Heading Home

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I have one more meeting this morning for tea and then it's off to Heathrow for my flight home. It has been a very busy and productive week of "get-to-know-you" meetings in London with top level executives at various networks and production companies. I believe that my agent and I accomplished exactly what we set out to do here this week — introducing people to me and my work and establishing relationships that will lead to writing & producing opportunities in the future. 

All the meetings went well and I made some great contacts, so I am feeling very optimistic. I am eager to get home and foll0w-up on everything (sending thank you notes, pitch treatments, etc.) I get home late Saturday and that gives me two days to conquer  my jet-lag before a week of pitching and staffing meetings.

You probably know what a pitch meeting is, but if you aren't in the TV biz, you  might wonder what I mean by "staffing." Now that the network schedules have been announced, everybody (me included) is running around trying to land one of the few available writing staff jobs. It's an intense, competitive and exciting time…full of big emotional ups and downs.  I try not to get my hopes up on any particular project…but I do anyway. I never learn. But I guess enthusiasm and optimism in this business is actually a plus…even if it it inevitably leads to some disappointments.

It wasn't all business in London. I had great dinners with screenwriter & novelist Stephen Gallagher and author James Swallow, browsed lots of bookstores, stocked up on DVDs of UK TV series, and even squeezed in a show of STAR TREK at the BFI Imax theatre. And I won't tell  you how many times I ate chicken pot pie at Square Pie at Selvridges…but the sales clerks and I got to know one another on a first-name basis.

But I am eager to get home and see my family. For some reason, it feels like I have been away much longer than a week.

Interceptors, Immediate Launch!

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Gabrielle_Drake I may be psychic. Or perhaps Stephen Gallagher is. Or perhaps the two of us combined are. Last night, Stephen took me to dinner with his daughter Ellen at a terrific Chinese restaurant in Soho. Among the many things we talked about how much we enjoyed the cheesy, silly 1970s Gerry Anderson series UFO (I absolutely love the Barry Gray score). So I was a bit startled to discover the  news today that Robert Evans  is developing  a theatrical remake of UFO. The script is being written by Ryan Gaudet and Joseph Kanarek.

The Robert Evans Co. has a first-look deal at Paramount, which will be first stop for the project. "We know the importance of the 'UFO' series brand to ITV Global, and we will work closely with them to build this into a franchise," Evans said.

This is not the first time a revival of UFO, either for TV or film, has been attempted. I believe the last one was for MGM and would have been shot in Australia. I wonder if they will keep the women with the colored hair…and the secret government base under a movie studio…and the Interceptors that could only fire one missile.

Breaking In

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Screenwriter, producer, teacher, novelist and bon vivant William Rabkin has written an excellent article on Storylink about what a newbie writer has to do to break into television. You've still got to write an episodic spec script, but…

Your spec can’t simply be a good episode. It’s got to be bold, audacious, and big. It has to go places no one has ever thought of going before and do things no one has imagined doing. And it’s got to do it on the first page. Hell, on the first half page, because your reader may not bother going further than that. You’ve got to grab your readers right away and force them to keep reading.

In short, you need a gimmick.

No, typing your script in 3-D and including polarized glasses isn’t going to do it. What I mean by a gimmick is a transformative approach to storytelling that allows you to retell the series’ underlying narrative in a way that makes it seem new again. It’s a stylistic or structural element that shows that your vision is so intriguingly different that showrunners will fight to bring it to their series.

In London

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The big news here are the ridiculous expenses claimed by MPs for taxpayer reimbursement…everything from flat screen TVs to sacks of horse manure.  Its ridiculously entertaining stuff. Last time I was here, just a few weeks ago, the scandal was some underling of Gordon Brown's who was planting fake, salacious news about political adversaries with bloggers. I must say politics are a lot more fun and sleazy here than at home. 

My first day of meetings went very well. The hardest part has been finding my way from one corner of London to the other but I've been managing all right. Today may be a bit more difficult…I've got a bunch of meetings all over town and I understand from the news this morning that there are lots of troubles/closures on subway system, so it should be even more challenging to get around.

I have been learning more about the UK TV biz…and how it constrasts with how biz is done in the U.S. and Germany. I may have more to share about that in a future post.

Dishing on Disher

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Disher and Lee2 I'm sure glad I recuperated in time to meet author Garry Disher today.  I arranged to pick him up at his hotel and take him on a quick visit to Santa Monica before his 6 p.m. signing at the Mystery Bookstore. 

When I met him at the hotel, he handed me a copy of his new book BLOOD MOON and said "I dedicated this to you." I smiled and opened the book, assuming that he meant that he'd signed it for me. And he had, right there on the title page:  

Lee,

This one is for you, with thanks and admiration. 

Garry Disher

I thought that was a very nice thing to say.  And then I turned the page and was stunned to see this:

For Lee Goldberg

Holy Crap! He actually did dedicate the book to me. I hadn't done anything to deserve such an honor. I honestly didn't know what to say, so I mumbled a thank you and then rambled on about something stupid for the next five minutes as we drove towards the beach. And then I thanked him again, properly this time, by letting him know how surprised and honored I was. 

I'm still not sure why he did such a wonderful thing for me, but I am very, very flattered.  It's the second time a book has been dedicated to me –Max Allan Collins floored me a couple of years ago by dedicating a CSI novel to me. That's two more dedications than I deserved.

