Mr. Monk is Slightly Less Miserable

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The first reviews of MR. MONK IS MISERABLE have started coming in. Publishers Weekly was lukewarm ("This one's likely to divert only die-hard fans of the TV show"), Harriett Klausner loved it (and you know how rare that is), and Mark Baker at Eopinions gave it a rave, so naturally he's the one I'm gonna quote here:

"Those familiar with the TV show know that it is as much comedy as mystery.  That holds true here as well.  I was laughing pretty hard at many things over the course of the book.  There is a sub-plot introduced in the second half that fans of the TV show will especially find hilarious.  It may have been my favorite part of the book, in fact. As any fan of the TV series know, when Mr. Monk is Miserable, we benefit."

In other MONK book news, the German edition of MR. MONK GOES TO GERMA51krmQ3ebbL._SS500_NY came out yesterday and I'm told it is already getting lots of press. The translator of the book tells me that the entire first printing sold out before publication to the people of Lohr, where the book takes place.

Barnes & Trouble

Borders is teetering on the edge of financial collapse and now the Wall Street Journal reports that Barnes & Noble, while not as bad off as its main competitor, is feeling some pain…and expecting more. B&N chairman Leonard Riggio wrote an internal memo that says, in part:

Never in all of the years I've been in business have I seen a worse outlook for the economy. And never in all my years as a bookseller have I seen a retail climate as poor as the one we are in. Nothing even close. […] Barnes & Noble, too, has suffered from this crisis, albeit not as severely as most retailers, and certainly not as much as other booksellers. As you know, our comparable store sales have declined for the first time in our history. As a result, we are bracing for a terrible holiday season, and expect the trend to continue well into 2009, and perhaps beyond.


Snead’s Screed — Dishonest or Stupid?

I don't know whether Louise Snead, publisher of Affaire De Coeur, is dishonest or stupid or self-deluded..or a little of all three. As you may recall, I took her magazine to task for her unethical editorial practices (accepting advertisements in exchange for reviews) and for an outrageously unethical conflict of interest  (her advertising director co-owns a sham publishing company that received cover stories, features, and extraordinarily positive reviews in the magazine).

In subsequent public comments on this blog and others, Snead and Bonny Kirby, her advertising director, unapologetically confirmed both the reviews-tied-to-advertising policy and the conflict-of-interest and defended them as appropriate conduct.

But now, in an Affaire De Coeur editorial, Sneed is trying to reframe the discussion by grossly mischaracterizing my objections, lying about her advertising policy, avoiding any mention of the magazine's conflict-of-interest, and chiding publishers for not rushing to her defense. Snead writes:

These are very serious, slanderous allegations, not even borne out by his own review. He didn't take out an ad and his publisher has never taken out ads either, so how did he manage to get a five star review if what he allegesis true?

As she knows, I never said my five-star review was bought. What I said was that AdC offered publishers the opportunity to buy reviews (and other editorial coverage) in exchange for an ad…and that, in some cases, purchasing a review was required before the book would be reviewed. Don't take my word for it, take Snead's, as stated in AdC's own advertising package:

To compliment your ad and review we also offer interviews or articles.
If you would like an interview let us know 3 months in advance so it
will go in the same issue as your review and ad.[…]Book cover
ad.–This is the cover of the book that goes right beside (or above or
below) the AdC review of your book.[…]We do not review books after
publication unless it is done in association with an ad.

It's sleazy and unethical. And, therefore, I wanted nothing to do with them or their positive review of my book. She pretends not to have this policy in her editorial and then has the gall to say:

I was under the impression people could not simply tell lies on the Internet as if they were gospel. I was wrong.

But apparently she's under the impression that it's okay to tell lies in a magazine, since that is what she's doing. She's denying an advertising-for-reviews practice that both she and Kirby have previously defended in comments they posted here and on other blogs. Did she think no one would notice?

