Amazon Launches 47North Imprint with THE DEAD MAN

The Dead Man Face of EvilToday, Amazon announced the launch of their new sf/fantasy/horror imprint 47North…and one of the premiere titles is THE DEAD MAN series. Our kick-off is coming in just a couple of weeks…in a very big way…and we can't wait!

UPDATE: Publisher's Weekly also wrote about it. Here's part of what they said..

Amazon has added another genre to its publishing stable, with the launch of 47North, a science fiction/fantasy/horror imprint that will publish original and previously published works from new and established authors as well as out-of-print books. “We are especially happy to have a diverse list at launch, and look forward to publishing across a wide range of subgenres,” said Victoria Griffith, publisher of Amazon Publishing’s west coast group.
 
47North has signed 15 titles at launch with its first title coming from Lee Goldberg and William Rabkin, the authors of Successful Television Writing and who have written and/or produced scores of highly successful network television series, including Diagnosis Murder, Spenser: For Hire, and Baywatch. Their digital-first novel, Face of Evil, will be published this month; four more installments will also be published in October, with a new adventure following each month thereafter. A print compilation of the first three novels will publish in January 2012.
 

More Word from The Dead

Ron Hogan at Reader's Entertainment has written a great background piece on THE DEAD MAN series and our new deal with Amazon. Here's an excerpt:

“Ultimately, we are the ones responsible for maintaining the consistency of the franchise and turning in great books to Thomas & Mercer,” Goldberg explains; each book is commissioned on a work-for-hire basis, with the authors receiving an advance and splitting royalties with the series’ creators. Although Thomas & Mercer will be paying a lower royalty rate than the 70 percent Goldberg and Rabkin earned while self-publishing, the deal is still “much better than what we would get from a traditional publishing contract,” he says. “In addition, we are going to move a lot more units than we would thanks to Amazon’s marketing and promotional savvy on their own platform.” 

That’s welcome news for Goldberg, who attributes much of the “great” sales for Face of Evil to a guest post he wrote for Amazon’s Kindle blog in which he described how the series was connected to his love of classic “men’s adventure” novels that flourished when the paperback market was in its heyday. “The other books [in the series] were doing fine, but not spectacularly well,” he admits. “Nowhere near what we saw as their potential, based on the amazing critical response and reader reviews we’ve been getting.”

When Amazon’s audiobook division, Brilliance Audio, began negotiating at the beginning of the summer with Goldberg and Rabkin about audio versions of the series, Thomas & Mercer quickly became involved as well. “They instantly understood what we were hoping to accomplish with the series,” Goldberg says. “They saw the potential in it and, like us, were frustrated that it hadn’t been tapped yet.”

 

Road Kill

51Ol5QtgKCL._SS500_ My good friend Zoe Sharp's terrific novel ROAD KILL is now available as an ebook…and it includes a teaser chapter from my soon-to-be-published crime novel KING CITY.

ROAD KILL is Zoe's fifth novel in the acclaimed Charlie Fox series. Here's the scoop:

 Still bearing the emotional scars from her traumatic first bodyguarding job in the States, Charlie Fox returns to her former home to try and work out both her personal and professional future.

Instead of the peace for which she's been hoping, Charlie is immediately caught up in the aftermath of a fatal bike crash involving one of her closest friends. The more she probes, the more she suspects that the accident was far from accidental − and the more she finds herself relying on the support of her troubled boss, Sean Meyer, despite her misgivings over the wisdom of resuming their relationship.

And Charlie's got enough on her plate trying to work out who suddenly wants her dead. The only way to find out is to infiltrate a group of illegal road racers who appear hell-bent on living fast and dying young.

Taking risks is something that ex-Special Forces soldier Charlie knows all about, but doing it just for kicks seems like asking for trouble. By the time she finds out what's really at stake, she might be too late to stop them all becoming road kill 

Going for the Money

For years, so-called "literary" writers routinely to sneered at genre fiction as a lesser form of writing. But now more and more of those same writers,  under their own names and under pseudonyms (like John Banville writing as Benjamin Black, or Scott Spencer writing as Chase Novak for example), are turning to genre fiction because that's where the money is, as The Millions reports:

The good ship Literary Fiction has run aground and the survivors are frantically paddling toward the islands of genre. Okay, maybe that’s a little dramatic, but there does seem to be a definite trend of literary/mainstream writers turning to romance, thrillers, fantasy, mystery, and YA. Justin Cronin has produced the vampire epic The Passage.Tom Perrotta is offering The Leftovers, a tale of a futuristic Rapturesque apocalypse. And MacArthur-certified genius Colson Whitehead is writing about zombies. It’s enough to make my historical mystery about Jack the Ripper look downright pedestrian.

[…]So while publishers might happily support a literary author making the switch to genre they’ll probably be less enthusiastic when that writer develops an itch to move back toward literary writing. The obvious compromise – write literary under one name, genre under another – works for some, but is a stopgap solution while the industry struggles to catch up with the reality of what’s happening. Because it’s not just a matter of writers flipping back and forth, it’s a matter of genre and literary cross-pollinating to produce a new species. Genre books written by literary writers are different than those written by authors who have always embraced and exemplified that genre.

