The Mail I Get: Lee Goldberg Books in Chronological Order

I got this email from Lynn Donahue today:

I just discovered you while browsing on Amazon! I read an excerpt from  “Watch Me Die” and was amused enough to put it on my wish list. Which is a pretty big deal, really. It takes a lot to shove the mouse allllll the way up to the corner and click “add” when I’m smoking,  drinking coffee and coughing on cue when work calls. Whew! Luckily, I can multitask like an octopus on crack so you made it into my wish list!  However, before I start my Lee Goldberg journey, I’m wondering if there  is a chronological order to the books?

Not all of my books are series, so it’s not necessary to read them in chronological order. But here you go, Lynn, the Lee Goldberg Books in Chronological Order:

0316 Goldberg ecover JUDGEMENTThe Jury Series (aka .357 Vigilante) (mid-1980s).
Judgment
Adjourned
Payback
Guilty

Unsold Television Pilots 1955-1989 (1990)

Science Fiction Film-Making in the 1980s (with William Rabkin, Randy & Jean-Marc Lofficier) (1995)

Dreamweavers: Fantasy Film-Making in the 1980s (with William Rabkin, Randy & Jean-Marc Lofficier) (1995)

Television Series Revivals (1995) (republished in 2009 as Television Fast Forward)

The Charlie Willis Series
My Gun Has Bullets (1995)
Dead Space (aka Beyond the Beyond) (1997)

 

The Diagnosis Murder Series (2003-2007)
The Silent Partner
The Death Merchant
The Shooting Script
The Waking Nightmare
The Past Tense
The Dead Letter
The Double Life
The Last Word

The Walk (2004)

Watch Me Die (aka Man with the Iron-On Badge) (2005)

Successful Television Writing (with William Rabkin) (2007)

The Monk Series (2006-2013)
Mr. Monk Goes to the Firehouse
Mr. Monk Goes to Hawaii
Mr. Monk and the Blue Flu
Mr. Monk and the Two Assistants
Mr. Monk in Outer Space
Mr. Monk Goes to Germany
Mr. Monk is Miserable
Mr. Monk and the Dirty cop
Mr. Monk in Trouble
Mr. Monk is Cleaned Out
Mr. Monk on the Road
Mr. Monk on the Couch
Mr. Monk on Patrol
Mr. Monk is a Mess
Mr. Monk Gets Even

The Dead Man Series (2011-)

The Dead Man: Face of Evil (2011) (with William Rabkin)
The Dead Man: Hell in Heaven (2011) (with William Rabkin)

King City (2012)

McGrave (2012)

hollywoodThe Fox & O’Hare Series (with Janet Evanovich)
Pros & Cons (2013)
The Heist (2013)
The Chase (coming 2/2014)

Fast Track (2013)

Ella Clah: The Pilot Script (with William Rabkin) (2013)

Anthologies
Fedora III (2004)
Hollywood and Crime (2007)
Three Ways to Die (2009)
Double Impact (2012) (includes the novels Watch Me Die and McGrave)
Three to Get Deadly (includes the novel The Walk) (2012)
Top Suspense (2012)
Die, Lover Die (2012)
Top Suspense: Favorite Kills (2012)
Writing Crime Fiction (2012)
Double Header (2012) (includes the novels My Gun Has Bullets and Dead Space)

Silent Night

14736354_201309051155SILENT NIGHT was the Spenser novella that Robert B. Parker was working on when he died at his desk. His literary agent, Helen Brann, has finished it. Spenser fans would have been better off if she hadn’t. This is a terrible novella and hands-down the worst tale in the Spenser series, which was already taking a nose-dive in quality in the last few years before Parker’s death. What SILENT NIGHT does do effectively is really make you appreciate the remarkable job Ace Atkins has done with his two Spenser books.

The plotting, if you can call it that, of SILENT NIGHT is limp and feels improvised. Spenser is an utterly passive, listless character in this tale who does nothing but sit in his office and wait for people to come by and tell him what he needs to know. He does no detecting. And what little action he does take makes no investigative or rational sense. Come to think of it, nobody in this book….particularly the state and local police…behave in anything remotely resembling a realistic or rational manner. Usually, when Parker’s plotting was weak, he’d distract you from it with punchy dialogue and sharply drawn characters. Not this time. The dialogue is expositional and leaden and the characters, especially Spenser, Hawk, and Susan, are reduced to one-dimensional caricatures. SILENT NIGHT is a disappointment on every level. Save yourself the disappointment and skip this book.

