My friend Tex sent me this startling example of the true power of Scientology.
Current Affairs
Matt Helm
Many thanks to Bill Crider, who pointed me to this interesting and detailed article about Donald Hamilton’s MATT HELM books and how they compare to Dean Martin’s silly, swinging MATT HELM spy parodies. The article doesn’t examine the strangest twist in the page-to-screen saga of Matt Helm…when he became a private eye in a short-lived TV series starring Tony Franciosa.
Pen Pals
TV Writer Paul Guyot talks about how important it is for writers to have other writers as friends.
The intangible. See, I can talk to my wife about story, and she
reads everything I write, but even though she actually worked with
writers for a living, understands story and structure, gives very good,
precise notes, there is still something altogether different when it’s
a writer talking with another writer. There’s some nebulous thing
that’s shared.My advice to any "aspiring" writers, be it screen or prose, is to find yourself a writer buddy.
Just don’t date another writer. I’ve made that mistake.
Buffy The Con Slayer
Variety reports that the organizer of Slayercon ’05, celebrating BUFFY THE VAMPIRE SLAYER down under, has disappeared with the $500,000 raised by ticket sales.
Edward Schumacher, topper of Scooby Gang Promotions — who organized
Slayercon 2005 in Adelaide for July 2-3 — is under investigation by South
Australia’s Office of Consumer and Business Affairs after dropping off the radar
in late April with all the event coin."We are trying to contact him to see if he has a bona fide intention to hold
the convention in October or to see if we can get the money back," said Mark
Bodycoat, OCBA topper. "But it doesn’t look hopeful, in my experience if things
start to happen like this it is not going to happen at all."
Unconfirmed reports speculate that he’s donated the money to the Colonial Fan Force and their righteous cause.
How Hated Am I?
I got this email today:
Do you realize that EVERYBODY in fandom hates your fucking guts you asshole?
I think it was from my Mom, but I’m going to answer it anyway. No, I had no idea. So, for fun, I thought I’d take a look at what some people are saying. Here’s a sampling:
Thy lips rot off, Lee Goldberg! Thou jarring, fat-kidneyed scullian! You speak an infinite deal of nothing! […] Goldbergs one and all, thine sole name blisters our tongues. Thou hath more hair than wit, and more faults than hairs.
From Nobody Knows Anything Blog:
I understand the impulse to write and read fanfic—you want to live in
this wonderful world as much as you can, and twenty-four hours a year
or one book every two years or whatever just isn’t cutting it for you.
There are several novel series that I am forever hoping will just happen to have a new installment at the bookstore every time I check. But
fanfic is like a steak dinner made out of meringue—might look the real
thing, but it’s not really going to fill you up.
From Dawn Rivers Baker’s Blog:
You know, it’s all very well to nitpick about the legal shimmies and shakes of fanfic,
but the legal stuff doesn’t cover what it must be like for the author
who feels violated by other people dipping their fingers into the
author’s creation. All you really have to do to "get" the author’s perspective is to ask a victim how it feels to have just been raped.
From Nick Mamatas:
Mystery writer and TV producer Lee Goldberg picks up a stick and whacks a hornet’s nest by taking on fanfic.
I have no dog in the fight; after all, what can I say? NOBODY had
better RIP-OFF my ORiGINAL CHARACTERS like … uh … Jack Kerouac and uhm Cthulhu and William S. Burroughs and and and…
However, I do like a good brawl, especially when everyone is so
obviously speaking past one another. "It’s illegal!" "It’s a hobby!"
"It’s illegal!" "It’s a hobby!" Haven’t these people ever heard of an
illegal hobby before? They sure seem to be acting like they run their
neighborhood meth labs.
What’s the Best Way to Destroy a DVD?
All the members of The Producers Guild of America have to sign a legally binding agreement before they can receive screeners of movies and TV shows. By signing the agreement, I promise to never to sell, copy, loan or giveaway the DVDs and tapes to anyond, and:
If at some point following the relevant awards season I wish to dispose of some or all of the material I have received, I agree to do so by destroying the cassettte or DVD in a manner that prevents its recovery and reuse by any third party. I agree that any violation of this agreement may constitute grounds for discipline, including censure, suspension, or expulsion from the Producers Guild of America and may also result in civil and criminal penalties and that the owners of the rights in the works I recevie are third party beneficiaries of this agreement with the rights to enforce it.
As I menti0ned a while back, my office is already swamped with Emmy screeners. So…anybody got any tips on simple and effective ways to destroy the DVDs I don’t want to keep?
The Fight to Save Science Fiction
Yesterday on this blog, I refered to a post by Richard Wheeler lamenting the demise of the western. According to an article syndicated by the Associated Press, the Science Fiction genre is also fighting for survival. They talk to author James Gunn, who heads the University of Kansas’ Center for the
Study of Science Fiction…
…which he started in 1982 as an extension of
the writers’ workshops he conducted and courses he taught to teachers looking to add science fiction to their lesson plans. These days, he and the center are gearing up for a new mission – to save science fiction, itself.
…The economics and social shift Gunn and his supporters face are daunting, however.
Andrew Grabois, director of publisher relations at Bowker, said the combined science fiction/fantasy category published 3,197 new titles last year and sold $484.8 million, its highest total in three years.
That’s dwarfed by romance novels, which sold $1.6 billion last year, and is even behind the production of mystery writers, who cranked out 4,181 new titles in 2004.
…Gunn, who considers "Star Wars" closer to a fairy tale than science fiction, says there’s less room these days for what he calls the "mid-level" books that may not sell as well but contain the most imaginative and thought-provoking writing.
"(Science fiction) has to change to remain relevant," he said."That’s harder to do today because the best seller needs to have broad appeal, so they’re less likely to be on the cutting edge. You need that to drive the genre forward."
