Writing
More Lit Detectives Coming to British TV
Broadcast Magazine reports that author Peter Robinson's Inspector Banks is coming to television…in two-hour movie for the UK's ITV network from Left Bank Pictures, the same folks responsible for the fine WALLANDER series. The first book to be filmed, which will serve as a pilot for more, will be AFTERMATH. Meanwhile, the same company is producing three movies based on Michael Dibdin's Aurelio Zen novels RATKING, VENDETTA, and DEAD LAGOON for the BBC…as well as a second season of WALLANDER tales.
Two Jews in Kentucky Part 3
It’s been a busy two days in Owensboro at the International Mystery Writers Festival. Yesterday, I did an interview with Fox WTVW about the Festival and my MONK books, did some last minute tinkering with the Angie Awards script, attended several of the “Live Radio Theatre” plays, chatted for awhile with actors Gary Sandy (who guest-starred in a DIAGNOSIS MURDER episode that I wrote), Amy Walker, and Firesign Theatre’s Phil Proctor while dining on some fine Moonlite BBQ, and then spent several hours observing my buddy David Breckman shoot his short mystery film “Murder in Kentucky” with local actors and technicians. All in all, it was a lot of fun.
Tonight, I hosted a dinner presentation honoring Sue Grafton and interviewed her with questions supplied in advance by the audience. She was terrific…funny, informative, and very entertaining. I’ll post pictures from the event as soon as I get my hands on some. Then Sue, her husband, and I attended a live broadcast of the “Live Radio Theatre” plays, which were aired on the local NPR affiliate. Several theatre bigshots from New York flew in for the plays to measure their Broadway and national tour potential. I hear the response was already wildly enthusiatic.
Tomorrow night, I’m moderating a panel with Sue, authors Will Lavender and Laura Benedict, and then later that night I’ll be hosting the Angie Awards, where events will include David and Sue being commissioned as Kentucky Colonels by the Kentucky Secretary of State. My hosting duties actually require a little bit of acting, something I haven’t done much of before, so it should be an interesting experience for me…and, hopefully, an entertaining one for the audience!
Two Jews in Kentucky
MONK writer/producer/director David Breckman and I arrived in Owensboro, Kentucky today for the International Mystery Writers Festival. Everybody has treated us wonderfully but I've only been here a few hours and already have an anecdote to share (or, as David said afterward, "as it was happening, I knew I was living an anecdote that I would be telling for years."). After a screening of MONK clips on a giant, outdoor screen, a fan came up to us with his family and asked us to signed his set of MONK dvds.
"I just knew Monk was written by Jews," the fan said.
"Excuse me?" David said.
"Breckman, Goldberg, you're Jews," he said. "Monk is so Jewish. Jews write the best stuff in Hollywood. All the greatest entertainment comes from Jews. Star Trek was created by a Jew. We just love what you Jews do."
The man obviously meant well and to compliment our work, and he was nervous, so we didn't take offense. David signed the box: David Breckman, a grateful Jew.
David is a super busy Jew these days. In addition to his MONK works, he's also got pilots at USA and NBC. He'll also be writing, casting, shooting and screening a ten minute mystery between now and Sunday. It will be done entirely with local actors and aspiring film-makers, so it should be a lot of fun. Jews are so talented.
MWA Teams with Writer Beware
The Mystery Writers of America announced today that its co-sponsoring Writer Beware. I’m sure it will be no surprise to regular readers of this blog to learn that I spear-headed this effort. I’m thrilled that we’re able to help support Writer Beware…and I hope it leads to other professional writers organizations following our lead. Here’s an article I wrote for the MWA newsletter about it:
The Mystery Writers of America is joining the fight against writing scams by contributing $1000 towards Writer Beware, a website & blog created by the Science Fiction Writers of America to expose fraudulent publishing practices and educate authors on how to protect themselves from being swindled.
