun. Afterwards, I had a long talk with Barry Eisler about the epub biz, which we'll continue over breakfast on Saturday.

All in all, a very busy, and very enjoyable. day.

(Pictured: the mystery chix gang — Rhys Bowen, Lori Armstrong, me, Brett Battles, Allison Brennan, DP Lyle and Robert Gregory Browne and, in the second photo, me and Ken Levine)

Giddy-up to Rancho Diablo

Rancho Diabloe Dead Man's Revenge 2 copyNovelists Mel Odom, James Reasoner and Bill Crider, under the pen name "Colby Jackson," have teamed up on RANCHO DIABLO, an original series of western ebooks. The third book in the series, DEAD MAN'S REVENGE, is now live on Amazon…and a steal at $2.99.

The three authors are experienced western writers and lovers of the genre…one that's seeing hard times in print but is ripe for revitalization on the Kindle. 

They're trying to do for traditional westerns what I'm trying to do… with their help, in fact…. for the men's action-adventure series with THE DEAD MAN.

And if anyone can do it, they can. Don't miss RANCHO DIABLO #1 SHOOTERS CROSS or RANCHO DIABLO #2: HANGMAN'S ROPE

Suspenseful News

Top Suspense_POD cover (1) Lots of TOP SUSPENSE news today. First off, today is the official publication date of our Top Suspense anthology, which has already garnered wide-spread critical acclaim. 

And to celebrate the publication, we've started a new, daily, tag team storyLauren's Run, written by Joel Goldman, Stephen Gallagher, Naomi Hirahara, Paul Levine, Libby Fischer Hellmann and yours truly. But you'll have to guess who wrote what. There was no advance plotting, no plan…we each had to write 250 words and hand it off to the next writer in line. It was a lot of fun…and plays out over the next 12 days.

And finally, the fine folks at Kindle Nation are spotlighting Top Suspense today…and books by all twelve of the Top Suspense authors.

Have you met THE DEAD MAN?

TheDeadMan_CreateSpaceFINAL_lrg Now's your chance to meet the DEAD MANfor just 99 cents.

That's right, for a limited time, we're practically giving away THE DEAD MAN: FACE OF EVIL, the first book in the series, so you'll be ready for DEAD MAN #2: RING OF KNIVES…and the books that will be coming every month…from writers like Joel Goldman, Harry Shannon, James Reasoner, Mark Ellis (aka James Axler), Bill Crider, and many more!

So don't wait…the price won't be staying this low for very long.

The Future of the Serial Novel is DEAD

We got a terrific review today from Post-Modern Pulps for James Daniels' DEAD MAN #2: RING OF KNIVES. They say, in part:

Now that the origin story in issue #1, Face of Evil is out of the way, Ring of Knives gives us a glimpse into what this series could really look like, and the prospects are fantastic. This is a creepy, violent, action-packed tale of suspense and supernatural horror. This isn't just weird, it's a glimpse into a dark, bizarre, and twisted world, one that the average person is completely unaware of…until the screaming begins.[…]After having read the first two installments of DEAD MAN, I feel I can say with some confidence that this is the future of serial adventure fiction[…] I see the DEAD MAN series having a long and successful publication run, the pioneer for what is sure to be many more serials to come. 

We certainly hope they're right!  

Scribe Award Nominees & Grandmaster Announced

N327137 The International Association of Media Tie-in Writers is proud to announce the 2011 Scribe Award nominees for excellence in licensed tie-in writing —  novels based on TV shows, movies, and games – and this year’s Grandmaster, honoring  career achievement in the field.

This year’s Grandmaster is Peter David, who has worked in television, film, books (fiction, non-fiction and audio), short stories, and comic books. He’s the acclaimed author of over fifty novels, many of them New York Times bestsellers. His extraordinarily prolific output of consistently excellent books includes two dozen original Star Trek novels, three Babylon 5 novels and novelizations of such major motion pictures as SpidermanIron Man, Fantastic Four, and The Hulk

David is also one of the most successful and acclaimed comic book scripters in the business with popular runs on such titles as SupergirlStar TrekWolverine and, in particular, his work on The Incredible Hulk franchise (in comics as well as books). His many awards include the prestigious Will Eisner Comic Industry Award. He lives in New York with his wife Kathleen and their three children.

