horror writing

The Boy Who Killed Demons

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demonsMy friend and Top Suspense colleague Dave Zeltserman is a dual threat — equally adept at writing terrifying, and deeply unsettling horror novels as he is at writing stunning crime novels. His latest horror tale, The Boy Who Killed Demons,  earned a starred review from Publisher’s Weekly and raves from both Kirkus Reviews and Library Journal.  I invited Dave here to talk about the influences that shaped his new book.

Every author has influences we’re aware of for our books, and sometimes we have subconscious influences that we might become aware of after the book’s been written. My first novel, Fast Lane, was heavily influenced by the great crime noir writer, Jim Thompson, even when I wasn’t aware of his influences. My crime novel, Pariah, was consciously influenced by the Whitey Bulger crime saga and a well-publicized plagiarism scandal involving a chicklit book. My Frankenstein retelling, Monster, was obviously influenced by Mary Shelley’s Frankenstein, but also by the Marquis de Sade, the German horror writer E. T. A. Hoffmann, and John Polidari’s The Vampyre. While I wasn’t aware of any influences on my crime noir novel, Small Crimes, years later I could see Dan Marlowe’s influence in my writing. With my latest horror novel, The Boy Who Killed Demons, that’s being released today, there are obvious influences by Lovecraft, the film They Live, and Spider-Man.

The Boy Who Killed Demons chronicles the struggles of 15 year-old high school student Henry Dudlow to keep the world safe from demons. When Henry was 13 he was a normal, outgoing kid, but then he started seeing certain people as demons, and things change dramatically for him. After convincing himself that these really are demons, he sets about to determine what they’re up to, and when he discovers that they’re trying to open the gates to hell, he has to do whatever it takes to stop them.

When I was a kid I read all the Lovecraft I could get my hands on, often (as Henry does in the book) riding my bike into Boston to visit used bookstores. While stylistically The Boy Who Killed Demons is very different than Lovecraft’s writing, the influences can still be seen, both in the way I sometimes show Boston and with the forces at work to allow evil, all-powerful entities into our world that will cause the destruction of everything we know.

One of my favorite horror films is John Carpenter’s They Live, and Demons gives a nod to the film as Henry watches it on TV one night and identifies strongly with Roddy Piper’s character, and the sacrifices Piper must make once he can see the aliens for what they are.

Finally, there’s the Spider-Man influence. As a kid, this was my favorite comic book, and Henry keeps watching the first Toby Maguire Spider-man for inspiration, identifying strong with the ‘with great power comes great responsibility’ idea, and later in the book the first Spider-Man comic book plays a role.

The Story Behind THE DEAD MAN #18: STREETS OF BLOOD

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The Dead Man #18: Streets of BloodAuthor Barry Napier was the winner of the “You Can Write a DEAD MAN Novel” contest last year….and his book, THE DEAD MAN #18: STREETS OF BLOOD, has just been published by Amazon/47North. I’ve invited Barry to talk about his experience writing the book:

I won Amazon’s You Can Write a Dead Man Novel contest last year. The months between October – January were spent writing and editing it. If I’m being honest, I learned a lot from writing it, some of which I think most writers can either relate to or need to know.

First, Lee Goldberg and William Rabkin were very kind about pointing out a few of my flaws…flaws that have plagued me since writing my first short story at the age of 14. Among them…I’m too wordy. I tend to wax poetic when it’s not called for. I try to create back story that serves as a story in and of itself (this one, I will argue to my last breath, is often necessary and pivotal for longer works). When I try to write about someone collecting information or being smacked by insight, I tend to come off as too passive.

The great thing is that I have had these things pointed out by editors in the past. But with The Dead Man #18: Streets of Blood, these things were not only pointed out, but highlighted with blood and gore. Writing this book was perhaps my biggest lesson in reigning myself in when I wanted to get too wordy or experimental when it wasn’t called for.

This book was equally odd to write because of its content. It’s one of the bloodier things I have written in a while. When you consider the fact that I was writing a faith-based suspense novel at the same time, it was a very challenging and eye-opening few months.

So, while researching parts of scripture for the faith-based novel, I was also having to research old morbid nursery rhymes for my Dead Man book.

I’m not going to lie…it was sort of fun.

So again, a big thanks to Lee Goldberg for helping me through the process. It was an intensive course in writing short novels while helping me to further cripple some of the mistakes that I still wrestle with in my writing.

 

A Horror in Horror

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Open Casket Press

Book Editing Terror!

Author Stant Litore is warning horror writers to be wary of publisher/editor Anthony Giangregorio and his much-maligned Open Casket Press. Litore alleges that Griangregorio goes far beyond traditional book editing, massively rewriting manuscripts and then publishing the altered works without the consent of the authors. Griangregorio has been known to change the gender of characters and add rape scenes. This outrageously over-the-top editing and rewriting amounts to what Litore calls “a crime against intellectual property.” I don’t know if I’d go that far, but it’s certainly unprofessional, unethical and inept. Another blogger, Cussedness Corner, warns authors away from Giangregorio as well by offering a horrifying, line-by-line analysis of Open Casket’s terrible author contract.