It seems that every genre, with the exception of Romance, feels threatened with extinction. And yet Romance Writers, whose works outpace the sales of mysteries, scifi and westerns combined, complain (and rightly so) that they get no critical respect or recognition despite the enormous commercial popularity of their work.
The moral of this story? Writers are never happy.
Holly Lisle Says No to Fanfic
Novelist Holly Lisle promises to prosecute anybody who circulates fanfic based on her work because "fanfic writers demonstrate not just blatant disregard for, but
active antagonism toward, the wishes of individual authors on this
issue."
UPDATE (6-24-05) Holly posted this as a comment on another blog entry:
"Ten years ago, I was, if not wildly supportive of the idea of
fanfic, at least tolerant of it. A few fans asked if they could write
fanfic using my characters, I told them they could as long as they
understood that they could not publish it and that I owned all rights
to the characters, and that under no circumstances would I be willing
to read what they’d written.
Times changed, associates started having to take legal action
against people who were writing in their worlds without permission, and
I asked my fans to please discontinue writing fanfiction in my worlds.
Which they did.
There were some fanfic writers posting in these threads who said
they would respect the wishes of authors who stated clearly that they
didn’t want fanfic written around their characters or worlds.
So obviously there are still some decent people like my fans who are
writing fanfic, and I feel badly about having to post a harsh notice
informing all fanfic writers that under no circumstances will I condone
any fanfic set in my worlds, and that any such writing that IS done
will be treated as derivative work and prosecuted.
Looking at the quality of people posting here, however — people who
are actively hostile toward the creators of the original work, who hold
the rights of the original creators in complete disregard, and who
state that they don’t care whether the original creators want them
writing in their worlds or not — that they intend to do what they want
until someone forces them to stop — I’m confident that the posting of
my notice is necessary.
As for taking heat from the people who have chosen to use my
statements as an opportunity to vilify me — ah, well. They’ve also
done a pretty good job of disseminating my wishing across a number of
sites and boards, thus decreasing the chances that someone writing
fanfic in one of my worlds could claim ignorance of my clearly worded
hands-off post.
So, to all of you who have been spreading the word for me, my deepest thanks."
Novik Chimes In
Naomi Novik, one of the two "pro-fanfic" guests on OPEN SOURCE, comments on the radio show and the discussion here on her blog.
To give you a sense of the bizarre logic behind her arguments, she believes
that writing reference books about television (like my book UNSOLD
TELEVISION PILOTS) is no different than fanfic.
And the books in the last category profit off the creations of others
*without* authorization — because legally you don’t need to have
authorization to report facts. So in the venn diagram of ‘borrowing
characters to write fiction’ and ‘use without authorization’, where
fanfic writers are in the intersection, he’s got one foot in either
camp even while he’s going after the people in the middle.
Need I say more? Okay, a little more. Here’s how she feels about authors who object to fanfic about their work:
I realized after posting, that the joking remark above might seem to
imply an insult any author who does object to fanfic. Not my intention
— I do understand individual authors who feel strongly that they don’t
want fanfic on their own work out there. If an author feels an intense
negative reaction to fanfic on her work, that is a completely valid
feeling. I don’t think that it obliges people to respect that feeling,
but it’s not ridiculous, it’s how she feels, and I personally do
respect that reaction out of courtesy.
Courtesy?? What
courtesy? She isn’t showing authors any courtesy at all. She "respects
the reaction," but not the author. Her attitude is basically this:
Fuck JK Rowling if she doesn’t like stories about Harry using his magic
wand to have sex with everybody at Hogwarts. Anything she writes
belongs to me to use however I see fit.
Her arrogance and stupidity is mind-boggling. Between her, and the
guy who made the "We more emotionally attached" comment, I think you
get a pretty accurate picture of the fanfic community and how they
think. Scary, isn’t it?
(I was amused, though, but her inadvertent acknowledgement of the central hypocrisy of fanficcers. If someday fanfic is written based on one of her
novel, she won’t read..
…any of the fanfic anyway (just not worth the
potential legal headaches), so what difference does it make to me?
That statement says so much. Fanficcers see absolutely nothing wrong with stealing the work of other writers, even if it the author of the work is opposed to it, but
would sue any novelist or TV producer they think may have stolen something from their
fanfic. Their work should be protected, it’s everybody else’s that up for grabs…)
Last Round-Up for Western Writers of America?
On the eve of the Western Writers of America’s annual convention, legendary western novelist Richard Wheeler laments the state of the western genre…and the wisdom of the WWA’s decision to "drop its professional requirements for membership."
This merely formalized the practice of admitting most
anyone, regardless of the strict bylaws, which had been going on for
several years. So the organization switched from being a classic guild
looking after professional members to being an open-membership group.Recently it was noted that Library Journal, which scrupulously
publishes the winners of various awards given by author societies, had
not included Spur Awards in its listings for some while. Apparently it
deemed the WWA awards to be beneath notice, which is a good indication
of the fate of the western novel. Maybe the LJ has a point: many of the
Spur judges no longer have true professional credentials, so the Spur
Awards are increasingly fan-given or wannabe-given awards rather than a
selection made by professional peers.WWA is booming, actually, now that anyone can join. It has around 600
members, publishes a flossy magazine, sets up booths at trade shows,
and is prosperous. And there is no lack of books written by members,
even if these are often print-on-demand titles from vanity presses, or
more commonly, works published by spare-bedroom presses, some of which
do not even have ISBN numbers or bar codes, and thus are not
distributed by larger booksellers.I am wondering where it will all lead.
That’s a good question…and one the Mystery Writers of America might ponder before they ever consider loosening their membership requirements.