We had a very nice conversation over the next two hours. I learned about his writing life and methods, his family, and some of his signing mis-adventures. I also learned something about the Australian book business  – did you know authors get additional payments from book sales to libraries to take into account the books that aren't sold as a result of loaning? And there's good news for Disher fans: there's finally a new "Wyatt" novel coming in 2010. I enjoy his Inspector Hal Challis books very much, but I love Wyatt, sort of the Aussie equivalent of Donald Westlake's Parker. There's even a western version of Wyatt in one of Disher's short story collections (which gave me the inspiration to do a western version of Monk, which you will see in December). 

His signing at the Mystery Bookstore went well. He was followed by Laura Lippman, who came along with her husband David Simon, creator of THE WIRE. So I finally got to meet David, who I've admired for years. It turns out that he's a fan of SUCCESSFUL TELEVISION WRITING, the screenwriting book that Bill Rabkin & I wrote. I told David how much I love the "f-word" scene from season one and use it often when I teach and he shared some anecdotes about how the scene came about.

Garry will be speaking & signing with Laura at M is For Mystery in San Mateo on May 16.  

If you're in the Bay Area, you should go see them. He's also speaking at the First Congregational Church in Berkeley that same day.

After his Westwood signing, I took him to dinner at Jerry's Deli next door and did the fanboy thing of having him sign all the books of his that I've collected over the years.  

It was a great day and I hope I can make it down to Australia some time to see Garry on his home turf.

By the way, Garry will also be speaking & signing at the Velma Teague Library in Glendale AZ on May 19, the Poisoned Pen in Scotsdale on May 20, at Murder By The Book on Houston on May 21, and at the B&N in Reston VA on May 22. He'll also be signing with Cara Black at Mystery Lovers Bookshop on May 23 and at the Scituate Massachusetts Town Library on Tuesday, May 26. Those are just a few of the events on his national book tour…I can't seem to find the rest in one spot on the web, so check out your local independent, mystery bookstore to see if he will be coming to your area this month.

This and That

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Sorry I have been absent from here lately. I have been absent from everything for the last two days, felled by a nasty combination of a stomach bug (that first crept up on me last weekend) and a bad back (that has plagued me for two weeks) that combined to keep me in bed and miserable. The first day I felt so lousy all I did was nap, sweat and shiver. But on the second day I continued my UK video binge and watched a WALLANDER, a LEWIS, two episodes of  THE FIXER, the latest episode of series 2 of ASHES TO ASHES, three series 2 episodes  of MOVING WALLPAPER, and an episode of MISSING.

I'm out of bed today, temperature  normal, eating again, and walking more-or-less upright (thanks to me finally giving in and seeing a chiropractor)…just in time to meet Aussie author Garry Disher tonight before his signing at the Mystery Bookstore. I am a huge fan of his work, particularly his terrific Wyatt novels (inspired by Westlake's Parker  series), which need to be read in order to truly be appreciated. I will try to behave like a professional and not a drooling fanboy.

Tomorrow, I will spend the day packing and getting prepared for my Saturday flight to London, where I will be spend a week meeting with various UK studios and networks…so you can expect more sporadic, rather than regular, posting.  

Mr. Crider Isn’t Miserable

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51nZwbjBNLL._SS500_ Bill Crider really enjoyed MR. MONK IS MISERABLE, which will be coming out in paperback in a couple of weeks. He writes, in part:

If Monk is miserable, you can be sure I'll be happy reading about it. […] there's plenty of Monk's quirkiness, which I continue to find amusing. This is where the title of the book is somewhat misleading because before it's over, Monk has found something approaching pure happiness driving a motocrotte. Again, you'll have to read it for yourself, which is something I recommend the next time you need a good laugh, an entertaining mystery, and a tour of the Paris underground all for the same price.

Thanks, Bill!

This is My Life

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Getting fired, in the form of a series cancellation, is a fact of life for people working in the TV industry. As an example, The Los Angeles Times reported yesterday on what it's like for the crew of the CBS series THE UNIT to be waiting, and wondering, whether their show is coming back.

If drama is life heightened, then Hollywood's bubble shows mirror much of America right now, where the specter of pay reductions, freezes and immediate unemployment is writ large. In the television industry, the phenomenon is an annual rite as network executives decide which series will be ditched to make room for new projects.

"What the country in general is going through, if you choose to work in Hollywood, you've accepted a life that is constantly like that," said executive producerShawn Ryan, who runs "The Unit" and created the FX cable channel's cop drama "The Shield." 

[…]Executive producer Vahan Moosekian is as familiar with these employment ups and downs as anyone. His four years on "The Unit" is his longest stint on any show during his 33 years in the industry, stability he knows could easily be followed by years of unemployment. With the rise of reality TV and NBC's new 10 p.m. Jay Leno comedy show, there are fewer jobs in scripted television.

I know how Moosekian feels. For years, I used to dream about what it would be like to actually be on a show that came back for a second season. It seems like every show I was on would be canceled during it's first season, or if it came back, I would leave for one reason or another before it happened. It wasn't until DIAGNOSIS MURDER that I discovered what it felt like to be on a show for several years…though we were on the bubble for renewal, not just every season, but every mid-season as well.  

I have never seen things as tough for TV writers as they are now. There are fewer scripted dramas and fewer writer/producer slots on them. Even if you are lucky enough to be on a show that gets renewed, you might not come back with it — every show is trimming expenses and writers are the first to go when networks and studios look to cut costs. 

Then again, it's tough for everybody in every industry right now.