But of equal surprise was how disinterested in the truth some readers are. Some of the AdC staff and I responded to Goldberg's allegations with the correct facts, borne out by statistics which anyone can gather from our magazines, only to be completely ignored.

She's being disingenuous. It's not possible for readers to make an informed judgment about the magazine's biases and conflicts of interest when those relationships aren't disclosed.  You won't find any disclaimers alerting readers to reviews and articles that were written as a result of an advertisement being purchased by a publisher or author…nor any disclaimers alerting readers to articles, reviews, and cover stories about publishers and books in which executives at the magazine have a financial interest. Therefore, it is impossible for readers to gather anything from flipping through the magazines about the objectivity of Snead's reviews and articles. She writes:

[…]for 27 years we have strived to produce
a product and reviews that are as good and unbiased as we can make then.

If that were true, she would have informed readers that all the Light Sword books that were reviewedall but one of which received four stars or better — were published by a company co-owned by AdC's advertising director.

If that were true, she would have informed readers in the cover stories about Light Sword that the company they were raving about was co-owned by an AdC executive.

But those facts, representing an outrageous conflict-of-interest and bias, were not disclosed. And yet, Sneed expected publishers to line up to defend AdC's dubious editorial integrity.

A greater revelation is how cowardly some people are. AdC reviews over 100 books per issue, the vast majority of which do not have ads in the magazine. Hundreds of authors and publishers could have stepped forward and declared that Goldberg's opinions were false but sadly, only a few authors did — some with qualified statements — and only one publisher stepped up to the plate, saying that we review dozens of their books and they've never taken out an ad. And even then, she did it anonymously.

I'm
guessing that publishers didn't defend
of Snead because they have very little respect for the magazine and are
disgusted by the repugnant conflicts-of-interest. I'm making that assumption
based on the tons of emails I've received from authors and editors
thanking me for taking a stand and exposing Snead's highly unethical
editorial practices.

I am not surprised that Snead is using her magazine as a soapbox to present her side of the story nor that I am
depicted as the anti-Christ nor that she doesn't acknowledge the unethical relationship between
AdC and Light Sword Publishing.
  It makes sense. She doesn't think that
there is anything wrong with her ads-in-exchange-for-reviews policy
or that her advertising director co-owns a sham publishing company that
has been heavily promoted in her magazine and has been found guilty in court of defrauding authors. In her view, the
only wrong here was that I dared to call her on it.

(Thanks to EREC for alerting me to the editorial)

Beached 4

PA230004 (2)The sun was out today in Myrtle Beach, where  I am speaking at the South Carolina Writer's Conference. I had some interesting encounters today…in the elevator, a woman said  to me:

"How much of your books does Tony Shalhoub write?"

"He doesn't write any of part of them," I replied.

"Then why is his face on the cover?"

"Because  he plays Adrian Monk on the TV show."

She narrowed her eyes at me. "Don't you think that's deceiving readers?"

Another woman came up to me later in the day and said "Your books are very funny. Why aren't you as funny in person?"

Before my screenwriting seminar, a woman approached me and said "I'd like to attend your class but there's a more interesting one  at the same time."

Other than those comments, it has been a great day…a long one, and tiring, but a lot of fun anyway. And I had the pleasure of signing with my friend Michael Connelly and introducing him as our keynote speaker. He was an engaging, self-effacing, and inspirational speaker, as always.

Tomorrow I have  two more classes/seminars and then I take a late flight back to Los Angeles. 

Mr. Monk and the Family Affair

Richardsons
Reading MONK has become a family affair for the Richardsons of El Segundo, California,  who sent me this photo and this nice note: "Sorry to beat you out of book sales but we pass each copy from one generation to the next; Grandma, Mom & Daughter.  We are looking forward to Paris! Ellen, Susan, & Robin." They won't have to wait long — I am sending them a galley of MR. MONK IS MISERABLE.

