Lee Goldberg

Indulging my inner Geek

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I love the new BATTLESTAR GALACTICA. Even with a cheesy story-line like tonight’s "body farm" plot, it is redeemed by its total dedication to subverting your expectations…and your sympathies. The Cylons aren’t just robots. They might just be more human than, well, the humans. ..and the most terrifying thing about the Cylons is that the humans are realizing that, too. Great stuff.  On a side note of true geekiness, I love that fact that the characters
on this show sweat, get dirty and bleed, and that their wounds are
carried over from episode-to-episode (and on a side-side note…it sure was gutsy to shoot the "star" of your show and keep him unconscious in a hospital bed for six episodes. Makes me wonder if Edward James Olmos was doing a movie or something at the same time…or if showrunner Ron Moore just likes taking big risks).

Who knew there was such a great series to be found in the bones of Glen Larson’s original idea? Makes you wonder what someone could do with Irwin Allen’s LOST IN SPACE or some other cornball scifi shows from the past.

But hey, this series pales in comparison to the original BATTLESTAR GALACTICA…yeah, the one with the robot dog…just ask the Colonial Fan Force who are still, inexplicably, pining for a continuation with the geriatric cast.

UPDATE:  I’m not the only geeky Goldberg who is addicted to the new BATTLESTAR GALACTICA.

I’m Going to Be Blushing All Weekend

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I made my daily visit to Ed Gorman’s blog and was shocked out of my seat by the kind words he had to say about THE MAN WITH THE IRON-ON BADGE.

What makes the novel so remarkable–remarkable enough for me to put it
on my Edgar short list along with Terrill Lankford’s Blonde
Lightning–is the way, like the best of the Rockford episodes, Goldberg
is able to parody his standard SoCal moments while telling a
convincing, even moving tale about the real nature of SoCal streets and
the real nature of heroism.

The novel owes more to literary pieces than to genre ones because here
the narrator’s voice is more important than plot, something you find in
novels such as Richard Price’s Ladies Man (modern) and J.D. Salinger’s
Catcher in The Rye (classic). And as in both of those novels, Goldberg
creates an Everyman, a man who just doesn’t fit anywhere, a man who is
driven to find some small justice in a world where justice is just
another commodity to buy and sell. You can almost hear Holden Caulfield
hectoring you, telling you that you’re a sap to believe all that
hi-faultin’ nonsense about the hallowed justice system working for one
and all. He knows better and you should know better, too.

I may be blushing all weekend. To be compared on any level besides "this book is also written on paper" with Richard Price and J.D. Salinger just floors me. Thank you, Ed. Now how the hell am I supposed to get back to writing MONK #2 after that?

IAMTW Spoofed

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When James Lincoln Warren and Paul Guyot learned about the International Association of Media Tie-in Writers (IAMTW), they cooked up this wicked spoof, a website for The Professional Hack Authors Recognition Society (PHARTS).

The Professional Hack Authors RecogniTion Society, or

PHARTS, is an organization for professional hack authors,
i.e., mercenary wordsmiths who don’t care a fig for style, content,
originality, or grammar, but are willing to write anything for money. 
We are of all ages, races, ethnic backgrounds, religious persuasions,
and sexual preferences, comprising even Old PHARTS, New
PHARTS, Red PHARTS, Blue
PHARTS.  Are you
PHARTS material?

In a back-handed kind of way, this amusing  satire underscores why Max Allan Collins and I decided there was a need for a professional organization for media tie-in writers.  We’re not stupid, we  know that tie-ins and novelizations are widely considered as hack work…even though media tie-ins regularly hit the NY Times, Publishers Weekly, and USA Today bestseller lists and handily out-sell original novels by many big-name authors. But media tie-ins rarely get reviewed and never get any respect. Hence, IAMTW.

More SOPRANOS

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The New York Times reports that the upcoming season of  THE SOPRANOS won’t be the last one after all.

Brad Grey, the new Paramount chief, who retained his title of executive
producer on "The Sopranos," said that Mr. Chase, when he got into the
storytelling for the coming season, decided it was still so rich it could be
continued, a decision Mr. Grey said that was endorsed by everyone involved in
the production.

"For the people on the show, this has been the greatest creative experience
of everyone’s life. Why wouldn’t you want that to continue?" Mr. Grey said.

One of a Kind Blurb

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My friend author Lewis Perdue, in the midst of his legal tussles with Dan Brown, actually found time to read a galley of  THE MAN WITH THE IRON-ON BADGE and had some good words for the book on his blog.

Get this book. Read it. And if you’re in the doldrums, suffering from the
heartbreak of psoriasis, the humiliation of herpes, or the agony of a lawsuit
with Random House, you will feel better after the first chapter.

Now that would make a one-of-a-kind blurb!

Rough Edges Goes Easy on BADGE

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Author James Reasoner flattered me today with some very nice words about THE MAN WITH THE IRON-ON BADGE on his blog.

This book starts out as a fine example of the humorous “lovable schmoe” school of detective fiction, and Goldberg does a good job with that part of it, but then it takes a sudden turn into darker and more dangerous territory and becomes even better. The plot becomes more complex and so
do the characters, and while Goldberg plays scrupulously fair with his clues, nothing and nobody turns out be exactly that they seemed at first. Add to that some very smooth prose and a sense of compassion for
the people he’s writing about, and you’ve got one of the best books I’ve read so far this year. Highly recommended.

Thanks so much, James!