“We are pleased to be able to support the important work that Writer Beware is doing on behalf of all writers, professional and aspiring, by exposing scams aimed at defrauding authors,” said Frankie Bailey, the MWA’s executive vice president.
Writer Beware’s website, which was launched by SFWA in 1998, can be used by20any writer anywhere, regardless of whatever genre, fiction or non-fiction, that they work in…or their professional standing. And Writer Beware blog offers up-to-the-minute information on specific scams and schemes, along with essential advice for writers. They also help authors who have questions about individual agents, publishers, or contests.
“We are not only showing our support and making Writer Beware stronger, but sending a message to scammers that we won’t stand by and let them take advantage of authors,” said Lee Goldberg, the MWA board member who will act as the MWA liaison with Writer Beware.
“It’s vital that organizations like SFWA and MWA team up on these kinds of challenges,” said Russell Davis, President of SFWA. “We can accomplish far more working together than we can working on our own, and I hope other organizations will see this as an invitation to join in these types of group efforts.”
I will be reaching out to the International Thriller Writers and the Romance Writers of America to ask them to join us in supporting Writer Beware and fighting scammers.
UPDATE: Publishers Weekly has picked up the news…which is great. The more word spreads about Writer Beware, the less likely it will be that people will be taken advantage of by scammers.
Me on Me
The second part of Lori Ham's interview with me is now up on her No Name Cafe site. Here's an excerpt:
Café: What do you like best and which is harder — writing novels or TV?
Lee: They are entirely different experiences. Television is very much a group effort and what you are writing is a blueprint that lots of other people are going to use as the basis for their creative work, whether it’s the actor, the director, the production designer. And when you write a script it’s not locked in stone. It’s going to change. It’s going to change because everybody has notes. It’s going to change because production concerns force rewrites. It’s going to change because of actors and directors.
A book is entirely my own and unaffected by production concerns or actors. I’m the actors, the director, the production designer […] It’s not a blueprint. It is the finished product and it won’t change much once I am done with it. It’s not a group effort — I plot it myself and I write it by myself. It’s entirely in my head and I live it for months. Creatively speaking, there’s a big difference between writing prose and writing a script. In a book, you are seducing the reader. You are bringing them into your imagination and holding them there for as long as they’re reading the book. You construct everything. You construct the sets, the wardrobe, the world. You’re God. You can even read a character’s thoughts.
Busy Week
I have been absent from the blog, working hard on my screenplay and my latest Monk novel, because I have a very busy week head of me. On Tuesday, I am leading a seminar on episodic TV writing & producing for representatives of China Central Television…which should be a very interesting experience…and then on Wednesday, I'm heading off to Owensboro, Kentucky with my buddy David Breckman, writer-producer-director of MONK, to participate in the third annual International Mystery Writers Festival. I'll be moderating several panels, and doing Toastmaster duties, while David will write, producer and direct an original short film with a group of theatre students. Kentucky native Sue Grafton will also be on hand for panels and such. It should be a lot of fun.
I'm looking forward to the flights to and from Kentucky because it will be my first opportunity to really try out my Kindle. I haven't had any time to read since I got it…
You Can Be a Kindle Millionaire, Part 8
The second month of my Kindle experiment has ended and here are the results:
(Click on the image for a larger view).
All told, I made $375 in royalties selling three out-of-print novels at $1.99 each, a short story collection at 99 cents, and an out-of-print, non-fiction reference book for $2.39 .
THE WALK sold 444 copies in June and 373 copies in July. My short story collection THREE WAYS TO DIE sold 54 copies in June and 40 in July. So sales of both titles have dropped in their second month on sale.
Still, I'm very happy to have sold 817 copies of THE WALK to readers who missed the book the first time around in hardcover. At this rate, it won't be long until I've sold more copies of THE WALK on the Kindle than the book sold in print.
On July 14, I added my novel MY GUN HAS BULLETS to the Kindle Store. It has sold 95 copies in 17 days at $1.99 each, earning me $65 in royalties. On July 17, I added the sequel, BEYOND THE BEYOND, which has only sold 29 copies at the same price, earning me $20.