Lee & Tod at Barnes & Noble

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My brother Tod and I signed our new books (MR. MONK GOES TO GERMANY and BURN NOTICE: THE FIX) at Barnes & Noble in Calabasas today. It will be our last event together until Men of Mystery in November. I'll let Tod tell you about the Really Stupid Conversation he had with an aspiring author…I have no doubt at all that he will be blogging about it in excruciating, and hilarious, detail. I practically bit through my tongue so I wouldn't laugh.

The store is a block from my house, so a lot of my neighbors showed up, which was nice, and so did actor Matt Kaminsky (who I have killed once on DIAGNOSIS MURDER and once on MARTIAL LAW), TV writer and blogger Lisa Klink, B&N's  West Coast Regional Community Relations Director Jan Lindstrom (who treated me to a lovely lunch), KTLA's Stephanie Edwards, and my sister Linda, who took this picture (I don't know what looks worse, letting my bad arm hang at my side or hiding it behind my back, where it looks like I am scratching my ass. If I was smart, I would have just put my hand in my pocket).

We sold a bunch of books but there are still plenty of signed copies on hand if your travels take you to Calabasas, or if you are one of the TMZ or tabloid photographers who hang out in the parking lot 24/7 waiting for Jessica Simpson, Pamela Anderson, Jennifer Aniston, Adam Sandler, Angelina Jolie, or any of the other stars who shop at The Commons.

The Mail I Get

This email is so stupid, that I have to wonder if it was sent as a prank:

I realise you will get this quite a lot and are probably sick to death of people asking but I have completed a novel about Adrian Monk and wondered if I could send you the synopsis. I wouldn't presume to step on your toes but I have four great plots and have worked them into what I believe is an entertaining thriller.

I know this isn't the usual protocol of approaching people about a manuscript and I should probably go through an agent so I appreciate that I may not recieve a reply. You may also have the sole rights to the Monk novels either way thank you for your time reading this and if you do take a chance and want me to send the synopsis I am sure you will not be disapointed.

Although I have my doubts that the email is legit, I answered it as if it was. Here is what I said…

Why on earth would I, the author of the MONK novels, be interested in reading your MONK novel? Would you send a spec Spenser novel to Robert B. Parker? A spec Inspector Rebus novel to Ian Rankin? A Harry Bosch novel to Michael Connelly? Not that I am comparing myself to Parker, Rankin or Connelly, I am not in their league…I am just trying to make a point about how idiotic your request is. I can't imagine how you could have thought that it was  a good idea.

Then again, I can't imagine why you would write an entire novel on spec about a character you didn't create and don't own. I didn't create MONK, either…nor did I write a MONK novel on spec. I was hired by the creator of MONK and Penguin/Putnam to write MONK novels for them ..and now I have a multi-book deal that makes me the exclusive author of the books for several years to come.

I recommend that you write original novels that are NOT based on any pre-existing movie or television property. Tie-ins novels are assignments given to established writers by publishers who have licensed the characters from the studios…you don't simply send in a spec HOUSE or THE CLOSER novel to a publisher and hope for a sale.

On top of that, why would you send a novel to another author in the hopes of getting a job (not just any job, but his job)? Authors don't hire authors, publishers and editors do.

An Unethical Affaire

The folks at Affaire de Coeur are blogging about the controversy I sparked by rejecting their positive review of my book and outing the unethical conduct at the magazine . They write:

I don’t know whether I like this blogging business. It seems that
anyone can say anything they feel like, whether it has an iota of truth
in it or not. And, if you have something to say, say it, but please own
it. What I’m finding, however, is some of the people who write on blogs
use noms des plumes because they don’t want anyone to know who they
are. I have to ask: How valid is a person’s comment if they’re not
willing to stand behind it.

For those of you who don’t know what I’m talking about, AdC was
attacked by a writer on his blog. Lee Goldberg accused AdC of selling
reviews and ratings vis a vis ads. He, himself, had received a five
star review from us, and neither he nor his publisher has ever taken
out an ad with us. He didn’t bother to explain this inconsistency.

