Remaindered Raves

Bill Crider has some nice things to say about my short film "Remaindered" on his blog today:.

This twenty-minute film is funny, sharply observed, and very well put together. It might be a low-budget production, but it doesn't look it. The actors are having fun, and Goldberg gets the most out of every shot.

I'm pleased to say he's not the only author who enjoyed the movie. Here's some of the other post-Bouchercon feedback that we've received:

“REMAINDERED is brilliant! Hilarious, suspenseful, with booksigning sequences that induce PTSD… bravo! And the music was great, too,” Barry Eisler, bestselling author of “Hard Rain.”

“REMAINDERED was such a hoot. I loved everything about it and had so much fun. More awesomeness from Lee Goldberg,” Sara Gran, author of “Dope” and “Come Closer.”

“REMAINDERED was so well done on some many levels,” Naomi Hirahara, bestselling author of “Blood Hina.”

“The story was great and the actors were outstanding,” Joel Goldman, author of “No Way Out.”

“I loved REMAINDERED!” Daniel J. Hale, co-author of “Red Card.”

“I enjoyed REMAINDERED immensely,” Hal Ackerman, author of “Stein Stoned” and co-chair of the screenwriting department of the UCLA School of Theater, Film and Television

“One of the highlights of Bouchercon – the world mystery convention – was watching Lee Goldberg's independent film REMAINDERED. If it comes to a film festival near you, don't miss it. It rocked the house,” Julie Kramer, author of “Silencing Sam.”

“A marvelous script. Haven't heard that much out loud laughter from an audience in a long time,” Robert S. Levinson, author of “Ask a Dead Man.”

The short film is not yet available to the public — we've submitted it to a bunch of festivals around the country and are waiting to see how that plays out first. However, if you are a blogger or print reviewer and are interested in receiving a screener, you can contact me at lee AT leegoldberg.com for a download link or a DVD.

UPDATE 10-24-10: Paul Bishop also blogged about REMAINDERED today and he said, among other things:

"Remaindered is a smooth piece of business – not only crisply directed and acted, but with a sense of humor that resists the temptation to go over the top offered by the film’s content.

Remaindered taps into the nightmare known to many writers, the sophomore slump – when the follow-up book to a bestselling debut novel goes in the tank. In Remaindered, our intrepid author is trying to survive his sophomore slump by schlepping a third novel – this time self-published – through a series of signings in small backwoods venues because nobody else wants to give the book shelf space or attention – nobody else that is except the author’s biggest fan.

Remaindered is a hoot, a low budget production with a big heart and exceptional values. A twenty minute film that keeps you holding your breath until it explodes with laughter.

Thanks so much, Paul!

Bouchercon Day 3

Sara Gran, me, Scott Phillips Another lively day at Bouchercon… it started with a panel on the legacy of Robert B. Parker. My fellow panelists were Joseph  Finder, Dick Lochte, Mark Coggins, Declan Hughes, and Russel McLean. The panelists and the audience seemed to really enjoy it.  Afterwards, a guy came up to me and said "You look like the most hated politician in San Francisco… but now that you're standing, I see that you're fatter."

I thanked him.

The panel was  followed by a signing. A woman asked me to sign her program and, as I was doing so, she said "I really enjoyed your books back  when they were good."

I thanked her, too. Oh, these dumb comments remind me of one that came up when I was "in conversation"  with William Link. A guy in the audience stood up and asked Link "When you created COLUMBO, how much were  you influenced by Huckleberry Finn?"

"Not at all," Link said.

"This brings up an interesting question," I said. "When you created MANNIX, how much were  you influenced by CATCHER IN THE RYE?"

Link was still laughing about the Huckleberry Finn question  today when I signed with him after the Parker panel.

After the signing,  I grabbed a sandwich at Boudin and got a little writing done…then hung out in the bar for a while, talking with David Hewson, Bill Crider, Lynn Sheene, Doug Lyle, Christa Faust, Robert Ward, and probably a dozen others throughout the afternoon. 

But the highlight of the day  and the conference for me was the screening of my short film REMAINDERED tonight. The room was packed with authors, editors, agents, booksellers and fans. And they all seemed to love  it. I couldn't have asked  for a better  first screening. It really was the perfect audience for the film. I just wish the cast and crew could have been there to enjoy it with me. 

The screening  was followed by a lively Q&A and then I headed up to the bar, where I talked ebooks and the future of publishing with Penguin/NAL senior editor Sandra Harding…and later with Mulholland  Books editor John  Schoenfeller and agent Josh Getzler. I also caught up with Sara Gran, Scott Phillips, Joe Konrath, Cameron Hughes, Megan Abbott, Allison  Gaylin, and several other authors.

All in all, it was a terrific Bouchercon for me. I'm so glad that I  came up for it. 

(Pictured: Sara Gran, me, Scott Phillips)

Open Up Those Golden Gates

Kevin Signing 4 I am heading up to San Francisco this morning for Bouchercon, the world mystery conference. I’m on a bunch of panels, including one on self-published ebooks and another on the legacy of Robert B. Parker, but what I am really looking forward to is my on-stage conversation this afternoon with COLUMBO writer/producer/co-creator William Link and the screening on Saturday of my short film REMAINDERED. I’ll try to post a few reports from the conference while I am up there.

(Pictured: a screen grab from the film)

Back to Owensboro

Owensboro-kentucky-sign
I'm flying back to Owensboro today to finish up the post-production on REMAINDERED. With luck, I'll have the finished film and all of the elements (original footage, music, audio, project files, time-coded dailies, etc) on a hard-drive or two in my bag when I get on the plane back to L.A. on Monday.

This trip wasn't in the original plan,  but it's proven to be too difficult and time-consuming to edit from afar…and we haven't even started the sound mix and picture adjustments yet. But the guys have been doing great work and I'm confident we can hunker down and finish everything this weekend.  

And that would be fantastic, because the film has to be finished, polished, and audience-ready when I leave for Bouchercon in San Francisco on Oct. 14 …the premiere screening is on the 16th in front of a very influential audience.