Booksigning Hell Remembered

20x30_Remaindered_Novel_Way_FestivalsAny author who was published back in the pre-ebook days can tell you stories about some horrible booksignings. I did a signing years ago in a now-defunct Newport Beach bookstore. Not a single soul showed up. So the store clerk plopped herself down in the seat beside me.

“This is great,” she said.

“How so?” I replied.

“I can read you some of my erotic poetry,” she flipped open a thick notebook filled with illegible scrawl, and began to read. “Hello, He throbbed…”

I looked at my watch. I was scheduled to be there another hour-and-thirty minutes. And my wife had my car…

“My wife should be here any minute,” I said.

Her breasts swelled, waves of lust on a sea of passion…”

* * * * * *

Another signing, this one at a Waldenbooks in the South Bay, where I was stuck at a cardtable at the front of the store. Only one person even approached me. She wanted to know where the diet books were.

After two hours of boredom, I approached the manager and thanked her for having me.

“Would you like me to sign the stock?” I asked.

She looked at me in horror. “No way!”

“Why not?” No one had ever said no to me signing stock before.

“None our customers are going to buy a marred book!”

* * * * * *

I fictionalized one of my favorite bad booksignings for my short story REMAINDERED, which appeared in “Ellery Queen Mystery Magazine,” a few years back and was later adapted into a short film. Rather then tell it like it was, here’s a bit from the story instead…

The voice of a new generation sat at the end of aisle 14, where the house wares department ended and the book section began. He peered over the neat stack of paperbacks on the table in front of him and, once again, as politely as he could, told the irritable woman in the orange tank top and slouchy breasts that he had absolutely no idea where she could find wart remover.

“You’re not being much of a help,” she snapped, leaning one hand on her shopping cart, which was filled with disposable diapers, Weight Watchers Frozen Dinners, Captain Crunch, a sack of dry dog food, a box of snail poison and three rolls of paper towel. “Look at this, it’s doubled in size just this week.”

She thrust a finger in his face, making sure he got a good look at the huge wart on her knuckle.

“I don’t work here,” he replied.

“Then what are you doing sitting at a help desk?”

“This isn’t a help desk. I’m an author,” he said. “I’m autographing my book.”

She seemed to notice the books for the first time and picked one up. “What’s it about?”

He hated that question. That’s what book covers were for.

“It’s about an insomniac student who volunteers for a sleep study and falls into an erotic relationship with a female researcher that leads to murder.”

“Are there cats in it?” she asked, flipping through the pages.

“Why would there be a cat in it?”

“Because cats make great characters,” she dropped his book back on the stack, dismissing it and him with that one economical gesture. “Don’t you read books?”

“I do,” he replied. “I must have missed the ones with cats.”

“I like cat books, especially the ones where they solve murders. If you’re smart, you’ll write a cat book.” And with that, she adjusted her bra strap and rolled away in search of a potion to eradicate her warts.

These are the Voyages

51ujI2AttuL._SY344_BO1,204,203,200_After nearly fifty years, I thought there wasn’t anything more to be said, or any more books that could possibly be mined, from the original Star Trek. Hasn’t that show been talked about, and examined to death, down to every last detail?

You’d think so. But then along came These Are The Voyages: Season One by Marc Cushman and it may be the best book yet about the production of the series and one of the best books ever written about any TV show. It’s a shame the book is presented as yet another fan-written curio for the diehard trekker…because it’s a must-read for students of television, and aspiring TV writers, regardless of whether they watched, or liked, Star Trek.

These Are The Voyages is an exhaustively detailed look at the writing and nuts-and-bolts production of every single episode, from the first, failed pilot onward. Everything in the book, like a TV series, starts with the scripts…and Cushman walks us through every draft and every change, whether they were prompted by creative issues, budgetary concerns, production issues, or network notes.

The author relies on extensive interviews with the show’s surviving writers, producers, directors, and actors (and archival interviews with those who have passed away) and never-before-released memos, budgets, shooting schedules, and other internal documents. Best of all, Cushman manages to remain, with only a few slips, remarkably objective and scholarly about his subject, leaving the book refreshingly free of the kind of cringe-inducing, fannish drool that usually typifies books about “cult” shows and Star Trek in particular.

These Are the Voyages is a treasure trove of information and a fascinating look at how a TV show is written and produced…and all of the forces that shape it. I’m eagerly looking forward to the next two volumes.