The so-called "literary writers" are only beginning to notice what those of us who've always toiled in  "genre" writing have always known…the labels are meaningless. All that matters is whether you are telling a good story that grabs readers. And all it takes is one look at the bestseller lists to see what readers really want. More often than not, the bulk of the NY Times list is dominated by mysteries and thrillers. If a book is a mystery or a thriller, does that inherently make it less "literary" than a story about a family that's slowly disintegrating under the weight of the lies that they tell themselves and one another? I don't think so.

Mr. Monk and the Mug Shot

MR MONK on the couch Gary Mugford over at Mug Shots gave MR. MONK ON THE COUCH a terrific review. He said, in part:

Goldberg is relishing the freedom, the end of the TV series has afforded him. That's obvious. It's odd to refer to this book being Natalie-centric, when in fact, she narrates every book and it's her voice in your head all the time. But in the previous 11 books in the series, that voice was talking about Monk most of the time.

[…]As they say in the late-night infomercials, but wait, there's more. While Natalie's doing her P.I. with training wheels thing, there are other murders for Adrian Monk to solve. And solve them he does. Only to have a suit from upstairs at the Police Department invalidate his solutions because he doesn't have proof he's right. Knowing who and how a bunch of murders happened turns out frustratingly inconclusive, a "Here's what happened" moment without the payoff/conviction.

Until Natalie and Detective Amy Devlin rescue the case by thinking, and working, outside the box. We see Natalie working 'undercover' for the first time. And I bet you it won't be the last time.

The question posed in the book is, what would happen to Natalie if something happened to Monk? She might go back to her rich family. But not now. We know the answer.

He's right, I have been having a lot of fun with the last few MONK books. Since the TV series ended, I've been taking a few more chances with the characters and it's keep the series fresh…though I think if you've read all the books, you'll see the changes as natural steps in their evolution (particularly with Natalie, playing out an arc that began with MR. MONK AND THE DIRTY COP)

MR. MONK ON PATROL, coming in January, definitely builds on the themes and events in MR. MONK ON THE COUCH. And the one I am writing now, MR. MONK IS A MESS, is a direct sequel to PATROL (in much the same way that MR. MONK IS MISERABLE was a direct sequel to MR. MONK GOES TO GERMANY).

I have only a vague idea where the next book may go…but it has been nice to be able to let the characters evolve in ways that I couldn't while I had to stick to the continuity of the TV show.

Mr. Monk and Happiness

MR MONK on the Road (1) I'm enormously flattered by the glowing review Mugshots gave Mr. Monk on the Road today. Here's an excerpt:

Here's why this book is probably the best of the Monk novels to date. It has heart. Actually Heart with a capital H. And Hope. And Happiness.

Now, it's never easy to throw words like heart, hope and happiness around in a Monk book. The books are, in many ways, about his eternal suffering. Schadenfreude allows us to enjoy him solving problems, giving us some laughs, and generally making us happy that we are neither him, nor the suffering Natalie. There but for the grace of God … and all that.

But this book has Heart. The newest Monk is one who can see past his own problems to want to do something good for his brother, no matter how discomfited he knows he's going to be. He engages in the kidnapping, not wholeheartedly, but with enough enthusiasm that you can see him straining to think of others before himself.

And the result is Hope. Not thr kind that had him longing, and then succeeding, to get back onto the police force as a full-blown detective. No, that was fool's gold all along. And he realized that not long after getting his wish. No, the hope here is of a re-kindled relationship between the brothers. Of a life that might get Ambrose out of his house more often. Of a Monk who can allow himself the thought of being normal, if even for the briefest of times.

Lastly, we get to Happiness. On the face of Ambrose. More than once. Monk might generate more than his share of chuckles. But smiles? Smiles of actual happiness beyond solving the crime and the chance to wrap up a crime. Ahh, not so much. There were the happy times cleaning up the streets of Paris. But that was another time and another book. But you know,  a little sunny disposition is refreshing in a Monk book. 

I should note that some potential recurring characters make their debuts in this book. I don't expect to see Dub Clemens again, but this latter day Mark Twainish detective type would be welcome back, healthy or otherwise. That said, Yuki looks to be a keeper. At least Ambrose thinks so. And Randy's replacement, Lt. Devlin, shows some promise. I hope Goldberg keeps her waffling between being a friend and being a foe for Natalie and Adrian.

In a lot of ways, Mr. Monk on the Road is like the other road trip books in the series. Entertaining, informative about the locales and funny. This one adds just a little Heart and becomes endearing.

 Thank you so much, Gary!