I didn't say that all the reviews in AdC were bought…or that Penguin bought the rave review that the magazine gave me. What I said is that reviews and editorial content at AdC are for sale…and the price is an ad. This is from Affaire de Coeur's ad pitch:

To compliment your ad and review we also offer interviews or articles.
If you would like an interview let us know 3 months in advance so it
will go in the same issue as your review and ad.[…]Book cover ad.–This is the cover of the book that goes right beside (or above or below) the AdC review of your book.[…]We do not review books after publication unless it is done in association with an ad.

It doesn't get much clearer than that.  I also accused the magazine of a blatant conflict of interest. The facts speak for themselves:

Light Sword founder Linda Daly’s DOVES MIGRATION and REBEL DOVES both
got four star reviews, one from “Lettetia Elasser” and the other from
“Inez Daylong” . Linda also got a cover story. That sort of coverage is
hardly a surprise given that Linda’s partner Bonny Kirby, vp of sales and promotion
for Light Sword, is also Affaire de Coeur's advertising director (and a reviewer for the magazine). This conflict of interest was, of course, not disclosed to readers.

Patricia Guthrie’s book IN THE ARMS OF THE ENEMY was reviewed by
“Kimberly Swan,” who gave it five stars and made it a Reviewer’s Pick.

“Kimberly Swan” gave CJ Parker’s FUGUE MACABRE: GHOST DANCE four and a half stars.

And “Lettetia Elasser” gave Alexey Braguine’s KINGMAKER three-and-half stars.

So most Light Sword titles get four stars or better from ADC…only KINGMAKER got slightly less. But the favorable treatment doesn't end there. That's just the beginning.

A reader emailed me jpegs of four Affair de
Coeur covers in a row. Lightsword co-owner Linda Daly and/or Lightsword
authors were on three out of four of them.

Sept/Oct 2007 – The cover features the jacket of Lightsword author CJ Parker’s FUGUE MACABRE and a photo of Linda Daly.

Nov/Dec. 2007 – There’s another photo of Linda Daly on the cover.

March/April 2008 – Linda Daly IS the cover story and so is her book Lightsword book DOVES MIGRATION.

But I am sure all of this attention for Linda Daly, and the rave
reviews for Lightsword Books (four out of five of them got four stars
or better), had nothing whatsoever to do with the fact that
Bonny Kirby, the co-owner of Lightsword Publishing, is also the vp of
advertising and a critic for Affaire de Coeur. No sir. It’s just one of those happy coincidences when good things happen to good people.

It's clear that Bonny Kirby engaged in an unethical conflict-of-interest. But the ultimate
responsibility for all of this mess rests not with Kirby but with Sneed, who
is the publisher. She clearly has no respect whatsoever for her readers
or the journalistic integrity of her magazine. If she did, she would
have fired Kirby by now, issued an apology to her readers, and
instituted reforms to make sure such a blatant and unethical
conflict-of-interest never occurs at her magazine again. Instead, she misses the point…or pretends to:

To put this issue to bed, I ended up writing an editorial. I also did a
side bar on how we review for those who want fact rather than hearsay
and innuendo. Finally, I have a spreadsheet on the correlation between
ads and the number of stars a review received. (There is none). So
maybe read the editorial and the sidebar and scan the spreadsheet and
then, if you still have questions about how we review, shoot!

I'd love to read this editorial, and the rationalizations it contains for unethical behavior, but I can't find Affaire De Coeur on any newstands. So if you have a copy, please send it to me at PO Box 8212, Calabasas, CA 91372

James Crumley Dies

I have just heard from a friend in Montana that author James Crumley passed away yesterday. He wrote some of my favorite private eye novels, including THE LAST GOOD KISS, DANCING BEAR and THE WRONG CASE. He will be missed.

UPDATETV Writer John Schulian's 2001 review/interview wonderfully captures Crumley's jagged charm.

UPDATE:  You can find links to tributes & remembrances from other authors and past interviews with Crumley at Sara Weinman's blog.