Two days ago, I added TELEVISION SERIES REVIVALS. I set the price for that one at $2.39, just to be daring. It has sold 17 copies so far, earning me $14.28.
(All those titles are also available on Scribd and Smashwords, but so far I've earned less than $10 in combined royalties from both sites over the last two months. They can't compete with Amazon and the Kindle).
This month I did slightly better than last month, but I also added three more books to the mix.
So far, I have earned nearly $700 on out-of-print books that I thought were long past their earning potential for me. That's not a lot of money, but it was enough to buy me a Kindle and leave plenty of money left over to buy books for it (I'm still not earning anywhere near what Joe Konrath and John August, my inspirations in this endeavor, are making with their work…but I am thankful to them both for showing me the way).
I've said this before, but I don't think the Kindle is the wave of the future for authors or publishing…at least not yet. Not even for self-publishing. There just isn't enough money in it for original works to make a living at it or simply a decent wage.
But not all authors care about making money. Some are in it "for the art" and just to reach people. They are happy giving it away for free…or for next to nothing. Well, let me tell you something, the "free" and $1.99 Kindle books that I have sampled so far have been, for the most part, unspeakably horrendous shit. There's a reason most of these authors can't find publishers for their work. It's stuff so awful you can't even give it away. The Kindle won't change that. The novelty of downloading crap, even when it's free, will pass quickly.
I do think, though, that for authors with out-of-print books sitting in their drawers earning nothing but dust that publishing on the Kindles makes a lot of sense. I don't see the downside. It's found money. And it's fun to watch the royalties and sales click up in real-time (yes, it's a new way to procrastinate!)
I was surprised to discover, once I got my Kindle, that my out-of-print books that I posted myself are better formatted than some of my in-print titles posted by my publishers. I will be talking to my publishers about it.
Work Work Work
If you're a regular reader of this blog, you've probably noticed that I haven't been posting as much lately. That's because I've been hard at work writing an action movie, an international co-production that is presently scheduled to be shot before the end of the year in Europe and China.
For the last few weeks, I've been toiling on various drafts of the detailed beat sheet but, if everything goes according to plan, I will start writing the screenplay in the next week or so. That will give me about four weeks to write the script which for me, coming from years in episodic TV and armed with a ridiculously detailed beat sheet, feels like plenty of time (we'll see if I feel the same way once I'm in the thick of it).
While I await the official greenlight, I will go back to writing MR. MONK IS CLEANED OUT, my next Monk novel, which I had to mostly set aside while I concentrated on the film. This morning I re-read and edited what I've written so far, so I'm ready to plunge back in. I've also got the galleys for MR. MONK IN TROUBLE arriving tomorrow that need to be proofed in the next two weeks.
It's nice to be busy!
In the midst of all this, my Kindle arrived last night and I've only just started to play around with it, but I'm beginning to see already why it has become so popular. I'm looking forward to reading a novel on it to really get a feel for it. That probably won't happen until I hop a plane on August 12 for Owensboro, Kentucky to be a guest at the International Mystery Writers Festival.
A Chat in Lori’s Cafe
There's a Q&A interview with me up at Lorie Ham's No Name Cafe. While you're there, you can browse interviews with folks like my friends Lee Child and Jan Burke. Here's an excerpt from the interview with me:
Café:
How long have you been writing?Lee:
When I was ten or eleven, I was already pecking novels out on my Mom's old typewriters. The first one was a futuristic tale about a cop born in an underwater sperm bank. I don't know why the bank was underwater, or how deposits were made, but I thought it was very cool. I followed that up with a series of books about gentleman thief Brian Lockwood, aka "The Perfect Sinner,” a thinly disguised rip-off of Simon Templar, aka "The Saint." I sold these stories for a dime to my friends and even managed to make a dollar or two. In fact, I think my royalties per book were better then than they are now.