Writing the MONK Books

Doug Lyle, my brother Tod, and I had very nice signing at Mysteries to Die For today, where we chatted a bit about our books, writing tie-ins, and the publishing industry. You can get a taste of what I had to say in this Q&A interview with me over at Kings River Life Magazine about the writing of the MONK books and MR. MONK ON THE COUCH in particular. Here's an excerpt:

Lorie: This one was a bit different, focusing more on Natalie—why did you decide to do this and what do you feel are the benefits?

 

Lee: My feeling is that characters become stale if they don’t grow and that readers will become as bored with them as the author is. Natalie is a smart woman and I didn’t think she could stick with Monk, and keep investigating murders, if she didn’t find it fascinating herself. And I doubted she could do it for so long without picking up some skills along the way. It’s an arc I have been developing with her since Mr. Monk and The Dirty Cop and that pays off in a big way in Mr. Monk On Patrol, which comes out in January. She’s not the only character who is changing…I’ve also been developing an arc with Ambrose since Mr. Monk In Outer Space that takes a big step forward (so to speak) in Mr. Monk On The Couch.

 

Lorie: Anything else you want to share specifically about this book?

 

Lee: I’ve been liberated, in a sense, by the finale of the Monk TV series, which really shook things up for the characters. I have built on that over the last few books, paying off some of the arcs that began early the novel series. Like the book Mr. Monk On The Road, the book that preceded this one, Couch is a story about change. The characters and their relationships are evolving in substantial ways that continue in the books to come.

 

Books Without Borders

The demise of Borders, though widely expected, is sending shockwaves through the publishing industry that authors will undoubtedly be feeling in their wallets, as the Wall Street Journal reports.

When you lose literally miles of bookshelves, it's going to have an impact," said David Young, chief executive ofLagardère SCA's Hachette Book Group, which Borders owed $36.9 million at the time of its bankruptcy filing. "I hope other retailers will now step up and make offers for what they consider to be the prime sites," Mr. Young said. "It's a tragedy Borders didn't make it through."

The loss of Borders may also make it more difficult for new writers to be discovered. "The liquidation of Borders is an irreplaceable loss of a big part of the book-discovery ecosystem," said Michael Norris, a senior analyst at Simba Information, a unit of MarketResearch.com "Thousands of people whose job consisted of talking up and selling books will eventually being doing something else, and that's bad for authors, agents, and everyone associated with the value chain in books."

Hardcover and paperback book sales are bound to take a huge hit…and publishers are going to pass on the pain by offering lower advances. This is bound to drive more authors, particularly those in the ever-widening mid-list, to self-publishing. It will also have, oddly enough, a negative impact on at least one e-reading platform — the Kobo, which was Borders' answer to the Kindle and Nook (though the Kobo remains the device of choice for Canada's Chapters chain of book superstores).

The liquidation of the 400 remaining Borders stores could start as early as Friday.

Naomi’s Flawed Masterpiece

417 Top Suspense Sizzling Summer Reads My friend Naomi Hirahara talks today about her affection for Summer of the Big Bachi, her widely acclaimed first novel and today's Top Suspense Sizzling Summer read. It took her fifteen years to write the novel, which she considers "a flawed book yet a very ambitious one" and yet her favorite among all the ones that she's written:  

Why do I describe my first novel as flawed? This is not a finely tuned mystery novel, as sits probably in the middle of being a traditional mystery and literary fiction. Mas is very broken in this novel and not that likable at times. And I use a lot of dialect.BACHI, for instance, means “what goes around, comes around.” 

I feel that SUMMER OF THE BIG BACHI captures a community of people that you probably never knew existed. They have survived and thrived through experiences you couldn’t imagine. This summer, spend a few days in Mas Arai’s world. It will be a fresh, and unique experience and probably one you won’t forget.

She's right. Discover for yourself why so many booksellers fell in love with this book and hand-sold it to big and lasting success.

Sizzling Summer Reads

It's going to be a long, hot Top Suspense Summer! Here 12 masters of the genre will keep you on the edge of your beach towel with 12 sizzling summer reads guaranteed to get your pulse pounding.

Join in the discussions this summer and win a free copy of our second anthology! With our second Top Suspense anthology we’ll each be contributing an award nominated, an award winning, or a personal favorite story.  It will be out in the Fall, and anyone who reads and joins in the discussion on our Facebook page of four of our summer books–or better yet, reviews the books on Amazon–will receive a free copy before we make it available to the general public.

Watch the Top Suspense blog over the next three weeks as each Top Suspense author will talk about their sizzling summer books.

Blood Dreams by Jack MacLane (Bill Crider)

Blood Moon by Ed Gorman

Dying Memories by Dave Zeltserman

Motion to Kill by Joel Goldman

No One Will Hear You by Max Allan Collins & Matthew Clemens

Riptide by Paul Levine

Running Cold by Harry Shannon

Set The Night On Fire by Libby Hellmann

Summer of the Big Bachi by Naomi Hirahara

Valley Of Lights by Stephen Gallagher

Voluntary Madness by Vicki Hendricks

And Watch Me Die by yours truly. And don't forget to join our Summer Sizzling Reads discussions all summer long at our Top Suspense Facebook Page!