Our 2011 Scribe Nominees are:

GENERAL ORIGINAL

CSI: SHOCK TREATMENT by Greg Cox

BURN NOTICE: The Giveaway by Tod Goldberg

MIKE HAMMER: THE BIG BANG by Max Allan Collins and Mickey Spillane

MURDER SHE WROTE:  The Queen’s Jewels by Donald Bain

PSYCH: The Call of the Mild by William Rabkin

SAVING GRACE: TOUGH LOVE by Nancy Holder

SPECULATIVE ORIGINAL

GUILD WARS: GHOSTS OF ASCALON by Matt Forbeck and Jeff Grubb 

STAR TREK: MIRROR UNIVERSE: THE SORROWS OF THE EMPIRE by David Mack  MUSORROWS_01-tt

STAR WARS: FORCE UNLEASHED II by Sean Williams

SUPERNATURAL: HEART OF THE DRAGON by Keith R. A. DeCandido

WARHAMMER: BLOODBORN: ULRIKA THE VAMPIRE by Nathan Long

BEST ADAPTATION

FINAL CRISIS by Greg Cox

GOD OF WAR by Matthew Stover & Robert E. Vardeman

THE WOLFMAN by Jonathan Maberry

BEST YOUNG ADULT

ALPHA & OMEGA: THE JUNIOR NOVEL by Aaron Rosenberg

DUNGEONS & DRAGONS: ALDWYNS ACADEMY by Nathan Meyer

THUNDERBIRDS: SITUATION CRITICAL by Joan Marie Yerba

The Fifth Annual Scribe Awards will be given at a ceremony and panel discussion held during Comic Con International in San Diego in July 2011. Details will be announced soon. 

 

 

Daniels on the DEAD

Booklife has posted part two of their terrific, indepth interview with James Daniels, author of DEAD MAN #2: RING OF KNIVES. And if you want to know why we signed him up, and why we're so excited to have him writing on our series, all you have to do is read this excerpt:

What was it about Lee and Bill’s “dark mythology” that got you excited?  What direction did you take in?

 James L. Daniels: I love the fact that the central character in the series is a loner who travels endlessly in search of the answer to a mystery, which will heal both himself and others.  To me, this type of tale hearkens back to the Grail legend, which I incorporated into Ring of Knives.  I think that Matt is the modern-day equivalent of the medieval knight errant, and also of the gunslinger-in-a-white-hat, who is his American descendant. This set-up is an incredibly flexible template for storytelling, and it allows the author to take it in any direction possible.  I’ve seen brief summaries of the stories to come, and they range from gritty urban shoot-em-ups to gothic Lovecraftian lore.  It’s wonderful stuff.  My own brand of pulp is derived pretty directly from Edgar Rice Burroughs; he’s the one (along with “The Uncanny X-Men”) who first snagged my attention as a twelve-year old, and those old-style heroics never cease to move me.  So I’ve taken a lot of inspiration from John-Carter-type stories and fashioned my own tale, which I dressed up in the trappings of Clive Barker, fed raw meat, and unleashed.

What is up with Mr. Dark, anyway?

James L. Daniels: That’s a good question, and every author in the series is going to come up with their own interpretation.  Lee and Bill have been enormously generous letting the writers contribute to the development of the Dark Man’s nature. And it’s interesting, because – like Matt’s character – the Dark Man is an archetype that’s incredibly versatile.  A blogger recently implied that Lee and Bill may have borrowed the evil-clown idea from Todd McFarlane’sSpawn series.  But this is nonsense.  The  unpredictable trickster is one of the oldest characters in fiction.   McFarlane’s Violator was begat by Stephen King’s Pennywise who was begat by Jerry Robinson’s The Joker, who was begat by Edgar Allen Poe’s Hop-Toad, who was begat by Mr. Punch, who was begat by Shakespeare’s Fool, who was begat by Harlequino (and perhaps Sir Thomas Malory’s Merlin), who was begat by Loki, who was begat by Raven (Europe), Coyote (America), and Spider (Africa).  They are all manifestations of the same principle.  What is that principle?  Every writer of the Dead Man will come to his or her own conclusions.

For myself, however, that principle is Entropy, and the madness and despair that arise from our recognition that all our efforts will ultimately end in death.  The major challenge of life is to withstand – and maybe even overcome – that terrible prospect.  In the Welsh Grail legend “Peredur”, the hero is frequently tormented by a black hag who reminds him at every turn that all his acts of valor are causing more harm than good.  That hag, portrayed eight hundred years ago, is the direct ancestor of Mr. Dark.  And you don’t have to be a medieval knight errant to know who she is.  I’ve seen her.  And I bet you have, too.  How we deal with her terrible message is the biggest challenge that we face in life.  And one of the ways we learn to deal with it is by reading about others who confront it head-on.  Matt Cahill is a hero because he does just that.  That’s why it’s a thrill to read about him.  That’s why, when we read about him beating the devil, we set down the book hopeful and happy, believing – for a time – that we can, too.

Check out the rest of the interview for some revealing insights into his creative process.