I’ve had some very nice emails today from people who attended the International Mystery Writers Festival in Owensboro, Kentucky and enjoyed my play, MAPES FOR HIRE. I also stumbled on a blog by Tony Brewer, who led the foley team who did most of the live sound FX for the “radio” plays. He writes:
I love doing sound effects, especially live, and boy did this project
stretch me. I think I commented elsewhere: 8 shows, 34 performances, 10
days, with a little over a week of real-time face-to-face onstage prep
and rehearsal. Damn.
But what made this so rewarding was the
talent involved. From the seasoned audio producers, to the pros in the
sound booth, to the versatile actors, to the great writing, add me to
the mix and you’ve got a unique, hybrid theatre experience. A little
bit old-time radio, a little black box, plus 3 of the shows were
screenplays adapted for live performance — basically movies performed
live — all done on a shoestring.
(The picture on the left, taken by Bryan Leazenby, is Orson Ossman performing as Harvey Mapes)